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This document discusses several ethnic dances from the Philippines. It describes the Dugso dance performed by the Manobo people in Bukidnon, Agusan and Misamis Oriental during important occasions like feasts or tribal gatherings. It also describes the Pagdiwata dance from Palawan which depicts rituals after rice harvests, and the Salip dance from Kalinga depicting a warrior claiming his bride. The document provides brief details on the symbolic meanings and origins of these indigenous ethnic dances from the Philippines.
This document discusses several ethnic dances from the Philippines. It describes the Dugso dance performed by the Manobo people in Bukidnon, Agusan and Misamis Oriental during important occasions like feasts or tribal gatherings. It also describes the Pagdiwata dance from Palawan which depicts rituals after rice harvests, and the Salip dance from Kalinga depicting a warrior claiming his bride. The document provides brief details on the symbolic meanings and origins of these indigenous ethnic dances from the Philippines.
This document discusses several ethnic dances from the Philippines. It describes the Dugso dance performed by the Manobo people in Bukidnon, Agusan and Misamis Oriental during important occasions like feasts or tribal gatherings. It also describes the Pagdiwata dance from Palawan which depicts rituals after rice harvests, and the Salip dance from Kalinga depicting a warrior claiming his bride. The document provides brief details on the symbolic meanings and origins of these indigenous ethnic dances from the Philippines.
to used to distinguise religious dances , and designed as hymn of praise to a God, or to bring on good fortune in peace of war. They are symbolic in meaning that can’t be understood easily by persons who don’t belong to the ethnic group TYPES OF ETHNIC DANCES Dugso (meaning 'dance') is a ceremonial dance among the Manobo people in Bukidnon, Agusan and Misamis Oriental . The Dugso (also Dugsu) is usually performed during important occasions like kaliga (feasts) or kaamulan (tribal gatherings). Other occasions that call for the performance of Dugso are festivities connected to abundant harvest, the birth of a male heir or victory in war. Brandeis however, claimed that the dugso has no specific occasion underpinning aside from that of the kaliga- on festivities. He said that it is only performed to "entertain their deities". The Dugso for a kaliga is usually performed on the third day which is usually the merriest being the culmination of the whole celebrations. Pagdiwata (diwata, "deity") is a dance originating from the Tagbanua tribe of Palawan which depicts rituals after a rice harvest. The rites are held as part thanksgiving and part an appeal for continued protection by the diwata or the gods. The Salip is a Kalinga dance in which a warrior is depicted claiming his bride by giving her a matrimonial blanket. The woman then balances several clay pots on her head and follows the man, an action expressing submission. The man’s actions resemble those of a courting rooster. There is also a version of this dance performed with two men competing for the woman’s favor. The binasuan is a Filipino folk dance in which the performer holds full wine glasses in each hand while performing balancing tricks. Wine may be used to fill the glasses, but other liquids may be substituted. The arms are rotated over and under the shoulder in order to keep the palms facing up so as not to spill the liquid while nevertheless allowing the radius to cross over the ulna via pronation. Binasuan originated in Pangasinan and is popular at festive events such as weddings. Mananagat is occupational dance which originated from Bogo, Cebu. This dance imitates the work of a fisherman and his companions. Maria Neis, a native of Bogo taught the dance to her friends in Flihan, a barrio of Fabogon, near Bogo. Performers are composed of girls wearing kimona (sleeveless blouse) and boys wearing cotton shirt and colored pants.