China, India, Japan, SE Asia.: Buquiron - Jazul - Serra

China, India, Japan, SE Asia.
BUQUIRON | JAZUL | SERRA

The world’s largest
and most diverse
continent.
There are 48
countries in Asia
today, according to
the United Nations.
The 5 major regions
of Asia are Southeast
Asia, East Asia,
Central Asia, South
Asia, and Southwest
Asia (also known as
the Middle East).
18,000 BCE – 1990’s
During the Qin Dynasty
Ever since the Stone Age, China has  A massive collection of 8,000
led the world in ceramic art and warriors, 130 chariots and 150
design. Its pottery workshops have horses, along with numerous
inspired us with their modelling, officials, acrobats,
glazes, firing techniques, painting strongmen and musicians.
and enameling, and its porcelain This extravagant but awesomely
remains the finest ever made. lifelike set of clay
Chinese Bronze figures, most of which still
remain to be excavated,
Age Pottery reputedly took 700,000
workers over 38 years to
Chinese Stone produce.
Age Pottery
 Ceramicists experimented
with techniques of high fired
glazing creating pots with a
 Chinese Pottery brownish appearance which
belonging to the presaged Yueh ware.
era of Neolithic
Art.
In June 2012, for instance, an
article in Science magazine (June
2012), confirmed that fragments
(sherds) of Chinese pottery
discovered in Xianrendong Cave in
China's Jiangxi Province had been
radiocarbon dated to 18,000 BCE,
making them the oldest ceramic art
ever found.
 Location and Description
Xianrendong Cave (known as "Immortal's
Cave" in Chinese) is located at the foot
of Xiaohe mountain, in Wannian County, in
northeastern Jiangxi, in southeast China.
Xianrendong's pottery is reminiscent of
early Japanese Jomon pottery about
14,500 BCE. It consists of crudely made,
poorly fired bowls and pots, and prone
to breakage. The surviving sherds have
thick but uneven walls, with round bases
and rough surfaces. The texture of the
paste is brittle and loose, and has a
variable reddish/brown colour from
uneven firing.
Yuchanyan Cave in Hunan province, China,
is home to some of the oldest Chinese
pottery ever found. In 2009, a report in
the Proceedings of the US National
Academy of Sciences announced the
discovery of a number of ceramic pot
sherds at Yuchanyan, dating to 16,000
BCE, which ranks them amongst the oldest
Stone Age art in Asia.
Yuchanyan Cave is a limestone rock
shelter located south of the Yangzi
River basin in Daoxian county of Hunan
province, China.
Archeologists unearthed fragments from
at least two pots. One was only
partially made. The sherds analyzed were
thick (up to 2 cm), with a loose and
sandy texture, and coarsely pasted.
Kaolinite was a major constituent. They
were dark brown in color and decorated
Reconstructed Clay-Fired Pot from Yuchanyan Cave (c.16,000 BCE). Among the
with cord-marks on their inside and
Oldest art of its type. outside surfaces.
The Shang Dynasty is famous above
all for its bronzes - mostly
ceremonial vessels - and the
workmanship of its sculptors and
craftsmen testifies to a high
level of civilization. During its
700-year existence, Shang culture
was also responsible for
important developments in
Chinese pottery and jade carving,
as well as Chinese lacquerware
and ivory carving
In assessing Shang culture, and
its types of art, we are
exclusively dependent on its
elaborate burial sites.
(1) Shang Taotie (2)Bronze Head with Gold Foil Mask Sanxingdui Sculpture (3) Zun
An important stage in Chinese art
- a stage described in ancient
historical chronicles, like the
Bamboo Annals, Classic of History
and Records of the Grand
Historian - the Xia Dynasty is
now accepted as China's first
dynasty
the Erlitou culture - discovered
in 1959 by Xu Xusheng, - has been
identified by several Chinese
archeologists as the site of the
legendary Xia Dynasty
In 1959, archeologists uncovered
two palaces in Erlitou, located
at "No.1" and "No.2" sites. They
were believed to be the earliest
large-scale palaces in China,
dating back to roughly 1875-1575
BCE.
(1) Bronze Wine Drinking Vessel art (2) Black Pottery Goblet, Black eggshell pottery
During this era of Bronze Age art, the Zhou Dynasty
maintained much of the ancient art of China -
including the bronze casting of ceremonial vessels,
and jade carving - and encouraged the growth of new
visual arts like goldsmithing and lacquerware, as
well as calligraphy and its cousin Chinese painting,
nearly all of which has since been lost. Other
cultural developments included the introduction of
chopsticks, ox-drawn ploughs, large-scale irrigation
projects and a program of new roads and waterways.
Most bronze vessels were cast for use in temple
sacrifices, while some were made as funerary objects
for the tomb. (Zhou bronze workers also produced a
large quantity of weaponry, chariot-fittings,
equestrian items, and other utilitarian objects.) The
bronze containers used in sacrificial rites varied
according to function.
(1) Zhou Bronze mirror holder

The Qin Dynasty will always be
celebrated in Chinese art for at least
one achievement - its role in creating
the multi-figure terracotta sculpture
known as The Terracotta Army, an
extraordinary set of military warriors
designed to protect the Qin emperor in
the afterlife.
The three largest but most ruinous
projects were his personal mausoleum
(the size of a large town) guarded by a
life-size terracotta army; his
construction of part of the Great Wall;
and a national road system, all of
which cost the lives of thousands of
his citizens, and led to the imposition
of harsh taxes throughout the country.
As a result, within a mere three years,
a popular revolt broke out which led to
the start of the era of Han Dynasty Art
(1) One of several excavation sites of The Chinese Terracotta Army (246-208 BCE), the Qin Dynasty ceramic masterpiece.
The Han Dynasty presided over a golden
age of Chinese culture, which embraced
visual art as well as poetry,
literature and music. In the case of
both fine art and decorative art, a
major stimulus was the revival of tomb
art, which developed significantly
during both the Western and Eastern Han
eras.
During the Western Han, for instance,
deceased individuals were interred
along with objects and works of art
which they had used while they were
alive. By the era of the Eastern Han,
however, tombs tended to contain
artifacts which were made exclusively
for burial purposes. Such artifacts
included miniature items of ceramic art
- typically watchtowers and other
examples of urban architecture - along
with miniature models of farms,
pigsties, and farmyard animals.
Gilt Bronze Human-Shaped Lamp

Western Han Dynasty (c.172 BCE)
Hebei Museum, Shijiazhuang, China.
• China experienced nearly four centuries of upheaval and dislocation between
north and south, known as the Six Dynasties Period. During this time, Chinese
art was permeated by a number of outside ideas, and the characteristics of
traditional Chinese art were influenced by new cultural practices.
• The period derives its name from the six successive dynasties of South China who
each established their capital at Jianye (present-day Nanjing).
• They include: the Wu (222–280), the Dong (Eastern) Jin (317–420), the Liu-Song
(420–479), the Nan (Southern) Qi (479–502), the Nan Liang (502–557), and the Nan
Chen (557–589). At the same time, to complicate matters further, the North was
ruled by a series of dynasties founded by invaders from central Asia, including:
the Bei (Northern) Wei (386–535) based at Datong (later Luoyang); the Dong
(Eastern) Wei (534–550) based at Anyang; the Xi (Western) Wei (535–557) at
Changan (present-day Xian); the Bei Qi (550–577), at Anyang; and the Bei Zhou
(557–581) at Changan.
• Despite this general state of uncertainty, important advances were made in
various areas including medicine, astronomy, and the natural sciences.
Paradoxically, literature and music flourished, as did visual art - notably
calligraphy, the art of Chinese writing.
• The construction of Buddhist temples and monasteries proved a great stimulus for
many different types of art, especially Chinese architecture - architects built
numerous multi-storey pagodas of brick and stone, as well as a brand new
northern capital city at Luoyang - and also led to increased demand for Chinese
painting (mainly fresco painting) and bronze sculpture, as well as a range of
stonework with motifs of winged lions
Hunping Jar (c.265–316 CE) Ancient pottery from the 3rd century
Western Jin Dynasty,
decorated with Buddhist figures. Shanghai Museum.
• The Sui Dynasty lost no time in commemorating its rule
with a series of massive building projects - projects,
whose crippling costs led to crushing taxes on the
people and eventual revolt. Construction of the capital
city, Daxing, was begun in 583 under the great
architect Yuwen Kai, and was followed by the building
of an eastern capital at Luoyang, as well as the Grand
Canal along with a network of waterways. The Great Wall
of China was extended.
• One might say that the Buddhist religion acted as an
overarching cultural force that helped to unify visual
art in China during the short-lived Sui Dynasty, and to
pave the way for its renaissance during the succeeding
era of the Tang. Buddhism created a demand for several
different types of art, notably sculpture: indeed,
without Buddhism, Chinese sculpture would have remained
a minor art.
(1) Avalokitesvara Boddhisattva Stone Sculpture

(2) White-Glazed ancient pottery of the Sui Dynasty
• An amalgamation of different religions, philosophies and schools of
thought, Tang arts and crafts reflected a kaleidoscope of international
influences that were absorbed mostly through conquest and trade. Tang
armies provided safer access along the Silk Road, which maintained the
flow of goods and ideas between China, Central Asia, India, and Persia.
• Painting during the Tang Dynasty was (for the first time) dominated by
landscape painting, known as shan shui (mountain-water) painting, which
consisted of scenic views of mountains, rivers and waterfalls, depicted
with pen and ink rather than paint.
• Plastic art during the Tang Dynasty was exemplified by the stone
sculpture of Buddhas and Boddhisattvas, especially during the middle
Tang. Sadly, little Chinese Buddhist Sculpture has survived in China
although examples can be seen in Japan, which was deeply influenced by
the arts and culture of the Chinese Tang era.
• The Tang Dynasty made a notable contribution to the art of printmaking
with its invention of Woodblock printing, which continued to be the most
common Far Eastern method of printing images and texts, until the 19th
century
• Tang ceramicists, for instance, were the first to produce true hard-paste
Chinese porcelain, whose translucent white body was the thinnest yet
hardest ceramic form developed, although improvements would be made
during the eras of Song Dynasty art (960-1279) and Yuan Dynasty art
• Tang jewelry art of the period included much silver, as well as gold,
jade and other precious metals. Tang goldsmithing was also noted for
ritual objects made into foreign shapes as well as traditional Chinese
forms.
• Following the collapse of the Tang Dynasty in 906, the country was ruled
by military chiefs who governed during the so-called Five Dynasties
period. This period coincided with the emergence of one of China's most
important artists, Dong Yuan (c.934-962), who became renowned for his
figure drawing and landscape paintings, both of which remained paradigms
of brush painting until the 19th century.
(1) Portrait of Emperor Yang of Sui (643) By Yan Liben
• The Song Dynasty is divided into two quite distinct periods: the Northern
Song (Bei Song) (960-1127), based in Bianjing (present-day Kaifeng),
which controlled most of inner China; and the Southern Song (Nan Song)
(1127-1279), based at Lin'an (present-day Hangzhou).
• Patronage of numous types of art flourished - several Song Emperors
prided themselves on their skill at ink and wash painting - not least
because the wealthier classes became avid collectors of works of art and
antiquities, as exemplified by the activities of the poet and statesman
Su Shi (1037–1101).
• Bei Song art was shaped by the dominant political concern of bringing
order to the world and, in the process, sorting out the major issues
affecting society at large. Thus paintings typically depicted vast,
sweeping landscapes. In contrast, the Nan Song concerned themselves
primarily with reforming society from the bottom up and on a much smaller
scale. Therefore, their paintings tended to feature smaller, more
intimate scenes.
• its decorative art is best illustrated by exquisite Chinese pottery, for
which both the Northern and Southern Song dynasties are renowned. Bei
Song ceramic art is especially rare and valuable, because most of the
imperial kilns (including the famous Ru kiln) were located in the north,
where they were destroyed or shut down after the Tartar invasion of 1127.
• The modest Song revival of Buddhism, since its repression under the late
Tangs, precipitated a new phase of Chinese Buddhist Sculpture. This was
plainly evidenced in the continued construction of monumental stone
sculpture at the Dazu site in Sichuan province.
• Song architecture was characterized by its tall buildings, such as the
360-foot (110-metre) pagoda in Bianjing, as well as the eaves of its
roofs which Song architects curved upward at the corners.
(1) Early Spring (1072) (2) Solitary Temple amid Clearing Peaks (c.960)
• As a result, many scholars withdrew into themselves, preferring to
practice their form of traditional Chinese painting in solitude,
or within narrow circles, or under the auspices of Buddhism or
Daoism. Naturalism - truth to nature - was abandoned in favor of a
more symbolic style of ink and wash painting (using stark and
simple forms, like bamboo, rocks, clouds), as a vehicle for self-
expression.
• Renewed attention was paid to traditional crafts, including
goldsmithing, as well as jewelry art - using gold, silver as well
as other precious metals, minerals and rocks, such as lapis lazuli
from northeastern Afghanistan.
• Among new art forms which emerged during the early Yuan, zaju was
a type of popular theatrical entertainment - a type of opera or
vaudeville involving poetry, gymnastics, music, painting and other
forms of decorative design. It even extended to artifacts found in
tombs of the period, such as mural paintings and a variety of
small statues depicting popular zaju characters.
(1) Kublai Khan out Hunting (c.1280)

• Ming rule introduced a period of cultural restoration and
expansion, leading to a widespread renewal of traditional
types of art, such as Chinese pottery (notably the blue and
white Chinese porcelain), which exceeded even the standards
set by Song Dynasty art
• the Ming empire had become prosperous and stable, and
Chinese architecture was among the first of the visual arts
to benefit. Major construction projects included the
building of the Forbidden City in Beijing
• Ming painting maintained the traditions of the earlier
Southern Song painting academy, as well as those of the Yuan
Dynasty. In the latter, each painting is built up from a
series of brushstrokes, exactly expressing the personality
and feelings of the artist, rather than merely his technical
competence: an approach exemplified by the Ming scholar-
artist Xu Wei (1521-93), in his ink drawing Bamboo (1540,
Freer Gallery of Art, Smithsonian Museum), which illustrates
his technique of broad, bold slashes of ink and loosely
executed lines
• Ming decorative art built upon the richly varied legacy of
the Mongol Yuan dynasty, which embraced both traditional
Chinese art and foreign styles. At the same time, new rules
ensured that a uniform standard of craftsmanship was adhered
to, in order to maintain quality and safeguard exports. The
main applied arts developed under the Mings were: horn and
ivory carving; goldsmithery, cloisonné, jewelry art, other
forms of metalwork; jade carving; silks and textiles, and
Chinese lacquerware.
(1) Jar with Carp Design (1522-66) (2) Appreciating Plums (1598-1652)
• In 1644, unified by strong leaders, the Manchus swept down through the
Great Wall, captured Beijing and established their own Qing (or Pure)
dynasty, thus ending the era of Ming Dynasty art
• Three main groups of artists were at work during the Qing Dynasty: (1)
the traditionalists, who aimed to revitalize painting through a more
modern reinterpretation of past models; (2) the individualists and
scholar-artists, (epitomized by the likes of Bada Shanren), who pursued
a highly personal style of art - often containing symbols of political
defiance; and (3) the courtiers and professional artists who were
employed by the imperial court.
• Chinese painting under the Qings is characterized both by lavish
decoration and orthodox academicism.
• Qing emperors made religious and diplomatic alliances with Tibet and
Mongolia, resulting in the building of many Buddhist temples of the
Tibetan school, notably in Beijing.
• During the Qing Dynasty included the use of bright colours and
meticulously painted scenes to decorate plates and vases. Chinese
porcelain craftsmen began making five-coloured ware by applying a
variety of underglaze pigments largely to floral and landscape scenes -
a style which was (and is) much prized in the West.
(1) Portraits of the Yongzheng Emperor enjoying himself

during the lunar month (one of a set of twelve),
290,000 BCE – 19th Century
The cultural heritage of India is one of the richest and most
ancient in the world, rivalled only by Chinese art. Kandariya Mahadeva Temple
 at Khajuraho in Madhya Pradesh
- noted for its Nagara-style
architecture, and
extraordinary erotic relief
sculpture.
The Dancing Girl

Mughal Painting
of Mohenjo-Daro
 It emerged and flourished during

the the Mughal Empire in the
sixteenth-nineteenth centuries,
coinciding with the upsurge in the
 arguably the finest art of illumination in Persia,
surviving statuette of which reached its heyday during
the Indus Valley the Safavid Dynasty
culture.
• The oldest known prehistoric art is the series
of petroglyphs discovered during the 1990s in
two ancient quartzite caves in India: the
Auditorium Cave at Bhimbetka and a rock shelter
at Daraki-Chattan. This cave art consists of
numerous cupules - non-utilitarian hemispherical
cup-shaped depressions - hammered out of the
rock surface.
• The two prehistoric caves where the world's
earliest art was found, are located in the
Madhya Pradesh region of central India. Thus at
present it seems that the art of India is
considerably older than African art, hitherto
assumed to comprise the earliest artistic
tradition
(1) Cupule and meander petroglyph on a boulder at the Auditorium Cave,

(2) Rock Art from Bhimbetka
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(1) Zhou Bronze mirror holder

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