Beruflich Dokumente
Kultur Dokumente
• Semiotics can get under the skin of culture, product and brand
symbolism by understanding the hidden forces that inform consumer
understanding, engagement and enjoyment
About Greg Rowland Semiotics
• Greg Rowland works with a large global network of specialist analysts to provide
analysis and inspiration for brands, products, design and marketing through single or
multi-country projects
• Our clients include Unilever, GSK, Diageo, Calvin Klein, Kellogg, UBS, Wrigley,
Tesco, T-Mobile, Exxon Mobil, Reckitt Benckiser, McCain, Mercedes Benz, Sealine,
Barclaycard, William Hill, Ford, KFC, UK Govt agencies and many others
• Our pool of over fifty freelancers provide findings which are then
translated into accessible debriefs and actionable recommendations
by the London team
New Brand
Metaphors
Brand Needs
and Codes
Emergent Codes
• consumers generate certain insights into how they feel and think
• but semiotics asks questions of brands and cultures rather than people
• we would argue that consumers are not solely the author of their opinions
• so semiotics seeks to investigate how culture works - and help brands manipulate brands
and culture more effectively
Culture is always constructed…
Our beliefs, desires, attitudes and ideas are constructed. Forces act upon us to
shape our identities within culture..
Personal
Experience
CULTURE
Culture is always constructed… (cont)
• we are often not aware of how culture shapes us and the world around us
The critical aspect is to find the connections that can evolve new
cultural or symbolic spaces for brands to explore…
Codes are constructed by Signs
“e-l-e-p-h-a-n-t”
(arbitrary)
(iconic)
Encoding Elephants
• Dumbo
• Sabu’s pet
• Nellie
• Babar
• Elephant Man
etc etc
Signs are therefore energetic and dynamic…
CULTURAL MEANINGS
Examples of what we do…
Noodle
Oriental Food
Vernacular Noodle
• jazz noodling
• Pot and Noodle therefore brings signifieds of excess, fun, silliness and a tinge
of drug lore….
We did a paradigm… And found that Pot Noodle was not exactly one thing
or another…
Silly Serious
Kid Adult
Rubbish Quality
Impulse Planned
Individual Collective
Cheap Not so cheap
Instant Gratification Deferred gratification
Motion Sedentary
Inauthentic Authentic
Out of home In home
Insubstantial Substantial
Intense Taste Hit Grown Up Flavours
Snacks simply subvert real food values – what if Pot Noodle perverted food
values instead?
Good Food Pot Noodle
Wholesome Artificial
Real Fake
Natural Technological
Effort Easy
Aesthetics Crass
High Culture Low Culture
Serious Playful
Real Pleasure Base Gratification
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Rexona for Women: Russia
• Women were saying that they used it everyday, but the sales data
was not stacking up
• Shared Concepts
• Overall, we felt that Russia needed glamorous glossy advertising, but with a
challenging marketing message that reflected the relative lack of evolution
within the category…
Examples of Semiotic Platforms for Advertising Inspiration
• Sweat Monsters
• Odour as Tell-Tale
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Exploring Calvin Klein
Calvinist Klein
• the Protestant reformer, John Calvin, was a leading light of the Puritan movement
that had such a profound influence on the US
• John Calvin's desire for simplicity and clarity – and a ascetical rejection of material
and clutter predates and informs Modernist Minimalism
• the modern inheritance of this idea is the Existential Crisis, a battle between
representation and reality, free-will and fate – and is echoed, once again, in Calvin
Klein's aesthetic universe wherein players are being played, and are victim of their
destructive emotional urges….
Exploring Calvin Klein
So what does modernism look like?
Minimal
Industrial
Experimental
Shocking
Melancholic
Fascistic
Emancipatory
Difficult
Elitist
Disruptive
Calvin Klein Best Practice Brand Map
Austerity Melancholia
Control Minimalism
Aesthetic
Modernism
Sexy
Non-Orgasmic
Open Ended/Non-closure
Brash Classic/modernist
Loud Intense (ie. within herself rather than having to shout about it)
Individualistic (my pleasure, my orgasm) Dualistic (happier with a shared soul-to-soul experience)
Fluid: ever changing, playing with multiple roles at any one Linear: on a joint sexual journey (even though the ending is
time: post modern unknown): modernist
• anti-shock tactics
• it's actually more exciting to enjoy the journey rather than focus on orgasm/the pure distillation of
the end result…
• the shock of the non-conclusion: emotion in transition rather than as (eg Gucci) an end-point.
• remain true to the Master Brand while offering the consumer something new and different.
• for women, foreplay (ie the journey) is generally more exiting than (Gucci's intercourse (the end
result)
• thus Calvin Klein's sexuality is more exciting and less over-used than the Gucci route (whose porn-
inspired imagery becomes increasingly less distinctive as many others crowd in on the codes)
• let Gucci and the others enjoy their (possibly faked) orgasms and let Calvin Klein explore the richer
wider world of human sexuality…
4. Strategic Brand Thinking
The Opportunity for Calvin Klein
• Calvin Klein can explore the aesthetic possibilities around a sexy world
which is tinged by darkness, and people's fears of the future ---whether these
fears turn out to be real or imaginary they represent a powerful discourse that
is simultaneously sexy, true to Calvin Klein and highly differentiating within
the sector….
Calvinist Aesthetic
Emotional/Interpersonal Process
Intensity
Irreducible to single meaning
Cultural
Fragrance Values
Salience/Intrigue
Concept One
Cultural Support
• populist amnesia movies like The Bourne Identity, Memento, Total Recall
• the ultimate make-over for The Self – a potentially new Self everyday
Modernist Factor
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