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Introduction
Key elements of the Islamic outdoor: Water - fountains, ponds, water channels moving Green, dense, fresh planting of cypress and fruit-bearing plants that produce shadow Walls or fences that enclose the outdoor area and a mysterious and private character An outdoor harmony in symmetry, using geometric forms of water, trails, pavilions or planting In time Islamic gardens became more complex and their form was reflected in city planning
The basic form of an Islamic garden is based upon intersecting canals forming four quadrants. This was based on an ancient cosmological idea that the universe was made of four quarters divided by two great rivers. Shade was provided by canopies (baldaquin) and pavilions. There were no representational sculptures. The most common shade trees were sycamore, poplars, elms, maples, willows, myrtles. As in earlier gardens, Scented flowers, in formal symmetrical beds, were important. Avenues of trees often included cypress trees, with their tall, narrow habit, fruit trees, and shade trees such as the plane tree. On forts and hillsides, elaborate terraces were constructed. Paths were usually raised above ground level.
Mughal Gardens
The Mughals were known for four major types of garden: Palace gardens Terraced gardens Waterfront gardens; and Tomb gardens The founder of the Mughal empire, Babur described his favoured type of garden as a charbagh. This word developed a new meaning in India because, as Babur explains, India lacked the fast-flowing streams required for the Central Asian charbagh. The Agra garden, now known as the Ram Bagh, is thought to have been the first charbagh.
Soon after his conquest of hindustan, he had built gardens with running water at Agra, Dholpur, and Sikri. Babur, describing the building of his first garden near Agra, mentions the formal layout and the water bodies and summarises: thus, in unpleasant and inharmonious India,
The results of landscape architecture of each of these places were expressions of the familiar theme of formal Mughal gardens. However, the undulating topography of the land and the abundant and endless supply of water from running mountain streams introduced 2 new dimensions into Mughal gardens of the hillsA. Pools of still waters were replaced by cascades and flowing channels; and B. The gardens and pavilions were located on gradually ascending levels. There were flagged walkways dividing flat rectangular garden areas hewn out of the foothills into formal square spaces, with chinar trees and flower beds planted in linear patterns along the channeled paths of flowing water.
At strategic points of change of levels, minimum stone pavilions- sometimes in black stone- were erected. These wee perched on short columns over cascades of falling water. Be it Shalimar, Nishat, Achabal, or Verinag, Jahangir ordered the same geometric pattern of the mughal gardenevolved from the square, the rectangle or the octagon- to be superimposed on the natural landscape to create an environment seemingly more comprehensible to human parameters of appreciation. But that was the closest Jahangir could come to architecture.
Shalimar Garden, developed by Jehangir and later by his son Shahjahan, is the epitome of Islamic garden design brought to India by Babur. The linear water channel, formed by diverting the water from the mountain to the lake, is the central axis in this symmetrical garden. The row of square gardens are connected by canals with pavilions built over them. Seated in these pavilions, surrounded by lush greenery, lulled by the sound of flowing water, chaddars or waterfalls and fountains, it is easy to imagine that this is the 'Paradise in Heaven described in the Koran. A zenana (segregated area for women) at the far end of the garden built by Shahjahan, has a pavilion of black marble.
layout plan
Waterfalls have been created using steps.Flowers and candles were kept in the niche behind the waterfalls.
This pavilion also doubles as the Diwan-i-Khas where Mughal emperors gave private audience
The gardens of the Taj Mahal are typical of Mughal gardens, with a formal, symmetrical design and abundant water flowing through channels and pools. Typically, two water channels cross each other, dividing the garden into four quarters. A central pool or pavilion marks the centre of the garden. As well as flowing in channels, water is also used in cascades and fountains, and is appreciated for its air-cooling properties.
Plan of the taj mahal with the garden in between the gateway and the tomb, unlike the humayun tomb which is placed in the centre of the 16 squares