Beruflich Dokumente
Kultur Dokumente
Benjamin Mills
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Introduction
As a class we all studied together common codes and conventions of TV documentaries, looking specifically at supersize me which contains a vast array of codes and conventions typical of TV documentaries and also provided examples of where conventions were challenged. Our group (three in total) were therefore able to bring together a vast mixture of knowledge of codes and conventions from TV documentaries, both learned in class from year 12/AS level, year 13/A2 level and also from own personal experiences of documentaries outside of the classroom. Our aim was to create a documentary that replicated as closely as possible a real life documentary, therefore implementing as much professionalism as possible from the knowledge each member of the group could offer. Therefore we ensured that each member provided as much input to every section of the coursework as possible as to exaggerate our use of understanding and reach our aim. Also the use of further research into real life documentaries helped to guide our own creation of our three media texts and again to create a professional piece of work.
Through research on our topic we found that many documentaries begin with a fast montage of clips which usually involve the target audience/the audience that the documentary is featured around. After studying the documentary series Embarrassing Teen Bodies (Binge Drinking dangers episode) we saw that introducing the target audience in the opening clip was a popular convention. Therefore our documentary begins with a fast pace edit of students at Solihull Sixthform College.
FYI Binge Drinking
Both subjects dressed appropriately as to signify profession and formality of the interview.
We also used many other techniques shown in supersize me which help to create documentary: continuous flow and fast pace, this provides the onlooker with lots of information in a short space of time and keeps speed in the documentary as to prevent boredom and monotony.
The use of increasing footage speed (x4) and fast cuts gave the documentary a fast pace. This is a media convention learned from watching supersize me and other related documentaries as they all aim to keep onlooker interest and attention.
Also the use of an establishing shot was a convention that we observed in our research stage of the documentary creation process. The establishing shot is used in many professional documentaries as it offers a short introduction to a clip, such as an interview, showing the surroundings and setting the scene. Similar to Morgan Spurlocks documentary; Supersize Me, our documentary FYI Binge Drinking also uses establishing shots to provide an introduction and the setting of the scene to an important clip, as it is important to provide the audience with as much imagery about the upcoming clip as possible as it exaggerate its significance.
Vox-pops
The use of vox-pops in our documentary, FYI Binge Drinking allowed us to gather masses of opinions and attitudes of young people (our target audience) vox-pops often accomplish gathering the opinions of the public and those who the topic affects directly. We, like many directors of documentaries used the vox-pop convention to portray how unaware our target audience were of the affects of binge drinking and how easily it can become a major problem therefore providing a basis for the creation of our documentary.
Voice over
The use of the voiceover in our documentary was to offer an introduction to certain topics and the different sections, the voiceover also helped to provide additional information on top of what was already being portrayed, however was not used as the main source of providing information as we focused mainly on the information we had gathered from professionals and the opinions of those young people, our target audience, gathered through Vox-pops. When studying and evaluating Morgan Spurlocks documentary supersize me we found that he used lots of voice over on top of; background footage, images and animation. We however have stayed away from this media convention and have used the voiceover to the effect of piecing the documentary together smoothly rather than be a basis of providing deep information. Morgan Spurlock both does the voice over in his documentary and features as the main theme/character throughout his documentary, in our documentary however I provide the voiceover and I do not feature in the documentary, therefore in supersize me the voiceover is more diegetic as Spurlock is often in the shot and the voiceover is accompanying what he is doing. In our documentary FYI Binge Drinking however the sound is classed as non-diegetic as we are not present on-screen during the voiceover or at any point throughout the documentary.
Content text well spaced out, in columns with images incorporated as to help break it up. This makes the magazine more appealing for a reader as it appears a lighter read. Smaller Images of character/s featuring as to relate to the onlooker. Also helping to
No large spaces left uncovered. As to make the page appear full, interesting and exciting.
The redline shows the sound levels that have been adjusted in each clip as to maintain a constant level of sound throughout.
Extracts taken from the documentary, following the codes and conventions of advertising radio trailers.
Voiceover- same voice used as in documentary. Voiceover is sharp providing the listener with quick need to know information as not to confuse them with an information overload.
Voiceover script: "For your information: Binge Drinking" "1 in 4 teen drinkers will become alcohol dependent" "Channel 4, Thursday the 16th February, 9PM. Be there - Become aware."
We studied the above conventions as to create a radio trailer that would be suitable for our chosen topic (Binge drinking) target audience (13-23year olds) and radio station (Capital FM). From the majority of radio trailers that we studied they included clips from the documentary/program that they were advertising therefore we also included this convention in our own piece, using a variety of different clips from the documentary that would create an exciting and shocking radio trailer.
Target Audience
The target audience we chose was both males and females between the ages 13-23. Binge drinking is something that affects both males and females all over Britain (and in many other counties across the world) and we saw that it could begin with those as young as 13, young teens experiencing their first parties involving alcohol. Therefore we believed it was best to tackle the issue right at its root as to prevent the issue starting and then becoming more difficult to control. We found that binge drinking tended to peak towards the later teenage years therefore these were also a group we were keen to target to offer information to help them become aware before the problem became threatening, causing direct damage to their bodies or leading to alcohol dependency. Therefore appropriate media codes and conventions were used in order to target this group in particular, involving quick camera cuts, pans and fast zooms to encourage a feeling of pace and movement in the documentary. The radio trailer also had many fast, informative, shocking clips and quotations with a serious voiceover as to provide a balance of light-heartedness when needed and also seriousness around the topic as a way to relate well with the target audience.
How affective is the combination of your main product and ancillary tasks?
Documentary
We chose a fast upbeat soundtrack to play throughout our documentary as to provide pace and continuation, filling in any silent areas such as background footage. The fast pace and upbeat track we chose specifically as it is young and trendy and fits well with the target audience 13-23year olds. This track was also used in the radio trailer as to ensure continuation through the media texts.
Upbeat voiceover helping link the different pieces of footage together, the same voiceover used in the radio trailer.
Professional interviews with biology teacher, student development officer and representative of a health campaign, who provided us with information that we turned into shocking facts which were used in both the radio trailer and the magazine article also.
The main product/document ary was the basis for our ancillary texts which were created around it.
Radio Trailer
The same background music from the documentary used in the radio trailer as to ensure consistence and brand identity Short, fast pace, shocking clips/quotes taken from the documentary itself, used at the start of the radio trailer to grab the listeners attention.
Sound of smashing bottle, loud and shocking, grabs listeners attention before the listings information is given such as the time and date of the documentary showing. Shocking statistic taken from the documentary and used in the voiceover script, to add both brand identity and also consistency and regularity throughout the three media texts.
Voiceover states the channel that the documentary will feature on, channel 4. This channel often broadcasts documentaries with a similar/same target audience to our own
The use of our strapline in the documentary; are you aware? was used as the title to the article instead of the name of the documentary (FYI Binge Drinking) the strapline features in both the radio trailer and documentary also and we considered it a more catchy title for the article. The use of this image, taken from the documentary shows the light-hearted approach we have created as the character in the image is wearing eye distortion glasses which replicate the feeling of drunkeness on the eyes and the bodies spacial awareness. This is light-hearted theme is something we have aimed to create throughout all three of our media texts.
The content of the article makes reference to the formal interviews and highlighting the serious side to the topic. Providing the reader with enough information to gain interest and encourage them to watch the documentary.
Significant vox-pops and formal interviewees. Familiar faces in our documentary as the subjects both occur multiple times throughout. This therefore gives relation and significance to the reader if they then choose to watch the documentary
Shocking facts/quotes taken from the documentary and from our research and development stage of the project.
The main large image of a smashed bottle used on the article is in one of our first clips to the opening of our documentary when the title appears on the page, therefore a significant image that links the documentary and magazine article together.
Females = 60%
There is always the issue when producing products in media that you can influence them to appeal to your own age group/a target audience that you would fall into, this is known as director bias and can therefore prevent the documentary appealing to people you have included in your target audience who are on the boundaries of the scope, for example the youngest or oldest in your chosen group. Therefore we made sure that we included the 16 and under target group when collecting audience feedback as to ensure that our media texts did appeal to them also.
We asked our target audience: Do you think our documentary is appropriate for our target audience?
The most appropriate people to judge whether the documentary is suitable for our chosen target audience (males and females 13-23 years old) is the audience themselves and 100% of them though it was. This means that even though 10% of people stated that they didnt find the documentary interesting they still thought it was appropriate for the target audience explaining that their disinterest was due to personal choice/individual differences.
Yes = 100%
We asked our target audience: How professional do you think our formal interviews looked?
Professional = 80% Average = 15% Unprofessional = 5%
80% of our feedback stated that the formal interviews looked professional and that of a real life documentary. the other 20% suggested that the formal interviews seemed only average or even unprofessional. We allowed a space on the feedback questionnaires in which we asked the participant to state why they made that decision. Some of them did not state why, therefore not helping with our feedback research as it doesnt inform us what we would change and alter as to improve our product. However from the ones that did provide an explanation we found that: The mise-en-scene could have been more creative
We ensured that our professional interviews were in an appropriate environment as to reflect their profession. For Victoria (from white ribbon) we set up binge drinking awareness boards behind her. For Richard the Biologist teacher we uploaded images of the liver on a computer behind him, and Julie was in her office, her natural place of work as the colleges student development officer.
We also conducted some verbal feedback from a class of students (approx 25 people) as to gather some more qualitative feedback rather than just the quantitative feedback from the questionnaires. Some of the main points were as follows:
Clear voiceover A fast pace keeping interest A good opening sequence grabbing interest from the word go Appropriate background music Good consistent sound levels
Some points were also made on how we could improve our documentary: More formal interviews from people external from the college -we did attempt to get formal interviews from doctors at local surgeries and from the local police however we were
unsuccessful.
Some of the statistics were not on the screen for long enough
-This is true and the fault was made due to attempting to keep the documentary fast pace, however if we were to do this project again Id make sure the statistics were left on the screen for long enough to read them properly as they are there to shock and make an impact.
We felt that our magazine was appropriate for our target group and our feedback audience agreed, some stated that the article was quite text heavy, however others disagreed and made the point that the text is well broken up with images and appears light to read. We suggested that our magazine article was suitable for the radio times. Our audience agreed that it was however that they didnt regularly look at the radio times and that the radio times was not necessarily a times listing magazine that is appropriate for our target audience of 13-23year olds.
They particularly liked the broken bottle that scattered, from the bottom right, across the page The mixture of images and text and how the images were imbedded into the text. The use of quotes in large red font across both pages to help break the article up when reading. They liked the use of a question in the title as to make them think Am I Aware??
The audience also liked the upbeat music used and said that it fitted well with the pace of the radio trailer and was appropriate for the target audience. Overall the audience agreed that the sound balance was good.
Those who stated that the radio trailer was only somewhat appropriate for the target audience went on to explain why: Some thought that the voiceover was too mono-tone and believed that a radio trailer for young people should have an upbeat, bubbly, positive voiceover Some believed that the voiceover spoke too slow
- There was a reason behind the slower speech, than in the documentary, and this is because we wanted to ensure that the listener heard every word that was said.
Overall:
I am very pleased with the results that were concluded from the audience feedback. The results show that the target audience are happy with the three products we created and enjoyed watching, listening and reading them. Therefore they were a success. However we have also been given very fair valid points that explain how we could improve the three media texts. This is very useful and is taken as constructive criticism and has helped guide my learning in media, providing me with knowledge of what I would do differently next time. Many of the audience stated that the products looked as though they could be real life media texts from professional producers, this was one of our aims and I feel that we have succeeded this objective to the best of our ability with the knowledge we had and the equipment we used.
How did you use media technologies in the construction, research, planning and evaluation stages?
Blogger
The college provided Blogger as the blogging platform we must use to share and log all of our research and findings onto. Blogger is a useful website allowing us to upload; text, images and videos, therefore being much more efficient than paper use and much more technologically advanced. We used blogger to its full capabilities uploading lots of information broken down with images, videos and hyperlinks to provide as much evidence of research and planning as possible. Blogger also allowed us to upload images that we had scanned onto the computer. This was very useful as we often made mind-maps, bullet points and notes in class or on the go when a computer may not have been accessible. Therefore another media technology that we found helpful was a scanner.
Production
During production we were introduced to some equipment that we had used previously, inside and outside of college, and some equipment which was totally new to us. We were provided with a digital video camera, we all had previous experience with a video camera inside or outside of college, our experiences were all different and therefore we had a mixture of knowledge to bring to the table and offer each other. The video camera had a variety of complex settings allowing us to make the image perfect for each situation, from dark rooms to bright and sunny outdoor shots. The video camera also has an inbuilt hard drive which was very useful as it allowed us to upload our footage really quickly at the end of a session. Due to the camera the footage gained was of a high quality which helped to create a more professional looking documentary. We also used a directional/shotgun microphone, this was a new piece of technological equipment to all of the group, however the microphone was simple to use and conveniently plugged into the video camera. The directional microphone aims to pick up the sounds in which the tip is directed towards and then block out background noise. We found this very useful when interviewing vox-pops as often the interview was done in a loud crowded place. However the microphone was not effective at cutting out the sound of wind and in some of the footage we collected the wind was to disrupting to the shot forcing us to be unable to use that footage. We also used headphones. This is an item we had all used in the past and were very familiar with. They again conveniently plugged into the video camera and helped us to monitor the sound levels, ensuring that the microphone was working properly and we were picking up the desired sounds from each shot.
The top section shows the footage and the bottom section shows its sound and any added sound tracks
The time line, with a zoom bar allowing you to view certain clips close up or view the timeline as a whole.
Final Cut Express offered all of the tools necessary for the creation of a radio trailer and was the most efficient way of producing one as all of the footage from the documentary was on the system so it was very simple to access and the format did not need to be altered. We could therefore take any piece of footage sound track from the documentary and simply drag it into the new timeline for the radio trailer. An advertising radio trailer, like ours, often takes sound tracks, quotation and clips from the documentary as to offer a glimpse of what the listener could be watching.
Sound level monitoring bars crucial. A tool that was crucial in the creation of a radio trailer as the sound levels must be consistently perfect throughout. Timeline- the quotations and clips on the top line and the background music on the bottom. Redline allows you to alter the sound levels. Crucial in a radio trailer as the sound must be consistent throughout.
Cursor tool bar, allowing for the movement and manipulation of different components on screen.
Layout guidelines as to help direct the arrangement of all the components within the magazine article.