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- DokumentA study that explores the use of sampling in the cycle of hood films between the years of 1989 and 1995, highlighted by a detailed analysis of the use of audio sampling in Do the Right Thing (Lee, 1989) and the use of visual sampling in a section of Tales from the Hood (1995) called “Hardcore Convict”. Following such analysis, would it be fair to say that the use of sampling in these films reinforces opposition towards dominant ideology and mainstream representations of African-American culture?hochgeladen vonRussell Cook