Beruflich Dokumente
Kultur Dokumente
2014
O P E N
VALUE
Raphael V. M. Volkmer
Open
Value
Design Thesis
Research and documentation
Raphael Vincent Maria Volkmer
Exam Session 2014, 14.2
Free University of Bolzano, Italy
Faculty of Design and Art
Supervisor: Kris Krois
Second Supervisor: Sebastian Camerer
AKRAT will als Initiative ein authentisches und nachhaltiges Zusammenspiel zwischen Wirtschaft,
Sozialem und Kultur im und durch den Arbeitsalltag in der Genossenschaft selbst und in der
Gesellschaft frdern und leben. Dabei soll vorhandenen/alten Resourcen und Materialien, wie Holz
und Textilien, durch kreatives Wiederverwerten einem unverwechselbaren Wert verliehen
werden. Darber hinaus wird versucht, Menschen mit einer sozialen Benachteiligung wieder in
Arbeits und Erwerbszusammenhnge zu integrieren und somit deren Position in der
Gesellschaft zu strken.
Das fr mich interessante an AKRAT ist die pluralistische Organisationsstruktur als Sozial
Genossenschaft und damit verbunden die Vielfalt an Persnlichkeiten die als Mitglieder in die
Initiative involviert sind. Fr die Ausarbeitung eines konkreten Projektes werde ich mich
deshalb zunchst verstrkt mit den einzelnen Mitglieder beschftigen, um deren Fhigkeiten
und Werte besser zu verstehen.
Meine Rolle und Ausgangssituation lsst sich nun am besten mit einer Reihe von Fragestellungen
umreien, die fr den weiteren Verlauf des Projekts eine Rolle spielen werden:
Wie lsst sich Produkt und Kommunikationsdesign im gemeinschaftlichen Kontext sinnschaffend nutzen?
#Design research, #Prozess design, #Kommunikationsdesign
Wie lassen sich bestimmte Werte durch Produkt und Kommunikationsdesign vermitteln?
#Kommunikationsdesign, #Produktdesign, #Mehrwert, #Design literacy, #Branding
Welchen Wert hat geteiltes Wissen in lokalen Gemeinschaften und wie lsst sich dieses besser
vermitteln und teilen? #Open design, #Sharing, #Kuration
Welche Methodiken der partizipativen Gestaltung existieren und welche knnte man im konkreten
Fall anwenden/verbinden/weiterentwickeln? #Participatory design
Wie lsst sich bestehendes Wissen und neu entstehende (digitale) Werkzeuge sinnvoll
lokal implementieren? #Open design, #Open source, #Kollektives Lernen
Wie kann man das erlange Wissen wieder einer greren Gemeinschaft zugnglich machen?
#Knowledge sharing, #Digital communities
Approaching
research
The way I approached this design thesis is a kind of
curating and connecting of existing information to
understand and make understandable the underlying
pattern that emerges from these connections.
I rather commented to the found pieces of information
that are bound together by the higher context of the
research topic adding my personal thoughts where
appropriate to understand this context better.
Bolzano,
2 6 . J u n e 2 0 14
Content
Directory
theoretical foundation
10
14
Possibilitarians
Introduction
what if
everything?
from
OPEN DESIGN NOW
role models/
young initatives
18
20
24
Topic cloud
Open Value
Wissen.Macht.Moral.
research
framework
knowledge.power.
morality.
research
26
28
40
Transformation Design
Speculative Design
inventing alternative
futures
street vendors
and value systems
42
44
48
Intercultural learning
'Learn to unlearn'
Open Value II
the kiosk
from pragmatism
and improvisation to
re-valuation
a village of
cultural symbiosis
50
52
54
Rolemodel Riace
immigration as ultimate
solution
ambivalent
relationships
66
110
116
Venice
Insights
interviews with
street vendors
from Venice
118
124
132
From research to
the final project
Alt. System
cocreation
by alternative players
134
144
148
Illegal
Imposed Improvisation
vs. Absurd Planning
Multiple Identities
original fake
156
166
186
Brand development
Conceptual Products
Mobile Kiosks
mobile commerce
and representation
210
216
218
The Web as
brand knot
Future perspectives
how to continue?
appendix
222
224
228
Colophon
Index
Acknowledgements
Possibilitarians
Well, it
want to pass through open doors you have to
probablyIf you
could
respect the fact that they have a fixed frame: this principle
is simply a prerequisite of reality. But if there is a
be otherwise.
Robert Musil,
The Man Without Qualities
Uncertainty is an
uncomfortable position.
"Our ignorance of the cosmos is too vast to commit to
atheism, and is
yet we
know too much to commit to a
But certainty
an
particular religion. A third position, agnosticism, is often
an uninteresting stance in which a person simply
absurd one.
David Eagleman
10
Introduction
Possibilitarians think in new possibilities, and get
all excited when things get messy and life becomes disorderly. In disruption, possibilitarians see new opportunities, even if they do not know where they might
lead. They believe, with Denis Gabor, that the future cannot be predicted, but futures can be invented
Realitarians are operating within a given framework, according to the rules that are given, following to
the powers there are. They accept the conditions and
the institutions as given, and are fearful of disruption.
Whether a person is a possibilitarian or a realitarian has nothing to do with their creativity. People
representing these frames of reference can be found in
all professions: entrepreneurs, politicians, artists. In
fact, art and design are not avant-garde by definition,
Open design will have to develop its own languaand it would be overstating the matter to claim that in- ge for trust. What are its design principles, its ethics,
novation is an inherent quality in the arts or science, the responsibilities it entails? Although a clear answer
for that matter.
to these questions is currently lacking, this absence
does not prevent possibilitarians from engaging with
It would equally be wrong to think that all re- open design. They know that this trend is not about
alitarians are reactionary. There are many different a dream of the world as a better place, a dream which
kinds of realitarians. Some play with the given rules, could too easily be stigmatized as naive and utopian.
finding better ways to use them, making them more Possibilitarians also know that only by taking part in
efficient, increasing their moral justice and fairness. the process, by participating and by giving it a direcOthers want to cover all eventualities, seeking to keep tion can those answers be found.
everything under control in neatly written scenarios
that contain no surprises whatsoever.
11
When it comes to open design, possibilitarians are enticed and enthused by the new opportunities it could bring, even if they do not know exactly
what open design will become, or where it might lead.
Possibilitarians see the disruption that open design
brings to the design world, and respond by embracing
the potential that is inherent in that disruption.
www.doorsofperception.com
John Thackara
12
www.intrastructures.net
Thomas Lomme
His design studio Intrastructures focuses on pragmatic
utopian ideas that generates models, tools and products
for social and environmental restoration.
He is best known for his project Openstructures which
explores the possibilities of a modular construction model
where everyone designs for everyone on the basis of one
shared geometrical grid.
13
www.intrastructures.net
Intra
Structures
Intrastructures is a pragmatic utopian design
studio that generates models, tools and products for
social and environmental restoration.
Super carry/
14
CargoCabs/
Can we synchronize distribution and recollection?
Brussels - 2005 / 2008
www.openstructures.net
Open
Structures
The OS (OpenStructures) project explores the possibility of a modular construction model where everyone designs for everyone on the basis of one shared
geometrical grid. It initiates a kind of collaborative
Meccano to which everybody can contribute parts,
components and structures.
Mobilotoop /
OS Scaffolding
A visionon mobility.
by Lukas Wegwerth
Ghenk - 2013
15
OS Vacuum
OS Arena
by Jesse Howard
by Lukas Wegwerth
OS Sled
OS Toaster
by Artin Aharon
by Jesse Howard
OS Shoe soles
Sand digger
by Eugenia Morpurgo
by Ricardo Carneiro
www.opendesk.cc
Open
Desk
OpenDesk is a global platform for local making. You
can use it to download, make and buy furniture for
your work space.
OpenDesk has a global network of makers and a
collection of furniture by a range of international designers. Because that furniture is designed for digital
fabrication, it can be downloaded as a digital file and
made locally on demand, anywhere in the world.
16
www.wikihouse.cc
Wiki
House
WikiHouse is an Open Source construction system.
It makes possible for anyone to design, download,
adapt, share and print high-performance, low-cost
houses that they can assemble by hand.
17
LEGALITY
INTEGRATION
18
REFUGEES
IMMIGRATION
UNEMPLOYMENT
COLLABORATION
TOPIC
SOCIAL (IN-)JUSTICE
RACISSM
STREET VENDORS
VISIBILITY
WORK
POSSIBILIANISM
UNEMPLOYMENT
COMMUNICATION
VALUES
PRECARIAT
ETHICS
COPYRIGHT
DESIGN
19
CLOUD
MORALS
20
OPEN
SOURCE
DESIGN
SYSTEM
1 Lakhani, K. R., & von Hippel, E. (2003), How Open Source Software Works: Free User to User Assistance. Research Policy, 32, 923943
2 Gerber, A; Molefo O, Van der Merwe, 2010. Documenting open-source migration processes for re-use. ACM Press, p. 75
3 Levine, S. S., & Prietula, M. J. (2013), Open Collaboration for Innovation: Principles and Performance. Organization Science.
4 Open collaborative design, AdCiv, 2010-07-29. Retrieved 2013-06-16.
5 Luhmann, Niklas. Social Systems, Stanford: Stanford University Press, 1995; pp. 6-7
6 Freedom as a Value: A Critique of the Ethical Theory of Jean-Paul Sartre. Open Court Publishing. 1988. ISBN 978-0812690835.
VALUE
ECONOMIC
SYSTEM
SOCIO-CULTURAL
In sociology, value theory is concerned with personal values which are
popularly held by a community, and
how those values might change under particular conditions. Different
groups of people may hold or prioritize different kinds of values influencing social behavior.
21
THEORY
22
Te c h n i c a l
Openess
Social
Openess
O P E N V A L U E
The hybrid and ambiguous term OPEN VALUE should and technically everything could be possible? How
serve as a conceptual basement and point of depar- do we make use of our possibilities? How would our
ture to renegotiate the framework of our values to- personal relations change to things, individuals and
wards relationships, whether they are from institu- institutions? An ultimately what kind of systemic
tion to people, from person to person or from person changes do we need to introduce to create an envito object.
ronment of openess?
As roughly defined before, the term Open comes We should keep in mind that this construct of openwith a wide veriety of attributes. Open-Source, Open ess is not something we newly created. Knowledge
Design, Open Knowledge, Open access, Open society, always had been passed from generation to geOpen government etc. As diverse as these terms are, neration. Sailors brought foreign ideas over sea,
they share a common idea: the idea of universal access conquerors mixed them with and adapted to differedistribution including subsequent improvements to with the arrival of patents knowledge turned, broadly
it by anyone (interested).
speaking, from open to closed. Therefore the aspirations of the Openmovement can be seen as an at-
The Graduate students of Virginia Commonwealth tempt to break closed knowledge open again maUniversitys MFA Program in Design + Visual Com- king it accessible for everybody, anywhere.
munication illustrated in their 2014 o-p-e-n.info initiative the following:
Having this construct of (digital) openess in mind we We start to understand that openess is not only a memight further question ourself how our personal con- aningfull model for economical and technological prostruct of values changes in this context. How would gress but also for social development that might lead
we perceive an OPEN world in which hypoteticaly to a new and exciting diverse form of global prosperity materially and immaterially.
23
to information, knowledge, design and the universal rent cultural, social and economical systems. Only
24
Knowledge.
Power.
Morality.
Manouchehr Shamsrizi
Thomas Lomme
Intrastructures, Brussels
generates
Free information
through
transparancy
generates
transparancy
through
interest
generates
interest
through
knowledge
generates
knowledge
through
consciousness
generates
consciousness
through
transparancy
open access
interest
open process
knowledge
natural curiosity
consciousness
sharing culture
change.
understanding.
Reffering to Shamsrizi and Intrastructures helps me to describe my interest in design that tries to emphazise, visualize and render understandable topics like value perception, design processes and socio-cultural
exchange and understanding. Reffering to Shamsrizi I will further question which role design can play and how we can make use of our capacity to act. Refferning to Thomas Lomme I will try to observe which new intrastructures we could think of to create more meaninful products and services.
25
Free information
26
The crisis
of western
future visions
Possibility
spaces
Storytelling
Transformation
Design
Welzer: Die Akteure, von denen wir erzhlen, tun etwas Unerwartbares. Dass wir zu viel Dreck, Mobilitt,
Emissionen, Ungerechtigkeit hervorbringen, finden
wir ja alle bedenklich. Aber in der Regel erschpft sich
das Unzufriedensein darin, dass man mit anderen darber spricht. Futurzwei interessiert sich fr die Leute,
die sagen: Ich mache das jetzt anders. Und das ist ja
alles andere als leicht. Erwartbar ist, dass man tut, was
alle tun, und nicht, davon abzuweichen, wie es etwa
das Ehepaar Sladek aus Schnau gemacht hat. Da fingen ein Mediziner und eine Grundschullehrerin eines
Tages damit an, ein grnes Energieunternehmen aufzubauen.
Was fehlt, ist ein Ausweg zum Transfer des Wissens. Das hat bisweilen groteske Zge. Ein Wissenschaftsbetrieb, der Konferenzen veranstaltet, zu denen Hunderte von Wissenschaftlern fliegen, um sich
Gedanken zu machen, wie man Menschen vom Fliegen
abbringt, kommt mir kurios vor. Und natrlich gibt es
Wissenschaftler, die wie einst Norbert Elias ein Leben
lang stoisch an ihren Themen arbeiten, mit Ergebnissen, die Bestand haben. Auch das ist vorbildlich, ich
kriege eine Gnsehaut, wenn ich daran denke. Aber es
ist eben nicht meine Sache. Vielleicht bin ich narzisstischer und brauche die Schnellschsse.
27
28
The crisis
of western
value systems
Possibility
spaces
Storytelling
Critical
Design
Society has moved on but design has not, Critical Design is one of many mutations design is undergoing in
an effort to remain relevant to the complex technological, political, economic and social changes we are experiencing at the beginning of the 21c.
4. What is it for?
Mainly to make us think. But also raising awareness,
exposing assumptions, provoking action, sparking deIts opposite is affirmative design: design that rein- bate, even entertaining in an intellectual sort of way,
forces the status quo.
like literature or film.
29
30
31
Abstract from: Speculative Everything: design, fiction and social dreaming; by Anthony Dunne and Fiona Raby, MIT Press 2013
32
33
34
35
36
37
38
39
Street vendors
Why are there so many African street vendors
in Italy (and the mediteranian area)?
40
Framing
C o n
Value systems
Understanding the world by different value systems
41
the
t e x t
42
Fountain of
inspiration
Intercultural
Learning
Adapting/
transforming
to our needs
The
Kiosk
An example of
intercultural learning and transformation
in architecture
Ursprnglich war ein Kiosk ein nach mehreren
Seiten geffneter, frei stehender Pavillon in Park- und
Palastanlagen im islamischen Kulturraum. In der
Fachsprache der Architektur und Landschaftsarchitektur hat der Begriff auch heute noch diese Bedeutung.
1 Elisabeth Naumann, Kiosk. Vom Lustpavillon zum kleinen Konsumtempel, Marburg 2003
43
Im 19. Jahrhundert hielt der Kiosk Einzug als Verkaufspavillon in die groen ffentlichen Parks von Paris, spter auf die groen Boulevards. Zunchst wurden
hier nur Zeitungen und Blumen. verkauft, spter auch
Erfrischungen. Auch die Wortneuschpfung Boulevardzeitung hat hier ihren Ursprung. Einige dieser beKioskartige Gebude gibt es seit dem 13. Jahrhun- rhmten Pariser Kiosques sind noch bis heute erhalten.
dert in Persien, Indien und im Osmanischen Reich. Im In Griechenland leitet sich die Bezeichnung des Kiosks
Topkap-Saray in Istanbul sind einige Beispiele erhal- (Periptero) von der Tempel-Bauform Peripteros ab. 1
ten (inili-Kiosk von 1466, Revan- und Bagdad-Kiosk
Das Beispiel der europischen Transformation
von 1635, Kiosk des Kara Mustafa Pascha aus dem 18.
und
Adaption
der Idee des Kiosks im Laufe der Zeit
Jahrhundert und Kiosk des Abd l-Mejid von 1840). Die
orientalischen Kioske waren wichtige Elemente der kann uns als gutes Beispiel dienen wie externe ImpulGartenarchitektur und dienten den Wohlhabenden als se und Ideen unsere eigenen Kultur verndern und beSommerhuser in ihren Privatanlagen. Mit dem Ende reichern knnen. Daher werde ich mich in der weitedes Osmanischen Reiches ging das Interesse an dieser ren Recherche diesem Thema speziell mit Blick auf die
(afrikanische) Immigration im mediterranen / italieniForm der hfischen Architektur verloren.
schen Raum widmen. Ich werde mich auf die Suche
Im Zuge der Vorliebe fr den asiatisch-orienta- machen, um dieses, von vielen als Problem angeselischen Stil im 18. Jahrhundert gelangte die Bauform hene, Phnomen zunchst wertefrei zu betrachten
meist frei auf Sulen stehend und seitlich mit Gitter- und dann mgliche Chancen und neue Wege der
werk verschlossen nach Europa als Teil der gestalte- Kollaboration zwischen Immigranten und Einheiten Parkanlagen, die viele Herrscher anlegen lieen. mischen zu erdenken und ein praktisches Projekt
zu entwickeln.
Erwhnt werden sie zum ersten Mal in England.
44
Different
Value systems
Different
Attitudes
Intercultural
Learning
Pragmatism
Pragmatism is a philosophical tradition that began in the United States around 1870. Pragmatism is a rejection of the idea that the function of thought is to describe, represent, or mirror reality.
Instead, pragmatists develop their philosophy around the idea that the function of thought is as an instrument
or tool for prediction, action, and problem solving. Pragmatists contend that most
philosophical topics - such as the nature of knowledge, language, concepts, meaning, belief, and science - are
all best viewed in terms of their practical uses and successes rather than in
terms of representative accuracy.
>
Improvisation
>
Learn to Unlearn
In order to think of a different 'other' future that is not embedded in the current projection of the present into
the future we might re-consider and re-think our very 'core values'. By doing this we might need to learn to
unlearn, meaning: to change our pattern of thinking and thus valuating.
We can do so by trying to temporaly forget about our existing values or by purely reflexting them in the search
for their origins. In this process we might encounter that our values are embedded into a system that most of
us never really reflexted because the system it-self made life to most people just too comfortable / 'cosy' that
we never had been very critical about the unvisible underlying processes that make our wealth possible.
One possible way in the search for new values might be the re-implementation of strong moral ideals into our
thinking which might lead us in consequence to a different kind of acting.
So the question could simply be: What is right and what is wrong, what is just and what unjust?
Looking at the production of goods and objects this thinking can lead us to a far more holistic questioning of
the processes and the distribution including not only economical and aestetical factors but also valuating the
embedded social aspects (production / distribution / social exchange).
45
Improvisation is a state of being and creating action without pre-planning. This can be when an individual or
group is acting, dancing, singing, problem solving,, or reacting in the moment and in response to the stimulus of ones immediate environment and inner feelings.
This can result in the invention of new thought patterns, new practices, new structures
or symbols, and/or new ways to act.
Lina-Marie Kppen,
Design Theis,
46
Eindhoven, 2013
Learn to
Unlearn
47
Man shapes his environment and the environment shapes man. I am fascinated by this mutually
evolving relationship, and as a result of my thesis, I
have sought a way for individuals to start afresh and
redefine themselves by reshaping the things around
them.
This response is critical of society for supplying
and demanding objects designed to complement our
human limitations. Could we instead make things
that empower us through their in-built fallibility? By
ridding objects of a predetermined perfectfunction,
we can be free to discover them and rediscover ourselves in the process. Learn to Unlearn is a design ideology expressed in a series of ambiguous objects that
overthrow the unconscious learned behavior and expectations governing our perception.
The family of objects that developed from my
thesis is largely based on the redefinition of furniture archetypes. Each object is an open invitation to the
human to determine its use: The bottomless containers
demand a new strategy to be filled, while the two-legged stool encourages us to rethink the act of sitting.
The lamp challenges us with its weight and unseen
mechanism, the tall shelf can only be reached by interacting with the direct environment, and the broom
lets us not only clean but also develop a personal bodily response. Some objects are even less defined and
invite the user to imagine an entirely personal interaction. Only when objects become alive in this way are
we stimulated to explore new possibilities.
Pragmatism
48
Improvisation
Learn to Unlearn
Open Value
49
Rolemodel
Riace
50
Collaboration as
survival strategy
51
Nur der gefrchteten 'Ndrangheta ist so viel Harmonie ein Dorn im Auge. Die kalabrische Mafia, die
die Armut Riaces jahrzehntelang fr ihre Zwecke zu
nutzen wusste, versucht den Wiederaufbau des Dorfes
bis heute zu sabotieren. Als Lucano 2009 kurz vor seiner Wiederwahl stand, vergifteten die Mafiosi zuerst
seinen Hund und durchsiebten dann mit einem Dutzend Kugeln die Wnde der Trattoria Donna Rosa, in
der Lucano sich gerade mit Freunden zum Abendessen
traf. Doch ein paar Tage spter lie er Plakate anbringen, auf denen bis heute in groen Buchstaben steht:
'Riace Stadt der Gastfreundschaft.'
52
Screenshots from an American forum for Italian culture and traveling: www.italiannotebook.com
Tourists
street
53
and
vendors
Italy
54
From emigration
to immigraion
Abstracts of: Migropolis, Venice / Atlas of Global Situation Vol. II; Wolfgang Scheppe & IUAV Class on Political Representation
55
56
From emigration
to immigration
57
58
From emigration
to immigration
59
60
From emigration
to immigration
61
62
From emigration
to immigration
63
64
From emigration
to immigration
65
Insights
66
RealityCheck
67
68
Inside Venice
Interview I
69
70
Inside Venice
Interview I
71
72
Inside Venice
Interview I
73
74
Inside Venice
Interview II
75
76
Inside Venice
Interview II
77
78
Inside Venice
Interview II
79
80
Inside Venice
Interview II
81
82
Inside Venice
Interview II
83
84
Inside Venice
Interview II
85
86
Inside Venice
The streets
87
88
Inside Venice
The streets
89
90
Inside Venice
The streets
91
92
Inside Venice
The streets
93
94
Inside Venice
The streets
95
96
Inside Venice
The streets
97
98
Inside Venice
The streets
99
100
Inside Venice
The streets
101
102
Inside Venice
The streets
103
104
Inside Venice
The streets
105
106
Inside Venice
The streets
107
108
Inside Venice
The streets
109
110
Informal Economy
111
112
Informal
Knowledge
Economy
While discussing Europes economic difficulties at an EU Council of Ministers meeting in June of 2005, Prime Minister Silvio Berlusconi chastised
Italians for their preoccupation with unemployment by suggesting that Italy
was better off than its EU partners because 40 per cent of the countrys
economy was in the economia sommersa the underground economy and,
thus unaccounted for by statistics generated by Brussels, ISTAT
(Istituto Nazionale Statistico) and official sources of economic measurement.
Despite the peculiarity of such an impolitic remark from the head of state,
Berlusconis offhand comment reflected a reality even if the proportion he
cited exceeded the estimates of the size of the underground economy
by Italys own ISTAT (15%) and the IMF (27%). This underground economy
combines forms of irregular, illegal, and informal work with significant
under-reporting of earnings and uncollected revenue.
centralized
decentralized
Abstracts of: Migrant Productivities: Street Vendors and the Informal Work in Naples, Nicholas DeMaria Harney;
Anthropology/Sociology and History, The University of Western Australia
International Journal of Economic Development Volume Six, Number 3, pp. 306-330; 2004
distributed
Informal Economy
A future
role model ?
I am particularly interested der alternative forms of work organization and sociality
in migrant workers engaged as street vendors, com- other than the maximization of his (sic) personal and
merciante ambulante, and to a degree their whole- familial needs. In effect, to survive both these macro
sale suppliers, as I will explain later, because of their and micro realities of everyday life, the transnavisibility in the Neapolitan streetscape. As such, they tional migrant entrepreneurs would function as
represent in the popular imagination and the conjec- the perfect formalist, rationalist economic actors.
tures in the media an immediate and intimate example of those involved in the underground economy.
However, in my fieldwork, even if the basic preAt best, Neapolitans, and Italians in general, describe mise that knowledge was valuable and highly sought
them as performing undeclared economic activity. after among migrants in Naples because of the numeAt worst, they are presumed to be illegal, undocu- rous ways their status might be precarious, a sociality
mented, or permit over-stayers and perceived to enga- that favoured competition, individualism, restricge in transnational criminal activity either the end ted the distribution of knowledge, and encouraproduct of the trafficking of co-ethnic subservient ged deception, seemed remarkably unfamiliar to
labour or the end of the supply chain for the impor- the group of street traders I worked with for nine
tation of counterfeit or inconceivably low-cost goods. months. In my experience with mostly Bangladeshi
If only briefly to stem the
and Pakistani street traders
It is tempting to argue that these as principle informants, such
negative discourse that permigrants represent innovative a representation flattens the
vades official and popular
discussions of these street
entrepreneurs individualistic, productive knowledge work
vendors as blights on the urcentral to their sociality and
mobile, and capable of creating glosses over alternative regiban landscape despite the licensing they can receive from wealth out of limited resources. mes of value which introduce
city hall that permits their mobile selling it is temp- either non-monetized or monetized exchange that may
ting to argue that these migrants represent innova- not strictly adhere to market models (Williams, 2002).
tive entrepreneurs individualistic, mobile, and Instead, a more innovative social reality, full of alcapable of creating wealth out of limited resources. ternative possibilities and forms of sociality might
Given the time-consuming, monotonous, and un- be viewed through the everyday practices of migcertain work each street vendor puts in everyday to sell rant street traders in Naples, Italy.
inexpensive items for scant profit in the heat of summer and the cold/rainy winter, the long circuits of travel by buses and trains to beaches and festivals to maximize sales in an intensive two or three days of work,
an observer would presume that the social among the
street traders might be fraught with misinformation,
speculation, and distrust. Ostensibly, such an entrepreneur would have little time to share knowledge, consiNicholas DeMaria Harney
113
114
Open
Knowledge
Economy
[] Topics ranged from possible futures in
work opening up a international call center, a fast
food generic eastern kebab restaurant in northern
Italy, or buying an old car to make the circuit of all
the key festivals ways of tracking the renewal of
documents, or exchanging views on the most profitable upcoming festivals, the most inexpensive way of
getting there and which local Neapolitan store-keeper might help you fill out the necessary forms to get
a temporary selling permit in the local municipality.
Other street vendors would pass, of mixed origins
Senegalese, Pakistani, Bangladeshi, Chinese since
this was one main route between Piazza Garibaldi,
the wholesale stores and migrant housing areas near
the train station and the main commercial street of
Via Toledo that many street vendors chanced to take
advantage of the passing consumers. Street vendors would typically exchange pleasantries, order an
Italian coffee (espresso) but often drink on the street
together to watch their stands in case of a sale, apples
or more rarely, but more prized, South Asian sweets
would be passed around from a care package sent by
a wife or mother at home. They would exchange views
on how to avoid the municipal police, and critique
the Italian economy, or speculate about the problems
street vendors faced on a particular stretch of street
from the Camorra, the police or Neapolitan teenagers.
While this kind of knowledge exchange, communication and sociality about everyday issues was
crucial for survival, it was part of a less remarked
upon but equally important, if not more so, informal
and embodied knowledge that smoothed ones business and entrepreneurial activities.
Informal Economy
Intercultural
Collaboration
"We are not following any business
model out their, and because of that
failure is not a possibility."
It is precisely through their production and distribution of informal knowledge and their social practices of work, not completely bound by their marginal
insertion into the Naples, that these migrants create
alternative ways to imagine possible entrepreneurial futures. After months of patiently responding
to my nave, perhaps arcane questioning, my Bangladeshi friend who had moved from street vending
to his own wholesale store with a Chinese partner
turned to me and seemed to speak to this new sociality when he talked not just about his new venture but
the circle of friends who either owned similar stores
or were street vendors, Nick, we are not following
any business model out their, and because of that
failure is not a possibility.
Abstracts of: Migrant Productivities: Street Vendors and the Informal Work in Naples, Nicholas DeMaria Harney;
Anthropology/Sociology and History, The University of Western Australia
International Journal of Economic Development Volume Six, Number 3, pp. 306-330; 2004
115
116
Grid system used by the openstructures project to have a
common base for the construction of modular parts
117
Where
118
to start
What
to do ?
Personal interests
Personal skills
Technical possibilities
Accidental happenings
119
Immaginated benefits
Hours of conversation
Persistence
Project idea
120
From research
to the final
project idea
In the very beginning of my research I already collaborated with the social cooperative AKRAT which
produces furniture and textile products made out of
recycled materials. They employ around five persons
that are more or less qualified to work with wood but
have problems to find a job elsewhere. Another three
women care for the activities of the tailoring workshop. I designed the cooperative's website and helped
them with their visual representation in general.
For weeks Peter Prossliner, the founder, and
I were discussing how such a socially and culturally
orientated company could navigate, making enough
money to sustain its activities and at the same time
still having enough resources to care about their cultural and social engagements.
It was at the cooperative's headquarter that I came to
know two young men from Kenia and Burkina Faso
that Peter tried to integrate somehow in the initiative's daily work. They were not really qualified to work
with wood, but somehow had a good hand and talent.
After having talked to them again and again in the
course of several weeks we became friends and Peter
told me about his idea to give these two men a more
regularly work. He wanted to send them to markets
that take place regularly to sell the cooperative's products and to get more known in the area.
At this time we were also discussing a lot
about the problematic increase of (illegal) immigration from (West)Africa to Italy with the very visible
result of a lot of African street vendors chancing
their luck in Italy's cities selling cheap products that
they buy mainly from Chinese megastors.
In the same period we also figured out that
the financial health of the business wasn't going that
well and that there was no real prospect for short
term improvements. Besides some smaller other
problems, the main issue was that the initiative was
simply lacking of visibility and recognition in the city.
Having these two very different problems in
mind I somehow put 1 and 1 together and the idea for
my thesis project was born.
Collaboration
121
122
Visual communication
Conclusion
Concluding, I want to manifest that I see this project as an possibilitarian attempt using a active
speculative design approach to imagine my view
on a sustainable collaboration between small local
manufacturers and autonomous street vendors.
At the same time the project is a public intervention that wants to challenge people's opinion about
street vending in general and specifically regarding
towards African street vendors.
To realize this project and to get enough information about the background of street vending I was
talking to a lot of African street vendors in Bolzano,
to the Senegalese head of the culture exchange initiative 'Associazione Porte Aperte', Mamadou Gaye,
to the administrative responsibles for the coordination of immigrants, Sabine Hofer and Karin Girotto,
and other people involved in cultural initiatives like
Giovanni Melillo Kostner (Open City museum Brixen)
and Sergio Previte (pogrom magazine).
The business cards can be used by both, manufacturers and street vendors, and are similar to the
brand patches that are fixed to each textile products.
The business card should raises the client's trust and
acceptance towards the street vendor.
Beside the business cards an booklets each vendor
should be equipped with a flag presenting the brand
logo as a sign of autonomy and to make people curious about the new approach to street-vending.
123
New
Players
124
New
Alliances
New
Networks
New
Collaborations
Immigrants
( Street Vendors )
client contact
( communicator )
/
street trading
( distributor )
/
visibility
( advertiser )
local materials
( manufacturer )
/
good working places
( entrepreneur )
/
communication coaching
( mentoring )
/
exchange between all involved players
( Knotenpunkt )
125
Co
creation
client analysis
( research )
/
material research
( research )
/
conception
( design )
Young Designer
( Creative precariat )
Clients
( Tourists / Locals )
126
Reach without a
proper idea is
w o r t h l e s s
Ideas
without
reach
are
w o r t h l e s s
127
Designer / artists
provide
creative / technical input
<>
Street vendors
provide
a wide distribution system
128
Designer
Social Coops
Street vendors
Local manufactures
129
Designer / artists
provide
creative / technical input
<>
Social Cooperatives /
Local manufactures
provide space and facilities
= knot for exchange / learning / teaching
<>
Street vendors
provide
a wide distribution system
Connecting local
social manufactures to
the city center
130
131
132
Preventing
/ Countering
Racism
Natives
Street
Proper Information
/ Communication
Unemployment
Defining
new forms of
collaborative work
Demonstrating
advantages of
diversity
133
and
vendors
Lack of consciousness
134
OriginalFake
135
136
Original Fake
137
138
Original Fake
139
140
Abstracts of: Migropolis, Venice / Atlas of Global Situation Vol. II; Wolfgang Scheppe & IUAV Class on Political Representation
Original Fake
141
142
Abstracts of: Migropolis, Venice / Atlas of Global Situation Vol. II; Wolfgang Scheppe & IUAV Class on Political Representation
Original Fake
Illegal
Immigration
When looking on the kind of products that are
sold at the moment by (illegal) immigrant street vendors we can observe that the main part of those products are them-selve illegal to the national law of
copyright. Meaning that most of those products are illegaly imported counterfeits produced mainly in China.
143
This led me to the conclusion that in order to introduce this new approach to street trading, which we
might call 'OPEN street trading' we would also need to
make changes in the political framework of how street
trading is perceived and reacted to on the administrative and executive levels of regional governments.
Instead of illegalizing street trading (which does
not lead to its disappearance and thus is not a solution)
we need to demonstrate new possibilities that might be
part of a more 'sustainable' solution.
We need to make clear that such a systemic
improvement would be also beneficial for the local administrative and executive organs, meaning the related public offices and the police which is often overchallenged by the number of street vendors.
Therefore we first have to question why street
trading is such a problem to the local authorities. The
answer might be multifaceted:
The main factor is of course that a part of the
street vendors are illegal immirgrant without a permit
of stay and thus also without a permit of work.
This leads to the problem that the government
does not has any monetary benefit from the economic
transactions as (most) street vendors can not and do
not pay taxes on their sales. This leads to the phenomena of a informal shadow economy which is hard to
trace and to put in numbers but which is estimated to
a number of 1517% of the national GDP of which the
main part is created by immigrants.
And finally the authorities often consider street
vendors, harshly saying, as 'visual pollution' to the local streets.
144
Imposed
Improvisation
145
Absurd
Planning
Imposed improvisation
Planning
146
Improvisation
Improvisation
Absurd planning
Improvisation
Planning
147
Planning
148
Abstracts of: Migropolis, Venice / Atlas of Global Situation Vol. II; Wolfgang Scheppe & IUAV Class on Political Representation
Multiple Identities
149
150
Multiple Identities
151
I d e nt i t ie s
e l p i t l u M
s e i t i tn ed I
152
I d e nt i t ie s
M u l t i p l e
M u l t i p l e
I d e nt i t ie s
e l p i t l u M
s e i t i tn ed I
I d e nt i t ie s
M u l t i p l e
Abstract of
Street Vendors in the Global City:
Exploring Genoas Informal Economy
Joseph S. DeLucaLooking
153
154
Multiple Identities
Normad
Adman
Ambassador
Buyer
Informant
Communicator
Entertainer
Father
Salesman
Lawyer
155
Mico-manager
Networker
Designer
156
The idea of a
collaborative
'street brand'
of vendors
and local
manufacturers
157
Brand
Manifesto
What is Nu_Volante?
158
Open Network
NuVolante
1.
The
first
true
local
open
street
brand.
Fair profit
distribution
DIY Participation
Reevaluating
street vending
Integration
Autonomy
159
Transparent
Processes
Visual
Identity
160
Logo /
Local branches
Name finding
Nu_Volante
The new flying ones
Nu
New (engl. slang)
In music: NuJazz, NuDisco, NuMetal,
Refering to the new approach to street trading.
Ambulante
Street vendor (ital.)
Volante
Flying (ital.)
Police (ital. slang)
Refering to vendor's mobile character.
Nuvola
Wolke (ital.)
1. Refering to vendor's mobile character.
2. Refering to the brand's cloudlike network structure
Volant
ruffle / valance (dt.)
In sewing and dressmaking, a ruffle, frill, or furbelow
is a strip of fabric, lace or ribbon tightly gathered or
pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.
NuVolante
Typeface
Condensed
Sich dnne machen (to make oneself
scarce ) is used in German to express
that someone has to disappear quickly,
because he/she is in trouble.
Italic
Dynamic and in movement, inpired
by the vendor's mobile character.
Branding creates a visible entity (of people and ideas) that operates
according to specific values in order to generate public trust and awareness
for the brand and the values and ideas it stands for.
Principles
161
Why brandning?
Akzidenz-Grotesk
A landmark font in typemaking.
Simple, modest, functional
nevertheless elegant and applicable
in various media.
Print
Communication
Business card
Qualit dalla strada
Dal
2014
162
Collaborazione ed Improvvisazione
info@nuvolante.org
www.nuvolante.org
Bolzano Italia
NuVolante
Booklets for
each product
I nostri valori
Our values
Unsere Werte
Cerchiamo la nostra
felicit nella semplicit
delle cose prodotti
locali con materiali zero
km o riciclabili. Nella rete
di ambulanti si possono
trovare cose semplici e
interessanti con una vita
propria, che invitano ad
improvvisare con approccio giocoso.
We seek our happiness
in the simplicity of things
produced locally with
zero km or recycled materials.
Within the network of street
vendors you can find simple,
beautiful things with a
certain life of their own, that
invite you to improvise in
a playful approach.
Borsa
di
emergenza
N o t f a l l t a s c h e
Emergency
bag
163
Brand patch
Bolzano Italia
Dal
2014
164
Collaborazione ed improvvisazione
NuVolante
Brand Flags
The first flags were used to assist military co-ordination on battlefields, and flags have since evolved into a
general tool for rudimentary signalling and identification, especially in environments where communication
is similarly challenging. (wikipedia)
For the Nu_volante branding the flag should serve as a
sign of autonomy (claiming: I am my own lord), offer
a strong symbol for public brand identification and
means to trigger curiosity when just passing by.
165
166
Core values
Material
Manufacturing
Production work
Functionality,
Product attributes
Meta communication
Modesty (material)
Playfulness (improvisational use)
Connceted to the street vendors value/
life style (normadic, modest, good humoured)
From research
to implimentation:
The synthesis
167
168
Improvisational
blanket
100
150
TRANS
F OR M
169
170
Emergency
blanket
171
Fabric Sahara
172
Satellite picture from Nasa Open Earthexplorer program (taken July 10, 2011)
Sahara, Tassili nAjjer National Park, 2510N 810E / 25.166667N 8.166667E
173
174
Fabric Sahara
175
Fabric Navigator
176
Louis Vuitton
Gucci
177
178
Traditional
games on fabric
The fabric games, represent the brand's playfull approach while not
loosing the haptic qualities of fabric. The three games (Chess, Nine
men's morris and Backgammon) I choose are played internationally
and in almost all cultures around the globe. In a certain way also
games invite to improvise and, more importantly, are the centre and
departure for a social activity.
179
180
a.
Chess
181
182
b.
Backgammon
183
184
c.
185
186
Mobile
Kiosks
187
Mobility Q Q Q Q Q
188
The
Blanket
Functionality
Appearance
Cost saving $ $ $ $ $
Feasibility
Mobile kiosks
189
Mobility Q Q Q Q Q
190
The
Vendor's tray
Functionality
Appearance
Cost saving $ $ $ $
Feasibility
Mobile kiosks
191
Mobility Q Q Q
Functionality
192
Haystack (eng)
Heureiter (ger)
Heinzen (pre-alpine region)
Stiffla (south tirol)
Appearance
Cost saving $ $ $ $
Feasibility
Mobile kiosks
193
Mobility Q Q
194
Connector
Structure
Functionality
Appearance
Cost saving $ $ $
Feasibility
A structure made from 3-D printed plastic joints and wooden poles
would probably be the perfect solution for a fixed stand on a
weekend market, but not at all usefull for a mobile version.
Mobile kiosks
195
Mobility Q Q Q Q Q
196
The Bike
Kiosk
Functionality
Appearance
Cost saving $
Feasibility
Mobile kiosks
197
Mobility Q Q Q Q
Functionality
Cost saving $ $ $
Feasibility
The burden bearer in combination with a suitcase could be a solution for rather big and eventually delicate object. But it requires again
the possibility of having at least some time to remain at the same
location. Again the permit of the 'Commune' would be needed.
198
Burden bearer /
Lastenrucksack
Appearance
Mobile kiosks
199
200
Testing four
mobile stands
201
202
The advanced
a.
vendor blanket
203
Conclusion:
The classical blanket in its advanced version can be
seen as the smart 'status quo' stand option in case the
'Commune' is not changing any regulations in favor
of the street vendors.
The emergency blanket is stand, product and portable item-bag at the same time.
It allows to exhibit the items to potential clients in
a slightly more attractive way than the normal blanket
does and at the same time gives the vendor the possibility of escaping quickly from the approaching police.
204
Conclusion:
Testing the simplest version of a mobile
stand and talking about it with the
street vendor I am collaborating with, we
figured out that the stand in general
would be quite useful, but considering
the narrov streets in Bolzano's center
it is just not very practical.
During a break the vendor can flip
the pole upside down (vertical) on the
metal base and lean it against a wall.
205
The
c. vertical
pole
206
Conclusion:
The vertical pole might be a good compromise for a
pilot project and the time before the 'Commune'
eventually gives more fixed location to the vendors
realising that street vending can actually make
the streets more vivid and bring interesting locally
produced items to the city's center.
I allows the vendor to exhibit around 69 items
at the same time. During a break he can lean the stand
against a wall or on the ground.
80cm
207
180cm
208
The
d.
3leg
209
The three leg can be opened and closed by a single person in less than two minutes. The rope is used to holed
together the stand after its closure.
Conclusion:
The three leg construction would be
a simple, low cost solution. but only
in case that the 'Commune' grants the
vendor a rather fix location to sell.
Talking to the vendor we figured out
that this solution would be also practical to extend his business for different
weekend markets, e.g. the artisan market at the 'Rathausplatz'.
The website
as connecting
knot
An adequate website needs to serve two major functions:
210
www.salon.io/nu-volante
www.nu-volante.tumblr.com
211
www.facebook.com/nuvolante
Brand Manifsto
Info
212
Vendors
Contact
Info
Manufacturer
eng ita dt
NuVolante is
connecting stre
with local man
We seek our ha
simplicity of th
produced loc
km or recycled
Within our netw
vendors you ca
beautiful things
certain life of t
Check out if yo
already in your
a place you wa
Designer
Find us
Info
Work with us
213
a brand
eet vendors
nufacturers.
appiness in the
hings
cally with zero
d materials.
work of street
an find simple,
s with a
their own.
ou can find us
r hometown or in
ant to travel to!
Info
214
Contact
facebook twit
215
tter instagram
Info
216
Public
intervention
and feedback
For the actually testing of the communication means and
the created series of products I planned a public intervention one or two days of selling in the centre of Bolzano.
Therefore I collaborated with a local street vendor
(Dane, see photograph on the left).
Unfortunatelly the vendor was too uncertain and afraid of
the legal situation and a possible interaction with the local
police when using a stand that triggers to much attention
that we needed to find a differnt way.
So we finally agreed that he will first only try to sell the
little fabric games in bars and cafs using the created business cards and booklets to explain better the brand concept
and to gain more attentiveness and acceptance from posible
clients.
The other possibility for a public intervention and testing
was organised with a friend of Dane, called Omar, who is
already selling bags. At the time the documentation was
handed in both public invention were still in progress so
that there are no photographs yet to show.
217
218
Future
F
perspectives
tv
After four month of wide and deep research, a lot of
conversations with topic-related persons and various
collaborations that made this thesis project possible,
I finally can make a conclusion and give a future perspective for the project around the brand NuVolante.
The meetings and talk with the collaborating street
vendors, Dane, Jimmy and Omar showed me that my
idea to create a brand for street vendors would still
need a lot of afford to get actually realised. Probably
it would need a team of two or three engaged young
designers next to me to organise various collaborations with interested small manufactures and social
workshops all over Italy to bring up a real sustainable
business model for a street brand based on the distribution system of street vendors.
Why all over Italy? Since the vendors are not
just based in Bolzano, but have a rather normadic
life-style in order to make seasonal depending business, also the brand would need to adapt to this
attitude and create collaborations along the vendors'
travelling routes.
219
220
Adrienne Goehler.
Verflssigungen. Wege und Umwege vom Sozialstaat zur Kulturgesellschaft.
Frankfurt: Campus, 2006.
221
222
Colophon
A4
210x297mm
Design Thesis
Free University of Bolzano
Faculty of Design and Art
2014
223
Index
Bibliography
Abel, Bas Van. Open Design Now: Why Design Cannot Remain Exclusive. Amsterdam: BIS, 2011.
Burckhardt, Lucius. Warum ist Landschaft schn?: Die Spaziergangswissenschaft:
Schmitz, Martin, 2006.
Burckhardt, Lucius. Wer plant die Planung?: Architektur, Politik und Mensch:
Schmitz, Martin, 2004.
224
Articles
John Tackara: Into the Open; Article for Open Design Now:
opendesignnow.org/index.php/article/into-the-open-john-thackara/
(date of visit: 24.05.2014)
Viola Caon: Europe's lost generation: how it feels to be young and struggling in the
EU; The Guardian, 29.01.2012: http://www.theguardian.com/world/2012/jan/28/
europes-lost-generation-young-eu
(date of visit: 3.06.2014)
Nicholas DeMaria Harney: Migrant Productivities: Street vendors and the informal knowledge work in Naples; Anthropology/Sociology and History,
The University of Western Australia
225
Joseph S. DeLuca: Street Vendors in the Global City: Exploring Genoas Informal Economy; John Jay College of Criminal Justice, The Journal of Undergratuate
Ethnography, Volume 2, Issue 1
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http://en.wikipedia.org/wiki/Open_Design
http://en.wikipedia.org/wiki/Open_system_%28systems_theory%29
http://en.wikipedia.org/wiki/Value_theory
http://en.wikipedia.org/wiki/Economic_value
http://en.wikipedia.org/wiki/Value_system
http://en.wikipedia.org/wiki/Value_system#Socio-cultural_value_systems
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Videography
226
Websites
Images
If not otherwise indicated the used images where availabe under the creative commons licens
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Images under the wiki commons:
Page 40:
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http://de.academic.ru/pictures/dewiki/75/Kiosk04.jpg
Images with indication of author:
Page 143:
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227
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228
Acknowledgements
First of all some thankful words to my supervisors and friends, Kris Krois and
Sebastian Camerer. Kris, thank you for mentoring me somehow silently
over the last years or at least showing me what design can also be when cleaning
it from selfishness and narcissism. Sebastian, thank you for all the long
critical talks concerning my Thesis and the trip to Hamburg. It was a honor for
me to have been taught by you two.
After four years of studying in Bolzano I met a lot of remarkable persons that
enriched my everday life and made me become more mature, but still allowed
me to be the person I am (not making me loose my enthusiasm and naivet).
To some of them I would like to devote some special thanks coming straight
from the heart.
229
Thank you:
Afra Hackl, for always being 'BigMama' in the last four years.
Erik Ritzl, for all the late night philosophy and an open ear for my weird toughts.
Raphael Walser, Julius Stauber, Max Edelberg and Tim Illner for the best
company I could imagine.
Dirk and Irmgard, for being my parents and covering my back and supporting
me in everything I did, no matter how absurd it might seemed to you.
230