Violin I

Felix Mendelssohn Bartholdy

Sinfonia X h-moll
Violin I Sinfonia X h-moll Felix Mendelssohn Bartholdy

                  
Adagio

        
p

                  
11
      
   p

f

  
19
            
     
f     
p     
p

  
f

     
26
      
    

  


   

 
   
 
Allegro
  
36

            
  
       
pp p

                                    

43
     
  

                             
49
 
              
    

                     
        
55
       
    
        
f

  
       
61
     
    
               
  

                       
67

          


                         
      
73

 
Copyright © 2011 Philip Legge
   
Violin I 3
             
       
80

       
ff

            
88

                                 


p


95

    
       
      
      
  
104
     
                


     
                  
113

 

                  

121

     

                             
          
130

 

ff
                           
       
136

        
    

                                     
      
141
  

 
                              
146

      
 
 
                           
152


       

f dim.

     

 
1.

             
 
160

   
 
p pp V.S.
          
4 2. Violin I
           
168

 
f

                                     
175

   


180
                               
        

      
                    
185
               
  

                                  
     
190

  

  
                                   
195

  

                      
200
  
         
      

                                   

  
205
  
sempre f

                     
210

         
 
 
 
 
 
ff

               

         
  
217

       

 
                 
    
223

   
 
p
 Violin I 5

                              

230
  

             

                       
        
236

                

             
242
 
                      
 
f

       
248  
 
    
 
                
 

                       
254

     
       


                          

260

     

          
267
 
  

    
 
    

                           
274

                   
ff p


280

                    

       


288

 
                      


293  
             
  
   
6
   
       Violin
 
  I              

320
   
   

 
ff

                              
324

      

                               

329

  


                               
 
333

   

            
         
 
339

        

           
    
 
 
   più presto

346

         
ff

             
                               
353

  
358                         
     

         
                    
363

      

   

369
                           
    

             
               
375

  

 
 

ff
Violin II

Felix Mendelssohn Bartholdy

Sinfonia X h-moll
Violin II

Sinfonia X h-moll Felix Mendelssohn Bartholdy

Adagio

                        
p

  
10

                  

 

f

     
19

          
  

    p  
f f

    

27

         
        
 
35
    
    
      
          
pp

  
  
41 Allegro

                       
      
p


48

              



   

54

                  
  
     

     
f

                
60
   
       

    1  2  3  4 
             
66

        
 

        
   
           
74

     
Copyright © 2011 Philip Legge
 Violin II 3

      
      
82

         

        
ff p


89


     
Vl. I

                              
  


109

 
                  


116

                
     


123

                
 

    
      
     
131

  

  
     
ff

              
              
    
137

    
     

                        
       
       
143

     
 

    
148

                   
  
 
 

 
155

                  
dim.  
f p
1.   
    


162
    
     
         
 V.S.
pp
     
   
4 Violin II
               
168 2.
 
   
f

              
176

           
       

            

   
181

         
     

             
 
187
    
          

                                
193

   

         
198

                 
               

              
203

                      
  
sempre f

    
208
  
                                

               
214
 
 
 
          
ff

                   

    
220

     

        


 
226

     
        
  
  
p
 Violin II 5

234

                        

   


240

             
            


  
 
246

              

         
f

        
251

                   
 

       1   2   3  4
256

              
 

 
     
  
       
263

    
       


            

270

    
 
     
ff


276
    
                   
         
p


280

     
  
    
  

  
286

         
     


293

 
         
  
6 Violin II
  
320

    
 
   
 
  
 
   
 
  
 
     
          
ff

   
325

                    
     

                        
330

          
    

  
           
336
  
           
  
 

           
 
   
 
343

         
ff

     
più presto
         

350
 
            

            
357

                  

                
362
   
            

                                 
367

  


                                 
372

  

         
         
   
377

  
   
ff

Viola I

Felix Mendelssohn Bartholdy

Sinfonia X h-moll
Viola I

Sinfonia X h-moll Felix Mendelssohn Bartholdy

    
Adagio

                  
p

               
     
11

    

f p

           
20

             
 
p p

    
    
29

       

      

 
      
36

      
 
pp

                          
Allegro
 
41

          
p

    
45

                                

  
50

                           



                
 
  
56

   
            
 
 
f

              
 
  
62

     
 

  
 

    
68

                         
Copyright © 2011 Philip Legge
     
Viola I 3

      

    
     
 
74

   
ff

    
      
    
82
                    


  
ff p


90

              
p

101

       
   
   
 

113
   
            
sempre pp sempre pp

     
 
 
 
   
128

     

ff

                           
      
   
136
 
      


                               
  
142
  

 
   
                       
   
148

 

       
155

       

         
    
dim. p
1.   
        
   
     
161

     
pp
4
    
2.
    
Viola I
    
168

     
   
f

        

               
176


      

            
    
181

           

  
                             
187

   

         
              
   
192

   

       
                          
197

     

202

                        

 
sempre f

                    

208

             
   

   
214

      
 
 
   
   
       
  
ff


221

       
     
        
   
 Viola I 5

            

228

 
1 2 3

       

p


234

                        

     
240

                        

247
      
        

 
    
   
f

252
                 

        







257

                           
     

263
  
         
  
 


   

 
  
268

       



   
ff

273
   
            
 
6 Viola I
279

         
      
p

292
      
                     

301

                       

     
308

                

 
315

                 

pp ff

321
   
     
 
            

    
328

   








     

  
  


334

          
   
 Viola I 7
340
  
        
               


      
    
346
 
             
ff

          
più presto
 
352

        
 
       
    

         
 
358

                     
  


      

364
  
 
  
                  
   

368
               
                             

                                  
   
372

  
ff

            
            

377
     

Viola II

Felix Mendelssohn Bartholdy

Sinfonia X h-moll
Viola II Sinfonia X h-moll Felix Mendelssohn Bartholdy
Adagio

         
    
         
p




                        
13

 
f p f p

               
21

      
    
p
f
30

  

      
       


 
   
 
Allegro
   
38

           
         
pp p

                    
44

 
            
   

                   

51

        
      
58
    
  

            
      
f
64
  
      

            
    



                      

70
 
1
 
2
 
3



           
      
     
79

     
 
ff ff
Copyright © 2011 Philip Legge
 Viola II 3

88

                 
  
   
p p
98

             


   
108

                           
         
pp

     
113

                           
       

     
118

                         
         
123
                      

             

                                   

 
128

 
ff

                    

          
135
  
           

                    
   
141

     
 
      
 

    
                                   
147

 

        
 
155

                  
       
dim. p

 

      
162 1.
   
2.

      
         
pp pp
   
4 Viola II

 
   

170

       
 
      
f

  
178

                              

     

     

183

   


            
   

188

      

 
 
 
 
   
               
 
194
                    
                      

                                  

 
199

 

                                   


204

 
sempre f

                               

 
209

    

           
214

    
            
ff

           
221

         

 Viola II 5
 
229

               
             
p

  
236

                            
  

242
    
    
     
  
 
  
    
f

       
 
249

                
  
 

  
    


 
 
254

     
 
 
1

      
260

     
 


 
2 3

      

   
      
267

    


 
  
ff

  
273
   
       
    
6 Viola II
279

             
p

289

      
        

298

 
                          

304

 
                        

310

                        
 
pp


316

             
    
  
      
ff

323
    
           
   
     

330

     
   
        

  
   


335

            
 
    

Viola II 7
  
340

        
    
     

  
 
    

  
346

           
ff

                
più presto

 
352

     
 
 
        

359

               



       
   

  
365

                    
   

370
    
                                

374
    
                     



  
ff


378

    
     
   
   
  
Violoncello

Felix Mendelssohn Bartholdy

Sinfonia X h-moll
Violoncello

Sinfonia X h-moll Felix Mendelssohn Bartholdy

Adagio

    
pizz. 1 arco

                    
2 3 4 5 6 7


p p

                
9
    
f

                      
18

     
f f p


   
  
26
       

        
34

          
  
pp

              
Allegro
    
41

              
p

         
46
                  
           

          
52

                       


  
                     
57


     
f
62
                  
 
    
    

 
 
68
     2  3  4  5  6  
             
1

Copyright © 2011 Philip Legge

     
Violoncello 3

        1  2  3  4
       
76

           
 
           
84

 
ff p

                  
90

            

98
           
   

 
108
           

          
120
     

                  
       
132

     
ff

          
                      
138

 

                       
         
144
            

               
150

    

 

        
 
158
     
1.
    
dim. p pp
 
4 Violoncello


   
168
    
   
      
2.
  
pp f



176
          
   
 
 
 
 
 

    
185
                           
  

   





     
191

              

       
197
                  
           

                  
202

     
sempre f

    
                     
207

      
     

212
                          
       
ff

218
                 
               
1 2 3 4 5 6 7 8

        
226
             
     
p

            
232

                 
    
 Violoncello 5
 
238
                    


 
                          
245

    
  
f

        
        
   
250
 

        
       


                1 
255
 2  3  4  5
         

    
262
     7 
   
      
    
6 1

270
 
              
       
2 3 4

ff

                           
277

            
p

283
 
          

294
  
         

305
        
    


313
       
      
pp V.S.
6 Violoncello

     
 
 
 
       
320

   
ff


         
 
 
 
    
327

   

        

     
 
334
           

    
     
341


           

346
                    
 

 
ff

 
     
   
   
352 più presto
        
  

 
         
   
   
359
       

             
366
     
    

 
373
            
   
ff

           
378

     
Contrabass

Felix Mendelssohn Bartholdy

Sinfonia X h-moll
Contrabass

Sinfonia X h-moll Felix Mendelssohn Bartholdy

Adagio

    
pizz. 1 arco

                    
2 3 4 5 6 7


p p

                
9
    
f

                      
18

     
f f p


   
  
26
       

        
34

          
  
pp

              
Allegro
    
41

              
p

         
46
                  
           

          
52

                       


  
                     
57


     
f
62
                  
 
    
    

 
 
68
     2  3  4  5  6  
             
1

Copyright © 2011 Philip Legge

     
Contrabass 3

        1  2  3  4
       
76

           
 
           
84

 
ff p

                  
90

            

98
           
   

108
            


     
120
     
 

                  
       
132

     
ff

          
                      
138

 

                       
         
144
            

               
150

    

 

        
 
158
     
1.
     
dim. p pp
 
4 Contrabass


168
            
     
 
2.



179
              
     

                        
 
 
 
187

  

         
193

                   

            
198
               
    

          
            
203

    
sempre f

 
            
208
              
     

213
                      
 
 
 
1

     
ff

219
               
             
2 3 4 5 6 7 8

        
226
             
     
p

            
232

                 
    
 Contrabass 5
238
            
                  

 
                          
245

    
  
f

        
        
   
250
 

        
       


                1 
255
 2  3  4  5
         

    
262
     7 
   
      
    
6 1

270
 
              
       
2 3 4

ff

                           
277

            
p

283
 
          

294
  
         

305
        
    


313
       
      
pp V.S.
6 Contrabass

     
 
 
 
       
320

   
ff


         
 
 
 
    
327

   

        

     
 
334
           

    
     
341


           

346
                    
 

 
ff

 
     
   
   
352 più presto
        
  

 
         
   
   
359
       

             
366
     
    

 
373
            
   
ff

           
378

     