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123

Intervals. Von den Intervallsprungen. I Des sauts dintervalles.

Exercises for the intervals should be prac- Es ist gut, diese Art von Etuden eifrig zu I1 convient de travailler avec assiduité ce
ticed assiduously, and care is to be taken not iiben, und dabei Sorge zu tragen, dass das genre d’études, en ayant bien soin de no pas
to alter the position of the mouthpiece when Mundstiick auf den Lippen nicht versetzt deranger Pembouchure de dessus les levres,
passing from a low to a high, or a high wird, wenn man von einer tiefen zu einer pour passer d’une note basse aune note haute,
to a low one. By observing this rule, the hohen order von einer hohen zu einer tiefen ou d’une note haute 5. une note basse. On ob-
player will acquire certainty in taking the Note iibergehen will, Man erlangt dadurch tient par la une grande sfireté d’attaque et
notes and great facility in their execution. eine grosse Sicherheit des Ansatzess und une grande facilité dexécution. (Voyez du
(See from No.1 to '7.) Leichtigkeit der Ausfiihrung. (Siehe No.1 bis 7) no. 1 au no.7.)

Octaves and Tenths. Von den~Ootaven und Decimen. Des Octaves et des Dixiémes.
Octaves and Tenths are not used to any Die Octaven und decimen sind auf dem Les octaves et-les dixiemes nesont pas
extent on the cornet; however,considerable Cornet at pistons nicht sehr gebrauchlich; tresusités sur le cornet st pistons; on peut
effect may be produced by ajudicious use nichtsdestoweniger kann man durch eine néanmoins produire beaucoup d’effet par un
of octaves. verstiindige Anwendung der Octaven eine intelligent emploi des octaves.
gute Wirkung hervorbringen.
As to tenths, they may be classed under Was die Decimen anbetrifft,so kann man Quant aux dixiemes,il ya lieu de les ran-
the preceding category. It would indeed be sic unter die Intervallspriinge rechnen, in- gerparmi les sauts d’intervalles. Il serait
very difficult to execute with rapidity any dessen wiirde es sehr schwierig sein, mit fort difficile, en effet d’exécuter avec vitesse
melody whatsoever, if the interval of the Schnelligkeit irgend cine Melodie anzufiih- une mélodie quelconque, en employant suc-
tenth were consecutively employed. (See ren und dabei hintereinander das Decimen- cessivement l’intervalle de dixieme. (Voyez
from No. 8 to 12.) intervall anwenden zu Wollen.(Siehe No.8 bis 12.) du no. 8 au no, 12.)
Q

Triplets. Von den Triolen. Des Triolets.


-

The use of triplets is always highly ef- Die Anwendung der Triolen ist immer von L’emploi des triolets a toujours été ;d’un
fective. In order to execute a triplet Well, ausgezeichneter VVirkung. Um die Triole gut excellent effet. Pour bien rendre le triolet, il
each note must be uttered with perfect e- auszufiihren, muss man sich iiben, jede Note faut s’etudier 5. faire parler chaque note at/ec
quality. The student should proceed slowly mit vollkommener Gleichmassigkeit anzuge- une parfaite égalité. On doit travailler d’ab -
at first, and not attempt to play quickly un- ben. Man muss anfangs langsam iiben, und ord lentement, et ne passer a un mouvement
til the fingers have acquired regularity of erst zu einer lebhafteren Bewegung iiberge- plus vif que lorsque les doigts marchent avec
motion. (See from No. 13 to 2'7.) hen,wenn die Fingerbewegung eine vollkomm- régularité. (Voyez du no. 13 au no. 2'7.)
en regelmassige ist. (Siehe No.13 bis No. 27.)

Studies in Sixteenth notes. Von den Sech-szehnteln. Etudes en doubles croches.


.1-1-_—-_--1

In order to arrive at perfection of execu- . Um zu einer untadligen Ausfiibrung zu ge- Pour arriver 5. une execution irréprochable,
tion,these studies should be played with langen, muss man diese Etuden strengimTacte on doit travailler ces études en conservant
scrupulous attention to time and rhythm,and iiben und die vorgeschriebenen Accente genau toujours une mesure bien rhythmée, et en
due regard to the articulations therein in- beachten. Man muss langsam anfangen und suivant ponctuellement les articulations qui
dicated. The performer should begin slowly das Tempo in dem Maasse beschleunigen, als sont indiquées. Il faut débuter avec lenteur
and increase his speed until he has become fa- man sich mit derUebung nach und nach ver- et ne presser le mouvement qu"au fur et a
miliar with the exercise. Too great. a rapidity traut macht. Zu grosse Schnelligkeit giebt der
mesure qu’on se familiarise avec l’exercice.
of execution does not always impart tothe per- Ausfiihrung nicht immer den Glanz,»den man Une trop grande vitesse ne dorme-pas toujours
formance the brilliancy expected. Precision erwartet. Die wahren Kennzeichen einer gu- au jeu le brillant qu’on espére. La netteté et
and regularity are the real foundation of an ten Ausfiihrung -sind Sauberkeit und Regel- la régularité, voila les vrais types d’une belle
excellent execution. ( See from No. 28 to 4'7.) miissigkeit. (Siehe No.28 bis N0. 4'7.) . exécution. (Voyez du no. 28 au 110.47.)

The Perfect Major and Minor Chord. Vom Dur-und Moll-Accord. De |’accord parfait majeur et mineur.
In providing so many of these studies,my Indem ich diesen Etuden eine grosse Aus- En donnant un aussi grand developpement
motive has been to enable the pupil, by de- dehnung verlieh,war es meine Absicht, die a ces études, mon intention a été d’amener
grees, to play with ease in every key. Some Schiiler dahin zu fiihren,dass sie sich in allen les éleves a pouvoir jouer aisément dans tous
of the fingerings may at first appear diffi- Tonarten mit Leichtigkeit bewegen konnen. q- les tons. Certains doigtés paraitront au pre-
cult, but this is no reason for setting them» Einige Fingersatze Werden anfiinglich schwer mier abord difficiles; ce n’est pas une rai-
aside; on the contrary, itshould serve as erscheinen . Dies ist jedoch kein Grund, sie bei son pour les laisser de coté, c’en est une, au
a motive for Working at them with cour- Seite zu lassen,sondern man soll sie mit desto contraire, pour les aborder avec courage ct
age and resolution. Some benefit must al- mehr Muth und Festigkeit angreifen . Die se conviction. I1 reste toujours quelque chose
ways result from labor of this kind, even if Accorde bleiben immer schwierig, selbst vvenn d’un pareil travail, meme si on execute len-
the notes be executed slowly; and the efforts man sie langsam ausfiihrt; aber die M iihe die tement ces accords; et les efforts que l’on
made to overcome certain “impossibilities” man sich giebt, um gewisse Unmoglichkeiten aura faits pour vaincre certaines impossi-
will soon prove that they were only impos- zu besiegen, wird bald lehren, dass sie nur bilités montreront bien vite qu’elles ne sont
sible in appearance. (See from No. 48 to 52.) sc-heinbar waren. Nur diejenigen Kiinstler wer- qu’apparentes. Elles n’offriront d’obstacle
den uniibersteigliche Schwierigkeiten darin I insurmontable qu’aux artistes qui, par pa.-
finden, die iiberhaupt aus Bequemlichkeit die l > resse, auront contracté la funeste habitude
traurige Gewohnheit haben, stets nur in leirhten de jouer toujours dans des tons simples. (Vo-
Tonarten zu blasen. (Siehe No. 4-8 bis No. 52.) v
yez du no. 48 au no, 52.)
3654-290
124

The Chord of the Dominant Seventh. Vom Dominant— Septimen -Accord. De l’accord dc septieme dominantc.

. The chord of the dominant seventh Der Dominant - Septimen -Accord, Wel- L’accord dc septieme dominante ct-
is’ the same in both the major and min- cher in den Dur-und Molltonarten stets. ant le meme dans les modes majeuret mi-
or keys. Herc it becomes ithe comple- derselbe ist, dicnt hier zur Vcrvollstiindig- neur, dcvient ici le complement des étudcs
ment of the preceding studies. When ung der vorhergehcnden Ucbungcn. Bei précédcntes. On devra le travailler en con-
practicing it, the regularity which I have seiner Uebung bcwahre man stets dic- servant toujours cettc meme régularité
already enjoined and which I cannot too jcnige Rcgclmassigkeit, welchc ich nicht que jc ne saurais trop recommandcr. (W)-
strenuously recommend, should careful- zu sehr cinschiirfcn kann. (Siehe No.53 yez les nos. 53 ct 54.) .
ly be observed. (See Nos. 53 and 54.) und No. 54.)

The Chord of the Diminished Seventh.- Vom verminderten Septimen-Accord. De l’accord dc septiéme diminuéc.
-

This chord plays a conspicuous part Dieser Accord spielt cine grosse Rolle . Oct accord joue une grand role dans la
in modern musical composition. Owing in der Musik der Gegenwart. Dank sei- composition musicale actucllc; il rend,
to its elastic nature, it is of incalculable ner Elasticitat, leistct er der Modulation grace a son élasticité, des services incal-
service; for, consisting as it does solely unberechcnbare Dicnste. Ausschliesslich culables; car, uniquement composé dc tier-
of minor thirds, it may be interpreted in aus klciner Terzen gcbildet',kann man ihn ces mineures, on pent Fintcrpréter de bien
various different ways, and there are in- auf sehr verschiedcne Weise aufltiscn und des maniercs différentcs, ct il y a une
numerable cases in which the musician cs gicbt cine Menge von Fallen, in wel- foule dc cas on lc musicien y a recours.
may have recourse to,it. "chen der‘ Musiker sich seiner bedient.
. Nevertheless, it occupies -a regular Er nimmt indesscn auch cine rcgel- Il occupc cependant une place regu-
place in the minor scale, as may be seen massigc Stclle in der Molltonleiterl ein, liere dans la gamme mineure, ainsi que
from study No.55, in which its real Wei man aus der Uebung No. 55 crsehen l’on en pourra juger par 1’étude no. 55,
place has been assigned to it. kami, worin ich ihm seine wahre Stclltmg dans laquclle je lui ai assigné son veri-
angewiesen habe, _ table rang.
Successive chords of diminished Man kann mehrere verminderte Sep- On peut faire des successions diac-
scvenths are admissible, inasmuch as timen - Accordc auf einandcr folgen lasscn, cords dc scptiemcs diminuées, attendu
they follow one another with considerable vorausgcsctzt dass sic sich mit grosscr qu’ils s’cncha'incnt avcc bcaucoup do fa-
facility. I have presented this chord in. Lcichtigkcit an einander anschlicsscn. Ich cilité. J’ai présenté cet accord dans des
various rhythms and combinations, in gebe den Accord in vcrschiedcnen.Rhyth- rhythmes ct dans des enchainements
order that the pupil may be fully en- men und Verhindungen, damit der Schiiler différents, afin que l’élcve puisse se ren-
abled topjudge of its effect. (See from sich von seiner Wirkung wohl iiberzeuge. dre bien comptc dc son effet. (Voyez du
No. 55 to 61.) (Siehe No. 55 bis 61.) no. 55 au no. 61.)

" The Cadence. Von den Cadenzcn. Du point _d’orguc.


I am adding a series of cadences Ich fiige diesen Etuden cine Rei- . Jc joins it ces études une série dc
in form of prcludes to these studies, he von Cadenzen in Form von Pralu- points d’orgue en forme dc préludes, a-
in order to accustom the pupil to ter- dien hinzu, um den Schiilcr an cincn gu- fin d’habituer les élcves a bien termincr
minate a solo effectively. It is also ten Abschluss des Solos zu gewohncn. un solo. Il sera bien dc transporter ces
advisable to transpose these cadences Man wird wohl thun, diese Oadenzen in points d’orgue dans to-us les tons. . I1
to all the different keys. Care must allen Tonartcn zu transponircn. .Man faut avoir soin dc respirer aux endroits
be taken to breathe Whenever a rest muss Serge t‘ra.gen, andenjenigcn Stcl- cu se recontrent des rcpos, afin diar-
occurs, so as to reach the end of the ~_
len, wo sich Pausenbcfindcn, wohl-At-h- rivcr a la conclusion dc la phrase. avec
phrase with full power, and in per- em zu schiipfen, damit man die Phra- toute sa force, ct sans laisser tomber
fect tune; otherwise the effect will sen mit Kraft und ohne den Ton sinkcn le son; autremcnt l’effet se trouverait
be completely destroyed. zu lassen, schlicssen kann. Andcrnfalls completcment annihilc.
Wiirde die Wirkung vollstiindig vernich-
tet. n

3654" 29 0
125
srumrs on THE STUDIENUBER DIE ETUDES sun LES
INTERVALS. INTERVALLE. INTERVALLES.

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