S SCALE STUDIES

Etuden ueber die Tonleitern

I .

ETUDES SUR LES GAMMES

3654 290
58

STUDIES ETUDEN ETUDES

on the Scales. iiber die Tonleitern. sur les gammes.
Z — i-1--mi-ii

Major Scales. Dur-Tonleitern. Gammes majeurs.

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The study of the scales has,asarule, Das Studium der Tonleitem ist in L’étude des gammes a toujours été
been greatly neglected in Works of ‘the Werken, wie das gegenwartige immer fort négligée dans les ouvrages du gen-
present description; Writers on the sub- sehr vernachlassigt Worden. Man be- re de celui-ci', on se contente générale -
ject generally content themselves with gniigt sich gewohnlich ‘damit, einige ment de donnor quelques exemples, en
giving a few examples, leaving the pu- Beispiele zu geben,und iiberlasst dem laissant a l’éléve le soin de trouver dans
pil to supply for himself whatever may Schiiler die Muhe, aus eigener Quelle son propre fond ce qui manque a la Méth-
be wanting in the method. What is the das zu schopfen,was der Schule fehlt. ode. Qu’en résulte-t-il? c’est que fort peu
result? Why, that few students are cap- Was folgt daraus? Dass sehr Weni-ge dartiste savent faire une gamme correcte-
able of executing a scale correctly. It Kiinstler eine Tonleiter korrekt ausfiih- ment. Il y a pourtant urgence .1. travail-
is ,however, of urgent importance, that ren konnen. Dennoch ist es durchaus no- ler les gammes avec assiduité; eaussi,
the scale should be diligently prac- thig,a]1e Tonleitern mit Fleiss zu iiben; comprenant toute fimportance de ce gen-
ticed. Therefore,knowing asI do, the ich habe die ganze Wichtigkeit dieser re d’étude, j’ai traité cette partie tres-
importance of this branch of study, I Gattung von Etuden eingesehen und longuement et dans tons les tons. On
have treated it at length, and in every deshalb diesen Theil sehr ausfiihrlich obtient par ce travail une parfaite é-
variety of key. By this means a per- undin allen Tonarten behandelt.Durch galité de son, ainsi quiinieulié et cor-
fect equality of sound, as well as a le- solche Uebungen erhiilt man eine voll- rect.
gato and correct method of playing, kommene Gleichmassigkeit des Tons
may be obtained. und ein gebundenes und korrektes Spiel.

Minor Scales. Moll-Tonleitern. Gammes mlneures.

é

In presenting the minor scale for our
particular purpose of study; I have on-
ly included examples built upon the to-
nic and dominant, in order to give an i-
dea of its resources. I
Da die Molltonleiter ihrer Natur nach
weniger reichhaltig ist,a_ls die Durton-
leiter, so habe ich davon nur Beispiele
auf der Tonica und Dominante gegeben,
um deren Hiilfsmittel erkennen zu lassen.
La gamme mineure étant par sa na-
ture moins riche que la gamme majeure,
j’en ai donné seulement des ex emples
sur la tonique et sur la dominante,_.a-
fin d’en fa'ire connaitre les ressources.

Chromatic Scales and Triplets. Chromatische Tonleltern und Triolen. Gammes et triolets chromatlques.
The chromatic scale being one of the Da die chromatische Tonleiter zu p La gamme chromatique étant des
most essential, I have treated it at con-den wichtigsten gehort, so habe ich plus es'sentielles,je lui ai donné un
siderable length. This kind ofstudyim- ihr eine grosse Ausdehnung einge - grand développement. On obtient
parts ease to the fingering. Care must riiumt. Man erhéilt durch dieses Stu- par cel genre d’étude un doigté facile", il
be taken to press the valves down pro- dium einen leichten Fingersatz; tra - faut avoir soin de bien enfoncer les pis -
perly, in order that all the notes may ge aber Sorge die Pistons gut hlI111I1- tons,afin que toutes les notes sortent a-
be emitted with fullness. terzudriicken, damit alle Tone vollher- _vec plénitude.
At first the student must practice auskommen. . Il faut travailler dab ord lentement en
slowly, taking care to duly mark the Zuerst muss man langsam iiben, faisant bien entendre les rhythmes indi-
rhythms indicated. In this scale,asin um die angezeigten Rhythmen deut- qués. Dans cette gamrne, comme dansles
the diatonic scale, it is necessary to lich horen zu lassen. In der chroma- gammes diatoniques,il faut enfler le son
swell out the sound in ascending,and tischen, wie in der diatonischen Ton- en montant et le diminuer en descendant;
to diminish it in descending. Strict at- leiter muss man aufwéirts den Ton schwel— ondoit surtout jouer bien en mesure, sans
tention should be paid to time.Thelat- len, abwiirts denselben abnehmen las- accélérer la fin de chaque périodepomme
ter part of each phrase should not be sen. Besonders soll man festim Tak- beaucoup dhrtistes ont lbabitude de le
hurried, as is the practice with many te blasen,ohne das Ende einer jeden faire. Je conseille donc l’e;rnploi du met-
performers. I recomend the use of the Periodezubeschleunigen, wie viele ronome, pour arriver at cette exactitude
metronome.in order to arrive at that Kiinstler zu thun die Gewohnheit ha- qui fait la beauté de lbxécution.
degree of precision which constitutes ben. Ich rathe daher den Gebrauch
the beauty of execution. des Metronoms an,um zu der Ge -
nauigkeit zu gelangen,welche allein
die Schonheit der Ausfiihrung aus -
macht.

3654-290
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Major‘ Scales. Dur -Tonleitern. Gammes Majeures.

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3654 -290 n
 8'1
EXPLANATION ERKLARUNGEN EXPLICATIONS
e of Grace Notes. - iiber die Verzierungsnoten. sur les notes d’agrément.

The Gruppetto. _. Vom‘ Gruppetto (Doppelschlag) Du gruppetto.

.-ii:-—@ I _ l

The first twenty-three studies of the
following division are especially desig-
ned to prepare -the pupil for the execué
tion of the gruppetto,which,as its name
implies, is used to surround any desirable"
note with a group of grace notes.These
studies ought to be practiced slowly, in
order to accustom the lips and fingers
to actin perfect ‘unison. It is therefore
necessary to give as much value to the
appoggi atura, above or below, as to the
note which serves as their pivot.
/\
There are two kinds of gruppetto,
consisting of four notes; the first is ex-
pressed in the following manner:
Die ersten 23 Etuden des folgenden Les vingt-trois premieres études de
Theils sind einzig und allein in der Abv- *
la partie suivante sont uniquernent oom-
sicht konéponirt, den Schiiler zur Aus- posées dans le but de préparer "I"éléve 5
ftihrung es Gruppetto vorzubereiten, 1’exécution du gruppetto, le quel’ con -
welcher bekanntlich darin besteht, je-_ siste, comme on sait, a. en tourer d’ap-
de beliebige Note eines Accordes mit poggiatures une note quelconque d’un
Verzierungen zu umgeben.Diese Etud— accord. Ces études doivent s’exécuter
en sollen langsam ausgefiihrt werden, lentement, afin d’habituer les lévres
urndie Lippen und ingerzu gewi5hn- etlesdoigts 5 marcher avec un par-
en ," mit einander vollstéindig zusammen-
fait ensemble. Il faut, pour ce1a,donner
zugehen. Man muss dazu den hoheren autant de valeur aux appoggiatures in-
oder tieferen Appoggiaturen (V0rschléi- férieure ou supérieure qu’a la note qui
gen) denselben Werth geben, als der leur sert de pivot.
Note, auf welcher sie ruhen .
Es giebt zwei Arten des Gruppetto Il a deux genres de gruppetto a
zu 4 Noten; die erste wird auf folgende quatre notes; 1e premier sindique de la
Weise geschrieben: s maniére suivante:

G Lt’ 2.5 ifffit

fix lf’? 1 -i
Effet.

Here the sign is turned upwards, Man sieht, dass der erste Haken des On voit que la premiere boucledu signe
which indicates that the first appoggia- Zeichens nach -oben geht,um anzudeu- est en lair-,ce qui indique que la premiere
tura should be above. ten, dass der Doppelschlag mit dem~ appoggiature doit étre supérieure.
nachsthoheren Tone beginnen soll. "
The lower appoggiatura should a1- Der nalchsttitefere Ton muss stets ein L’appoggiature inférieure doit tou-
ways be at the distance of halfatone from halber sein; dies wird oft durch ein Er- jours etre 5, la distance dun demi-ton de
the note which it accompanies;it is marked hiihungszeichen (it oder Q ) unter demGrup- la note qu’elle accompagne, elle se mar-
by an accidental placed beneath the sign. pettozeichen angedeutet. que par un accident placé au-dessous
du signe.
As regards the higher appoggiatura; Der obere Ton des Gruppetto kann H Quaptta 1’appoggiature_supérieure,
it may be either major or minor accord- sowohl ein ganzer als ein halber sein, e e peu e re II1&]61.11'8 ou mineure su1v-
ing to the tonality of the piece which is je nach dem Erforderniss -der Tonart ant la tonalitfé du morceau que lbn exe-
being executed. A des Sttickes: I cute.
The second gruppetto isexpressed Der zweite Gruppetto wird auf fol- Le deuxiéme gruppetto s’indique de
inthe following manner: gende Art bezeichnet: s la maniére suivante:

"*\ ’f€\ Effect I iii

5 HII:—_
-

§e 5 “Jo: If tr 1 H e

' Itwill be seen that the sign is new Man sieht, das der erste Haken des On voit que la premiere boucle du
turned downwards,which denotes that Zeichens nach unten zeigt, um anzudeu- signe est en bas, ce qui indique que la
the first appoggiatura must bebeneath. ten, dass der Doppelschlag mit dem premiere appoggiature doit etre infer-
néichsttieferen Ton beginnen soll. ieure. r . '
This, at any rate,is the manner in So wenigstens sollte man schrei- Telle est, du moins,'la maniere dont
which such passages ought to be writ- ben,ungliicklicherVW-zisse aber vernach- on devrait écrire; mais malheureusement
ten; unfortunately, however,writers now- lassigen heute die Componisten die se aujour-d’h_ui les compositeurs négligent
a-days neglect these details, and leave kleinen Umstande und verlassen sich ces détails et s’en rapportent pres que
them entirely to the taste of the per - dabei fast immer auf den Geschmach toujours au goiit de 1’e-xécutant. (Voyez,
former. (For this variety ofgrace notes, des Ausfiihrenden. (DieseArtvonVer; pom ce genre d’agrément, du no. 24 au
see Nos. 24 to 31.) zierungen siehe von No. 24 bis 31.) no 31.)

3654-290
88
A The Gruppetto Consisting of .Vom Gruppetto mit 3 Noten oder Du gruppetto a trois notes ou petit ‘
~ Three Notes der kleinen Gruppe. ;' gPOUp6.

g There are two varieties of the Gruppet- Es giebt zwei Arten von kleinenGrup- Ily a deux sortes de‘ petits groupes;
ito; the first ascending,the second descend- pen; die erste wird aufwéirts,die andere le premier se fait en montant,etle second
ing. In either case,they may consist of a abwarts gemacht; in beiden Féillen ken- en descendant. Ils peuvent, dansles deux
minor or diminished third, but never of a nen sie eine kleine oder verminderte, cas, etre composes d’une tierce mine ure
major third. A niemals aber eine grosse Terz umfas- ou diminuée, mais iamais dime tierce ma-
sen. A jeure.
They are written: Man schreibt: Ils s’écrivent ainsi: »
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But they should be executed in the fol- I Aber man fiihrt sie auf folgende Art | I Mais on doit les exécuter de la maniere
lowing manner: _ aus: ‘ . suivante: "

gist-§g”“‘J— “\_»
l

_
%?g Elf
—

\._/
eh’ lit} .!|15'-!l_
' -—— \

It will be seen that this embellishment
must not be taken from the note it ac -
companies, but from the measure which
precedes it. It should be very lightly ex -
ecuted, care being taken to attack the
first appoggiatura clearly. (F0 r this
species of embellishment, see No. 32 to
35.)
s The_DoubIe Appoggiaturen
There are two kinds of double appog-
giatura The first consists of two grace
notes which may be taken at the distance
of athird, from the notes which they ac-
coinpany, whether ascending or descend.
mg.
Example, ascending:
Man sieht, dass diesewirzierung nicht Onvoit que cet agrement ne doit pas
von dem \Verthe der Note entnommen etre pris sur la note qu’il accompagne,
wird, zu deren Begleitung sie da ist, mais bien sur le temps qui le precede . I1
sondern vielmehr von dem der Notevor- faut l’exécuter avec beaucoup de légereté,
angehenden Zeittheile. Man muss sie mit tout en attaquant bien la premiere appog-
viel Leichtigkeit ausfiihren, indem man giature. (\/byez, pour ce genre d’agrément,
die erste Appoggiatur gut ansetzt. (Diese du no. 32 au no. 35.)
Art von Verzierungen siehe No.32 bis 35.)
Von den‘ Doppel Appoggiaturen.
(Schleifen) _ Des doubles appoggiatures.
-Es giebt zwei Artenvon Doppel-Ap - I1 y a deux sortes de doubles appoggia-
poggiaturen; die erste besteht aus zwei ttues; la premiere se compose de deux pe -
kleinen Noten; welche von der Note,wel- tites notes qiu peuvent etre prises e dis -
che sie begleiten,eine Terz entfemt sein tance de tierce de la note qu’elles‘ accom-
kiinnen, gleichviel, ob aufwéirts oder ab- pagnent, soit en descendant, soit en mon ~
warts . tant. A
Beispiel, aufwéirts: _ EXBI1'1pl6,en montant: '

._ Example,descending:
1§Su',i'/',§\’Ia@s
i E H tor‘/\?
El Beispiehabwelrtsz ,
H
Exemple, en descendant: »
Q _ . ;> _ . :>

:5 -»E.-JD tr '§.g_;l-lief? U
The double appoggiatura should not Die Doppelappoggiatur soll ihrenV%rth La double appoggiature net doit pa s
take its value from the note which it ac- nicht vonder Note entnehmen,welche sie prendre sa valeur sur la note qu’elle ac-
companies; on the contrary it should pre- begleitet; sie soll ihr im Gegentheil , wie compagne; elle doit, au contraire, la pré -
cede it as follows: folgt, voraufgehen: ceder ainsi qu’il suit: y '
Example, ascending: Beispiel,aufw€ii-ts: a . Exemple, en montant:

Example, descending:
is, E first 5;E, are at
I Beispiehabwelrts: > I Exemple, en descendant;

" sh 1;‘‘ 1 rig-L; t

The second variety of double appog- Die zweite Art der Doppel—Appoggia- La deuxieme sorte de double appog-
giatura is composed of an upper and low- s turenbesteht aus einem hiiherenund ein - giature se compose dime appoggiature
er appoggiatura. em tieferen Vorschlag. supérieure et d’une appoggiature inferio-
ure. ' l'
Example:

2 Should be played: Example:

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Beispiel:

Ausfiihrung: Beispiel; I
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Exemple:

I» r Ondoit executerainsi: Exemple:

A

These appoggiaturas should take their Diee Appoggiaturen sollen ihren Ces appoggiatures doivent prendre
value from the measure preceding the note W'erth von dem Zeittheil entnehmen,wel- leur valeur sur le temps qui precede la
which they accompany. (See No.36 to43> che der Note, die sie begleiten,voran geht. note qu’elles accompagnement. (Voyez du
Siehe No.36 bis No.43. no.o36 au no. 43.)
»

3654-290

The Simple Appoggiatura.
. The simple appoggiatura is a grace
note,in no way constituting a portion of
a bar, but which receives half of the val-
ue of the note before which it is placed.
Example:
89
. Von der einfachen Appoggiatur. De Fappogglature simple.
Die einfache Appoggiatur ist eine Eappoggiature simple est une petite
ausser der Harmonie liegende kleine note ne faisant aucunement part:-' e d’un
Note, welche jedoch die Halfte des \Ver- ac'cord,et quiprend neanmoins la moi -
thes derjenigen Note erhEilt,welcher sie tie de la valeur de la note devant la -
voraufgeht: I quelle elle est placee. A
Beispiel: i ‘ Exemple:

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This appoggiatura may be placed a- Diese Appoggiatur kann oberhalb 0- Lhppoggiature peut se placer au -
bove or below any note.When it is placed der unterhalb einer beliebigen Note ge- dessus ou au-dessous d’une note quelcon-
above, it may be at the distance of a tone stellt werden. Steht sie oberhalb, so kann que. Lors<1u’elle est placee au - d e s su s,
or half tone; when it is placed below, it ihre. Entfernung einen oder einen halben elle peut etre a la distance d’un ton ou
ought, invariably, to be at the distance ofa Ton ausmachen; steht sie unterhalb, so d’un demi—ton; lorsqu’e1le est placee au-
‘halftone. darf sie ohne 'Unterschied nur einen dessous, elle doit invariablement se trou-
halben Ton entfernt sein. ver it la distance d’un demi-ton.
For instance: Beispiel: Exemple:

is 0 are 1 0 7-for Z l
In the music of the old masters are to
be found numerous examples of the ap -
poggiatura, intended to take half the val-
ue of the note which they precede;but, at
the present day, in order to obtain a un-
iform execution, music is written precise-
ly as it is intended to be executed; this is
undeniably, a far better plan. See from
No. 44 to 47.
The Short Appoggiatura
r or Grace Note.
-nu-—u|-:-1
In der Musik der alten Meister findet Dans la musique des anciens maitres,
man viele Beispiele von Appoggiaturen, on trouve une grande quantite d’exemples
welche von der Note,vor welche sie steh- dhppoggiatures devant prendre la Tnioi -
en, die Héilfte des Werthes entnehmen tie de la valeur de la note qu'elles prece-
sollen, aber heute schreibt man um ei- I dent, mais aujourdhui, afin d’obtenir une
ne gleichfermige Ausfiihi-ung zu erlan- execution uniforme,on ecrit generale -
gen,im Allgemeinen so,wie es ausge - ment la musique ainsi qu’elle doit etre
fiilirtwerden S0ll,WaS't1I1l)8Sl51'Cllb&l‘ besser exe cutee, ce qui vaut beaucoup mieux ,
ist.(Siehe No:4-4 bis No.47.) sans contredit. (Voyez no. 44 au no.
47.) o .
Von -der kurzen Appoggiatur De’ lhppoggiature . breve
oder dem Prallvorschlag. -I ou petite note.
. iii.

The grace note deducts its value from
thenote which it accompanies. It is gene-
rally employed in somewhat . animated
movements. Stress should be laid upon
it so as to impart to it a little more force
than the note which it precedes. ‘When it
is above, it may be situated a tone or half '
a tone from the note it accompanies;when
it is below, it is invariably placed at t-he
distance of half a tone. (See from No.48
to 54.)
' Der kurze (Prall-) Vorschlag ent -
nimmt seinen Werth von der Note, zu
welcher er gehort. Er wird besonders
in lebhafteren Tempos angewandt. Man
muss ihn beim Ansatz etwas aceentuir-
en, indem man ihn etwas starker nimmt,
als den Ton welchem er voraufgeht . Ist
er aus dem nachst heheren Tone gebild—
et, so kann er aus der grossen oder klei-
nen Secunde bestehen, fist er dagegen
aus dem nachst tieferen Ton gebildet, so
darf er stets nur aus der kleinen Secunde
bestehen. (Siehe No. 48 bis No.54.)
La petite note prend sa valeur sur la
notepmeme qu’elle accompagne; el1es’em-
ploie genéralement dans les mouvements
un peu vifs. On doit appuyer en l’atta -
quant de maniere 5 lui donner un peu
plus de force que. la note qu’elle precede,
Quand elle est supérieure,e]le peut se trou-
veraun ton ou a un demi—ton de la note
qu’elle accompagne, quand elle est infer-
ieure, elle se place invariablement a la
distance d’un demi-ton. (Voyez idu no.
48 au no. 54)

The Portamento. Vom Po rtamento. Du portamento.

-—-is---1

The portamento is a little note which
is, in fact, merely the repetition of a note
which the performer desires to carry to
another by siurring. This kind of embell~
ishment must not be used too freely, as it
would be a proof of bad taste. When ju-
diciously employed it is highly effective,
but,for my own part, I decidedly prefer
that the tone should be slurred without
having recourse to the grace note. (See
from No.55 to 59.)
Das Portamento ist eine kleine Note,
welche-inlwahrheit nur die Wiederhol -
ung einer beliebigen Note ist, welche
man, indem man denr'l?on schleift, auf
eine andere Note iibertragen will. Man
muss diese Art Verzierung nicht miss-
brauchen, denn das wiirde geschmacklos
werden, mit Maass angewendet, kann
sie von grosser VVirkung sein; aber ich
wiirde ihr das ohne Hiilfe der kleinen
Note ausgefiihrte Portamento bei Viki-
tem vorziehen. (Siehe No.55 bis No.59.)
Le portamentoest une petite note qui
n’est par le fait,que la repetition diune
note quelconque que l’on veut porter sur
une autre en glissant le son, 11 ne faut
pas abuser de ce genre d’agrement, car
il deviendrait de mauvais goiit; employe
avec menagement, il peut etre d’un grand
effet; mais je lui prefere de beaucoup le p
son porte sans le secours de la petite
note. (Voyez du no. 55 au no.59.)

I 3654-290
90 p ..

The Trill (or Shake.) Vom Triller. Du trille.

iiiiinnui fli——IuIuI|_IIu— ii-

On instruments with valves the trill Auf allen Instrumenten mit Pistons Sur les instruments e. pistons le trille
is the most difficult ofall embellishments.p ist der Triller die schwierigste allerVer- est le plus difficile de tous les agréments.
The only trill which is really endurable zierungen. Eigentlich ist nur der_,Triller Tl n’y a reellement que le trille d’un demi-
onthis instrument is that in half tones. von einem halben Ton ertréiglich. Man ton qui soit supportable. On peut ce-
Whole-tone trills,however, may be pro- kann indessen Triller von einem gan - pendant faire des trilles .diinton,mais il
duoed, but care must be taken to press zen Ton machen, aber muss dann Sor - faut avoir soin denfoncer regulierement
the valves down so that each note may ge tragen, die Pistons regelmassighin- les pistons, afin que chaque battement
be perfectly distinct. . unterzudriicken, damit jeder einzelne soit bien distinct.
The student should previously‘ prac- Trillerschlag bestimmt erkennbar ist. l
tice studies No.60 to 67, slowly and de- Man wird also vorlaufig mit Geduld On devra donc prealablement trava-
liberately, so as to arrive at the pure und ohne sich zu iibereilen, die Etuden iller avec patience et sans se presser,les
production of each sound. At a later per- von 60 bis 67 iiben miissen, bis man etudes du no. 60 au no. 6'7 afin d’arriv-
iod he may perform the studies on the dahin gelangt, jeden Ton rein herauszu- er e faire sortir purement chaque son.
trill, taking care to follow the finger- bringen. Spéiter kann man die Etuden ii- Plus tard, on pourra jouer les etudes stu-
ing exactly. as indicated. (See from No. t ber den Triller iiben,indem man genau le trille,en suivant exactementles doigtes
es to so.) dem vorgezeichneten Fingersatze folgt. indiques. (Voyez du no. 68 au no. 80.) '
( Siehe No.68 bis No.80.)

The Mordant. Vom Mordant. Du mordant.

The mordant is nothing more than a
precipitated trill or- shake. It re quires
neither preparation nor resolution. It is
indicated by the following sign:
l
Der Mordant ist iiichts als ein kurpz - Le mordant niest autre chose ,qu’u,n
abgeschnellter.Triller; er bedarf weder trille precipite, il ne demande ni pre-
der Vorbereitung, noch des Nachschlags. paration ni resolution. On llindiquepar le
Man bezeichnet ihn durch folgendes Zei- signe suivant: a .
chen. .

Its effect is as follows: I

i .2 in
Klang: I Envoicil’effet:

The mordant,consisting of severalbeats Der aus mehreren Trillerschlagen Le mordant compose de plusieurs bat-
is almost impracticable on the comet. 'Ihe bestehende Mordant ist auf dem Cornet tements est presque impraticable sur
performer must therefore restrict him - a Pistons fast un ausfiihrbar. Man muss le comet £1 pistons. I1 faut donc s’e-n te-
self to the mordant with one beat,which sich daher an den Mordant mit einem nir au mordant a un seulbattement, qui
is much more easy-of execution, and is einzelnen Trillerschlag halten der sich se fait avecbeaucoup plus de facilite et
moreover, very graceful. mit weit mehr Leichtigkeit ausfiihren l qui est tres-gracieux.
leisst und sehr grazies ist.

ems
‘Z V 7 Pei Lgin §5"B_lil£T1.¥ H
The mordant takes its value (time)
from the note to which it belongs. (See
from No.81 to 88.)
N. B. All the lessons on grace notes
having been specially composedto serve
as studies, I have purposely assembled
together and in profusion, every kind
of grace note. Care, however, - must be
taken not to use them too abundantly,
as an excess of ornament is always in
bad taste.
e
i
@115’ '.§“Y—l=E"’*—l
Der Mordant entnimmt senienWerth '
von der Note,-zu welcher -"erlgehorlsi. (Siehe
N0. 81 biS NO. 88.)
N. B. Da alle Uebungen tiber¢dieVer-
zierungsnotennur componirt sind,um als
Studium zu dienen , so habe ich ab sicht-
lich die Verziertuigen in iiberreicher Wei-
se angebracht. Man muss sich aber hii -
ten, in der Praxis damit Missbrauch zu
treiben, denn dies wiirde von dem
schlechtesten Geschmack Zeugniss ge-
ben. =
Le mordant prend sa valeur sur la
note meme ii laquelle il appartien-t.(Voy
ez du no. 81 au no. 88.) I I
N. B.Toutes les lecons sur les notes
diagrement etant specialement compos-
ees pour servir detude, j ’ail reuni a des-
sein, avec profusion,tous les genres de
note d’agrement. Mais i1 faut bien se gar-
der den abuser ainsi dans la partiquepar
cela serait du plus mauvais goiit.

%)C*>.-\’

3654-290
 PREPARATORY EXERCISES ON THE GRUPPETTO
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