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Partitur VI/19

Widmann
 
Labyrinth IV

Leihmaterial · Unverkäufliches Eigentum · Rental Material · Not for Sale


Jörg Widmann
(*1973)

Labyrinth IV
für Sopran und Ensemble
nach Texten von Euripides, Clemens Brentano,
Friedrich Nitzsche und Heinrich Heine

for soprano and ensemble


based on texts by Euripides, Clemens Brentano,
Friedrich Nietzsche and Heinrich Heine

(2019)

Partitur / Full score

Mainz · London · Berlin · Madrid · New York · Paris · Prague · Tokyo · Toronto
© 2019 SCHOTT MUSIC GmbH & Co. KG, Mainz · Printed in Germany
Auftragswerk der Daniel Barenboim Stiftung

Uraufführung / First performance:

19. Juni 2019, Berlin (D)


Pierre Boulez Saal
Boulez Ensemble
Dirigent / Conductor: Daniel Barenboim
Texte / Texts:
I Zeugung des Minotaurus
τί με δῆτ᾽, ὦ μελέα μῆτερ, ἒτιχτεσ
[TÍ ME DÄT, O MELÉA MÄTER, ÉTIKTES]

(Euripides)

II Kinderlied für ein Ungeheuer


Durch die Wüste zieht das Kind.
Nur der Faden meiner Hände
Führt es durch das Labyrinth.
Es wird wandeln, wie ich‘s sende. –
Durch die Wüste zieht das Kind.

(Clemens Brentano)

III Gang ins Labyrinth


Kanon

IV Im Labyrinth
Unnennbarer! Verhüllter! Entsetzlicher!
Du höhnisch Auge, das mich aus Dunklem anblickt!
So liege ich,
Biege mich, winde mich, gequält
Du drängst mich, drückst mich,
Ha! schon viel zu nahe!
Du hörst mich athmen,
Du behorchst mein Herz,
Was willst du dir erhorchen?
Was willst du dir erfoltern,
Du Folterer!

(Friedrich Nietzsche)

V Traurig schau ich in die Höh


Traurig schau ich in die Höh,
Wo viel tausend Sterne nicken –
Aber meinen eignen Stern
Kann ich nirgends dort erblicken.
Hat im güldnen Labyrinth
Sich vielleicht verirrt am Himmel,
Wie ich selber mich verirrt
In dem irdischen Getümmel.

(Heinrich Heine)

VI Tötung des Minotaurus


Nein!
Komm zurück!
Mit allen deinen Martern!
All meine Thränen laufen
Zu dir den Lauf
Und meine letzte Herzensflamme
Dir glüht sie auf.
Ich bin dein Labyrinth…

(Friedrich Nietzsche)
Ensemble:
Flöte (auch mit Glissando-Headjoint, auch Piccolo)
Klarinette in B (auch Bassklarinette in B)
Fagott (auch Kontrafagott)

2 Trompeten in C (im Saal)


Posaune (auch Bassposaune)

Schlagzeug: I
(2 Spieler) Triangel
2 Becken (hoch, tief)
chinesisches Becken
Buckelgong 

2 hohe braslianische Tamborims
kleine Trommel
3 Tomtoms (hoch, mittel, tief)
große Trommel
Metal Chimes
Guiro
Lotosflöte
Holz-Schlitztrommel (tief [Tempelblock])
Mülleimer (Blech)

II
Glockenspiel
Crotales
Vibraphon
Triangel
2 hängende Becken (hoch, mittel)
chinesisches Becken
Buckelgongs  
      
2 Peking-Oper-Gongs (einer Glissando nach oben, der andere Glissando nach unten)
3 Tamtams (hoch, mittel, tief)
2 hohe brasilianische Tamborims
Tamburin © 2011 Schott Music GmbH & Co. KG, Mainz Verlagsnummer

Claves
2 Woodblocks (hoch, mittel)
Lotosflöte
Hi-Hat (Fußmaschine, mit 2 möglichst tiefen, großen, alten Becken gegeneinander)
Waterphone
Kuhglocken

Akkordeon
Klavier (auch Celesta)

Violine I
Violine II
Viola
Violoncello
Kontrabass (mit 5. Saite H)

Die Partitur ist klingend notiert.


Vorzeichen gelten nur für eine Note.

Dauer: 20’
© 2011 Schott Music GmbH & Co. KG, Mainz
Ensemble:
Flute (also with glissando headjoint, doubling piccolo)
Clarinet in Bb (doubling bass clarinet in Bb)
Bassoon (doubling contra bassoon)

2 Trumpets in C (in the audience)


Trombone (doubling bass trombone)

Percussion: I
(2 players) Triangle
2 Suspended cymbals (high, low)
Chinese cymbal
Button gong 

2 high Brasilian tamborims
Snare drum
3 Tom-toms (high, middle, low)
Bass drum
Metal chimes
Guiro
Swanee whistle
Wooden slit-drum (low [temple block])
Metal trash can

II
Glockenspiel
Crotales
Vibraphone
Triangle
2 Suspended cymbals (high, middle)
Chinese cymbal
Button gongs


      
2 Peking opera gongs (one glissando upwards, the other glissando downwards)
3 Tam-tams (high, middle, low)
2 high Brasilian tamborims
Tmabourine © 2011 Schott Music GmbH & Co. KG, Mainz Verlagsnummer

Claves
2 Wood blocks (high, middle)
Swanee whistle
Hi-hat (pedal machine, with 2 cymbals against each other, as deep, large and old as possible)
Waterphone
Cow bells

Accordion
Piano (doubling Celesta)

Violin I
Violin II
Viola
Violoncello
Double bass (with 5th string B)

The score is notated as it sound.


Accidentals are valid for one note only.

Duration: 20’
© 2011 Schott Music GmbH & Co. KG, Mainz
Labyrinth IV
Sopranistin: Position 1 (im Saal)

4 2 4 2 4
Jörg Widmann
q = 63 * 1973

4 4 4 4 4
ZEUGUNG DES MINOTAURUS
senza misura senza misura Gran cassa
Fell mit Superball


4-5 sec.
 
G. P. gerieben


(sim.)
      
Schlzg. I
 p   mf   ff 


poss.
4-5 sec.
verzerrter, mehrstimmiger
Schrei, quasi Multiphonic
fff


 
gliss.

Sopran Solo       

4 2 4 2 4
senza misura senza misura 4 q = 63 4 4 4 4
  
4-5 sec. G. P.


sul E
     
Kontrabass
   gliss.
   gl.moltogliss. 
 mp   
f

q = 138

3 5 molto accel.
3 molto rall. Tempo I
2
4 8 (2 + 3)
4 (q = 63)
poco accel. 4

Kontrafagott
  
8
Kfg.          
   

molto f 
Bassposaune

   zu
mit Plunger
zu auf

    
  
Pos.
gliss. 


più f

„Luftdruck-Gliss.“ „sim. Luftdruck-Gliss.“


     
Akk. f più f 
 
     
     

stimmhaft stimmhaft
pp f
3
p mp

EINATMEN aus- und einatmen
poco f 
E
abwechselnd E E A

       
E A A


EIN E
A A
Sopran Aus

E
„H“ (tief beginnen) (tief beginnen) A
jedes Mal höher werden höher werden

3 5 3 2
4 8 (2molto 4 molto rall. 4
Tempo I
+ 3) q = 138 (q = 63)


accel. poco accel.
 
Kb.     gliss.     gliss.


f ppp più f 

© 2019 Schott Music GmbH & Co. KG, Mainz

58 217
2

2 molto accel. 4 accel. 5 (molto) 3 Tempo I


4 4 4 4
[q = 180] Sub. tempo I (q = 63)
poco rall. (bis q = 160) (q = 63)


13 Bassklarinette G. P.
           
   
3


Bkl.
        
 pp mf
più pp
f


3
                
        
Kfg.

più 
ppp
 
mf
pp
f
  hin zu 

auf


  
3
          
  
  
     

Pos.

più pp ppp mf
f
erstaunt, erschreckt „hauchig“ gesungen
sffz pp mf

     
 3


3 E

 gl.     
E

    
E E


E
A
gl.
Sopran
E A
A
A A
noch höher

2 4 Sub. tempo I (q = 63) 5 3 Tempo I


(wieder etwas
tiefer beginnen) werden

4 molto accel. [q = 180]


poco rall.
4 accel. 4 (molto) 4 (q = 63)


(bis q = 160)
3 pizz. G. P.
                
        
Kb.
 
più pp pp poco f
f


2 3 4
4 Più mosso sub. 4 4

18 G. P. (q = 100) accel.
Bkl.      


Kfg.       

   
    
 


Pos. gliss. 
ff pp


3 Tomtoms (t.) (m.) (h.)
       
  
3
Schlzg. I harte Vibraphon-Schlägel p mf


Gran cassa 3

         


ord. gespielt

      
Akk. ff pp
     
   
 
Lachen, stacc. sempre
ff sub.
sim., aber noch hauchiger
poco hohes Kichern (in gezackter Bewegung von oben nach unten)

lockend
   pp 
   
f

mf
 

Sopran gliss.    g lis s .        
(sim.) Hi hi

2 3 4
Ha ha ha ha ha ha ha ha

4 Più mosso sub. 4 4



(q = 100) accel.
G. P.
 
arco
Kb.      gliss. 
 
ff pp

58 217
4 8 3 2
3

4 q = 180
8 (3 + 3 + 2) 2 2

24
     
Bkl.           


             
    
   
Kfg.
 poco f sfffz
mp

   
 
(loco)
           
Pos.
  gliss.

 poco f  
mp sfffz

 
    
Tomt. (t.)
    



più f

  
Schlzg. I


(Gr. c.) secco
     secco
            

  

 


p pp p pp f sub. più f 
sub.

     
Akk. mp poco f sfffz

           


mit hoher Stimme geschrien


(noch extremerer Schrei, quasi Multiphonic)
f Schrei (Schmerz/Lust gemischt) fff
mp
mittel-tiefe Bruststimmenlage 
   
E
gliss.
˜
     
A

Sopran
(höher werden)

4 8 3 2
A!

4 q = 180 8 (3 + 3 + 2) 2 2

pizz. 
    
arco
Kb.         
  gliss.
mf f sfffz


2 3 2 3 2
Più mosso

2 4 2 4 2
subito
(h = 92 /


29
q = 184)

Bkl.           
f

Kfg.            

 
f

           

Pos.


                                  
Schlzg. I
mf p sempre (poco)
f

ppp

f

                  
3

                  


Sopran 
           
Più mosso Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha A a a a a a a a

2 3 2 3 2
2 4 2 4 2
subito
(h = 92 /


q = 184)

Kb.            
f
58 217
4
2 5 3 3
2 4 2 4
 
rall.

38
Pos.      
   gliss. 


fff
(Tomt.) (t.)
          
 


Schlzg. I più f
(Gr. c.)
    
  
3 3

                       
   
pp sub. più f 

    sim. sempre
pp sub. più f

           gliss.
        3     3   
Sopran                      

2 a a a a a a a
5 a a a a a
3 a
3
2 4 2 rall. 4
 
      g lis s .
Kb. 
 fff


3 5 [in 2] 7 [in 3] 5 [in 2] 7 1 7
4 8 (3 + 2) 8 (3 + 2 + 2) 8 (3 + 2) 8 4 8
[in 3]
q = 176 (3 + 2 + 2) (2 + 2 + 3)

    
44 (Tomt. (t.))
    
          
mf
  
Schlzg. I


    
                        
mf
più sfz
sfz (höher werden)

 
stimmhaft einatmen mf cresc.
   
A

     
       
E

Sopran 
„H“ „A“ A > (sempre)


7 5 (2 + 3) 7 (2 + 2 + 3) 4 5 (3 + 2) 2
8 (3 + 2 + 2) 8 8 (3 + 2 + 2) 4 8 4
  
 
(h. + m.)
 
 
52 (t.) (t.)

(h. + m.)
      
           
          
Schlzg. I poco f p sub. poco f

 
  
                   
poco f
(cresc.)
    
           
       
Sopran          
(A) >


2 7 (3 + 2 + 2) 4 5 7 (3 + 2 + 2) 4
4 8 4 8 8 4
      
59 (t.) (m. + t.) (h. + m.)
 
(h. + m.)
    
(m.)
                              
 

    più f pp
p sub. f
Schlzg. I sub. sub.
     
                  
    più f
sub. 2 Peking-Oper-Gongs
(einer nach oben, der andere nach unten

  l. v.   l. v. 
glissandierend)

Schlzg. II        
molto f più f

    
ff più ff mp
 molto f più f
 
(cresc.)

           
sub.

 
  
g li
          
ss.
Sopran 
gl.  

58 217
5

4 3 5 7 4 7
Subito

4 4 8 (3 + 2) 8 4 8
meno mosso
(3 + 2 + 2) (q = 160)

 
67 (Tomt.) (t.) (m.) (h.) (t.)
      
                
             
Schlzg. I f più f mp sub. più f
(Gr. c.)   

                     
f più f mp sub. più f

 
 
(P.-O-G.) l. v.
    


Schlzg. II
beide Gongs abdämpfen
ff (più f)


Klavier / Flügel
     
Klav. ff
         
       
   
ff
(più f)

 
più ff
mf
   
 gliss.    
             
Sopran 


7 4 3 7 (2 + 3 + 2)
8 4 4 8
  (t.)
(t.)
        
73 (m.) (h.)
(m.) (t.) (m.) (t.) (h.) (t.) (m.) 3 (m.) (h. + m.) 3 (m.) 3

                        
(t.) (t.) (h.)
      
(m.) (m.) (t.)
     
 
Schlzg. I mf
    3 3  (più) f


3


poco f
               


 
 
(loco) molto f sempre, Akzente stark hervor più f
             

                
           
Klav.
stacc.  3 3  3 3 3 3 ff
    
3
 
            
                    
      
      

più f ff più ff
              
molto f più f
                    
           
           
Sopran 
A A A I I o - i o - i-o - i - o - i - o - i-o - a


(2 + 2 + 3)
     
80
  
(h.) (m.) (m.) (t.) (h.)
    
(h. + m.) (t.) (h.) (t.)
            
(t.) (t.) (h.) (m.)
         
 3   
Schlzg. I


p sub. ff f
  
                 


 

     
      
    
  
         
      
Klav.
3
   f
p sub. ff
      
       
                     
         

  
           
più ff più ff p f ff
    
          
 
Sopran 

58 217
5 4 Tranquillo sub. 2
8 (3 + 2) 4 accel. 2
6
(q = 50)

  
[molto]

84

     
Pos.  gliss.
 


(Tomt.) fff
     
(h. + m.)
 (t.) (m.) (t.) (h.) (m.)

              
(t.)

 
Schlzg. I ff f


       
(Gr. c.)  
    
      
fff 

Akk.
    
 



 
 

 ˜

          
     
Klav.
f ff  ffff 
ff fff

       
      

 
 
 
         
fff nach oben gehalst: stimmhaft einatmen; nach unten gehalst: mit hohem Luftanteil gesungen (ausatmen)
      pp cresc.
 
                 
E

 
5 4 2
Sopran 
             
8 (3 + 2) 4 Tranquillo sub. 2
A
A >
(q = 50)

[molto]
accel.
     
2
Kb.  gliss.

2 accel.



fff
h = 138 / q = 276 q = 160


90 chromatisch verbinden  rall.
     
5
gliss.
         
   
Bkl.
ppp ff  
mp ppp sfffz più sfffz

        
chromatisch verbinden 
    
5
Kfg. gliss.
 
    
 
mp ppp ppp ff sfffz più sfffz
Pos.   gliss. 
      
  sffz  

mp Tomtoms sffz
t. m. t. h. m. h. t. m.
         
3 3 3
   
  
Schlzg. I pp ff più ff

 Cassa
3
     
3
Gran
 mp     
  secco  secco

Tiefes Tamtam
     


   (Tamtam Schlägel)
   

Schlzg. II

 

  3        
3 


   
 
 
     
  

pp fff più fff

   
Akk.


 

3
        
3

 

  
 

   
  

 
        

     
      

3 
             

Vollchromatische 3 3 più fff
ppp
 
Klav. Handflächen-Cluster fff

       
3

 
in beiden Händen
   
3  3
          



 
 
 loco
f, cresc.
  3  
più fff

fff
   
       
      
  3

            
2
Sopran

2 accel.h = 138 / q = 276 q = 160


 
  
rall.
3  

3
gliss.         
    
Kb.
 3  
mp p fff più sfffz più sfffz
58 217
7
Sub. meno mosso (h = 90) (h = 63)


h = 120 più rall. più rall.
98   3
        
3
   
       
Bkl.
 sfffz sfffz
più sfffz pp
più sfffz

 
           
3 3
Kfg.      
      
più sfffz
sfffz sfffz 

più sfffz pp


 
gliss
       

Pos.
gliss. 
 sfffz  gliss. ()

sfffz
più sfffz
più sfffz pp

      
(Tomt. (h.)) (h.) (m.)
(t.) 3 3

         
         
sfffz (più ff) più fff 3 
Schlzg. I più fff più pp
(Gr. c.) fff 3

              
pp
sfffz (più ff)

 secco 

chin. Beck. (weiche Schlägel) abdämpfen
    
(Tamt. (t.))
  l. v.

      



Schlzg. II


più sfffz sffffz

   
Handflächen-Cluster


enger werden und nach
 loco unten führen

        

  
 
sffffz sffffz sffffz più sffffz pp
Akk.
 sffffz
   

  

    


 
       
 
 
 
             
Klav. sffffz sffffz loco sffffz sffffz più sffffz
        
    

 

 
 (quasi Geburtsschrei, multiphon)
più fff   
Sopran        
Sub. meno mosso (h = 90)
h = 120 più rall. più rall.
   
gliss

gliss (h = 63) 

arco
           
4
Kb. gliss.


4


più sfffz sfffz sfffz più sfffz pp
h = 54
 
107 più rall. senza misura
 
Bkl.
 


mp
  
Kfg.   
 
 mp
 
 
( )
Pos.

mp

  gliss. Dämpfer auf (straight mute)

 
  
mit Gr.-Tr.-Schlägel gespielt

  

Schlzg. I

  
Tamt. (t.) Tamt.-Schlägel


 

Schlzg. II
p l. v.

   
Klav.
 
 
 
p
wechselt zu Celesta Mit archaisch-tiefer Bruststimme gesprochen, das Unfassbare vor Augen,
erschüttert, mit großem, aber ruhigem Pathos.
  3 ( ) più f 3
    
ca. 5-6 sec. f
  
ca. 5-6 sec.
   
4

( )
Sopran ˜ ˜ ˜ ˜
h = 54
più rall.
TI ME DÄT O ME-LE - A MÄ - TER É-TIK-TES.
4
  
sul pont. senza misura
Kb.  
   

mp 
58 217
8

Gang der Sopranistin Position 2

4 3 4 6 3 6
4 q = 54 4 4 4 8 [e = e]
(e = 108)
8

110
Fl.       


Bkl.       

kl.Tr. (mit Schnarrsaite) (Trommelstöcke)




trem. trem. trem.

   
Schlzg. I            
pp  pp  p 
Trommelstöcke über dem Kopf gegeneinander schlagen
Position Position


halten halten

Claves
         

Schlzg. II
mf mf sfz sub.


              
       
 mp 
Akk.
     
3 3
      

     
(schlicht, einfach)
gesummt pp
      
Sopran
 


6 Poco più mosso,
4
8 in schwebendem Fluss 8
Poco meno mosso Meno mosso
(e = 112) (e = 76)
(e = 120 / q. = 40) Gran cassa (Trommelstöcke)
  
       
trem.

  
116
  


Schlzg. I
 l. v.


pp ppp
Celesta
            
Cel.  ppp

       



pp



p
       
 


   
   
 
  
     

          
Sopran


 rall.
4 6 e = 66 Poco più mosso sub.
9
8 8 (e = 66)
8

rall. rall.

e = 60
123 Glockenspiel        
        
                
Schlzg. II
ppp
     
3

        
rubato


    
       
 
            

   


            

   

    
     
 p
  
dim.
3 3 (poco)
Cel.
         
   
°       

[ad lib. Mund leicht öffnen [auf A] wenn zu leise]

      

   
 

       
    

  
       


 
Sopran   
x w
58 217
9

9 6 Leicht und schwebend,

8 e = 56
Flöte 8 rall. (bis e = 50)
in langsam fliessender Bewegung
(e = 76) non frull.
    

129 frull. semplice, cant.
 
  
     
Fl. 
ppp  pp

(Bassklarinette)

 
          
       
Bkl.            
ppp pp ppp pp


(Bassposaune)
con sord. (straight mute)

          
Pos.
 
pp

           
(Glsp.)
       
Schlzg. II 
             
pp dim. 3 ppp pp
 


      

    
 
  
  
Akk. pp

    


         
 
   
 
3

         
      
x w
 (dim.)
ppp pp p ppp pp


Cel.

      
  
      
 

°      
ord. gesungen


pp (semplice, nur minimales Vibrato, quasi non vibrato)
     
Sopran          
Durch die Wüs - - te zieht das Kind.

9 6 Leicht und schwebend,


8 8 in langsam fliessender Bewegung


rall.

e = 56 (bis e = 50) (e = 76)
Vl. 1       
pp

con sord.


cant. ma non troppo vibr., semplice
      
Vl. 2 
pp

 
pizz.
     
 
Va.
   
p


 
     
   
Vc.  
pp

   
pizz.

 
l. v. sempre

Kb.     
pp sempre

58 217
10

poco rall. a tempo poco più rall. a tempo



133


klagend
 
  
          
Fl.  
x w
mf pp

  
klagend
  
 
            
Bkl.  
ppp p

    
 

Fagott
        
Fg.        
ppp p ppp p ppp p sub.

 
   
  
Pos.             
ppp p sub.

         
(Glsp.) 3
      
Schlzg. II             
ppp
      


dim.

       
  
Akk.

     


x w     
  

         


pp p ppp wechselt zu Klavier / Flügel
Cel.

     


p pp p pp p mp
         
Sopran             
Nur der Fa - den mei - ner Hän - - de führt es durch das La - - by -

poco rall. a tempo poco più rall. a tempo



  

              


Vl. 1            
p mf




klagend

  
         
Vl. 2   
p
arco
(cant. ma semplice) hin zu hin zu



molto sul tasto pos. ord.

  
molto sul tasto
   
       
 
      
 
Va.

pp p ppp p ppp

  pizz. 
flag. nat. sul C
          
 
     
Vc.
 pp ppp

    
Kb.

         
p

58 217
11

rall.


138

cant.
         
       
Fl. 
p mf pp

     x w           
         
           
Bkl.   
pp p
sub.
pp mf pp
xpw


 
  
 

      
          

Fg.
         
x pw
pp
pp mf ppp ppp p ppp
sub.

 
      
                
   
Pos.
    
      
x pw
pp
pp mf dim. pp p
sub.

 
  
     

(Glsp.)
Schlzg. II     


mp (sub.)
 

     
    
         
      
Akk.
x pw pp mf pp

       

mp

  x w (1/3)
pp p mf p
  
pp p

   x w

      (1/3)
   
         
Sopran 
- rinth. Es wird wan - deln wie ich's sen - de. Durch die Wüs - te zieht das

rall.
        
                 

  
Vl. 1        
pp p mf pp



cant.
                
     
  
            
Vl. 2
Dämpfer ab
pp pp mf p mf pp

   
hin zu

    
pos. ord.

molto sul tasto
      
Va.            
x pw pp mf pp

molto sul tasto (exakt in der

         
Dynamik der Bratsche einsetzen)
 
arco
Vc.    
      
  

x pw
pp p
pp mf pp

        
sul A
   


arco sul E

Kb.
          
  
mf pp mf pp p

58 217
12

 4 Kanon 6
[attacca] Gang der Sopranistin zu Position 3
a tempo (e = 76)
più rall.
(lunga) 4 4
 
(q = 54)
 
144 frull.

 
Fl.     
 poco 
f



   
Bkl.           
( ) 
ppp pp ppp

  
Fg.            
   
  
( )
ppp pp ppp ppp p ppp

  
  
   
  


Pos.
  
x w 
wechselt zu Posaune
ppp pp ppp ppp

 
   l. v. >
chin. Beck. trem.


(weiche Schlägel)
Schlzg. I    


 mf


     
Akk.


     
   

p ppp 


Klavier / Flügel

     


Klav.
    
    

ppp p ppp


pp


   
Sopran

Kind.

 4 Kanon 6
4 4
a tempo (e = 76)
(lunga)
più rall.

   gliss.
       
  
moltiss. (!) sul(qtasto
= 54)
 

      
Vl. 1  
ppp p p mp ppp pppp

    
senza sord.

moltiss. (!) sul tasto
  

   
Vl. 2  
mp ppp pppp
arco


 
moltiss. (!) sul tasto
        
Va.
pppp


   
 
 
 
 
Vc. 

x w 
ppp pp ppp

 
 
pizz. arco

 
  
  
Kb.
     
ppp pp x w ppp p ppp 
58 217 [attacca]
13

6 3 2 4 6 4 1 3 4
4 8 4 4 4 4 4 8 4

     
149
    

3
      
Fl.   
mf pp

  
   

Posaune
 

con sord. (straight mute)
Pos.      
sfz p sfz sfzp
sub.

6 3 2 4 6 4 1 3 4
4 8 4 4 4 4 4 8 4

arco
       
            
3

Vl. 1      
ppp pp 3

pizz.
 
  
3 3

Vl. 2            
ppp

mf

       
pizz.
 
  
arco


Va.        
f pp

4 3 4 3
4 8 4 4
              
  x w   x w            
157
     
 
3
 
 
Fl.
pp p 3 G.
mf

  
              
Bkl.
 
p mf

  
   

      
Fg.      
p mf



   
                  
    
3
3 3
Akk. p mf

     

4 3 4 3
4 8 4 4
 G .   G 
. .
G        
G. 

               
Vl. 1
  
p 3 mf

 G  G  
    G    3  
arco . . . .
 G     
  
     
   
  
Vl. 2
 G.  
pp p
mf

    
 

pizz.
 
Va.        
p pp mf

58 217
14

4 6 1 3 4
4 4 4 8 4
 
  
162 frull. ord.
     
3
 

        

     

Fl.
ppp p pp
sub.

       
    
           
Bkl. 
3 3
ppp sub. p pp

      
Fg.      
ppp sub.


Pos.      
      
p ppp

 
 
kl. Tr.
Schlzg. I         
ppp


 
chin.Beck.

 (m.)  
Tamt. (t.) (Tamtam-Schlägel)
 

(weiche Schlägel) 2 Tamt. (t.)

     
3

         
Schlzg. II
ppp ppp

ppp
l. v. ppp ppp


 
         
  
           
            
ppp 3 3
pp
   
Akk.

       

4 6 1 3 4
4 4 4 8 4
 pizz. arco
        
3 3
Vl. 1                 
 
       
ff ppp p pp

Vl. 2              

ppp sub. p pp

col legno batt.


   
Va.          
ff

3 
moltiss. sul tasto

        
wie ein Hauch

 
       
Vc.
  
  
pppp pp pp pp


   
moltiss. sul tasto

           
3
Kb. 
    pp
ppp pp pp
58 217
4 6 1 4 15

4 4 4 4
  3 
169
 G       
3

                 
Fl.
  
3

 
mp pp mp

         
 
        
  
Bkl.  
3 3 3
mp pp mp

   
      

 44
Fg.


p3

                       
G  
    


   G   

3
 3
mp pp p pp
Akk. 5

   
3

      
  
6 1 4

4 4 4

  
pizz. arco
              
3 3

        
Vl. 1
mp pp
p pp p p p
(pochiss.)

         
3

   
Vl. 2
  
arco  p
mp p pp

moltiss. sul tasto
   
                
3 3
Va.
  
p mp p pp p

 3 4 6
4 4 4

      
174 frull
    

 
3 3 ord.
      
        
Fl.

pp f p f

        
 

3
       
    
Bkl.
p pp mf sub.

x w  
    
    

Fg.        
(p) mf sub. mp

       

3

Pos.             
3
mp pp p pp mf ppp





          
          
                       
  
5 3
Akk. mp pp p ppp p ppp

    
3 4 6
4 4 4
 pos. ord.
           
3

      
Vl. 1
   
p
pp mp p pp mp p


   
    
3 3
         
 
Vl. 2

pp

  
3

 
Va.          
mpx w p
pizz.

     
 
Kb.

mp
58 217
6 3 4 6 1 3 4
16

4 8 4 
dolce
4 4 8 4
 
  x w    x w      
   
    
178
         
3

       

Fl.
p mp 3 3
f mf
3
mp pp
(f) p

         3
   3 

    
      

3

            


    
Bkl.
x w 3 

       
mp pp p mp

              
     
   
  
 
Fg.     
mf 3
pp p

mp pp

   
  
    
      
   

Pos.       
mp pp 3 p 3

6 3 4 6 1 3 4
4 8 4 4 4 8 4
  x w  
dolce
  
       
   3 3  
   
     
    

             
Vl. 1
  x w 3
mp
3
G . mp
3 pp p mf pp
mf p mf

 x w
dolce arco
     
   
pizz.

      
pos. ord.
  
Va.      

  
mp mf 3 mp 3
mp f


4 6 4 1 3 2
4 4 4 4 8 4
  


x w       
 
186
           
 
Fl.
3 3 3
mp mf f mp mf f mp

 3
  
3
  
Bkl.
         
      
  
 mf p

mp p mp

mf p mf
  
mp
 
   
  
3
       
          
Fg.
  3
p pp mf mp mf mp

  
(wenn Wechsel so schnell nicht möglich
   

übernimmt das Fagott den nächsten
  

Posaunentakt)
Pos.     
mp 3 nimmt Bassposaune

 
Tamt. (m.) Dämpfer ab
Schlzg. II     
     

4 6 4 1 3 2
pp l. v.

4 4 doloroso 4 leggero 4 8 4
   gliss.     
    
     
hin zu 3
   
solo
  
non vibr. moltiss. vibr.

  
      
    

Vl. 1 g l.
3 6
p mp mf p mf f 3 mp p

     
   
arco, pos. ord.
    
pizz. 3

             
Vl. 2
     3


mf poco f f p 3

     


   
             
 
Va.    
p mp pp mf p mf

         

pos. ord.
       
     
Vc.
3
 
p mp p mf p mp p mf
arco
3  
   
   
 

pos. ord.
        
Kb.
      
p mp p mf p mp p mf
58 217
17

2 4 3 4
4 4 4 4
 
              
192
        
   
Fl.
  
f più mp mf f p nimmt Picc.
f

    
Flz.

   

ord.
   
  
  
3

      


   
Bkl.
G . p
f mf p mf mf

Diese Passage wird nur dann vom


Fagott gespielt, wenn die Posaune
in diesem Takt pausiert.
            
         
3

    

 
   
Fg.
 3
3 3
mf (mf) f mp mf


Bassposaune

x w  
   

   


senza sord,
    
Pos.
    
pp (pp)  mp


Gran cassa.
Schlzg. I        
pp l. v.
Tamt. (t.)

Schlzg. II        
pp l. v.


  
            
         

  
3

     
        
poco p più
 3
mf pp p
Akk. mp mf p f f

      

2 4 3 4
4
     
4        
4 4   
G.
     

         
        
Vl. 1       
p 3
f più mf f mf
f

  

        
3
x w       
Vl. 2   
3 p   f mp mf
x w
f 3
mp

     
    gliss. 
3

 
3
          
3

 
  
  
Va.
più

f mf p mf fp sub. f mp mf
f

    
trem.
 
 

 
 
trem.
 
3
      
       
Vc.
   
f mf
G.
p mf p
pp mf pp mp mf

 
trem.

  
 

   
trem.

           
3

  
Kb.
     
G.      mp mf
f mf p mf p pp mf pp

58 217
18

6 3 4 6
 
4
   
8  
4    4
           
Piccolo
198   
     
Picc. 
3 3 mf
mp

     
     
     
    
 
Bkl.

p mf p mp poco
sfz


         
    
 


Fg. 
p 
mp
poco nimmt Kfg.
sfz

  

     
 
3

Pos.         gliss.

pp

p mp


    

kl. Tr.
  
Schlzg. I     


pp p
G.
   
      

3
mf p
Akk.

     


secco sempre
            

Klav. mp mf
         
   
 
6 3 4 6
4  8     4   4
 x w
     

         
      
gliss.

Vl. 1 
        

3 f mp f più f

 
      
        
Vl. 2           
p mf 3 poco f
mp f

      
      
      
Va.   
          
p mf 3 poco mf f
mp f

    
trem. trem.
 
       
     
      
Vc. s.
gliss. gliss. g lis
  
mp f p mf pp mp f più pp più f
f pp sub. (molto)


      

 
    
trem. trem.


 

 
  
  
  
gliss.

Kb.

gliss.

gliss.
mp
f più pp più f
mp f p mf pp f pp sub. (molto)

58 217
19

6 1 4
4 4 4    
203
     

 
        
Picc.     
poco f 3

      


 
 
  
3
 
                 
Bkl.

  ff sfz sfz  sfz sffz


f f
pp sub. p sub.

 

      
Kontrafagott
  

        
5
 
3
Kfg.         
     
   
3
f ff sfz sfz sfz sffz sffz f più f
pp sub. p sub. p sub.

         


     
     
Pos.


mf 3 poco
f  
mp f

  
       

  

Schlzg. I  G.
 

 


mf pp poco pp poco
f f

 
secco loco
 
    
5
      
3
  
       
 
       
    
Klav. f più f mf ff mf ff

6


3
 secco

  
           
    
5

          
     

      

         
    

6 1 4
4 4 4     


  
             
Vl. 1     
3
mf più f

        


        
           
Vl. 2 
3 mf più f


   
solo
     


sul C

 
 

Va.

3
più f

   
     
arco ord. 3

   
 
c. l. batt. trem. ord. solo
           
    
3 3

Vc.   
        
ff sfffz più sfffz f mp G. f
sub. ff
p sub.

arco ord.

 
c. l. batt.

     
trem. ord.
     
3 3
Kb.      
      
  
 
mp

G.

f
ff sfffz più sfffz f ff
sub.
p sub.

58 217
20

7 4
207
   
4 solo  
          
4

     
frull.
   
    
Picc. 
3 f 5
p p

 
     
        
Bkl.   
mf 3 3 3
più f



3

        
3 6
Kfg.
          
    
  f
 
sffz mf f mp ff

      



  gliss.   
Pos.

3 3 poco f
mf sub.

 
    

Gran cassa (gr. Tr.-Schl.)
  
Schlzg. I        
mf mp mf f

  
(geschüttelt)

   
3

(geschlagen)

(geschlagen)
      
Schellen-Tamburin
 
Schlzg. II


 f sffz

           



    
3

 
fff

  
ff
 
Akk.


   
  .  .
   G      G 


  
3
             
 
  3

f fff
 G .
Klav. secco mp 5 5
ff      
      
3 5

      
3

    

      
      

7 4
    solo
   
4

     

     
      
4

   

  
Vl. 1 
3 3
mf f ff

 
  


   
solo  
                
    
3

Vl. 2       3 3
3 3
mf ff
      
     
   
   
    
Va. 
3 sffz ff
ff mp sub.



     
trem. trem.
     

3
 
gliss. gliss. 3

   
gliss.

 
Vc.
3 3
3

ff sfffz mf sub. ff
trem.


  


  
3 trem. 3

   
    
3
Kb.
   
   
ff fff mf ff

58 217
4
21

4   
frull.

  
   
frull.
209

      
          
  

  

Picc.      
ff 3 3

 
Flz.
  
     
 
3
      
Bkl.
 
ff ff

 

Flz.


 
   

3
    
3
  
     
   
Kfg.
 ff 
ff

  
 ()  
strahlend, vibr.
                
Tr. 1
      
(Empore)
f 3 3 3 3

      
gliss.
  gliss.  
     

    
Pos. 
mf f

     
     
chin. Beck. (Trommelstöcke)

(Gr. c.) Trommelstöcke

Schlzg. I        
mf mp ppp mf pp

 
Vibraphon
(mit Motor)
 
         
 
Schlzg. II 
ff 
  più fff
 


       
                  
      
f cresc. 3
Akk.
   


 
  .           
   
    
       G      
   
martellato
         
G .
 
     
5 5 ff sempre 3
3

    
Klav. f fff 7
6
        
          
3 3

        

        
  


   
  
  



  

   

4
4      
           
 
   

     
Vl. 1        
3 3 3


            
          
Vl. 2        
3 3 3

 
  
          
Va.   
 
    

3 3

trem., langsam beginnen


     
 
  accel.
gliss. presto

 
gliss. 3
Vc.       

fff fff sfffz
p sub.


trem., langsam beginnen
gliss.      
accel. presto
   3

gl.
     
gliss.
Kb.
  sfffz

 mf f più fff  
f p sub.
58 217
22

5 4 3
nimmt Flöte

8       4 4
(mit Glissando-

frull. Head-Joint)
frull.
    
frull.
     
 
 
ord.
   

       
ord.
      
        

           
ord.

212 
 
Picc. 
3 5 3 3 3
fff


Flz.
ord.     
  

  
 
   G.

Flz.
     

Bkl.    
3
 3
fff

 
ord.

  G. 
Flz. 3

 

  
 
Kfg.     
    fff

                    



     

     
        


    


 
Tr. 1
      
(Empore) 3 3
più ff

       
 
gl. 
f
      gliss. 

Flz. ord.
  

gl.

Pos.       
3
più f ff 3 sfffz
fff

pp sub.

       
   
Gran cassa (Gr.-Tr.-Schlägel)
       
3
kl. Tr.
 
Schlzg. I           
f p più ppp più sfz mp mf f ff


sfz

      
Beck. (m.) Tamt. (t.)

          
chin. Beck. Beck. (t.)
 
 
(Tamt.-Schl.)

  
(weiche Schlägel)
      
3



Schlzg. II
 


sffz
fff 
pp f p più mp ff
  
f
         
  
            
 
                  
     
        

   
3 7 3 ffff
(cresc.)
   
Akk.
    
         


3

    
     
3

 


 
 
     
     

 
ffff ffff 3
Klav. più ffff

 

3

         
   

  
  
°   
   
5 4 3
 

8      4       
gl. 


4
          gl.  
 
gliss.
  
              
Vl. 1    
sfffz fff sfffz 3
ffff



     
   
gl.
 
                    g lis
gl. s.
       
gliss.

              
Vl. 2 
3
sfffz fff sfffz ffff


      gliss. 
  
        
gl.
 
gl.

                     
gliss.


Va.
sfffz fff 3
sfffz ffff

 

      
non trem.


3      
 
    
3
   

Vc.   
fff
  ffff

non trem.

   
      

       
3 3

 
    
Kb.

     ffff
fff
58 217
23

3 Sopranistin: Position 3
2 4
4 Agitato sub.
4 4

tiefes Tamborim

 
[harte Schlägel sempre] hohes


(q = 104) + hohes Tomt. tiefes Tomt.

      
216 + mittleres Tomt.

2 hohe brasilianische Tamborims solo
       
Schlzg. I  
sfffz sfffz sfffz

    
(h.) secco secco

 
3 Tamt. (Tamt.-Schlägel) (m.)
  
Schlzg. II    


sfffz sfffz

fff
  
Sprechgesang (tief beginnen, jede Phrase noch etwas höher)
 fff  
gliss. f ff
    3 3


3
     
Sopran  
Aaah! Un - nenn - ba - rer! Ver - hüll - ter! Ent - setz - li - cher!


4
4

221 (Basspos.)

      
3


Pos.


sfffz
Tomt. (t.) 3 Tomt.
Gr. c.

(m.) (t.) (h.) (m.) (h.)

  

Gran cassa (t.) (m.) (m.)

              
3 3 (t.) (m.) (t.)
      
3 3 3
     

Schlzg. I
p
fff f ff f ff f ff

Tamt. (t.)  
secco

  


l. v.
  
 


Schlzg. II

sfffz più
sfffz
     
solo
       
(8b)
Klav.

   



3 3 3 3

       
(links und rechts) 
   

 2 4
ff

4 4
 
223 3

           
 

       
Kfg.
  
 più  più
fff mf fff fff fff

 
 
Flz.
     
3



Pos. gliss.


sfffz f
sfffz

Tomt. Tomt. (t.) 3 Tomt.


Tomt. Gr. C. (m.)(t.)(h.)(m.)(h.)

  
(m.) (t.)

  
(t.) (m.) (t.) (m.) (t.) Gran cassa

                
 3
3

Gr. c. (t.) 3
        
3 3 3
Schlzg. I     
 


+ Gr. C. p mf
mf mf f mf < fff f ff f ff f ff

 secco  secco 
Tamt. (m.)
 
 
Tamt. (t.)

   
   
l. v.
Schlzg. II    



sfffz sfffz più sfffz

        


        
(8b)
 
Klav.

      


3

3 3 3

   
 
      

    
(ff)
fff mf ff

58 217
2 3
24

4 8

226

3
        
Kfg.         
         
   più
 più


fff mf fff fff fff

        
3
Pos. 
 gliss. 

pp sfffz


Tomt.


  
 
3 Tomt. (t.) (m.) (m.) (t.) (m.) (t.) (m.) (t.) (m.) (t.)


Gr. C.

(t.) (m.) (t.) 3

         
3 3
Schlzg. I           
p + Gr. C. p mf
 
mf mf f mf


komplett abdämpfen


Buckelgong (Gong-Schlägel)
   
 l. v.


Schlzg. II 

sffz

          
solo
    
            
(8b) (8b)
    
Klav.

             


3

3 3 3 3 3 3 3

     
 








     


  
ff fff mf fff

 Halbes Tempo
3 3 2 4 5 4
(e = 104 / q = 52)

8 4 4 4 8 4


229 Flöte (mit Glissando-Head-Joint)
       g l. 

Fl.

p pp sub.


   
3
        
 



Bkl.  
    
       5
fff fff pp ff


    
 
3
 
Kfg.
 

 (Basspos.)
p ppp

Pos.       

 p 

   

   l. v.

Gr.-Tr.-Schlägel 3

  

Schlzg. I  
l. v.
  
  
f ppp ppp pp Mit Sticks schnell über mittleres Tamtam reiben
|
Crotales

Schlzg. II  
 l. v.
 
(mit Kb.-Bogen gestrichen)
  


      
   
 mfz

       

 
   
ffff
Akk.  pp

       

   


direkt nach dem Anschlag im
Saitenkasten direkt an der
Tastatur

   
Agraffe abdämpfen
  

Klav. fff sfffz sfffz
      
   

 
 
Bruststimme
  
auf den Schlag
    
3
 
3
ff sempre   
     
3

      
   
(< >)

Sopran  



 


     
Du höh - - - - - - - - - -nisch Au - - - ge, das mich aus

3 3 2 4 5 4
Halbes Tempo (e = 104 / q = 52)
8 4  4 4 8 4


   
gliss.
  
Vl. 1          
pp  p   p

sul pont. 


  
(Haupt- und Nebennote)
      
  
 gliss.
  
sempre


  
Vl. 2  
 
gliss.
pp  
   p ppp
    

Va.    

pp  gliss. pp
     
Vc.   
ppp   


pp

 
  
Kb.    

sfffz pp

58 217
25

4 2 4 Più mossoaccel.
4 

4 4 (q = 84)
    gliss.
    
l.
 
gl. g

 
235
   

ord.

frull.
 
 
       
Fl.
 gliss.  
7 pp fff ff 3 3
fff sfffz p
fff

     

 Flz.
    
Bkl.   
pp f p sub. pp sub. f


3

Kfg.     
  


   
    ppp f
pp f p sub.



 
 
Flz. gliss.
     
3 3 3 3

Pos.

 gl.gl.  gl.gl. gl.gl.  gl.gl.   mp ff
pp sub. f
pp f p sub.

 
Buckelgong

 
Trommel-
 
   
(Gongschlägel)

(Gr. c.)

stöcke
 


 
Schlzg. I    
 pp p poco pp p l. v.

  l. v.
Crotales f

   l. v.
(mit Kb.-Bogen gestrichen) f

     
Tamt. (t.)
Schlzg. II 

3 3  più fff poco l. v.
fff f


 
schwarze und
weisse Tasten

g li
   
ss.
 
Akk.  ff
     
 


 Fingernagel-„Ritsch“
  im untersten Saitenkasten Tastatur
(höchster bis tiefster Ton) 
    
 



ppp p sfffffz 3 sfffz

   
Klav.
p
    g li
 

ss.
  
  

l. v.  

(Bruststimme)

Bruststimme
  
  

      
   


Sopran   
 

4 2 4 Più mosso
Dunk - - - - - - - - - - - lem an - - blickt!

4 4 4 accel.
(q = 84)
        

non vibr.
    
  
   
  
Vl. 1
3
pp sub. f p sub.
pp sub. ffff
 fff 

         


  
non vibr.
    
   


Vl. 2 gliss.
3
ppp pp sub. ffff
 fff 
         non vibr.
 

 
      
Va.
  3  
pp sub. ffff fff
pp f p sub.

 
non vibr.

trem.
 

    
   gliss.
Vc.
    
pp f p sub. pp sub. ff  fff 

   
 

 
  
 


Kb.
  
pp sub. ff
pp f p sub.

58 217
26

2 4
Presto
(q = 168)
 g l.  
ord.
   
gl.
4 4
 „Jet“ |
ord.

   
|  „Jet“ |   
  
239


3 g l. frull.
 
 
 
3

   

    gl. 

   
Fl.
  5
fff fff mp fff p ff fff mf ff sfffz pp

Nur Luft ins Instrument (ausatmen). Keine Tonhöhen (Mundwinkel dabei öffnen)

                
       
A A A A A A A A

      
 
      
 
Bkl.
fff sempre

Nur Luft ins Instrument (ausatmen). Keine Tonhöhen (Mundwinkel dabei öffnen)

                 
       
A A A A A A A A

      
 
      
 
Kfg.
fff sempre

Nur Luft ins Instrument (ausatmen). Keine Tonhöhen (Mundwinkel dabei öffnen)


               
       
A A A A A A A A

       
 
       
 
Pos.
fff sempre

Beck. (h.)
mit Triangelstab am Rand
Guiro gerieben

 
  
accel. der Bewegung

(Triangelstab sempre >)
   l. v.
Triangel

Schlzg. I                 l. v.    
mp mp
ppp mp

         
      
Claves
              
Tamt. (t.)


Schlzg. II 
p p l. v.

    
   
     
solo
         


         
Akk. mp pp sfz mp f

     


nimmt schnell
nimmt erste Münze zweite Münze
     
Klav. mf mf f ff
loco
 
      
 
     

  
  

2 4
Presto 4 4
  
pizz.
sul 


(q = 168) tasto
    
arco
    
Vl. 1            
 
  ff sffz  f ff p
f
  
pizz.
sul tasto

       
arco
   
Vl. 2          


  ff sffz  f ff p
f

    
pizz. sul tasto

arco 
                       
Va.
 
f  ff sffz  f ff p

 pizz. (secco, abdämpfen sempre) 


               
pizz. arco
              
Vc.       
f f sempre pp sfz f sempre 
più f sffz

pizz.   pizz. (secco, abdämpfen sempre)


 
     
arco
  

               
   
 
Kb.
    
 pp più f sffz
f sempre sfz f sempre

58 217
27

4
4  

244 presto gliss.

  g
auf und ab
       gl.    l.  (    sim.
Fl. gliss.
 U U U U )
ff mf ff sfz ff

    
  
A A A ord. gespielt
           
 
 
 
Bkl.     
più più
 
sfz più sfz
sfffz sfffz

    
  
A A ord. gespielt


A
    
      
 
Kfg.
  

più
sfffz
più
sfffz

sfz


    
  
A A ord. gespielt

 


A


        
   
Pos.
   gliss. 
più più 
sfffz sfffz pp mf pp mf pp

 
  
Guiro
  
Buckelgongs
  
   
unmerklich abdämpfen
Schlzg. I
mf fff

mf

 
Vibraphon (mit Motor)

      
     
Schlzg. II


sfz p mf
    
     
          

            
f fff
Akk.
     


Im Klavier

  
Mit zwei Münzen (oder hartem Plektrum) im Saitenkasten

  
Tastatur

   
2 Saiten mit entlangfahren (einmal vom Körper weg)
     
 
l. v. ff f mf

   
Klav. f fff

  
 l. v.    
 

°  

  

4
4
 
arco  
  
pos. ord.
         
Vl. 1 gliss.

p ff  f
3
sffz pp

pos. ord.
  
 
arco
       
 
Vl. 2 gliss.

  3
p ff f sffz pp

arco
   
pos. ord.
       
 
Va. gliss.
p ff
 f

pizz. (secco, abdpf. sempre)  arco 



     
 
        
arco
       
Vc. gliss.
   gliss.   
p ff ff sempre più 
sffz pp sfz sffz

pizz. (secco, abdpf. sempre)  


   
arco
 
arco
           
 
Kb.
    g lis s .

 
gliss.
  
pp sfz sffz
p ff ff sempre più
sffz
58 217
6
28

 
4


 gl.   
gl.

249 gl.
 
3
         
   gl. gliss.
Fl.      gliss. 
sfz più 3
più 3 fff
f f sffz ff mf f ff
f

 
Flz.
   

Flz.

 
3
        
   

 
Bkl.
 
 mp
sfz sfz fff mp più sfz
p sub.


              
3

Kfg.
 
 
 
sfz sfz più sfz


    
3
        
 
3

     
Pos.
  gl.       gliss.  
gliss.
gliss.
mf mf pp sfz
pp
 poco f
pp mf
mf

 
(Vibr.) 3

 

     
3

                       
Schlzg. II    
più f
mp mf poco f  
    



solo      
                 
    
 pppp sub.
Akk. mf p mf

      


     
  
 


             
3

   
3  3 3 3
f p mf f
Klav. mf mf ff f

       
f 3 3
sfz
   
3

             
     
 

   mp

6

pizz. 4
  
pizz. arco

 

  
 arco
Vl. 1          
sfz
3
sffz pp
3
sfffz 

pizz.
 
pizz.

  
arco
  arco
Vl. 2            
3 3
sfffz

sfz sffz pp

    
sul pont. arco
pizz.

 
pos. ord.

 
  
3
        gliss.    
Va.
   
 
sfz p sffz sffz mf ppp

arco arco

   
pos. ord.
  
sul pont.
  
pizz. (secco)
       
  
3 3 3

 
  
Vc.       g lis s
gl. .
 mf pp sfz sffz
pp mf f pp sfffz
arco

    
sul pont. pizz. (secco) arco

      gliss.   


  
          
3 3 3
   
 gl. 
Kb. g l.

pp mf pp sfz
 mf f pp

sfffz
sffz
58 217
29

6 3 4 2
4 molto rall. 4 4 4

q = 80



       
gliss. „Zitter“-Gliss.
255 

„Zitter“-Gliss.
    
Fl.  
più fff p poco f  mf pp  f


ord.


       
Bkl.         
3
mf ff sub. p poco f


         
3
Kfg.
     

sfffz pp poco f


   
„Zitter“-Gliss.
ord. gl.


Pos.        

 
 gliss. 
 p   mf
p
ff p poco

()
f

Lotosflöte
    gliss.

Schlzg. I 

()
dal niente f
Lotosflöte

     gliss.

Schlzg. II 




dal niente f

  
          
sfffz
Akk.
      
 


 

         
sfffz
Klav.
      

mf più f mf
p mf p 
  x w 
mp f mp
x w „Zitter“-Gliss.  
ord.
            g lis s .

gliss.
Sopran  gliss. gliss.
  

6 3 4 2
So lie - ge ich, bie - - - ge mich, win - - - - - de mich,

4 molto rall. 4 
4 4
  
q = 80
  „Zitter“-Gliss.
  
sim.

gliss.
 
.
g lis s
 
„Zitter“-Gliss. ord.
 
   
 
gliss.
Vl. 1  gliss.  
ff più p poco ppp più f ppp p più f ppp p ff
ff f


 
       
„Zitter“-Gliss.
„Zitter“-Gliss. ord. gliss. sim.
     
 
g l.

 
Vl. 2  gliss. 
gliss.
 
ff poco
più p f ppp più f ppp p più f ppp p ff
ff

„Zitter“-

         


Gliss.
 

       gliss. gliss.

Va. gliss. 
ff  p poco ppp più f ppp p più f p
più
ff f „Zitter“-

       


Gliss.
arco  
 
gliss.
      
g lis s . 
Vc. 
  ppp più f ppp p più f p
sfffz



Kb.          

sfffz
58 217
4 6 Più mosso
4 8
30

  
„Zitter“-Gliss.

 [q von vorher = neue q. (q. = 80)]
261
Fl.       

 ff (Glissando-Head-Joint ab)

9 9

          
Bkl.
     

ff p ff pp
 
       

                     
3 3
 
 
Kfg.  
         
   fff sempre 
ff pp


 

       
3
Pos.   gl.
 gl.

  gliss.        
sfffz più
molto f sub. pp ff p ff pp ff sfffz sfffz
p sub. sfffz


3 Tomt.
   (t.)
(h.) (m.) (h.)
   
    trem.
ord 3 
        

hoch
   mittel   
tief
f ff mf ff p mf ff
 
Schlzg. I Trommelstöcke

  
sempre secco
       
 
 
Beck. (t.)
    
  f  
Gran cassa
sffz mf f mp
2 Peking-Oper-Gongs
 
Buckelgongs (mittlere Gong-Schlägel >)
(gliss., l. v. sempre) B.-Gg.


l. v. sempre

 
          

     
 gl.  gl. 


Schlzg. II

f più f più f sfffz sfffz sffz

     
Akk. (durch Luftdruck)

quasi gliss.

 
    



 fff
Im untersten Saitenkasten auf hoher Saite mit

  
einer Münze mit extrem hohem Druck entlang- Gliss. im untersten


         
fahren, extrem brüchiger Klang Saitenkasten
   


 
 (bis tiefster Ton im untersten Saitenkasten)
g lis s .
„f“ gespielt
Klav. (molto)
Klang: p sffffz
     
 
quasi Multiphonic, gekrächzter, gepresster,
f gekratzter Mehrfachklang
 fff
3

  „Doppel“-Gliss.
Sopran    
˜
  

4
ge - quält
6
100% gepresst, keine Tonhöhen, durch
4 8 Più mosso

den hohen Bogendruck extrem brüchiger Klang [q von vorher = neue q. (q. = 80)]
    
3
Vl. 1    
ffff
„fff“
100% gepresst, keine Tonhöhen, durch
den hohen Bogendruck extrem brüchiger Klang
     
3

     
Vl. 2

„fff“ ffff
100% gepresst, keine Tonhöhen, durch
den hohen Bogendruck extrem brüchiger Klang
     
Va.
   
„fff“ ffff
100% gepresst, keine Tonhöhen, durch

   
den hohen Bogendruck extrem brüchiger Klang
    
Vc.
 
„fff“ ffff

100% gepresst, keine Tonhöhen, durch


arco den hohen Bogendruck extrem brüchiger Klang

  
3

Kb. gliss.
      

fff pp „fff“ ffff

58 217
9 4
8 4
31


  
     
266

Flz.


   
  

ord. Flz.
 
         

 
Kfg.
       
 

3
più fff ffff


  

 
gliss. 3

               
       
Pos. gliss.


gliss.
 
gliss.

 sffz più sfffz
più sfffz mf ffff
pp sub. p sub.

     
        


3 3

                        
3

 
              
  
pp f 3 sfffz f ff fff
  
3
Schlzg. I
 l. v.      
mf sffz sfffz ff
p sub.
 
       

           
più 3 3   
più f ff più sfffz
f

 gl. 


Peking-Oper-Gongs Peking-Oper-Gongs
  gl.   
 gl. B.-Gg. gl. B.-Gg.

 
  

 
  
 gl.  gl.
 
9 4
Schlzg. II  

 
8 4
sfffz sfffz poco l. v.
sffz f sffffz sfffz

    
  