Partitur VI/19

Widmann
 
Labyrinth IV

Leihmaterial · Unverkäufliches Eigentum · Rental Material · Not for Sale

 Jörg Widmann
(*1973)

Labyrinth IV
für Sopran und Ensemble
nach Texten von Euripides, Clemens Brentano,
Friedrich Nitzsche und Heinrich Heine

for soprano and ensemble

based on texts by Euripides, Clemens Brentano,
Friedrich Nietzsche and Heinrich Heine

(2019)

Partitur / Full score

Mainz · London · Berlin · Madrid · New York · Paris · Prague · Tokyo · Toronto
© 2019 SCHOTT MUSIC GmbH & Co. KG, Mainz · Printed in Germany
Auftragswerk der Daniel Barenboim Stiftung

Uraufführung / First performance:

19. Juni 2019, Berlin (D)

Pierre Boulez Saal
Boulez Ensemble
Dirigent / Conductor: Daniel Barenboim
Texte / Texts:
I Zeugung des Minotaurus
τί με δῆτ᾽, ὦ μελέα μῆτερ, ἒτιχτεσ
[TÍ ME DÄT, O MELÉA MÄTER, ÉTIKTES]

(Euripides)

II Kinderlied für ein Ungeheuer

Durch die Wüste zieht das Kind.
Nur der Faden meiner Hände
Führt es durch das Labyrinth.
Es wird wandeln, wie ich‘s sende. –
Durch die Wüste zieht das Kind.

(Clemens Brentano)

III Gang ins Labyrinth

Kanon

IV Im Labyrinth
Unnennbarer! Verhüllter! Entsetzlicher!
Du höhnisch Auge, das mich aus Dunklem anblickt!
So liege ich,
Biege mich, winde mich, gequält
Du drängst mich, drückst mich,
Ha! schon viel zu nahe!
Du hörst mich athmen,
Du behorchst mein Herz,
Was willst du dir erhorchen?
Was willst du dir erfoltern,
Du Folterer!

(Friedrich Nietzsche)

V Traurig schau ich in die Höh

Traurig schau ich in die Höh,
Wo viel tausend Sterne nicken –
Aber meinen eignen Stern
Kann ich nirgends dort erblicken.
Hat im güldnen Labyrinth
Sich vielleicht verirrt am Himmel,
Wie ich selber mich verirrt
In dem irdischen Getümmel.

(Heinrich Heine)

VI Tötung des Minotaurus

Nein!
Komm zurück!
Mit allen deinen Martern!
All meine Thränen laufen
Zu dir den Lauf
Und meine letzte Herzensflamme
Dir glüht sie auf.
Ich bin dein Labyrinth…

(Friedrich Nietzsche)
Ensemble:
Flöte (auch mit Glissando-Headjoint, auch Piccolo)
Klarinette in B (auch Bassklarinette in B)
Fagott (auch Kontrafagott)

2 Trompeten in C (im Saal)

Posaune (auch Bassposaune)

Schlagzeug: I
(2 Spieler) Triangel
2 Becken (hoch, tief)
chinesisches Becken
Buckelgong 

2 hohe braslianische Tamborims
kleine Trommel
3 Tomtoms (hoch, mittel, tief)
große Trommel
Metal Chimes
Guiro
Lotosflöte
Holz-Schlitztrommel (tief [Tempelblock])
Mülleimer (Blech)

II
Glockenspiel
Crotales
Vibraphon
Triangel
2 hängende Becken (hoch, mittel)
chinesisches Becken
Buckelgongs  
      
2 Peking-Oper-Gongs (einer Glissando nach oben, der andere Glissando nach unten)
3 Tamtams (hoch, mittel, tief)
2 hohe brasilianische Tamborims
Tamburin © 2011 Schott Music GmbH & Co. KG, Mainz Verlagsnummer

Claves
2 Woodblocks (hoch, mittel)
Lotosflöte
Hi-Hat (Fußmaschine, mit 2 möglichst tiefen, großen, alten Becken gegeneinander)
Waterphone
Kuhglocken

Akkordeon
Klavier (auch Celesta)

Violine I
Violine II
Viola
Violoncello
Kontrabass (mit 5. Saite H)

Die Partitur ist klingend notiert.

Vorzeichen gelten nur für eine Note.

Dauer: 20’
© 2011 Schott Music GmbH & Co. KG, Mainz
Ensemble:
Flute (also with glissando headjoint, doubling piccolo)
Clarinet in Bb (doubling bass clarinet in Bb)
Bassoon (doubling contra bassoon)

2 Trumpets in C (in the audience)

Trombone (doubling bass trombone)

Percussion: I
(2 players) Triangle
2 Suspended cymbals (high, low)
Chinese cymbal
Button gong 

2 high Brasilian tamborims
Snare drum
3 Tom-toms (high, middle, low)
Bass drum
Metal chimes
Guiro
Swanee whistle
Wooden slit-drum (low [temple block])
Metal trash can

II
Glockenspiel
Crotales
Vibraphone
Triangle
2 Suspended cymbals (high, middle)
Chinese cymbal
Button gongs


      
2 Peking opera gongs (one glissando upwards, the other glissando downwards)
3 Tam-tams (high, middle, low)
2 high Brasilian tamborims
Tmabourine © 2011 Schott Music GmbH & Co. KG, Mainz Verlagsnummer

Claves
2 Wood blocks (high, middle)
Swanee whistle
Hi-hat (pedal machine, with 2 cymbals against each other, as deep, large and old as possible)
Waterphone
Cow bells

Accordion
Piano (doubling Celesta)

Violin I
Violin II
Viola
Violoncello
Double bass (with 5th string B)

The score is notated as it sound.

Accidentals are valid for one note only.

Duration: 20’
© 2011 Schott Music GmbH & Co. KG, Mainz
 Labyrinth IV
Sopranistin: Position 1 (im Saal)

4 2 4 2 4
Jörg Widmann
q = 63 * 1973

4 4 4 4 4
ZEUGUNG DES MINOTAURUS
senza misura senza misura Gran cassa
Fell mit Superball


4-5 sec.
 
G. P. gerieben


(sim.)
      
Schlzg. I
 p   mf   ff 


poss.
4-5 sec.
verzerrter, mehrstimmiger
Schrei, quasi Multiphonic
fff


 
gliss.

Sopran Solo       

4 2 4 2 4
senza misura senza misura 4 q = 63 4 4 4 4
  
4-5 sec. G. P.


sul E
     
Kontrabass
   gliss.
   gl.moltogliss. 
 mp   
f

q = 138

3 5 molto accel.
3 molto rall. Tempo I
2
4 8 (2 + 3)
4 (q = 63)
poco accel. 4

Kontrafagott
  
8
Kfg.          
   

molto f 
Bassposaune

   zu
mit Plunger
zu auf

    
  
Pos.
gliss. 



più f

„Luftdruck-Gliss.“ „sim. Luftdruck-Gliss.“

     
Akk. f più f 
 
     
     


stimmhaft stimmhaft
pp f
3
p mp

EINATMEN aus- und einatmen
poco f 
E
abwechselnd E E A

       
E A A


EIN E
A A
Sopran Aus

E
„H“ (tief beginnen) (tief beginnen) A
jedes Mal höher werden höher werden

3 5 3 2
4 8 (2molto 4 molto rall. 4
Tempo I
+ 3) q = 138 (q = 63)


accel. poco accel.
 
Kb.     gliss.     gliss.


f ppp più f 

© 2019 Schott Music GmbH & Co. KG, Mainz

58 217
2

2 molto accel. 4 accel. 5 (molto) 3 Tempo I

4 4 4 4
[q = 180] Sub. tempo I (q = 63)
poco rall. (bis q = 160) (q = 63)


13 Bassklarinette G. P.
           
   
3


Bkl.
        
 pp mf
più pp
f


3
                
        
Kfg.

più 
ppp
 
mf
pp
f
  hin zu 

auf


  
3
          
  
  
     

Pos.

più pp ppp mf
f
erstaunt, erschreckt „hauchig“ gesungen
sffz pp mf

     
 3


3 E

 gl.     
E

    
E E


E
A
gl.
Sopran
E A
A
A A
noch höher

2 4 Sub. tempo I (q = 63) 5 3 Tempo I

(wieder etwas
tiefer beginnen) werden

4 molto accel. [q = 180]

poco rall.
4 accel. 4 (molto) 4 (q = 63)


(bis q = 160)
3 pizz. G. P.
                
        
Kb.
 
più pp pp poco f
f


2 3 4
4 Più mosso sub. 4 4

18 G. P. (q = 100) accel.
Bkl.      


Kfg.       

   
    
 


Pos. gliss. 
ff pp


3 Tomtoms (t.) (m.) (h.)
       
  
3
Schlzg. I harte Vibraphon-Schlägel p mf


Gran cassa 3

         


ord. gespielt

      
Akk. ff pp
     
   
 
Lachen, stacc. sempre
ff sub.
sim., aber noch hauchiger
poco hohes Kichern (in gezackter Bewegung von oben nach unten)

lockend
   pp 
   
f

mf
 

Sopran gliss.    g lis s .        
(sim.) Hi hi

2 3 4
Ha ha ha ha ha ha ha ha

4 Più mosso sub. 4 4


(q = 100) accel.
G. P.
 
arco
Kb.      gliss. 
 
ff pp

58 217
 4 8 3 2
3

4 q = 180
8 (3 + 3 + 2) 2 2

24
     
Bkl.           


             
    
   
Kfg.
 poco f sfffz
mp

   
 
(loco)
           
Pos.
  gliss.

 poco f  
mp sfffz

 
    
Tomt. (t.)
    



più f

  
Schlzg. I


(Gr. c.) secco
     secco
            

  

 


p pp p pp f sub. più f 
sub.

     
Akk. mp poco f sfffz

           


mit hoher Stimme geschrien

(noch extremerer Schrei, quasi Multiphonic)
f Schrei (Schmerz/Lust gemischt) fff
mp
mittel-tiefe Bruststimmenlage 
   
E
gliss.
˜
     
A

Sopran
(höher werden)

4 8 3 2
A!

4 q = 180 8 (3 + 3 + 2) 2 2

pizz. 
    
arco
Kb.         
  gliss.
mf f sfffz



2 3 2 3 2
Più mosso

2 4 2 4 2
subito
(h = 92 /


29
q = 184)

Bkl.           
f

Kfg.            

 
f

           

Pos.


                                  
Schlzg. I
mf p sempre (poco)
f

ppp

f

                  
3

                  

Sopran 
           
Più mosso Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha A a a a a a a a

2 3 2 3 2
2 4 2 4 2
subito
(h = 92 /


q = 184)

Kb.            
f
58 217
4
2 5 3 3
2 4 2 4
 
rall.

38
Pos.      
   gliss. 


fff
(Tomt.) (t.)
          
 


Schlzg. I più f
(Gr. c.)
    
  
3 3

                       
   
pp sub. più f 

    sim. sempre
pp sub. più f

           gliss.
        3     3   
Sopran                      

2 a a a a a a a
5 a a a a a
3 a
3
2 4 2 rall. 4
 
      g lis s .
Kb. 
 fff


3 5 [in 2] 7 [in 3] 5 [in 2] 7 1 7
4 8 (3 + 2) 8 (3 + 2 + 2) 8 (3 + 2) 8 4 8
[in 3]
q = 176 (3 + 2 + 2) (2 + 2 + 3)

    
44 (Tomt. (t.))
    
          
mf
  
Schlzg. I


    
                        
mf
più sfz
sfz (höher werden)

 
stimmhaft einatmen mf cresc.
   
A

     
       
E

Sopran 
„H“ „A“ A > (sempre)


7 5 (2 + 3) 7 (2 + 2 + 3) 4 5 (3 + 2) 2
8 (3 + 2 + 2) 8 8 (3 + 2 + 2) 4 8 4
  
 
(h. + m.)
 
 
52 (t.) (t.)

(h. + m.)
      
           
          
Schlzg. I poco f p sub. poco f

 
  
                   
poco f
(cresc.)
    
           
       
Sopran          
(A) >


2 7 (3 + 2 + 2) 4 5 7 (3 + 2 + 2) 4
4 8 4 8 8 4
      
59 (t.) (m. + t.) (h. + m.)
 
(h. + m.)
    
(m.)
                              
 

    più f pp
p sub. f
Schlzg. I sub. sub.
     
                  
    più f
sub. 2 Peking-Oper-Gongs
(einer nach oben, der andere nach unten

  l. v.   l. v. 
glissandierend)

Schlzg. II        
molto f più f

    
ff più ff mp
 molto f più f
 
(cresc.)

           
sub.

 
  
g li
          
ss.
Sopran 
gl.  

58 217
 5

4 3 5 7 4 7
Subito

4 4 8 (3 + 2) 8 4 8
meno mosso
(3 + 2 + 2) (q = 160)

 
67 (Tomt.) (t.) (m.) (h.) (t.)
      
                
             
Schlzg. I f più f mp sub. più f
(Gr. c.)   

                     
f più f mp sub. più f

 
 
(P.-O-G.) l. v.
    


Schlzg. II
beide Gongs abdämpfen
ff (più f)


Klavier / Flügel
     
Klav. ff
         
       
   
ff
(più f)

 
più ff
mf
   
 gliss.    
             
Sopran 


7 4 3 7 (2 + 3 + 2)
8 4 4 8
  (t.)
(t.)
        
73 (m.) (h.)
(m.) (t.) (m.) (t.) (h.) (t.) (m.) 3 (m.) (h. + m.) 3 (m.) 3

                        
(t.) (t.) (h.)
      
(m.) (m.) (t.)
     
 
Schlzg. I mf
    3 3  (più) f


3


poco f
               


 
 
(loco) molto f sempre, Akzente stark hervor più f
             

                
           
Klav.
stacc.  3 3  3 3 3 3 ff
    
3
 
            
                    
      
      

più f ff più ff
              
molto f più f
                    
           
           
Sopran 
A A A I I o - i o - i-o - i - o - i - o - i-o - a


(2 + 2 + 3)
     
80
  
(h.) (m.) (m.) (t.) (h.)
    
(h. + m.) (t.) (h.) (t.)
            
(t.) (t.) (h.) (m.)
         
 3   
Schlzg. I


p sub. ff f
  
                 


 

     
      
    
  
         
      
Klav.
3
   f
p sub. ff
      
       
                     
         

  
           
più ff più ff p f ff
    
          
 
Sopran 

58 217
 5 4 Tranquillo sub. 2
8 (3 + 2) 4 accel. 2
6
(q = 50)

  
[molto]

84

     
Pos.  gliss.
 


(Tomt.) fff
     
(h. + m.)
 (t.) (m.) (t.) (h.) (m.)

              
(t.)

 
Schlzg. I ff f


       
(Gr. c.)  
    
      
fff 

Akk.
    
 



 
 


 ˜

          
     
Klav.
f ff  ffff 
ff fff

       
      

 
 
 
         
fff nach oben gehalst: stimmhaft einatmen; nach unten gehalst: mit hohem Luftanteil gesungen (ausatmen)
      pp cresc.
 
                 
E

 
5 4 2
Sopran 
             
8 (3 + 2) 4 Tranquillo sub. 2
A
A >
(q = 50)

[molto]
accel.
     
2
Kb.  gliss.

2 accel.



fff
h = 138 / q = 276 q = 160


90 chromatisch verbinden  rall.
     
5
gliss.
         
   
Bkl.
ppp ff  
mp ppp sfffz più sfffz

        
chromatisch verbinden 
    
5
Kfg. gliss.
 
    
 
mp ppp ppp ff sfffz più sfffz
Pos.   gliss. 
      
  sffz  

mp Tomtoms sffz
t. m. t. h. m. h. t. m.
         
3 3 3
   
  
Schlzg. I pp ff più ff

 Cassa
3
     
3
Gran
 mp     
  secco  secco

Tiefes Tamtam
     


   (Tamtam Schlägel)
   

Schlzg. II

 

  3        
3 


   
 
 
     
  

pp fff più fff

   
Akk.


 

3
        
3

 

  
 

   
  

 
        


     
      

3 
             

Vollchromatische 3 3 più fff
ppp
 
Klav. Handflächen-Cluster fff

       
3

 
in beiden Händen
   
3  3
          



 
 
 loco
f, cresc.
  3  
più fff

fff
   
       
      
  3

            
2
Sopran

2 accel.h = 138 / q = 276 q = 160

 
  
rall.
3  

3
gliss.         
    
Kb.
 3  
mp p fff più sfffz più sfffz
58 217
 7
Sub. meno mosso (h = 90) (h = 63)


h = 120 più rall. più rall.
98   3
        
3
   
       
Bkl.
 sfffz sfffz
più sfffz pp
più sfffz

 
           
3 3
Kfg.      
      
più sfffz
sfffz sfffz 

più sfffz pp


 
gliss
       

Pos.
gliss. 
 sfffz  gliss. ()

sfffz
più sfffz
più sfffz pp

      
(Tomt. (h.)) (h.) (m.)
(t.) 3 3

         
         
sfffz (più ff) più fff 3 
Schlzg. I più fff più pp
(Gr. c.) fff 3

              
pp
sfffz (più ff)

 secco 

chin. Beck. (weiche Schlägel) abdämpfen
    
(Tamt. (t.))
  l. v.

      



Schlzg. II


più sfffz sffffz

   
Handflächen-Cluster


enger werden und nach
 loco unten führen

        

  
 
sffffz sffffz sffffz più sffffz pp
Akk.
 sffffz
   

  

    


 
       
 
 
 
             
Klav. sffffz sffffz loco sffffz sffffz più sffffz
        
    

 

 
 (quasi Geburtsschrei, multiphon)
più fff   
Sopran        
Sub. meno mosso (h = 90)
h = 120 più rall. più rall.
   
gliss

gliss (h = 63) 

arco
           
4
Kb. gliss.


4


più sfffz sfffz sfffz più sfffz pp
h = 54
 
107 più rall. senza misura
 
Bkl.
 


mp
  
Kfg.   
 
 mp
 
 
( )
Pos.

mp

  gliss. Dämpfer auf (straight mute)

 
  
mit Gr.-Tr.-Schlägel gespielt

  

Schlzg. I

  
Tamt. (t.) Tamt.-Schlägel



 

Schlzg. II
p l. v.

   
Klav.
 
 
 
p
wechselt zu Celesta Mit archaisch-tiefer Bruststimme gesprochen, das Unfassbare vor Augen,
erschüttert, mit großem, aber ruhigem Pathos.
  3 ( ) più f 3
    
ca. 5-6 sec. f
  
ca. 5-6 sec.
   
4

( )
Sopran ˜ ˜ ˜ ˜
h = 54
più rall.
TI ME DÄT O ME-LE - A MÄ - TER É-TIK-TES.
4
  
sul pont. senza misura
Kb.  
   

mp 
58 217
8

Gang der Sopranistin Position 2

4 3 4 6 3 6
4 q = 54 4 4 4 8 [e = e]
(e = 108)
8

110
Fl.       


Bkl.       

kl.Tr. (mit Schnarrsaite) (Trommelstöcke)



trem. trem. trem.

   
Schlzg. I            
pp  pp  p 
Trommelstöcke über dem Kopf gegeneinander schlagen
Position Position


halten halten

Claves
         

Schlzg. II
mf mf sfz sub.


              
       
 mp 
Akk.
     
3 3
      

     
(schlicht, einfach)
gesummt pp
      
Sopran
 


6 Poco più mosso,
4
8 in schwebendem Fluss 8
Poco meno mosso Meno mosso
(e = 112) (e = 76)
(e = 120 / q. = 40) Gran cassa (Trommelstöcke)
  
       
trem.

  
116
  


Schlzg. I
 l. v.


pp ppp
Celesta
            
Cel.  ppp

       




pp



p
       
 


   
   
 
  
     

          
Sopran


 rall.
4 6 e = 66 Poco più mosso sub.
9
8 8 (e = 66)
8

rall. rall.

e = 60
123 Glockenspiel        
        
                
Schlzg. II
ppp
     
3

        
rubato


    
       
 
            

   


            

   

    
     
 p
  
dim.
3 3 (poco)
Cel.
         
   
°       

[ad lib. Mund leicht öffnen [auf A] wenn zu leise]

      

   
 

       
    

  
       


 
Sopran   
x w
58 217
 9

9 6 Leicht und schwebend,

8 e = 56
Flöte 8 rall. (bis e = 50)
in langsam fliessender Bewegung
(e = 76) non frull.
    

129 frull. semplice, cant.
 
  
     
Fl. 
ppp  pp

(Bassklarinette)

 
          
       
Bkl.            
ppp pp ppp pp


(Bassposaune)
con sord. (straight mute)

          
Pos.
 
pp

           
(Glsp.)
       
Schlzg. II 
             
pp dim. 3 ppp pp
 


      

    
 
  
  
Akk. pp

    


         
 
   
 
3

         
      
x w
 (dim.)
ppp pp p ppp pp


Cel.

      
  
      
 

°      
ord. gesungen


pp (semplice, nur minimales Vibrato, quasi non vibrato)
     
Sopran          
Durch die Wüs - - te zieht das Kind.

9 6 Leicht und schwebend,

8 8 in langsam fliessender Bewegung


rall.

e = 56 (bis e = 50) (e = 76)
Vl. 1       
pp

con sord.


cant. ma non troppo vibr., semplice
      
Vl. 2 
pp

 
pizz.
     
 
Va.
   
p


 
     
   
Vc.  
pp

   
pizz.

 
l. v. sempre

Kb.     
pp sempre

58 217
10

poco rall. a tempo poco più rall. a tempo


133


klagend
 
  
          
Fl.  
x w
mf pp

  
klagend
  
 
            
Bkl.  
ppp p

    
 

Fagott
        
Fg.        
ppp p ppp p ppp p sub.

 
   
  
Pos.             
ppp p sub.

         
(Glsp.) 3
      
Schlzg. II             
ppp
      


dim.

       
  
Akk.

     


x w     
  

         


pp p ppp wechselt zu Klavier / Flügel
Cel.

     


p pp p pp p mp
         
Sopran             
Nur der Fa - den mei - ner Hän - - de führt es durch das La - - by -

poco rall. a tempo poco più rall. a tempo


  

              


Vl. 1            
p mf




klagend

  
         
Vl. 2   
p
arco
(cant. ma semplice) hin zu hin zu



molto sul tasto pos. ord.

  
molto sul tasto
   
       
 
      
 
Va.

pp p ppp p ppp

  pizz. 
flag. nat. sul C
          
 
     
Vc.
 pp ppp

    
Kb.

         
p

58 217
 11

rall.


138

cant.
         
       
Fl. 
p mf pp

     x w           
         
           
Bkl.   
pp p
sub.
pp mf pp
xpw


 
  
 

      
          

Fg.
         
x pw
pp
pp mf ppp ppp p ppp
sub.

 
      
                
   
Pos.
    
      
x pw
pp
pp mf dim. pp p
sub.

 
  
     

(Glsp.)
Schlzg. II     


mp (sub.)
 

     
    
         
      
Akk.
x pw pp mf pp

       

mp

  x w (1/3)
pp p mf p
  
pp p

   x w

      (1/3)
   
         
Sopran 
- rinth. Es wird wan - deln wie ich's sen - de. Durch die Wüs - te zieht das

rall.
        
                 

  
Vl. 1        
pp p mf pp



cant.
                
     
  
            
Vl. 2
Dämpfer ab
pp pp mf p mf pp

   
hin zu

    
pos. ord.

molto sul tasto
      
Va.            
x pw pp mf pp

molto sul tasto (exakt in der

         
Dynamik der Bratsche einsetzen)
 
arco
Vc.    
      
  

x pw
pp p
pp mf pp

        
sul A
   


arco sul E

Kb.
          
  
mf pp mf pp p

58 217
12

 4 Kanon 6
[attacca] Gang der Sopranistin zu Position 3
a tempo (e = 76)
più rall.
(lunga) 4 4
 
(q = 54)
 
144 frull.

 
Fl.     
 poco 
f



   
Bkl.           
( ) 
ppp pp ppp

  
Fg.            
   
  
( )
ppp pp ppp ppp p ppp

  
  
   
  


Pos.
  
x w 
wechselt zu Posaune
ppp pp ppp ppp

 
   l. v. >
chin. Beck. trem.


(weiche Schlägel)
Schlzg. I    


 mf


     
Akk.


     
   

p ppp 


Klavier / Flügel

     


Klav.
    
    

ppp p ppp


pp


   
Sopran

Kind.

 4 Kanon 6
4 4
a tempo (e = 76)
(lunga)
più rall.

   gliss.
       
  
moltiss. (!) sul(qtasto
= 54)
 

      
Vl. 1  
ppp p p mp ppp pppp

    
senza sord.

moltiss. (!) sul tasto
  

   
Vl. 2  
mp ppp pppp
arco


 
moltiss. (!) sul tasto
        
Va.
pppp


   
 
 
 
 
Vc. 

x w 
ppp pp ppp

 
 
pizz. arco

 
  
  
Kb.
     
ppp pp x w ppp p ppp 
58 217 [attacca]
 13

6 3 2 4 6 4 1 3 4
4 8 4 4 4 4 4 8 4

     
149
    

3
      
Fl.   
mf pp

  
   

Posaune
 

con sord. (straight mute)
Pos.      
sfz p sfz sfzp
sub.

6 3 2 4 6 4 1 3 4
4 8 4 4 4 4 4 8 4

arco
       
            
3

Vl. 1      
ppp pp 3

pizz.
 
  
3 3

Vl. 2            
ppp

mf

       
pizz.
 
  
arco


Va.        
f pp

4 3 4 3
4 8 4 4
              
  x w   x w            
157
     
 
3
 
 
Fl.
pp p 3 G.
mf

  
              
Bkl.
 
p mf

  
   

      
Fg.      
p mf



   
                  
    
3
3 3
Akk. p mf

     

4 3 4 3
4 8 4 4
 G .   G 
. .
G        
G. 

               
Vl. 1
  
p 3 mf

 G  G  
    G    3  
arco . . . .
 G     
  
     
   
  
Vl. 2
 G.  
pp p
mf

    
 

pizz.
 
Va.        
p pp mf

58 217
14

4 6 1 3 4
4 4 4 8 4
 
  
162 frull. ord.
     
3
 

        

     

Fl.
ppp p pp
sub.

       
    
           
Bkl. 
3 3
ppp sub. p pp

      
Fg.      
ppp sub.


Pos.      
      
p ppp

 
 
kl. Tr.
Schlzg. I         
ppp


 
chin.Beck.

 (m.)  
Tamt. (t.) (Tamtam-Schlägel)
 

(weiche Schlägel) 2 Tamt. (t.)

     
3

         
Schlzg. II
ppp ppp

ppp
l. v. ppp ppp


 
         
  
           
            
ppp 3 3
pp
   
Akk.

       

4 6 1 3 4
4 4 4 8 4
 pizz. arco
        
3 3
Vl. 1                 
 
       
ff ppp p pp

Vl. 2              

ppp sub. p pp

col legno batt.

   
Va.          
ff

3 
moltiss. sul tasto

        
wie ein Hauch

 
       
Vc.
  
  
pppp pp pp pp


   
moltiss. sul tasto

           
3
Kb. 
    pp
ppp pp pp
58 217
 4 6 1 4 15

4 4 4 4
  3 
169
 G       
3

                 
Fl.
  
3

 
mp pp mp

         
 
        
  
Bkl.  
3 3 3
mp pp mp

   
      

 44
Fg.


p3

                       
G  
    


   G   

3
 3
mp pp p pp
Akk. 5

   
3

      
  
6 1 4


4 4 4

  
pizz. arco
              
3 3

        
Vl. 1
mp pp
p pp p p p
(pochiss.)

         
3

   
Vl. 2
  
arco  p
mp p pp

moltiss. sul tasto
   
                
3 3
Va.
  
p mp p pp p

 3 4 6
4 4 4

      
174 frull
    

 
3 3 ord.
      
        
Fl.

pp f p f

        
 

3
       
    
Bkl.
p pp mf sub.

x w  
    
    

Fg.        
(p) mf sub. mp

       

3

Pos.             
3
mp pp p pp mf ppp





          
          
                       
  
5 3
Akk. mp pp p ppp p ppp

    
3 4 6
4 4 4
 pos. ord.
           
3

      
Vl. 1
   
p
pp mp p pp mp p


   
    
3 3
         
 
Vl. 2

pp

  
3

 
Va.          
mpx w p
pizz.

     
 
Kb.

mp
58 217
 6 3 4 6 1 3 4
16

4 8 4 
dolce
4 4 8 4
 
  x w    x w      
   
    
178
         
3

       

Fl.
p mp 3 3
f mf
3
mp pp
(f) p

         3
   3 

    
      

3

            

    
Bkl.
x w 3 

       
mp pp p mp

              
     
   
  
 
Fg.     
mf 3
pp p

mp pp

   
  
    
      
   

Pos.       
mp pp 3 p 3

6 3 4 6 1 3 4
4 8 4 4 4 8 4
  x w  
dolce
  
       
   3 3  
   
     
    

             
Vl. 1
  x w 3
mp
3
G . mp
3 pp p mf pp
mf p mf

 x w
dolce arco
     
   
pizz.

      
pos. ord.
  
Va.      

  
mp mf 3 mp 3
mp f


4 6 4 1 3 2
4 4 4 4 8 4
  


x w       
 
186
           
 
Fl.
3 3 3
mp mf f mp mf f mp

 3
  
3
  
Bkl.
         
      
  
 mf p

mp p mp

mf p mf
  
mp
 
   
  
3
       
          
Fg.
  3
p pp mf mp mf mp

  
(wenn Wechsel so schnell nicht möglich
   

übernimmt das Fagott den nächsten
  

Posaunentakt)
Pos.     
mp 3 nimmt Bassposaune

 
Tamt. (m.) Dämpfer ab
Schlzg. II     
     

4 6 4 1 3 2
pp l. v.

4 4 doloroso 4 leggero 4 8 4
   gliss.     
    
     
hin zu 3
   
solo
  
non vibr. moltiss. vibr.

  
      
    

Vl. 1 g l.
3 6
p mp mf p mf f 3 mp p

     
   
arco, pos. ord.
    
pizz. 3

             
Vl. 2
     3


mf poco f f p 3

     

   
             
 
Va.    
p mp pp mf p mf

         

pos. ord.
       
     
Vc.
3
 
p mp p mf p mp p mf
arco
3  
   
   
 

pos. ord.
        
Kb.
      
p mp p mf p mp p mf
58 217
 17

2 4 3 4
4 4 4 4
 
              
192
        
   
Fl.
  
f più mp mf f p nimmt Picc.
f

    
Flz.

   

ord.
   
  
  
3

      

   
Bkl.
G . p
f mf p mf mf

Diese Passage wird nur dann vom

Fagott gespielt, wenn die Posaune
in diesem Takt pausiert.
            
         
3

    

 
   
Fg.
 3
3 3
mf (mf) f mp mf


Bassposaune

x w  
   

   


senza sord,
    
Pos.
    
pp (pp)  mp


Gran cassa.
Schlzg. I        
pp l. v.
Tamt. (t.)

Schlzg. II        
pp l. v.


  
            
         

  
3

     
        
poco p più
 3
mf pp p
Akk. mp mf p f f

      

2 4 3 4
4
     
4        
4 4   
G.
     

         
        
Vl. 1       
p 3
f più mf f mf
f

  

        
3
x w       
Vl. 2   
3 p   f mp mf
x w
f 3
mp

     
    gliss. 
3

 
3
          
3

 
  
  
Va.
più

f mf p mf fp sub. f mp mf
f

    
trem.
 
 

 
 
trem.
 
3
      
       
Vc.
   
f mf
G.
p mf p
pp mf pp mp mf

 
trem.

  
 

   
trem.

           
3

  
Kb.
     
G.      mp mf
f mf p mf p pp mf pp

58 217
18

6 3 4 6
 
4
   
8  
4    4
           
Piccolo
198   
     
Picc. 
3 3 mf
mp

     
     
     
    
 
Bkl.

p mf p mp poco
sfz


         
    
 


Fg. 
p 
mp
poco nimmt Kfg.
sfz

  

     
 
3

Pos.         gliss.

pp

p mp


    

kl. Tr.
  
Schlzg. I     


pp p
G.
   
      

3
mf p
Akk.

     


secco sempre
            


Klav. mp mf
         
   
 
6 3 4 6
4  8     4   4
 x w
     

         
      
gliss.

Vl. 1 
        

3 f mp f più f

 
      
        
Vl. 2           
p mf 3 poco f
mp f

      
      
      
Va.   
          
p mf 3 poco mf f
mp f

    
trem. trem.
 
       
     
      
Vc. s.
gliss. gliss. g lis
  
mp f p mf pp mp f più pp più f
f pp sub. (molto)


      

 
    
trem. trem.


 

 
  
  
  
gliss.

Kb.

gliss.

gliss.
mp
f più pp più f
mp f p mf pp f pp sub. (molto)

58 217
 19

6 1 4
4 4 4    
203
     

 
        
Picc.     
poco f 3

      

 
 
  
3
 
                 
Bkl.

  ff sfz sfz  sfz sffz

f f
pp sub. p sub.

 

      
Kontrafagott
  

        
5
 
3
Kfg.         
     
   
3
f ff sfz sfz sfz sffz sffz f più f
pp sub. p sub. p sub.

         

     
     
Pos.


mf 3 poco
f  
mp f

  
       

  

Schlzg. I  G.
 

 


mf pp poco pp poco
f f

 
secco loco
 
    
5
      
3
  
       
 
       
    
Klav. f più f mf ff mf ff

6


3
 secco

  
           
    
5

          
     

      

         
    

6 1 4
4 4 4     


  
             
Vl. 1     
3
mf più f

        

        
           
Vl. 2 
3 mf più f


   
solo
     


sul C

 
 

Va.

3
più f

   
     
arco ord. 3

   
 
c. l. batt. trem. ord. solo
           
    
3 3

Vc.   
        
ff sfffz più sfffz f mp G. f
sub. ff
p sub.

arco ord.

 
c. l. batt.

     
trem. ord.
     
3 3
Kb.      
      
  
 
mp

G.

f
ff sfffz più sfffz f ff
sub.
p sub.

58 217
20

7 4
207
   
4 solo  
          
4

     
frull.
   
    
Picc. 
3 f 5
p p

 
     
        
Bkl.   
mf 3 3 3
più f



3

        
3 6
Kfg.
          
    
  f
 
sffz mf f mp ff

      


  gliss.   
Pos.

3 3 poco f
mf sub.

 
    

Gran cassa (gr. Tr.-Schl.)
  
Schlzg. I        
mf mp mf f

  
(geschüttelt)

   
3

(geschlagen)

(geschlagen)
      
Schellen-Tamburin
 
Schlzg. II



 f sffz

           


    
3

 
fff

  
ff
 
Akk.



   
  .  .
   G      G 


  
3
             
 
  3

f fff
 G .
Klav. secco mp 5 5
ff      
      
3 5

      
3

    

      
      

7 4
    solo
   
4

     

     
      
4

   

  
Vl. 1 
3 3
mf f ff

 
  


   
solo  
                
    
3

Vl. 2       3 3
3 3
mf ff
      
     
   
   
    
Va. 
3 sffz ff
ff mp sub.



     
trem. trem.
     

3
 
gliss. gliss. 3

   
gliss.

 
Vc.
3 3
3

ff sfffz mf sub. ff
trem.


  


  
3 trem. 3

   
    
3
Kb.
   
   
ff fff mf ff

58 217
 4
21

4   
frull.

  
   
frull.
209

      
          
  

  

Picc.      
ff 3 3

 
Flz.
  
     
 
3
      
Bkl.
 
ff ff

 

Flz.


 
   

3
    
3
  
     
   
Kfg.
 ff 
ff

  
 ()  
strahlend, vibr.
                
Tr. 1
      
(Empore)
f 3 3 3 3

      
gliss.
  gliss.  
     

    
Pos. 
mf f

     
     
chin. Beck. (Trommelstöcke)

(Gr. c.) Trommelstöcke

Schlzg. I        
mf mp ppp mf pp

 
Vibraphon
(mit Motor)
 
         
 
Schlzg. II 
ff 
  più fff
 



       
                  
      
f cresc. 3
Akk.
   


 
  .           
   
    
       G      
   
martellato
         
G .
 
     
5 5 ff sempre 3
3

    
Klav. f fff 7
6
        
          
3 3

        

        
  


   
  
  



  

   


4
4      
           
 
   

     
Vl. 1        
3 3 3


            
          
Vl. 2        
3 3 3

 
  
          
Va.   
 
    

3 3

trem., langsam beginnen

     
 
  accel.
gliss. presto

 
gliss. 3
Vc.       

fff fff sfffz
p sub.


trem., langsam beginnen
gliss.      
accel. presto
   3

gl.
     
gliss.
Kb.
  sfffz

 mf f più fff  
f p sub.
58 217
22

5 4 3
nimmt Flöte

8       4 4
(mit Glissando-

frull. Head-Joint)
frull.
    
frull.
     
 
 
ord.
   

       
ord.
      
        

           
ord.

212 
 
Picc. 
3 5 3 3 3
fff


Flz.
ord.     
  

  
 
   G.

Flz.
     

Bkl.    
3
 3
fff

 
ord.

  G. 
Flz. 3

 

  
 
Kfg.     
    fff

                    


     

     
        


    


 
Tr. 1
      
(Empore) 3 3
più ff

       
 
gl. 
f
      gliss. 

Flz. ord.
  

gl.

Pos.       
3
più f ff 3 sfffz
fff

pp sub.

       
   
Gran cassa (Gr.-Tr.-Schlägel)
       
3
kl. Tr.
 
Schlzg. I           
f p più ppp più sfz mp mf f ff


sfz

      
Beck. (m.) Tamt. (t.)

          
chin. Beck. Beck. (t.)
 
 
(Tamt.-Schl.)

  
(weiche Schlägel)
      
3



Schlzg. II
 


sffz
fff 
pp f p più mp ff
  
f
         
  
            
 
                  
     
        

   
3 7 3 ffff
(cresc.)
   
Akk.
    
         


3

    
     
3

 


 
 
     
     

 
ffff ffff 3
Klav. più ffff

 

3

         
   

  
  
°   
   
5 4 3
 

8      4       
gl. 


4
          gl.  
 
gliss.
  
              
Vl. 1    
sfffz fff sfffz 3
ffff



     
   
gl.
 
                    g lis
gl. s.
       
gliss.

              
Vl. 2 
3
sfffz fff sfffz ffff


      gliss. 
  
        
gl.
 
gl.

                     
gliss.


Va.
sfffz fff 3
sfffz ffff

 

      
non trem.


3      
 
    
3
   

Vc.   
fff
  ffff

non trem.

   
      

       
3 3

 
    
Kb.

     ffff
fff
58 217
 23

3 Sopranistin: Position 3
2 4
4 Agitato sub.
4 4

tiefes Tamborim

 
[harte Schlägel sempre] hohes


(q = 104) + hohes Tomt. tiefes Tomt.

      
216 + mittleres Tomt.

2 hohe brasilianische Tamborims solo
       
Schlzg. I  
sfffz sfffz sfffz

    
(h.) secco secco

 
3 Tamt. (Tamt.-Schlägel) (m.)
  
Schlzg. II    


sfffz sfffz

fff
  
Sprechgesang (tief beginnen, jede Phrase noch etwas höher)
 fff  
gliss. f ff
    3 3


3
     
Sopran  
Aaah! Un - nenn - ba - rer! Ver - hüll - ter! Ent - setz - li - cher!


4
4

221 (Basspos.)

      
3


Pos.


sfffz
Tomt. (t.) 3 Tomt.
Gr. c.

(m.) (t.) (h.) (m.) (h.)

  

Gran cassa (t.) (m.) (m.)

              
3 3 (t.) (m.) (t.)
      
3 3 3
     

Schlzg. I
p
fff f ff f ff f ff

Tamt. (t.)  
secco

  


l. v.
  
 


Schlzg. II

sfffz più
sfffz
     
solo
       
(8b)
Klav.

   


3 3 3 3

       
(links und rechts) 
   

 2 4
ff

4 4
 
223 3

           
 

       
Kfg.
  
 più  più
fff mf fff fff fff

 
 
Flz.
     
3



Pos. gliss.


sfffz f
sfffz

Tomt. Tomt. (t.) 3 Tomt.


Tomt. Gr. C. (m.)(t.)(h.)(m.)(h.)

  
(m.) (t.)

  
(t.) (m.) (t.) (m.) (t.) Gran cassa

                
 3
3

Gr. c. (t.) 3
        
3 3 3
Schlzg. I     
 


+ Gr. C. p mf
mf mf f mf < fff f ff f ff f ff

 secco  secco 
Tamt. (m.)
 
 
Tamt. (t.)

   
   
l. v.
Schlzg. II    



sfffz sfffz più sfffz

        

        
(8b)
 
Klav.

      

3

3 3 3

   
 
      

    
(ff)
fff mf ff

58 217
 2 3
24

4 8

226

3
        
Kfg.         
         
   più
 più


fff mf fff fff fff

        
3
Pos. 
 gliss. 

pp sfffz


Tomt.


  
 
3 Tomt. (t.) (m.) (m.) (t.) (m.) (t.) (m.) (t.) (m.) (t.)


Gr. C.

(t.) (m.) (t.) 3

         
3 3
Schlzg. I           
p + Gr. C. p mf
 
mf mf f mf


komplett abdämpfen


Buckelgong (Gong-Schlägel)
   
 l. v.


Schlzg. II 

sffz

          
solo
    
            
(8b) (8b)
    
Klav.

             

3

3 3 3 3 3 3 3

     
 








     


  
ff fff mf fff

 Halbes Tempo
3 3 2 4 5 4
(e = 104 / q = 52)

8 4 4 4 8 4


229 Flöte (mit Glissando-Head-Joint)
       g l. 

Fl.

p pp sub.


   
3
        
 



Bkl.  
    
       5
fff fff pp ff


    
 
3
 
Kfg.
 

 (Basspos.)
p ppp

Pos.       

 p 

   

   l. v.

Gr.-Tr.-Schlägel 3

  

Schlzg. I  
l. v.
  
  
f ppp ppp pp Mit Sticks schnell über mittleres Tamtam reiben
|
Crotales

Schlzg. II  
 l. v.
 
(mit Kb.-Bogen gestrichen)
  


      
   
 mfz

       

 
   
ffff
Akk.  pp

       

   


direkt nach dem Anschlag im
Saitenkasten direkt an der
Tastatur

   
Agraffe abdämpfen
  

Klav. fff sfffz sfffz
      
   

 
 
Bruststimme
  
auf den Schlag
    
3
 
3
ff sempre   
     
3

      
   
(< >)

Sopran  



 


     
Du höh - - - - - - - - - -nisch Au - - - ge, das mich aus

3 3 2 4 5 4
Halbes Tempo (e = 104 / q = 52)
8 4  4 4 8 4


   
gliss.
  
Vl. 1          
pp  p   p

sul pont. 

  
(Haupt- und Nebennote)
      
  
 gliss.
  
sempre


  
Vl. 2  
 
gliss.
pp  
   p ppp
    

Va.    

pp  gliss. pp
     
Vc.   
ppp   


pp

 
  
Kb.    

sfffz pp

58 217
 25

4 2 4 Più mossoaccel.
4 

4 4 (q = 84)
    gliss.
    
l.
 
gl. g

 
235
   

ord.

frull.
 
 
       
Fl.
 gliss.  
7 pp fff ff 3 3
fff sfffz p
fff

     

 Flz.
    
Bkl.   
pp f p sub. pp sub. f


3

Kfg.     
  


   
    ppp f
pp f p sub.



 
 
Flz. gliss.
     
3 3 3 3

Pos.

 gl.gl.  gl.gl. gl.gl.  gl.gl.   mp ff
pp sub. f
pp f p sub.

 
Buckelgong

 
Trommel-
 
   
(Gongschlägel)

(Gr. c.)

stöcke
 


 
Schlzg. I    
 pp p poco pp p l. v.

  l. v.
Crotales f

   l. v.
(mit Kb.-Bogen gestrichen) f

     
Tamt. (t.)
Schlzg. II 

3 3  più fff poco l. v.
fff f


 
schwarze und
weisse Tasten

g li
   
ss.
 
Akk.  ff
     
 


 Fingernagel-„Ritsch“
  im untersten Saitenkasten Tastatur
(höchster bis tiefster Ton) 
    
 



ppp p sfffffz 3 sfffz

   
Klav.
p
    g li
 

ss.
  
  

l. v.  

(Bruststimme)

Bruststimme
  
  

      
   


Sopran   
 

4 2 4 Più mosso
Dunk - - - - - - - - - - - lem an - - blickt!

4 4 4 accel.
(q = 84)
        

non vibr.
    
  
   
  
Vl. 1
3
pp sub. f p sub.
pp sub. ffff
 fff 

         

  
non vibr.
    
   


Vl. 2 gliss.
3
ppp pp sub. ffff
 fff 
         non vibr.
 

 
      
Va.
  3  
pp sub. ffff fff
pp f p sub.

 
non vibr.

trem.
 

    
   gliss.
Vc.
    
pp f p sub. pp sub. ff  fff 

   
 

 
  
 


Kb.
  
pp sub. ff
pp f p sub.

58 217
26

2 4
Presto
(q = 168)
 g l.  
ord.
   
gl.
4 4
 „Jet“ |
ord.

   
|  „Jet“ |   
  
239


3 g l. frull.
 
 
 
3

   

    gl. 

   
Fl.
  5
fff fff mp fff p ff fff mf ff sfffz pp

Nur Luft ins Instrument (ausatmen). Keine Tonhöhen (Mundwinkel dabei öffnen)

                
       
A A A A A A A A

      
 
      
 
Bkl.
fff sempre

Nur Luft ins Instrument (ausatmen). Keine Tonhöhen (Mundwinkel dabei öffnen)

                 
       
A A A A A A A A

      
 
      
 
Kfg.
fff sempre

Nur Luft ins Instrument (ausatmen). Keine Tonhöhen (Mundwinkel dabei öffnen)


               
       
A A A A A A A A

       
 
       
 
Pos.
fff sempre

Beck. (h.)
mit Triangelstab am Rand
Guiro gerieben

 
  
accel. der Bewegung

(Triangelstab sempre >)
   l. v.
Triangel

Schlzg. I                 l. v.    
mp mp
ppp mp

         
      
Claves
              
Tamt. (t.)


Schlzg. II 
p p l. v.

    
   
     
solo
         


         
Akk. mp pp sfz mp f

     


nimmt schnell
nimmt erste Münze zweite Münze
     
Klav. mf mf f ff
loco
 
      
 
     

  
  

2 4
Presto 4 4
  
pizz.
sul 


(q = 168) tasto
    
arco
    
Vl. 1            
 
  ff sffz  f ff p
f
  
pizz.
sul tasto

       
arco
   
Vl. 2          


  ff sffz  f ff p
f

    
pizz. sul tasto

arco 
                       
Va.
 
f  ff sffz  f ff p

 pizz. (secco, abdämpfen sempre) 

               
pizz. arco
              
Vc.       
f f sempre pp sfz f sempre 
più f sffz

pizz.   pizz. (secco, abdämpfen sempre)

 
     
arco
  

               
   
 
Kb.
    
 pp più f sffz
f sempre sfz f sempre

58 217
 27

4
4  

244 presto gliss.

  g
auf und ab
       gl.    l.  (    sim.
Fl. gliss.
 U U U U )
ff mf ff sfz ff

    
  
A A A ord. gespielt
           
 
 
 
Bkl.     
più più
 
sfz più sfz
sfffz sfffz

    
  
A A ord. gespielt


A
    
      
 
Kfg.
  

più
sfffz
più
sfffz

sfz


    
  
A A ord. gespielt

 


A


        
   
Pos.
   gliss. 
più più 
sfffz sfffz pp mf pp mf pp

 
  
Guiro
  
Buckelgongs
  
   
unmerklich abdämpfen
Schlzg. I
mf fff

mf

 
Vibraphon (mit Motor)

      
     
Schlzg. II



sfz p mf
    
     
          

            
f fff
Akk.
     


Im Klavier

  
Mit zwei Münzen (oder hartem Plektrum) im Saitenkasten

  
Tastatur

   
2 Saiten mit entlangfahren (einmal vom Körper weg)
     
 
l. v. ff f mf

   
Klav. f fff

  
 l. v.    
 

°  

  

4
4
 
arco  
  
pos. ord.
         
Vl. 1 gliss.

p ff  f
3
sffz pp

pos. ord.
  
 
arco
       
 
Vl. 2 gliss.

  3
p ff f sffz pp

arco
   
pos. ord.
       
 
Va. gliss.
p ff
 f

pizz. (secco, abdpf. sempre)  arco 


     
 
        
arco
       
Vc. gliss.
   gliss.   
p ff ff sempre più 
sffz pp sfz sffz

pizz. (secco, abdpf. sempre)  

   
arco
 
arco
           
 
Kb.
    g lis s .

 
gliss.
  
pp sfz sffz
p ff ff sempre più
sffz
58 217
 6
28

 
4


 gl.   
gl.

249 gl.
 
3
         
   gl. gliss.
Fl.      gliss. 
sfz più 3
più 3 fff
f f sffz ff mf f ff
f

 
Flz.
   

Flz.

 
3
        
   

 
Bkl.
 
 mp
sfz sfz fff mp più sfz
p sub.


              
3

Kfg.
 
 
 
sfz sfz più sfz


    
3
        
 
3

     
Pos.
  gl.       gliss.  
gliss.
gliss.
mf mf pp sfz
pp
 poco f
pp mf
mf

 
(Vibr.) 3

 

     
3

                       
Schlzg. II    
più f
mp mf poco f  
    





solo      
                 
    
 pppp sub.
Akk. mf p mf

      


     
  
 


             
3

   
3  3 3 3
f p mf f
Klav. mf mf ff f

       
f 3 3
sfz
   
3

             
     
 

   mp

6

pizz. 4
  
pizz. arco

 

  
 arco
Vl. 1          
sfz
3
sffz pp
3
sfffz 

pizz.
 
pizz.

  
arco
  arco
Vl. 2            
3 3
sfffz

sfz sffz pp

    
sul pont. arco
pizz.

 
pos. ord.

 
  
3
        gliss.    
Va.
   
 
sfz p sffz sffz mf ppp

arco arco

   
pos. ord.
  
sul pont.
  
pizz. (secco)
       
  
3 3 3

 
  
Vc.       g lis s
gl. .
 mf pp sfz sffz
pp mf f pp sfffz
arco

    
sul pont. pizz. (secco) arco

      gliss.   

  
          
3 3 3
   
 gl. 
Kb. g l.

pp mf pp sfz
 mf f pp

sfffz
sffz
58 217
 29

6 3 4 2
4 molto rall. 4 4 4

q = 80



       
gliss. „Zitter“-Gliss.
255 

„Zitter“-Gliss.
    
Fl.  
più fff p poco f  mf pp  f


ord.


       
Bkl.         
3
mf ff sub. p poco f


         
3
Kfg.
     

sfffz pp poco f


   
„Zitter“-Gliss.
ord. gl.


Pos.        

 
 gliss. 
 p   mf
p
ff p poco

()
f

Lotosflöte
    gliss.

Schlzg. I 

()
dal niente f
Lotosflöte

     gliss.

Schlzg. II 




dal niente f

  
          
sfffz
Akk.
      
 


 

         
sfffz
Klav.
      

mf più f mf
p mf p 
  x w 
mp f mp
x w „Zitter“-Gliss.  
ord.
            g lis s .

gliss.
Sopran  gliss. gliss.
  

6 3 4 2
So lie - ge ich, bie - - - ge mich, win - - - - - de mich,

4 molto rall. 4 
4 4
  
q = 80
  „Zitter“-Gliss.
  
sim.

gliss.
 
.
g lis s
 
„Zitter“-Gliss. ord.
 
   
 
gliss.
Vl. 1  gliss.  
ff più p poco ppp più f ppp p più f ppp p ff
ff f


 
       
„Zitter“-Gliss.
„Zitter“-Gliss. ord. gliss. sim.
     
 
g l.

 
Vl. 2  gliss. 
gliss.
 
ff poco
più p f ppp più f ppp p più f ppp p ff
ff

„Zitter“-

         

Gliss.
 

       gliss. gliss.

Va. gliss. 
ff  p poco ppp più f ppp p più f p
più
ff f „Zitter“-

       

Gliss.
arco  
 
gliss.
      
g lis s . 
Vc. 
  ppp più f ppp p più f p
sfffz



Kb.          

sfffz
58 217
 4 6 Più mosso
4 8
30

  
„Zitter“-Gliss.

 [q von vorher = neue q. (q. = 80)]
261
Fl.       

 ff (Glissando-Head-Joint ab)

9 9

          
Bkl.
     

ff p ff pp
 
       

                     
3 3
 
 
Kfg.  
         
   fff sempre 
ff pp


 

       
3
Pos.   gl.
 gl.

  gliss.        
sfffz più
molto f sub. pp ff p ff pp ff sfffz sfffz
p sub. sfffz


3 Tomt.
   (t.)
(h.) (m.) (h.)
   
    trem.
ord 3 
        

hoch
   mittel   
tief
f ff mf ff p mf ff
 
Schlzg. I Trommelstöcke

  
sempre secco
       
 
 
Beck. (t.)
    
  f  
Gran cassa
sffz mf f mp
2 Peking-Oper-Gongs
 
Buckelgongs (mittlere Gong-Schlägel >)
(gliss., l. v. sempre) B.-Gg.


l. v. sempre

 
          

     
 gl.  gl. 


Schlzg. II

f più f più f sfffz sfffz sffz

     
Akk. (durch Luftdruck)

quasi gliss.

 
    



 fff
Im untersten Saitenkasten auf hoher Saite mit

  
einer Münze mit extrem hohem Druck entlang- Gliss. im untersten


         
fahren, extrem brüchiger Klang Saitenkasten
   


 
 (bis tiefster Ton im untersten Saitenkasten)
g lis s .
„f“ gespielt
Klav. (molto)
Klang: p sffffz
     
 
quasi Multiphonic, gekrächzter, gepresster,
f gekratzter Mehrfachklang
 fff
3

  „Doppel“-Gliss.
Sopran    
˜
  

4
ge - quält
6
100% gepresst, keine Tonhöhen, durch
4 8 Più mosso

den hohen Bogendruck extrem brüchiger Klang [q von vorher = neue q. (q. = 80)]
    
3
Vl. 1    
ffff
„fff“
100% gepresst, keine Tonhöhen, durch
den hohen Bogendruck extrem brüchiger Klang
     
3

     
Vl. 2

„fff“ ffff
100% gepresst, keine Tonhöhen, durch
den hohen Bogendruck extrem brüchiger Klang
     
Va.
   
„fff“ ffff
100% gepresst, keine Tonhöhen, durch

   
den hohen Bogendruck extrem brüchiger Klang
    
Vc.
 
„fff“ ffff

100% gepresst, keine Tonhöhen, durch

arco den hohen Bogendruck extrem brüchiger Klang

  
3

Kb. gliss.
      

fff pp „fff“ ffff

58 217
 9 4
8 4
31


  
     
266

Flz.


   
  

ord. Flz.
 
         

 
Kfg.
       
 

3
più fff ffff


  

 
gliss. 3

               
       
Pos. gliss.


gliss.
 
gliss.

 sffz più sfffz
più sfffz mf ffff
pp sub. p sub.

     
        


3 3

                        
3

 
              
  
pp f 3 sfffz f ff fff
  
3
Schlzg. I
 l. v.      
mf sffz sfffz ff
p sub.
 
       

           
più 3 3   
più f ff più sfffz
f

 gl. 


Peking-Oper-Gongs Peking-Oper-Gongs
  gl.   
 gl. B.-Gg. gl. B.-Gg.

 
  

 
  
 gl.  gl.
 
9 4
Schlzg. II  

 
8 4
sfffz sfffz poco l. v.
sffz f sffffz sfffz

    
  
        
Vl. 1 
  
sfffz sfffz sfffz

             
Vl. 2  

  
sfffz sfffz sfffz

Va.              

  
sfffz sfffz sfffz
             
Vc.   

  
sfffz sfffz sfffz


             
Kb.   

4 3 4 3
sfffz sfffz sfffz


q = 80

4 4 q = 46 4 4
[q. von vorher = neue q]
molto rall.
   x w
271

     
frull.


(ohne Glissando-Head-Joint) 5

           
Fl.        3
p ppp ppp mf pp




breit Flz.
 
3


3
        
3
Bkl.       
mf f 
  
pp mp pp mf

 
Gran Cassa

Gr.-Tr.-Schlägel
Schlzg. I    
chin. Beck. pp  p 

Buckelgong abdämpfen


(weiche Schlägel)

  l.v.
(chin. Beck. klingen lassen)

   


Schlzg. II   
ppp poco  chin. Becken und tiefes
f alle anderen Buckel- Becken abdämpfen
gongs unmerklich
abdämpfen
   

       
Akk.
  
 


ppp
ord. Tastatur espr. x w 
    
Klav. mf
   
  poco
mp pp mf p pp mp p

 
sfz
x w

 G     
 

[f]
gliss.


          
Sopran  gliss. 

4 3 4 3
q = 80 Du drängst mich, drückst mich,

4 [q. von vorher = neue q]

4 q = 46 4 4

molto rall.
arco ord., breit 3
     
3 3 3 3 3 3 3 3 3
     
Vl. 1      
    ppp
           
mf ff ppp p sub. p ppp mf
arco ord., breit
 
3 3 3 3 3 3 3 3 3 3
Vl. 2    
                               
mf ff ppp p ppp p ppp mf
sub.
arco ord., breit 3 3

       
3 3
   
3 3 3 3 3 3
   
Va.
                         
ppp
mf ff ppp p sub. p ppp mf

         pizz. arco

 
arco ord.

 
    
3

  
gliss.
 
 
Vc. 

x w 
3 3 3
fff ppp p mp mf



pizz.



 
gliss.

arco ord.
 
   
3
Kb. 
xfffw mp

58 217
 3 2 3
32

4 molto rall. Agitato subito 4 4

(bis [ep = 92)

274 (q = 92)
 
 
         
Fl.
 
pp (Glissando-Head-Joint auf)


       
Bkl.
3
pp mf
3

Kfg.    
 
  
pp mf


      
3
Pos.
 
pp mf


5


3

     
3
  
(Gran Cassa) 3

   
3 Tomtoms
      
pp mp Schlagzeug 1 
pp pp p pp
Schlzg. I Trommelstöcke mp


(poco)

 
(sticks) sempre
   
Gran Cassa
pp mf
secco!! secco!
Tamt. (h)
  
 Mittleres Becken

      
(Tamtam-Schlägel)


(weiche Schlägel)
Schlzg. II    

sffz sffz

       

    


ff

       

Akk.

   


 
Mit mittelharten Schlägeln links und rechts abwechselnd


<>

abd.

 
più espr.


beliebige verschiedene Tonhöhen im untersten Saitenksasten spielen 
         
3
f

 
Klav.
      

fff pp
ff stimmhaft geflüstert
molto


mp mf pp mf sfffz sub. „fff“ sfz

f Luft geräuschhaft

sub. gerufen
   3

 
 
3
 
3 einsaugen

gl

is s.
gl.       
Sopran 

3 2 3
drängst mich, drückst mich, Ha! schon viel zu na-he! Ha!

4 molto rall.
(bis [ep = 92)
Agitato subito 4 4

(q = 92)
3 3     
Vl. 1         
3
pp sub. ff

  
3 3 3

              
Vl. 2
pp sub. ff

3
    
3 3
Va.        
pp sub. ff


3

     
Vc.
  
pp sub. ff

arco pizz.

 
 
   
3

   
Kb.

p
 f
58 217
 33

3 4 2
4 4 4

278 molto rall.
       
Bkl.          
 


3
pp ff fff p pppp


     
6 3
Kfg.                     
  
pp ff fff pp

 
     

 
Pos.


gliss. 
gliss. 
fff mf fff pp

  3 3 3 3

6
6 6 
       
        
f mf mp p
Schlzg. I Gran Cassa ff
 3
 3 3 3 3
                 
sfz f
  secco  secco 
    
 
Tamtams mittel

 l. v.
Beck. (t.)

chin. Beck (Tamtam-Schlägel)
    


Schlzg. II
sffz più sfffz pp

   
Akk. 
    


pppp
abd. alles sim., aber genau
   
6

   

abgedämpft

 

diese Töne

       
3

3

 

    
      
Klav. mp p
       
 
  
fff mp f fff

più sfz Mit hohem Luftanteil

 sim. aber höher [Schreckens - / Lustlaute mf ff

stimmhaft ausatmen
im Ausatmen gesungen] 
 
 gl.    tiefer
„f“ p „mf“ p

  
 mitteltief
Sopran         
3
Ha! Ha, ha, ha! Aah Aah

3 4 2
4 4 4

molto rall.
   
3
Vl. 1 
   

pppp

Vl. 2    

    
3

  

Va.
pppp


      
Vc.
pppp


Kb.   
 gliss.
 

fff p
58 217
 2 1 3
34

4 [ep = 63 4 4

[ep
    ( 
(mit Glissando-Head-Joint) frull.
[in 6 ]
 
281
 quasi gliss. frull.

 
 
3

 
 
3

     
Fl.   3
)
ppp p ppp sfzpp p mp pp

  
 Flz.
       (  
    
 
Flz.
   quasi gliss.
      
   )
Bkl. 
3 3 3 3
3
p ppp sfzpp p mp pp
Nur Luft durchs Instrument
ad lib. ohne Instrument) EIN

       


AUS 3 EIN AUS E A E

 

Kfg.

f pp più f pp fff

Nur Luft durchs Instrument


EIN

       


AUS 3 EIN AUS E A E

 

Pos.

f pp più f pp fff


(Gran cassa)
   
 3 
3 3 3
   
Schlzg. I      
p pp  ppp pp p

 tief
Tamt. Nur Luft

     
A E


EIN AUS E

l. v. (ohne Instrument)



Schlzg. II


pp pp fff

             


(pppp) mf pp sub.
Akk.
          




Nur Luft

    

EIN AUS E A E
(ohne Instrument)
   
Klav. pp fff
   
mit hohem Luftanteil gesungen sfz p mf fff
pp f
  
3
3

3 
3 3

      
3

        
   
3
Sopran
  
 gliss.

2 1 3
4 [in[ep =6 63 ] 4 4
Du hörst mich ath - - - - men, du be - horchst mein Herz.

arco ord.

  
[ep
 
trem.


gl.

3 3 3
    
Vl. 1
       

mp
  sfzpp
3
p mp pp
arco ord.

trem.

 
  
3 3 3
gl.
 
               
Vl. 2
3

pp mp sfzpp p mp pp
arco ord.


trem. 


3
  
3 3 gl.
    
       
  
Va.
3
mp sfzpp p mp pp

   pizz. arco ord.

 
trem.

 
3

   
 5      

  sim. gl.
          A  
Vc.  

3 3
sfzpp p mp pp
mf
arco
flag. nat. sul H
klingend
trem. ord.
 

pizz. 3 ord. transp.

  
 

3
 


Kb. quas

i
 gliss.

mf sfz pp p mp pp

58 217
 35
Gang der Sopranistin zu Position 4

3 4
Agitato subito

4 4
(q = 168)
nur Klappengeräusche: ganze linke und ganze rechte Hand abwechselnd, möglichst viele Klappen gleichzeitig verwenden

              
284
               
              
             
p
Bkl.
nur Luftgeräusch durchs Instrument mit Silben artikuliert (keine Tonhöhen) / ad lib. ohne Instrument
   sim. sempre
cresc.
tu
 ku tu ku tu ku tu ku tu ku tu ku tu ku tu ku

nur Klappengeräusche: ganze linke und ganze rechte Hand abwechselnd, möglichst viele Klappen gleichzeitig verwenden

               
              
p
Kfg.
nur Luftgeräusch durchs Instrument mit Silben artikuliert (keine Tonhöhen) / ad lib. ohne Instrument


sim. sempre
 
cresc.
tu
 ku tu ku tu ku tu ku tu ku tu ku tu ku tu ku

  
(in C) nur Luftgeräusch durchs Instrument mit Silben artikuliert (keine Tonhöhen)
   
Tr. 1
 
(Empore)

tu ku tu ku tu tu ku tu ku tu sim. sempre

     
(in C) nur Luftgeräusch durchs Instrument mit Silben artikuliert (keine Tonhöhen)
Tr. 2
  
(Empore)
tu ku tu ku tu sim. sempre

 
nur Luftgeräusch durchs Instrument mit Silben artikuliert (keine Tonhöhen)
Pos.  
tu ku tu ku tu ku tu ku tu ku tu ku sim. sempre


Tomt. (t.)
3 3 3

            

pp

p

mp
Schlzg. I
Gran cassa


3 3 3

        
pp p mp


      

    
3
pppp f
Akk.
   

3 4
4 Agitato subito

4
 
(q = 168)
  gliss. gliss. gliss.
Vl. 1  
ppp mf

arco   gliss. 
  
gliss. gliss.
Vl. 2
ppp mf

    
 
trem. .
G 

3

Va.         
pp mp p mf

mp
pizz.
 
3
  
3
 
3
  
Vc.   
mp mf f

pizz.

      
3 3 3
Kb.
  
mp mf f

58 217
 4
4
36

 gliss.


287
  gliss. 
Fl.      
pp poco p più nimmt Picc.
f f

        ord. gespielt
                   
           
 
Bkl.
ff sfz
f ff f pp

          
ord. gespielt

  
     
 
    
         
Kfg.
  
ff f ff
sfz f pp

            
Tr. 1
(Empore)

cresc.

Tr. 2
            
(Empore)
cresc.

         
Pos. 
cresc.


(Tomt. (t.))

      
 secco 
Metal chimes l. v.
    
pp mp
mf
Schlzg. I

 
(Gr. c.)
 secco 
   
mf

 
   
2 Woodblocks (h./m.) (Triangel-Schlägel) Triangel

      
          
 
Schlzg. II


mf l. v.
mp f f ff

solo
                    
      
      
Akk. sfffz p ff f

   

4
 
  
  
ord. gespielt
    
ff mf
Klav.
   


4 arco pizz.
 
 G . 
3


pizz.
 
          gl.     
Vl. 1
  
ppp f più f mf fff sfffz

arco pizz.

3
 
G. 
pizz.
               
Vl. 2   gl.
ppp   sfffz
più f mf fff
f


arco

pizz.



non trem.

pizz.
  
Va.  gliss.

            
3 sfffz
f f più f mf fff


c. l. batt. pizz.  


     
     
   


Vc.
  più sfz sffz
mp mf sfz sfffz



pizz.
 

c. l. batt.
        
    
Kb.
 
 sffz
mp mf sfz sfffz
58 217
 37

  
290 Piccolo
Picc.         
3
3
f
(sim. Klappen- und Luftgeräusche)
    ord. gespielt
  






               
Bkl.           
f fff poss. fff mf f ff mp pp

(sim. Klappen- und Luftgeräusche)

            
ord. gespielt

 
  
       

       
Kfg.
 
f fff poss. fff mf f ff mp pp

            
Tr. 1
(Empore)

(cresc.)

Tr. 2
            
(Empore)
(cresc.)

       
Pos. 
(cresc.)

  
2 hohe Tamborims (harte Schlägel)

 


Schlzg. II        
mf poco f


                
               
                   
più ff f mf fff
Akk. f

   


      
loco

3
 3
         3  

   
  

 

 
mf ff mf ff fff sub.
Klav.
f  
         
secco 3 3

    
     
       
°    

 sffz 

  
pizz.

Vl. 1       
sffz


pizz.

Vl. 2       
sffz


pizz.
Va.       
sffz

trem. langsam beginnen


pizz.

c. l. batt. arco accel.
 
arco
      
          
Vc.
  

mf ff sffz 
sfffz f ff pp


trem. langsam beginnen

pizz.


   
c. l. batt. arco accel.

 
arco
          
Kb.
       
sffz sfffz
f ff pp
mf ff
58 217
 3 2 4
38

4  4        
ord. 4  frull.
   
ord.
 

frull.
 
        
293     
 
            
Picc. 
3 3
ff mf ff sfffzp sub. ff f mf ff pp sfffz
sub.
(sim. Klappen- und Luftgeräusche)

        
abreißen ord. gespielt
 
 
                  
Bkl.   
ff f fff poss. sfz sffz sffz mf

(sim. Klappen- und Luftgeräusche)


       
abreißen

ord. gespielt

             

     
Kfg.     
   mf
ff f fff poss. sfz
sffz sffz

   

Tr. 1
  
(Empore)
(cresc.)
fff poss.

Tr. 2
        
(Empore)
(cresc.) fff poss.

 
Pos.   
(cresc.) fff poss.

    
Schlzg. II       


3
f ff

   
     
3
      
3

                    

             
Akk. p sub. f mp f p


    

  
    
Klav.
    
 
°
3 2 4


4 arco, poco sul pont. 4        

4      
pos. ord.


 
Vl. 1       
3 3
mp ff mf f fff

   
 
arco, poco sul pont.
   
pos. ord.
 
  
Vl. 2         
3 3 3
mp ff ff mf f fff

arco, poco sul pont.


 
   
pos. ord.

Va.              

 
3 3 3
p ff ff mf f fff


poco sul pont.
presto  abreißen
    
arco, pos. ord.

(accel.) pizz.

  
        
3
 
Vc.
   

ff p ff sfffz mf ff sfffz

 
 
arco, pos. ord.

   
(accel.) presto abreißen pizz.
      
3
Kb. 

  
ff 
sfffz mf ff sfffz
58 217
 3
8
39

     
    
 

frull
ord.
   
297
    
Picc.           
sffz mf ff 3
pp mf

 
     
                     
3

  
  
Bkl.
ff  sffz sffz mf ff ff sfffz
fff mp

    
           
3 
   
  
Kfg.
    
ff  sffz sffz mf ff 
fff mp sfffz

     
ord. gespielt
   
sim. Luft
Tr. 1
(Empore)
       
mf fff poss. pp

     
ord. gespielt
   
sim. Luft
Tr. 2
      
(Empore)
mf fff poss. pp

   
 
sim. Luft
Pos.     
mf fff poss.

  
gr. Tr. (gr.-Tr.-Schl.)
    
   
3 4:3

   
chin. Beck. gr. Tr.
Schlzg. I                  
p mf pp f mf l. v. pp f

       
          
(2 hohe Tamborims)
    
Schlzg. II 


mp f mf sfz più mf ff
p sub. sfz

    

4:3    
        
        
      ff  p
4:3 4:3 4:3
fff
Akk. ff f
4:3
 
       



4:3

 
        
   3

           
 
sffz sffz p 3
fff
Klav. fff

  4:3

             
      

 
     

3
sfz
sffz sffz  

8
più sfz

   
 
arco    
  
3
gliss.
           
       
Vl. 1
 ff
   
pp

3 3
sfffz sfffz
f fff
 
       
  
gliss.
         
3 3 3

 
      
Vl. 2 gliss.
   
  pp ff f  fff
ff p sfz

 
 gliss.      
 gliss. 4:3
     
4:3
          
3
  
3


gliss.
     

Va.
 3 4:3
mf ff sfffz sfffz sfffz p sfz pp ff f fff

  
gl.

  
    
c.l. batt. arco
  
arco .
  g lis s g lis s .
        
  
   
Vc.
3
sfffz ff p sfz pp ff fff sfffz

  
arco arco
  
   
c.l. batt.
     
gl.
         
gliss.


Kb.      
     
3 3
sfffz
ff p sfz pp ff fff sfffz

58 217
40

      
 
303

Picc.  
sfffz pp poss. più fff


 
Flz.
      
 
Bkl.
ff sfffz
pp sub.

Kfg.        

 

      
sffz


pp sub.
Tr. 1
 
(Empore)
più fff Dämpfer auf (Cup-Dämpfer)
       
sfffz pp sub.

Tr. 2
 
(Empore)
sfffz pp sub. più fff Dämpfer auf (Cup-Dämpfer)

 
Flz.

     
Pos.       
f sffz
pp sub.

Schlzg. I

         Triangel

l. v. sempre
pp


Tamborim (das höhere)

Schlzg. II         
sfffz


pp sub.

   
    
trem. sub.

           

   
ff sempre sfffz


Akk.


pp sub.

          
   


            




  
   
        
  
pp

 
Klav. sffffz
         
  
  



                 
trem.

   
Vl. 1 
ffff più sffffz
pp sub.
   
trem.
    
 
Vl. 2 
ffff più sffffz
pp sub.

               
trem.

    
Va. 
più sffffz
pp sub.



trem.


     

Vc.

ff più sfffz
pp sub.

 


trem.
Kb.       
 

ff più sfffz
pp sub.
58 217
 41

4
           
4
 
311

Picc.       
fff

  
   
       
     
Bkl. 
fff f ff


   
   
  
Kfg.
            
      
fff f ff

  
Pos.   
 











  
fff


(abgedämpft halten)

     
(Trgl.) secco
Schlzg. I         
pp

 
(Tambor.)

          
Schlzg. II   
fff


           
       
  
   

 
Akk. fff

  
        
    
         
   


   
       
  
    
  
   
   

 

           
         
Klav. fff f ff

   
  
          
° 

        
    
4
 

 
4
  
 
loco
 
sul pont.
    
Vl. 1      
      pp
fff

       

     
 
 
sul pont.
Vl. 2       
fff pp

               

  
 
sul pont.
     
 
pos. ord.

  
Va.       

pp  
fff
f ff


  
     
        

Vc.
      
     


fff f ff

 
  
 
    
  
Kb.
       
      
fff f ff

58 217
42

4 5 4 3
4 8  
4 8
  
(2 + 3)



        
     
318
 
    
3
         
3

  
 
Bkl.
3
pp mp pp mf ppp ff


sub. p f

      
       
 
   
3 3
   
3
      
            

Kfg.
pp mp pp mf ppp ff
sub. p f


      
    
3

  
Pos.
 
pp mp pp mf
sub.

nach oben gehalst: klingen lassen

sfz  sfz  

nach unten gehalst: fest abdämpfen

   
sim. secco poco poco

    
poco
sfz 
   
3

Schlzg. I                          
ppp p (p) pp p
poco
f
           
2 hohe Tamborims
Schlzg. II      
   
         
3
pp p p mf pp mp ppp ff


   
pos. ord.
           
           

  
p mf
Akk. ppp ff
 
               
   



          3
         

3 3

    

    
3
Klav. ppp mp pp f

  
  
3 3
  
3 3

        
       
° 

4 5 4 3
4 8 (2 + 3) 4 8

pos. ord. 3
3

          
Vl. 1
  
p mf f

pos. ord.
     
3 3
     
   
Vl. 2
p mf
      
f f ff

pizz. arco
  
3
          
Va.        
pp mp p mf mp ff

 
   
pizz.
 
arco
  
3 3
   
3 3
         
Vc.
 
            
pp mp ppp ff
pp f

  
pizz.
    
arco
      
3 3
  
3 3

          
 
Kb.
           
pp mp ppp ff
pp f

58 217
 43

3 6 3 2
8  4 4 4
322

     
 


 
   
Picc.
ff

  
 
  
         
 

            
3 3
  
    
 
Bkl.
ff 3 3
3
f fff pp mp p mf p f p

     

                  
3

3
     
Kfg.
    
pp
f fff pp mp p mf

  
     
Pos.   

gliss. 
f
ff ppp


(Trgl.)
Schlzg. I       sim.secco
       
pp

  
 
 

(2 Tambor.)
Schlzg. II      


3
pp p ppp mf


 
    
      
   
        

   
pp
3
mp p mf mf f
fff

   
Akk. 3

          

3


 
 
 
   
                   
  
   
3 ppp

   
Klav. fff f pp mp p mf
      
3
  
3
 
    
      
       

3 6 3 2
8 pizz.
4 4 4
  
       
sul E arco 3
     
3 3
 
Vl. 1
            
fff
più fff
 p f

      
3
    
  
  
Vl. 2
mf f mp


pizz.  
    
3

  
arco
             
3 3 3
  
Va.
fff
                      
più fff pp p mf p f pp

  
       

pizz.
        
  
arco 3 3 3
          
Vc.           
       
fff molto 3
3
fff pp mp p mf p f pp
f

  

             
3 3
       
Kb.
       3 3
molto
fff pp mp p mf p mf
f

58 217
44

2 3 4 3 4
4 8 4         4  4
327      

  
   
         
Picc.   3 3
fff ff p più ff
mf

          
       
3
   
  

           
      

Bkl.
  
fff  poco 3  p
3
ff 3
pp
fff mp f p pp ff

   
        
3

        
      
3 3

Kfg.              
sfffz  pp
pp fff pp



(loco) (loco)
         
3

  gl.   gl.  gl. 
Pos.
 

gl.
 gl. 
 pp


sffz più più pp
p
secco secco abdpf. secco
sffz sffz

          

Schlzg. I   
sfz più sfz p

  
    
 
   
    
(2 Tambor.)
     
 
Schlzg. II 


più 3
ppp mp pp sffz p
3
sfz mp p
sffz

   
    
3

             

       
3
    
    
p  p più pp
fff
 fff
3

 
Akk. mp ff ff

  3
      
              
     
 3 


poco
mp p
f

 
     
           


3

          
3
 
         
 pp
 
3 più
  fff
fff 3 ff p
Klav. pp mp     ff
       
        
3  
   
   
         3
poco
mp f p

2 3 4 3 4
4 8 4 4 4

  
(stärker als Vl. 2)
  
arco
     
  
         
3

      

  
Vl. 1
  3  
mf mf fff sfffz ff p ff più p
ff

    arco

           
3
Vl. 2      
    


    3 
mf fff sfffz più
ff p ff p
ff

 
  
3

     

   
arco 3
             
3
   
            
Va.
sfffz più 
fff pp ff p ff ff p

    
    pizz.

   

            
3 secco
     
            
Vc.
3 3
fff poco 3 più ff pp
mp f p pp ff p ff
höchstmögliche


secco 
Töne Sul G + D

   
pizz.

arco 3
    
Kb.       
  mp poco 3
   
 
   

sfffz p mp sfffz
pp
f

58 217
 45

4 2 3 4
4    
   
4        4   4
332
rall.

             
    
Picc.        
3 3 3
p mf fff

                 

3 3
Bkl. 
  
      
3 3 poco p
pp mp pp sub. f sub.


                 
    
3 3 3

      
     
Kfg.
p 
poco pp mp pp sub.
3 3 poco pp p
f sub. (poco)
f

 
    
3

    
3
   
3 3 3
Pos.
   
                
p

poco pp mp pp sub.
poco
f

secco secco secco

f


(Trgl.)
Schlzg. I            
p mf ff p

   

(2 Tambor.)
   
 

       







trem.

   
Schlzg. II

sfz pp (più) 3 pp 3 p  poco 

sfz


sfz

    
   
loco
                 
         
     
3
    
3
    


p
3 poco 3 ffff 3
poco
p
  
Akk. f p
     
f
 
loco
              
3 3
 
           


 
3

        
       
3

          
    
3 3 3

        
        3 poco
poco pp mp pp sub. pp
Klav. p f

      
sub.
           
f 3
    
3 3

      
     
   3 3

4 2 3 4
4    
   
4     4  
loco 4
   
                   rall.
     
     
3
      
3
Vl. 1 
3 poco 3 3
   
p fff p poco mp
f

f
            
                     
    
          
3 3

              
Vl. 2
poco p
3 poco 3 fff 3
p
f p

               

f

        
sub.

     
    
3 3

         

 
Va.

   
fff 3
poco p
pp
 f sub.
 
        
      
3

          
3
     
3

3
Vc. 
   
fff ffff pp sub. poco p sub.
pp mp
f

                    

arco

 
3
  
3 3

     

    
Kb.
 3 3 poco
p poco pp mp pp p sub.
f f

58 217
46

(rall.)
3 2 4 1
4 4 4 4

338
  
    
3

Picc.       
3
mf fff

       


3
   
3 
    
3

  

 
Bkl.
poco f  

3
nimmt
pp fff Kl. in A
 
  

3
     
3

  
   
Kfg.
 3

3
nimmt
pp fff Fagott
nimmt Posaune
(con sord.


[straight mute])
gl. 


3


3 3
    
3

  
Pos.
       
  

pp fff

  3
(m.)
  
3 Tomt. (t.) (t.) 3

         
3
   

Schlzg. I harte Vibraphonschlägel pp ff
 


sempre
   Gran cassa
3

  
      
(2 Tambor.)
   


Schlzg. II
 fff
ff

  
         
  
      
             
 3 3 3 3
cresc. fff pp ffff

Akk.
 
3

 
loco
   3

              
3


 
          

   
3
  
     
  
         
        

3
 
   3 3
poco f ff fff ppp
Klav. 3

   loco loco
     
3

 
  
3 3
         
      
  
   

  

  
(rall.)
3 2 4 1

4 4 4 4


3

   
pizz. arco
 
3
     
3
   

Vl. 1
3   
fff
ffff

mf
   
pizz. arco 3

   3

        
3



Vl. 2
   

3
fff
mf ffff
 
  
arco
 

3

      
pizz. 3

3
 
     
Va.
3   
fff p ffff
  
arco
   
 
3

 
3 pizz. 3
 3

     


   
 
   
Vc.
 
fff pp
 ffff
pizz. 
 
arco
 
      
3 3
    

Kb.
 3

3
pp ffff

58 217
 47

1 3 2
Sopran: Position 4

4 q = 60
senza misura 8 8

342 (aber Sopran ungefähr im Tempo bleiben)
Fl.    
(Flöte ohne Glissando-Head-Joint vorbereiten)

(Schlagzeug I: harte Vibraphon-Schlägel sempre)

   
Mülleimer (Blech)

   
sfffz

  
Holz-Schlitztrommel (tief)
 
Schlzg. I       
sfffz sfffz

  secco! 
Gran cassa

     
sfffz

(Schlagzeug II: Trommelstöcke)

  
Tamborin (das tiefere)

   
sfffz

  
Woodblock (sehr tief [Tempelblock])
 
Schlzg. II       
sfffz sfffz

  secco! 
 
Hi-Hat (Fußmaschine mit 2 möglichst tiefen, großen, alten Becken gegeneinander)

   


sfffz


CD-Hüllen in den angegebenen Bereich im Saitenkasten legen)

  
Klav. 
   
(q im Tempo)
ffff
fff Sprechgesang /
   
mf mf
ff
 
Brust-
 
 3 
 
6 Bruststimme tief
          
stimme ord. gliss. ff
3 gliss.  


  
3
 
Sopran 
  
Was willst du dir er -


Poco meno
[L'istesso mosso sub.

2 3 2
tempo (q = 120)] (e = 100)

8 8 8
2 hohe
Tamborims
senza misura (Trommel-

 

(Sopran weiter ungefähr im Tempo) stöcke)
 

345
     
sfffz
più

 
(Holz-Schlitztrommel)
    
sfffz
Schlzg. I   
sfffz sfffz



     
sfffz


Tamt. (h.) secco



  
(Tamt.-Schl.)
   
sfffz

più


(Holzblock) sfffz
 
Schlzg. II        
sfffz sfffz



     
sfffz
Sprechstimme
ord. (sehr tief
Sprechgesang

  
 )
gesungen beginnen)
(
Bruststimme (tief)
    
                 
più ff
 
5
 
3 6 3
g lis s . 5 3 ff ffff pp sub.

   
  
   
5:3e
Sopran  
- hor-chen? Was willst du dir er - fol-tern, Du

58 217
48
6
8 Pesante sub.
(e = 60)

349 (2 + 2 + 2) Klarinette in A

 
Kl.       
fff

 
(dal niente!)

Fagott
Fg.       
 fff

 
(dal niente!)
 con sord. (Cup-Dämpfer)
Tr. 1       
(Empore)
 fff


con sord. (Cup-Dämpfer) (dal niente!)
Tr. 2
      
(Empore)
 fff


(dal niente!)
Posaune (con sord.)

Pos.       
 fff
(dal niente!)

Gran cassa (Gr.-Tr.-Schlägel) [wenn Wechsel so schnell nicht möglich, den 1. Schlag noch


secco
 
mit Trommelstock spielen, den 2. aber auf jeden Fall mit Gr.-Tr.-Schl.]
 
     
l. v.
Schlzg. I                
pp p mp mf pppp ff

(Tamt.-Schlägel)   
Tamt. (t.) secco secco secco

    
l. v.
Schlzg. II                
p mf pppp ff



    
      
 pppp


 
Akk. (loco)
       


[mit CD-Hüllen im Saitenkasten]
                    
                  
Klav. pppp ffff
                        
                           
    
p mp mf
[CD-Hüllen aus dem
Saitenkasten entfernen]
wechselt zu Celesta
erstickte, verzerrte
Stimme sub. ord. gesungen
(distorted voice) hin zu pp fff
auf einer pp f
[jede Figur etwas höher und intensiver] Tonhöhe gerufen
3

 
     g
    
l.
    
 
p mf f 3 ff 3


3

 
3
   
3

  gliss.
Sopran
 
Fol - te-rer, Du Fol - te-rer, Du Fol - te-rer, Du Fol - te-rer, Du Fol - te - rer!

Pesante sub.
6 (2 + 2 + 2)
8
(e = 60)

trem.

      
molto sul pont. pos. ord.
 
Vl. 1          
(dal niente!) 
trem.

    
molto sul pont. pos. ord.

  
Vl. 2      
(dal niente!) 
trem.
  
  
molto sul pont. pos. ord.

Va.      
  
(dal niente!)
trem.

   
molto sul pont. pos. ord.

Vc.
         
(dal niente!) 
trem.

   
molto sul pont. pos. ord.

Kb.

         
(dal niente!) 

58 217
 49

3 6 Calmo (e = 56)
Poco più mosso
molto rit.

16 8
(ma pesante)

(3 + 3)            

(e = 76) 



    
356                  
  

Picc.     
f f
5 3
ff p f pp

 
  




Flz.

  
   
   
Kl.
più fff
ppp ppp pp

    
   
Fg.     
più fff ppp

 
schneidend, hell


     
Tr. 1
(Empore)

più ff Dämpfer ab

  
schneidend, hell

Tr. 2
      
(Empore)
più ff Dämpfer ab

  
Flz.
 
ord.
   

Pos.     
più fff ppp

  secco 


 
(Gr. c.)
     
Schlzg. I
 ppp
più sffz

secco  
über den ganzen Takt vorsichtig und allmählichn abdämpfen

   l. v. >
l. v. 

(Tamt. (t.)) (bereits auf 4. Achtel ziemlich leise, damit die Sängerin gut Tamt. (m.)
    

gehört werden kann)
ppp
più sffz wenn der Nachklang in der Taktmitte noch zu laut ist, um die


Schlzg. II


Hi-Hat l. v.
 
Sängerin gut zu hören, den Hi-Hat-Schlag ad lib. auch secco
     
probieren

sffz

   
loco

  
 


Akk.

trem.

 
 
non trem.
  
                      

più ppp pp
fff

  
p pp
    
ppp
  
Sopran      
Trau - rig schau ich in die

Poco più mosso

3 6 Calmo (e = 56)
(ma pesante) molto rit.
16 8
(e = 76)
(3 + 3)

molto s.p. hin zu
  

    poco s.p.
  
        
      
Vl. 1

ffff mf
molto s.p. hin zu
        sul tasto
     
           
Vl. 2
  ppp
ffff
hin zu
       
molto s.p. pos. ord.
 
              
Va.

ffff p

 
 
       
molto s.p. sul tasto
           
 
Vc.  
ffff ppp 
58 217
50

4 a tempo
8 (e = 56)
rall.


   
360
   
Picc.     
3 nimmt schnell
ppp pp pp
Flöte
x w
begleitend
   
     G
     
 
Kl.
 5
ppp pp ppp sempre

  

Pos.    
3
p
Metal chimes
 
   
3
(Gr. c.)
  

  
l. v. >
Schlzg. I
ppp ppp   ppp



 
Glockenspiel

  
Tamt. (t.) l. v. (ganz verklingen lassen) l. v. 
Schlzg. II   
ppp
pp


   
  
3
   

3

   
        
3
 
6 5

Akk. (ppp) pp ppp ppp


 
  
3 3
 
       
ppp

non vibr.
ppp

   
pp p

sub.
      
Sopran
 
Höh, wo viel tau - - - - - send Ster - - - - - - - - - ne

4 (e = 56)
rall. a tempo

8   cant., pos. ord.


       
            
Vl. 1  
3 3
3 3
p ppp pp mp

sul tasto
3 3 ( ) 3
       
3
   
     
Vl. 2

ppp p

sul tasto ( )

3 3

       
3
 
Va.        
3
ppp p

sul tasto 3 ( 3)

         
 
 
Vc.
3
ppp p



sul tasto
    (
)  
Kb.     
3 3
ppp 3 p

58 217
 51

6 3 4
Flöte
(ohne Glissando-Head-Joint) 8 (2+2+2) a tempo (e = 56) 8 8
   
363 rall. (3+3)
         
     

      
Fl.
 
3  
x w
p ppp p
mp pp

    
      x w
5   3 3 3
    
               
    
     
Kl.
(ppp) p ppp pp


    
    
Fg.   
  
 
pp ppp ppp

  
        
Pos.
3
     
ppp pp 3
ppp p pp


   l. v.
chin. Beck. (weiche Schlägel)

Schlzg. I    
 pp


        
            

  &
Akk. pp
3
p ppp ppp

 
    
   
pp ppp

pp p pp p ppp, semplice    
        
Sopran  
ni - - - - - cken A - ber mei - - - nen eig - - nen Stern

6 (2+2+2) 3 4
8  a tempo (e = 56) 8 8
    
   
 
rall. (3+3)      
 x w
 
Vl. 1      
3 3 3
pp p ppp mf pp

3
             
3 3 3 3
Vl. 2      
x w ppp
ppp pp ppp pp
p

3 3

      
             
3
Va. 
x w ppp
3 3
pp
ppp pp ppp p

x w  
  
     
pizz. arp. 
 arco
 
3

          
  
 
3 3
Vc.   


ppp
3
pp ppp p
3
ppp p p
 pp

  

 

arco
   
 
pizz.


Kb.       
p pp p p
 pp
mp

58 217
52

4 6 4
8 rall. 8 a tempo (e = 56) 8
      
   x w    
367 frull.


cant.
         
Fl.      
pp
3
mp ppp pp
x w
mp pp
ppp p mf 


 

        
 
Kl.  
p pp p pp
pp

  

        
 
Fg.
p ppp 
ff

    

      

Pos.
p ppp


ff


Gran Cassa

 
(Gr. Tr. - Schlägel)
Schlzg. I    
pp

  
   
      
 
   
     
        G
   
Akk.        
mp pp ppp mp

      
 
3 3
              

 
   
 
pp p pp

(non vibr. poss.) (pochiss.)

pp ppp ( )
          gliss.   
Sopran      gl.
gliss.  
kann ich nir - - gends dort er - bli - - - - - cken.

4 6 a tempo (e = 56) 4
8 rall. 8 8
     

 3
 
   3

Vl. 1                 

     
x mp
w pp p mp  

 x w    
 
      
3 3
            
  
Vl. 2
   
mp 
 p x mp
w
x w
p mp
mp pp

     

                
3

 
Va.
         
 
x w
3 3
mp pp p mp
p pp

      

  
  
pizz.
   
 
arco
               
Vc.
     
p p pp p pp 3 3
6
p mp p mp


   
    
       
Kb.

         


p pp p pp 3
6
p mp
fff
con tutta
la forza
58 217
 53

3 6 p e] von vorher
5
4 8 = neue e
(e ca. 81) rall. e = 56
8

371
Fg.   
 

   


p ff ff p


 
    
 
  
Pos.
 

p ff ff pp


  
 3 

(Gr. c.)
     
Schlzg. I 
p mp ppp



           
    

 

3
fff pp

      
Akk.
     
   


   flüchtig
     
solo

 x w   
     
Celesta
  
cant.
     
       
3


pp p pp mp pp

             

Cel.
    
   

           
       

           
G

Zitter-
[non troppo, vibr.] pp p pp gliss.
3   p
p
G
 
pp
              
Sopran     
Hat im güld - nen La - by - - rinth sich viel-leicht ver -

p ]e von vorher

3 6 5
4 8 8
= neue e


(e ca. 81) rall. e = 56


()

  s. tasto, trem.  

pos. ord.

3 3 3 3 gliss.

   
        
Vl. 1 
     
  
fff ppp pp ppp  mf 


()
   
s. tasto, trem.  gliss.

 

pos. ord.

3 3 3 3
 
              
Vl. 2
   
fff ppp pp ppp  mf 


 ()
    
gliss.
              
     
s. tasto, trem.
  pos. ord.
  
Va.  
3 3
fff
3 3
ppp pp ppp  mf 

 
 ()


                  

s. tasto, trem.
 
 
   
pos. ord. gliss.
Vc.  
3 3
fff
3 3
ppp pp ppp  mf 


    
 
  
Kb.
 
 
 pp

58 217
54

5 3 4 Meno mosso 6
8 8  
8 8

(e = 50)
376

molto rall. a tempo (e = 56)  
      
Fl.   
3
p pppp

Kl.         
 
p


Fg. 
        
p

 
„solo“

  
flüchtig
 

Pos.     
3
p

 
  
Beck. (m.)

 l.v.
сhin. Becken

 
(weiche Schlägel)  
Schlzg. I  
 p  mp


  
               
       

3
ppp
 
  
Akk.
       
        
   
 3
p ppp
3


  
    
         

pp
 
Cel. mf


      
     
 

pochiss. non
hin zu hin zu vibr.
ppp poss., vibr.
pp
 
pp non vibr. p fremde Farbe,
G 
mp
      intensiv
 
        
3

 
Sopran


irrt am Him - - - - - - - - - - - - - - - - - mel, wie ich

5 3 4 Meno mosso 6
8 molto rall. a tempo (e = 56) 8 8 (e = 50) 8

poco trem.
( )

pizz. gliss.
  
  
  
Vl. 1  
mp  mf 


poco trem.
pizz.

        (  ) 
 gliss.
Vl. 2

mp  mf 
poco trem.
 (  )
pizz.
 
gliss.
     
Va.
  
mp  mf 
58 217
 55

6 3 4 2
8 4 4 4
Doppio tempo,
(bis ab der „2“ in q


380 rall. e = 40) (q = 40)
     
 
Fl.
pp

 
Flz. ord.

 
   
  
  
Kl.
 
pp  pp

  
  

      
Fg.    
pp  pp

     
   
Pos.      
pp  pp


 
chin. Beck. (weiche Schlägel)

   

 
 
Schlzg. I 3 Tamt. (Tamt.-Schlägel) (h.) (h.) (m.)
l. v.  (t.)
  

pp pp


         
             
       
  mf 

pp
 
Akk.
  



 
  


    
Cel.  p wechselt zum Klavier
   

mp p ppp pp ppp
 6  3 
   
3 3
 

            
 
Sopran
             

 gliss.
 
sel - ber mich ver - - irrt (molto) (meno) in den ir - di - schen

6 3 4 2
8 4 4 4
(bis Doppio tempo,
rall. e = 40) ab der „2“ in q

trem.
  
(q = 40)
 
gliss.






non trill. 
   
Vl. 1 
   

p pp  mp 

   
trem. gliss. 





   
Vl. 2
    
p pp  mp 

  
pesante

Va.          
p pp p p mp


  
pesante
 
Vc.
   
 
p pp p p mp
pesante

sul E

sul H
 
Kb.
  
p p mp

58 217
 2 4 3
56

4 4    4

               
         
383
  
    
breit
    
Fl.
p 3 3
5 3
pp 3 3 5
ff
breit



3 3 Flz. 3
       
5
     
 
 
 
Kl.
p pp           
ff
breit
           

 Flz. 3




5

 

        
 
Fg.
p 3 5 
pp ff

   gliss.  
3
  
gliss.  gliss.


Pos.    gl.  gliss. 
p 3
pp ff
beide Becken

 
Beck.


Beck. (m.) chin. Becken 

  
Beck. (m.) Beck. (h.) abd. Beck. komplett


(h.)

 
3 abdämpfen 
(t.)
l. v. > l. v. 
      


Schlzg. I
p  p  mp  mf  poco  ff

f

         


  
 p  mp ppp sub.
3
ff

  

Akk.
        

   



3
Klavier
martellato (links und rechts abwechselnd)

Mit mittelharten Schlägen links und rechts abwechselnd beliebige

     

˜

verschiedene Töne im untersten Saitenkasten anschlagen accel. poco a poco presto
 
5 alle Töne
3 im untersten


3
sim.
 
Klav.

Saitenkasten

  

ppp mp


komplett
     abdämpfen

  ˜ 
ppp
ff
p sub.  3

              
 
3 5
 
pp 5:4
     
gliss.
      
Sopran


2 4 3
Ge - tüm - - - - mel.

4 4 trem.
4
    

  

       
    
 
breit gliss.
Vl. 1    
3
pp 3 5 ff
cresc.
trem.
 
  gliss.    
  
5
breit

3
    
      
Vl. 2
    
pp 3
cresc. ff
trem.
  
   
5

  

   
breit
    
3
    
        
Va.

 
3 3
ppp pp cresc. ff
(Des)
gliss.
gliss.


 trem.
  
 
sul A
 

breit

   
3 3 3
Vc.    
   3   
ppp pp cresc. ff

 

breit 3 trem.

 
3

        
3 5:4
Kb.
       
       

 
   
ppp p pp ff

58 217
 3 mosso 2 3 4
57

4 Più 4 Meno mosso sub.

4 Agitato sub.
4

(q = 88) (q = 66) (q = 138)
386
Kl.       

Fg.       

Pos.       

 
(Schlagzeug I: harte Vibraphon-Schlägel sempre)


Mülleimer (Blech)
      
sfffz

   
Holz-Schlitztromel  
Schlzg. I        
sfffz sfffz

 
         
 
mit Trommelstöcken 3 3 3 33 3 3

Gran cassa
   gespielt
     
sfffz sffz pp poco
pp
f
(Schlagzeug II: Trommelstöcke)
2 Hohe Tamborims
solo, con tutta la forza

  
unbedingt vor dem 2. Schlag enden!

     
kl. Tr. (Trommelstöcke) 3

   
    
 
(t.)
     
5 sfffz sfffz
 mf 

   
Woodblock (sehr tief)
(Tempelblock)  
Schlzg. II        
sfffz sfffz

Hi-Hat  
über den Takt

 
(secco)

chin. Beck.

  
abdämpfen
(weiche Schlägel) 
     




sfffz l. v. (absolut kein
fff Nachklang mehr)
     
          

 3

ff
  
Akk.
    


      
  3
ord. gespielt  
˜

(Tastatur)
      


Vollchromatischer Handflächen-Cluster sfffz
 
Klav. in beiden Händen im angegebenen
Bereich  ˜
       
 
mit tiefer Bruststimme ord. gesungen

 
più sffz f ff hasserfüllt gerufen sfzp sfz p
gerufen
 3 3 più ff 3 sub. 3
  
3

Sopran         
 

3 Più mosso 2 3 Agitato sub. 4

Nein! Komm zu - rück! Mit al-len dei-nen Mar-tern! Komm zu - rück!

4 (q = 88) 4 Meno mosso sub.

4 (q = 138) 4
  
(q = 66)
 
 
3


sul pont.
Vl. 1       
pp molto sfz pp

   
3
  
sul pont.
      

Vl. 2
pp 
molto sfz pp


  
sul pont.

 
3
Va.     
   
pp molto sfz pp

    
 

sul pont. 3


   
Vc. 
pp molto sfz pp

   


3


sul pont.
    
Kb. 
molto sfz pp
58 217
 5 4 3
58

4   4 4


   
  3

     
392 3 frull.
     
3
     
Fl.        3 3 3  3
3
pp ff pp f


 
solo Flz.
3   3 

  3  3 
3
 
 
 
3 3
3
           
 
 
 
Kl.

p
3
ff pp poco sfz  
pp
solo
  

3


3 3
            
3 3 3 3

       
    
 
Fg.
     poco
più
pp sfz pp sfz pp mf
solo
gliss.  
     
      
3


solo
  
3
      

 
Pos.
3 3 3
pp f p mf pp 3
sfz sfz in

 
 
in p pp sub.
 
(Gr. c.) mit Gr.-Tr.-Schlägeln gespielt

(sim.)
Schlzg. I    
 
   
mp

  

3 mp

 
(kl. Tr.)
 


Schlzg. II   
 f  

  
  
   
 

 

  
Akk.


     


 

     
Klav. wechselt zu Celesta

     

f    più  f
  
più


più p

  3  
f f
spielerisch

3
 3   3   3  3   3  

3

    
3 3
   
3
        
Sopran  
Komm, komm, komm zu-rück

5 4 3
4 4         
4
 
non trem.
  arco, pos. ord.
 
   
 
pizz.
     
3 trem.
  
3
       

Vl. 1
 f 3
più
3
più più poco pp
3
f
3 3 3

pp mfz sfz sfz sfz sfz

 
       
pos. ord. non trem.

  
non trem.

    
trem.
  
      
3


hin zu 3 trem.
  
 

   
3
Vl. 2    
più   3 3 3 3
pp sfz pp poco pp f
sfz
      

   
hin zu   
  
trem.

3

  
pos. ord. non trem.
       
Va.
       

 
   
poco 3 3 3 3
più 3
3
pp sfz pp sfz pp f

  
 
non trem.


3

hin zu trem.

 
pos. ord.
    
 
     
 
3
Vc.      
    
pp più pp
 poco pp
sfz
sfz



    
hin zu non trem.

     
 
 
pos. ord. 3 trem.

3

Kb.     
   
pp più pp poco pp
sfz sfz
58 217
 3 6 4
59

4 4 4

397 

          
  

frull. non frull.


    
3

   
Fl.
       
3 3 pp f
ff pp sub. ff
sub.

 
3


Flz.
    
Kl.   
     p mp pp mf

molto f pp sub. f
solo
x w
 
 
breit
      
   



3 3


       
3
       


 
Fg.
 
sffz
3
p molto pp f pp f p
f sub.


   


Pos.
   
 poco
molto f pp sub. f p f

 
    

(Gr. c.)
Schlzg. I     
 
  
mp p mp

  
(kl. Tr.)

Schlzg. II   
 (poco


ff meno)
f
       

   
3

  



      
     


3
f p sub. f più
Akk. molto f ppp sub.
  3 f
         
  
    
 
 

 
pp sub.

ff pp f ff
  
3

 3     
Vokalisen
Sopran      
A >

3 6 4
4 4 4 hin zu
solo, pos. ord.
       

      
sul pont.


breit
                 
trem.
    
3 non trem.
  
Vl. 1
        3 3 3 3
3 3
ff p sub. f pp molto f
sub.

solo, pos. ord.

sul pont. hin zu
            
 
3 non trem.

  
trem.
Vl. 2       


   
3
   3 3 3 3
pp molto
ff pp sub. f
sub. f

   
 x w
sul pont.
 
       

trem. pos. ord.
   
Va.
      
3 3
ff pp sub. f pp f
sub.


hin zu pos. ord.
sul pont. breit

  

     
trem.
     
non trem.
 
3

Vc.
   
   

 pp sub.
 poco 
 
molto f pp sub. f f p

  

        

Kb.       
 pp sub. poco p
molto f pp sub. f f

58 217
60

6 Più mosso
3 Meno mosso sub.
4
molto rall.
     
q = 80 4 (q = 100) 4 (q = 80) 4

    
      
frull. frull.

          
402

3
    
    
3
  
       
Fl.
3 3 3
pp sfz poco sfz ff
fff ppp ff
ppp sub. p sub.
        
Flz.
    
      

   
3

Kl.
   
3 3
    
  p 3 poco sfz poco sfz più
fff ppp ff ppp sub. p sub. f

         
                   

Fg.
3      6
fff ppp ff
p poco sfz più
f
ppp sub.
(quasi gliss.)
  

 
6
      
 
 
   
 
     


Pos.
 3  
fff ppp ff p poco sfz più
ppp sub. f

   

   
(Gr. c.)

     
Schlzg. I
  mp
 mf 
     
mf

    
poco f

     
(kl. Tr.)



Schlzg. II
 ppp
(poco
meno) f
 mp   poco f
(pochiss.)

   
      
 
 

     

3
 

  
sfz 
3 mf
fff più
Akk. ppp ff f
p pp sub.
     6

        

                  
     

mf pp più ff
 p più ff
  
            
3 5
   
5 3
              
(sim.) gliss. 3 (sim.) 3

Sopran    

6 Più 3 Meno 4
4 (q = 100) 4 (q = 80)     4
mosso mosso sub.
molto rall. q = 80
     

           
        
  

trem.
    
   
  
   
Vl. 1
3 3 3 sfz poco sfz più
3 3
fff ppp ff pp ppp sub. p sub. f

  
        
        
  
trem.

 
     
  
3

3
  
 
   
    
Vl. 2
3 3
pp
3 sfz poco sfz più
fff ppp ff ppp sub. p sub. f
     
   
     
6

         
trem.
  
 
  
Va.
 


              
fff
3 3
ppp ff
3
pp
3  più
poco sfz
p sub. f

      

6
              
   

3
    
          
Vc.
 3
 
fff ppp ff pp poco sfz più
f
  
ppp sub.
    
            
         
3

            
Kb.
 3
fff ppp p ff pp poco sfz 6 più
ppp sub. f

58 217
 4 Meno mosso, Lirico 6 4 3
61

4 (q = 72) 4 4 
frull.

    
4
      

406
 
frull. 
 

    
3

      


Fl.  
pp 3
p pppp mp 3 f pp
ppp sub.
3 sub.
     
3
   
3 3
Kl.                 
  
ppp x pw
pppp
mp pp
sub.
     

 

cant.
           
Fg.  
3
pppp mp 3 3 pp

   
cant.


Pos.      
pp

       
Schlzg. I 
pp

pp

 p 
   
p

  
   
Crotales (ord. gespielt) mit Kb.-Bogen gespielt


(l. v. (!)
Schlzg. II      

mp  fff (!)


 
 ˜
Vollchromatischer
Cluster ˜ ˜
   
Akk. dal niente (!) [nicht zu früh laut werden]
      




Celesta x w  cant.
 
         
 
mf p mf p p

           

Cel. f p
  
3 3
              
     
 3 3
 3 3

p p
semplice mp pp sub. f mf pp
x w 
sub.
pp
 3  33 3    mf pp
 x w   

„schluchzen“

      
Sopran      
  
 

Al - - le mei - - - - ne Thrä - - - - - - - - - - - - - - - nen lau - - -

4 Meno mosso, Lirico 6 4 3

4 (q = 72) 4 4 4

sul tasto
  
3 3 3 3 3 3
             
        
Vl. 1
x w x w
pppp x w mp ppp sub.

sul tasto

 
  
3 3 3 3 3 3
Vl. 2        
              

x w
ppp sub.
pppp mp

sul tasto
3 3 3
        
3 3 3 3 3
Va.                    
x w
ppp sub.
pppp mp

  
sul tasto 3 3 3 3 3
                
Vc.                
3
pppp mp ppp sub.

pizz.

Kb.        
p

58 217
 3 4
62

4 4    

   



412

       
3 3 3
   
Fl.           
mp p x w
mf x ppw mf
p 5
poco f pp sub. mf
poss.
nimmt Picc.

      
3
Kl.  
mp nimmt Bkl.

Bassklarinette
       
  
3
       
Bkl.

3 3
p poco f pp sub. mf

   
 
3 3


Flz.
    
3 3
 
Fg.
        
mp pp  
ppp poco f pp sub. mf

espr.
 



   
gl. Flz.

3 3
Pos.
   
    
mp pp p poco f pp sub. mf

    
      
3 3
(Gr. c.)
Schlzg. I     

  
mp mf mp ppp mf
Buckelgongs (Gongschlägel)


l. v. l. v. l. v.
  
    
Schlzg. II 


p mp mf

˜
 
˜ ˜ 
loco
       

       
 
poco f 3
3
Akk. pp sub mf
loco
     3
             

 



3

 
3


      
 mf 3

Cel. wechselt zum Klavier
    

 
mp p sub. poco f p poco più f
       
3 
     
    
gl. 3

Sopran      
 
  

3 4
- - - - fen zu Dir den Lauf Und mei-ne letz - te Her - zens - flam - me,

4 4 hin zu

pos. ord.

 
espr.
      
   
           
Vl. 1
  
3 mf pp poco pp sub. mf
f

 
hin zu pos. ord.

 
       
3

  
3 3 3

     

   

Vl. 2

mf pp
3
poco pp sub.
   mf
f
hin zu

pos. ord.
 
  
   
   
3

         

3
 
3
     
Va.
   
3
mf pp 3 poco pp sub. mf
f
hin zu



pos. ord.
      
3 3 trem.
  
3 3 3
Vc.               
    
3 3 poco  
mf pp f pp sub. mf
F sul H

 
pizz. arco E sul E



  
arco trem.
 
3
Kb.
    
 p poco  
mp pp p f pp sub. mf

58 217
 63

molto rall. (bis q = 50)


 
    

417 Piccolo
Picc.      
3 3
pp (molto)
 
      
  
  
3 3
3
Bkl.          
3 3 3
pp f ppp (molto)

   
sub. sub.

     
   


3 3 3

 
Fg.
     
    ppp
3 3 3
pp f (molto) ffff
sub.
sub.
nimmt Kfg.


         
3 3
Pos.
pp mp nimmt Bassposaune (senza sord.)
sub.

 
  
(Gr. c.)
3 3 3

Schlzg. I               
pp p mf  ff

    
    
kl. Tr. (Trommelstöcke)

Schlzg. II   
  
p   ff


mf

Klavier
   
   
3 3
        
3
         
Akk. ppp (molto)
  
3 3 3


                     




   
Klavier
   
         
  
3

    
3
Klav. pp (molto)

   
3

3

          


pp poco f mp più f mf
 
fff
    
3
    
  
    
3
Sopran    
mei - ne letz - te Her - zens - flam - me Dir glüht sie auf.

molto rall. (bis q = 50)

 
 trem.       
   
3
 
3
   
 
3
Vl. 1
      
3
pp sub. f pp sub. (molto)



   
trem. 3
   
   
   
3
 
 
Vl. 2
 3 3
pp sub. f pp sub. (molto)

      

3
     
Va.
       3

3 3
pp sub. f pp sub. (molto)
 
      
 
    
3
 
3
Vc.       
    3 3 3
3
pp sub. f pp sub. (molto)

     
        
   
3
  
3

       


Kb.
3 3 3
3
pp sub. f pp sub. (molto)

58 217
64

5 4
TÖTUNG DES MINOTAURUS

4 4
Pesante (q = 84)

frull. non frull.
    
  
 
421
    
Picc. 
fff

      
         
3

        
Bkl.
ffff
   
ffff
Kontrafagott

    
    
     
3

  
 
  
Kfg.
    
fff 
 
ffff
    
Tr. in B endgültig, brutal
 
  
senza sord.
     
Tr. 1
(Empore)

ffff sempre (non dim.)
Tr. in B

   

endgültig, brutal
 
senza sord.
Tr. 2
   
  
(Empore)    
ffff sempre
(non dim.)
Bassposaune
loco 

      
(senza sord.)

  
    
     
3

   
Pos.

      
   3 3
fff ffff

    
Pauke

   
molto trem.
Schlzg. I   

  gl.  gl.
fff fff

 gl.         
2 Peking-Oper-Gongs


(Gongschlägel)


Tamt. (h.) (Tamt.-Schlägel)
Schlzg. II   
 l. v.


l. v.
sfffz sfffz l. v. sfffz sfffz

           
           


 

       
    

 
 
ffff 3 3 3
Akk. più ffff
 
  
   
3



 

  
   


 
ffff

          


  

              
  
 
 
ffff martellato
3 
         
più ffff

Klav.


   
   
   

3

            
 
  
 

     

5 4


4 4
Pesante (q = 84)
 
molto trem.
 
    
 
   
 
più trem.
 
3 3
Vl. 1  
        
ffff

   
molto trem. più ffff
 
     
     
 
più trem.
 
3 3
Vl. 2 
 
          
ffff
più ffff      
 
molto trem.
 
 
più trem.
 
  

  
 

3 3
 
        
Va.
ffff più ffff  

  


 
molto trem.


più trem.

    
         
3

      
Vc.
 
ffff
 
ffff


 
(non trem.) molto trem.

     
    
     
3

  

   
Kb.
    
 ffff
ffff

58 217
 65
molto rit.
   chro
q = 50 Sopranistin schreitet langsam zu Position 5
  

426
più rall.
ver m a
b in tis c
Picc.    den h

   
più ffff (con tutta la forza)


sch
 a ti n

  verb
   
3 3 3
m
o e 
Bkl.            c h r in d
 
più ffff (con tutta la forza)



 3 3 3
   
Kfg.

                    

più ffff (con tutta la forza)


Tr. 1        
(Empore)
Tr. 2       
(Empore) 
  
gliss. sempre
 
  
solo

     

sim. sempre
 
    g l.  
        
3


Pos.   

   gliss.
più ffff
 fff pppp
più ffff
(con tutta la forza)


(Pk.) [Schlagzeug I und II:

 
3 3 Die Posaunen-Hauptstimme darf zu keinem Zeitpunkt zugedeckt werden]
         
fff

più fff
Schlzg. I
    
      
moltiss. trem.

 
 
Gran cassa
  
sfffz più 
fff (!) (con tutta la forza)

 
  
Tamt. (t.) moltiss. trem.
  
Tamt. (m.)
   

l. v. l. v. sanft den Nachklang allmählich abdämpfen >
sfffz Buckelgong


Schlzg. II
 

(Gongschlägel)
    
l. v.

ffff (!) (con tutta la forza) sanft den Nachklang allmählich abdämpfen >


Riesiger dissonanter Cluster, möglichst über den gesamten Ambitus in beiden Händen verteilt
 
 
 ˜
  
 
Cluster allmählich nach oben ausdünnen
   bis ganz am Schluss nur noch das hohe DES
übrigbleibt
Akk. più ffff più ffff (con tutta la forza)

   
 
 

 
 ˜ 




Vollchromatischer
Im Saitenkasten im angegebenen Rhythmus
    
Handflächen-Cluster
      
folgende Tön abdämpfen
    
loco

  
        
 3
 ˜
3 3
Klav. fffff martellato
 

        
3

 
  
3
        
  
 íí 
          
 
°
˜
 

molto rit. q = 50 più rall.


( )

molto sul pont. gliss. bis höchstmögliche Töne

molto trem. sub. auf angegebenen Saiten
  
gliss.
 
       
moltiss. trem.
Vl. 1    
più fffff 
molto sul pont. gliss. bis höchstmögliche Töne  
( )
    
molto trem. sub. auf angegebenen Saiten

     
moltiss. trem. gliss.
  
 
Vl. 2
 
più fffff



( )
  
gliss. bis höchstmögliche Töne
 
molto sul pont. 


moltiss. trem. molto trem. sub. auf angegebenen Saiten
gliss.
Va.        
   
più fffff


( )
gliss. bis höchstmögliche Töne

 
molto sul pont.


auf angegebenen Saiten
molto trem. sub.

3 3 3 gliss.
            
Vc.
                      
 
più fffff 


molto sul pont. non

       



molto trem. sub.

3 3 3 trem. sul H

 
Kb.     

     gliss. 
più fffff 
(con tutta la forza)

58 217
66

4
8
Sopranistin hat Position 5 (auf der Bühne) erreicht [quasi senza Licht:
tempo] e ca. 50 BLACK
q = unter 40 senza misura    

G. P.

più rall. [e ca. 50, molto tranquillo]

432

Picc.         
fffff
Nur Luft durchs Instrument (keine Tonhöhen!  presto poss.
6

 ˜            
Bkl.
„fff“  
sfffffz
Nur Luft durchs Instrument (keine Tonhöhen! 
 ˜       

Kfg.   
„fff“  

sfffffz
Nur Luft durchs Instrument (keine Tonhöhen! 
Tr. 1
 ˜    
(Empore)
„fff“ 
Nur Luft durchs Instrument (keine Tonhöhen! 
Tr. 2
 ˜    
(Empore)
„fff“ 
Nur Luft durchs Instrument (keine Tonhöhen! 
 ˜        
Pos.
 

„fff“  gliss.

sfffffz

  
   
Pauke (weiche Paukenschlägel)
  
[bis tiefstmöglicher Ton] Mülleimer (Blech)
      secco

( )
gliss. 


sfffffz
 pp 
  
(Gr. c.) (Gr.-Tr.-Schl.)
 (Gr. c.)
   secco 
Schlzg. I   
Holz-Schlitztrommel   secco
p sfffffz

    
    

sfffffz
Waterphone (mit Kb.-Bogen gestrichen
 
 

 
3 Kuhglocken
    
      

Schlzg. II
mf [ganz verklingen



lassen] sfffffz

íí
Vollchromatische Handflächen-

Nur Luft (keine Tonhöhen! Cluster in beiden Händen  í
˜       


Akk. „fff“ sfffffz
        


ííí


Vollchromatische Handflächen-   íí
 í
 Cluster in beiden Händen 
       
Klav.
 
tiefes B abdämpfen  sfffffz

     
 


íí
  í
non vibr., nicht zu kurz, das „r“
tonlos, minimal ord. gesungen deutlich trotz des ppp sub.
stimmhaft geflüstert (pochiss. rall., breit) ppp sub. poss.
mp intensiv (poco) (poco) mp  
     
   
3
  

  
Sopran   

4
Ich bin dein La - by - rinth.

8
[quasi senza
tempo]
 
q = unter 40 senza misura e ca. 50
G. P.
 
gliss.

più rall. [e ca. 50, molto tranquillo]
 poco sul pont.

Vl. 1        
sfffffz
   

poco sul pont. g lis s .
       
Vl. 2 
sfffffz
 poco sul pont.

        gliss.  
Bueonos Aires, 11. Juni 2019

Va.
 


sfffffz
 
Vc.        

sfffffz

  poco sul pont.


Kb.        

gliss.


sfffffz
58 217