14 Welcher Wechsel (Die Entfiihrung aus dem Serail) ‘Thinking of Belmonte, Constanza is in deep melancholy. RECIT. Welcher Wechsel herrscht in meiner Seele Seit dem Tag.da uns das Schicksal trennte! ‘O Belmont, hin sind die Freuden, Die ich sonst an deiner Seite kannte; Banger Sehasucht Leiden wohnen Nun dafi in der beklemmten Brust. ARIA Teaurigheit ward mir zum Lose, Weil ich dir entrissen bin, Gleich der wurmzernagten Rose, Gleich dem Gras im Wintermoose ‘Welle mein banges Leben hia. Selbst der Luft darf ich nicht sagen ‘Meiner Seele bittern Schmerz, Dena unwillig ihn 2u tragen, Haucht sie alle meine Klagen ‘Wieder in mein armes Herz RECIT: Wu change wigs in my oat Since that day when fate parted ws! 0 Belmont, gone are the joys Lonce knew at your side; Pains of anxious longing dwell Instead in my troubled Beart. ARIA Sadness bas become my los, ‘Since I was torn from you, Like the worm-eten ros, fee ga the ner mos, iy ansious if it warting sua Even to the Bree I dare no! tell ‘My touts biner pain, For, unwilling 10 bear it 11 breatbes all my complaining Back into my poor bear, Libretto by C.F. Bretzner & Stephanie the Younger Rbythmical tanilation by MORTON SIEGEL Recit. Adagio _—_ babs s Lich mein Giiiok ver - Constanza [Kom - mer] jel-cher Wech-sel herrscht in mei-ner See-le seit dem Tag, da uns das Schick-sal Clouds of gloom pre - vail o'er my ex is-tence since the day’ my love and I were & © Belmont, hin sind dieFreu-den, die ich Bel-mon-te, gone is the rap-ture and the SS eC Copyright 1936 and 1960 by International Music Company, New York City 1950 International Copyright Secured15 sonst an dei-ner Sei-te kann-te; Joy that you a-lone could of - fer. ban-ger Sehn-sucht Lei-den woh-nen nun da- only pangs of | sor-row now have made their ef wf ARIA Andante con moto fiir inder beklemmten Brust. ‘Trau- rig - keit home inside my emp-ty heart. End - less night, wardmir zum Lo-se, i ji en bin, Tone-ly and dis-mal, and dis-mal,nev-er more to see—the_ sun, 195016 dir ent-ris - sen bin, more to see the su, dir ent- ris - sen bin. more to see the sun, gleichdemGrasim Win-ter - moo-se welkt mein ban - ges Le - like a dy- ing leaf blown hith-er, so == ban- ges Le - life will soon ben hin. be gone. 1950 my life will soon be weil ich dir, Gleich der wurm-zer-nag-ten Like a rose a-bout to = 9e, with -er, ben hin,— mein gone, my Selbst der— <— fedarfich nicht Gen - tle—windshaveheard me7 sa- gen mei - ner— See-le_bit-fern Schmerz, mei - ery - ing, stars a - boveconsole my grief, — ner stars at — See - le bit - tern Schmerz, dennun-wil-lig ihnzu tra-gen, con-sole my grief, con- ly heav-en, in re-_ply- ing “I a — Peer tL sh, eo op ap oP gen wle- dérinmeinar-mes ng, dares not an-swer my de~ mein ar - mes Herz,wie- der in mein ar-mes fer me _—te- Hef dares not of- fer_ me re- 195018 Hofz,wie-der in mein ar-mes Herz. ‘Trau - Trig- keit, Uef,dares not of- fer me re- lief, End - less night, ‘Trau - rig - keit wardmir = zum End - less night, Tone-ly and Pe zum Lo-se, weilich dir_ent-ris-sen bin, and dis- mal, nev-er more— to see the sun, vw. well ich dir ent-ris - sen bin, weil ich— dir, ne-ver more to see the sun, nev-er— more, — 19501950 19 ent - ris sen bin. Gleich der to see the sun, like a — wurm-zer-nag-ten Ro - se,gleichdem Gras im Win-ter - moo - se welkt mein rose __a- bout to with- er, like 2 leaf that's blow-ing hith- er, #0 my ip Selbst der Al the Luft darf ich nicht sa- gen mei - ner See-le bit-tern winds have heard me cry-ing, all the breez-es know my20 —_ Schmerz,— mei- ner See-le_ bit- tern Schmerz, dennun-wil-lig ihn zu siet, al the breerser— know my geet, carly heay-ee in'ree ———— P Tm? tra-gen, hauchtsie al- le— mei-ne Kla - Pe to the ech-o_ of_ my sigh - za > op wie-derinmeéinarmes Herz, wie - der_ in mein ar - mes Herz,wie- der dares not of-fer mere - lief, dares not bring = my ~———iheart. «—re-_ief, dares not in mein ar - mes Herz,wie-der in mein ar - of - fer me —_re- ef, dares not bring my heart, te? is r + mts, ar- mesHerz, ny’ heart “re-let 1950