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Benj Pasek & 1ustin Paul
2005 Harmless Addiction, Inc.
MAN 1:
Edges
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some times I Ieel my liIe is end
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as before
13

Jer sey Shore,
13
!
13
.
.
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last May;
.
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check in out the hot ties drink in'

check in out the hot ties drink in'
.
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Stel las all day.

Stel las all day.
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-
- -
Pretty Sweet Day
Benj Pasek & Justin Paul
2006 Benj Pasek & Justin Paul
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M1
M2
17

We were tip sy.
17

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Well,
17
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we were drunk.
.
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M1
M2
20
!
20

beach ball and nailed you in your
20
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junk you got pissed;
.
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You crossed the line;
!
.
.
.
-
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#
#
#
#
M1
M2
23

Took one more swig and mut tered
23
!
23
.
.

3
"Ven geance is mine."
!
.
.

Looked at that boy and said:
.
.
.
- -
2
Pretty Sweet Day
&
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#
#
#
M2
26
.

"Here's the deal,
26
.
.
.

you're a lit tle fuck er

and San ta is n't

real.
.
.
- - - -
&
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M1
M2
legato
30

n

La ter on we bought twen
30
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La ter on we bought twen
30
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f

n
n

n

ty packs of fun dip and
n

ty packs of fun dip and
staccato

fed them to some birds.

fed them to some birds.

- -
- -
&
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#
#
#
#
M1
M2
33
.

33
.

33
legato

J
Then we wait ed two

n

J
Then we wait ed two
n
n

J

J

n

more ho urs till they
J
n
J

more ho urs till they
pooped out rain bow col

J
pooped out rain bow col

- - - -
- - - -
3
Pretty Sweet Day
&
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#
#
#
#
4
2
4
2
4
2
4
2
M1
M2
37

ored turds.
37

ored turds.
37
!
!

Which looked awe
!
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some, by the way.
!
!
!

That was a
!
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M1
M2
41

pret ty sweet
41
!
41
!
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day.
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n
.

J

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day.
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M1
M2
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A pret ty sweet
45

A pret ty sweet
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day.

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- -
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Pretty Sweet Day
&
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#
#
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M1
M2
49
.

49
.

49

as before

My sis ter's wed ding:
!
.
.
.
.

drunk a gain.
.
.
.

Rat ing all my cou sins on a
!
.
.
-
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&
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#
#
#
M1
53
"
r

scale from one to ten. I mean,
53
.
.

you guys were rat ing,
.
.
.
.

I was not.
.
.
.

-
&
&
&
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#
#
#
#
M1
M2
56

E ven though my
56
!
56
.
.
.

sec ond cou sin Beck y's kind a
!

.
.
.

hot.

A ny way,
.
.
.
-
- - - - -
5
Pretty Sweet Day
&
&
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#
#
#
M2
59
j
.

j
that's not the point. Re

59
.
.
.

mem ber how we found the fat test
.
.

chick in the joint?

b n

.
.
- - -
&
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#
#
#
M2
62

We dou ble dared you
62
.
.
.
to touch her tit. But
.
.
.

then you took her home;

Bud dy, way to com mit.
!
!
-
&
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#
#
#
#
M1
M2
66
!
66
!
66
.
.
legato

J
La ter on you so
n

J
La ter on you so
n
f
n
n

J

J
J

J
bered up and asked

J
n
J
bered up and asked
staccato
J
if you'd been su
J
if you'd been su

- - -
- - -
6
Pretty Sweet Day
&
&
&
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#
#
#
#
M1
M2
70
J

per sha dy.
70
J

per sha dy.
70
legato

J
We for gave your lack

n

J
We for gave your lack
n
n

J

J

of taste. I mean how
J
n
J

of taste. I mean how

of ten do you sleep with the

of ten do you sleep with the

- - -
- - -
&
&
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#
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M1
M2
74
J
J
.
Snap ple la dy?

74
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j
.
Snap ple la dy?

74
!
!
!

j
Dude, I
.
!

knew you were n't gay!
!
!
!

That was a
-
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&
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M1
M2
78
!
78

pret ty sweet
78
!
!
!

day.
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J

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Pretty Sweet Day
&
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#
#
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M1
M2
82

A pret ty sweet
82

A pret ty sweet
82

n

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day.
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#
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M1
M2
86
.

86
.

86
What hap pened to that guy?

j

j
What hap pened to that guy?

We have n't seen him since like

We have n't seen him since like

nine teen

nine teen
.

.

.

.

.

.

.

.
- -
- -
&
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M1
M2
90

nine ty two.
90

nine ty two.
90
.

.

.

.

J

J
It's like he dis sap peared.

J

J
It's like he dis sap peared.
.
j
w
w

Dude what

Dude what

- - - - -
- - - - -
8
Pretty Sweet Day
&
&
&
?
#
#
#
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M1
M2
94

hap pened to you?
94

hap pened to you?
94
!
!
Your girl friend sucks.

!
.

.
.
.
.
.

.
.
legato
w

J
#
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M1
M2
97

97
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w
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j
#
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J
#
She real ly sucks.
w
w
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j

# .
.
.
The
The
day that you met Rach

J
day that you met Rach
.

.

.

.

.

.
- -
- -
&
&
&
?
#
#
#
#
M1
M2
101
J
.

el was the beg
101
J
.

el was the beg
101
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.

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.

.

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J

j

gin ning of the end.
J

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gin ning of the end.
.

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.

.

.

.
It's so not cool.

!
.

.

.

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j
.
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.
>
.

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.
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legato
w

J
#
It's so not cool.
w
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j
w
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- - -
- - -
9
Pretty Sweet Day
&
&
&
?
#
#
#
#
M1
M2
105

You're such a tool.
105
w
105

w
w
w
w
#
.
j
#
#

w
w
w #
#
w

J
#
Don't be a tool.
.
.
.

Don't you miss

Don't you miss
w
w
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p
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&
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#
#
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M1
M2
#
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109

be ing our friend?
109

be ing our friend?
109
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b

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!
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M1
114
!
114
.

j
!
!
.

j
as before

Hung out with Rach el,

J

it was ne.
.

-
10
Pretty Sweet Day
&
&
?
#
#
#
M1
118

We or dered shots,
118
w

you or dered wine.

Talked a bout mov ies
w

j
star ring Mer yl Streep. We
.

-
&
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&
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#
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M1
M2
122

hit each o ther un der the ta
122
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122

ble so we would n't fall a
!

sleep

You two were talk ing,
.
.

so un a ware
.
.
- -
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&
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#
#
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M2
126

that we were si lent;
126

that we were there.

And you looked hap py,
- -
11
Pretty Sweet Day
&
&
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#
#
#
#
M1
M2
129
!
129

you kissed her hand.
129
.

O kay, you love her,

!

We un der
!
!

But

stand. But
.
.
~
~
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M1
M2
as before
133

J
just in case you nd

133
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just in case you nd

133
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J

J

some time we're go in'
J
n
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some time we're go in'
back to the Jer sey shore.
back to the Jer sey shore.
.
.

And

And
~
~
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- -
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M2
137

J
may be for one af

137
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may be for one af

137

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J

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n

ter noon it 'll be
J
n
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ter noon it 'll be
J
n
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us three like it was

us three like it was

be fore.
J

be fore.
!
!
- - - - -
- - - - -
12
Pretty Sweet Day
&
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#
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M1
M2
141

j

Just con si der
141

j

Just con si der
141

it, o kay?

it, o kay?
!
!
j
That
j
That

would be a pret ty sweet

would be a pret ty sweet
!
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- - -
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&
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#
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M1
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145

day.
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day.
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n

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#
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M1
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149

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Pretty Sweet Day
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153
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153
n
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day!

day!

-
-
14
Pretty Sweet Day
!
"
"
#
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Cait lyn is
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grow ing She grew two
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lip stick.
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Cait lyn got a lic ense,
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26
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Cait lyn won't
26
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play with me a ny more
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like she used
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Caitlyn and Haley
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help me with my home
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work like she
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did be Iore she grew
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Cait lyn tells
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She told Mom she was sleep
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38
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ing o ver at
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but I saw her go out
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with that slim y
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Caitlyn and Haley
!
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43
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guy with
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hair all ov er his
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!
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48
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who in
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mid dle school she
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swore Ior ev er to
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hate! Cait lyn is
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bad now!
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!
!
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1
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simile
53
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Cait lyn is
53
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stea ling Mom's
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mon ey
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Cait lyn won't
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4
Caitlyn and Haley
!
!
"
1
1
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58
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laugh at my
58
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jokes a ny more
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Cait lyn says
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I am not
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1
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63
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Iun ny
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Cait lyn is
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dres sing like a
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whore.
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#
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Cait lyn is
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2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
,
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,
(
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grow ing, I saw her
,
,
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(
(
smoke a cig ar ette
'
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%
,
,
,
,
,
& '
(
- - - -
5
Caitlyn and Haley
!
!
"
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
73
(
&
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Mom says
73
,
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(
(
0
(
(
.
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Cait lyn's be com ing a
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wom an.
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colla voce
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But iI
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Cait lyn's a wom an, I don't
,
,
,
,
,
,
,
- - - - - -
!
!
"
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
78
(
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want to be a wom an quite
78
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yet.
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a tempo
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"
,
,
-
!
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"
#
#
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#
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#
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#
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83
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Ha ley's a
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ba by, she has n't
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star ted pu ber ty.
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Ha ley is
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steal ing my
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,
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- - - - - - - -
6
Caitlyn and Haley
45678 ;:
!
"
"
#
#
#
#
#
#
#
#
#
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89
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sports bras.
89
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Ha ley's Ilat
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chest ed she's al ways
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)
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look ing through my drawers
,
,
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&
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0
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.
(
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,
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!
!
"
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!
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Ha ley is still wear ing
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scrun chies!
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$
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Ha ley got an noy ing
98
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Ha ley's got ten youn ger.
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Ha ley's got ten nee dy
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Ha ley wants
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7
Caitlyn and Haley
!
!
"
1
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$
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ev' ry thing!
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mad I moved
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out oI our room, I put my
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stuII in the at tic.
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can't get her way, she's
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!
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Ha ley says
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I act er
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8
Caitlyn and Haley
!
!
"
1
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116
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ac ting mean to my
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boy Iriend
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selI up in her
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room when
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125
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car now.
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says it smells
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way too smo ky in
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9
Caitlyn and Haley
!
!
"
1
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131
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Iriends but Mom and Dad
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1
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140
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shar ing my
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I do some thing
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- - - -
10
Caitlyn and Haley
!
!
"
1
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bad.
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Ha ley's a
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ba by. Was I
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!
that young at her
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age? I tell
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all my Iriends she's just
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go ing through a
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#
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155
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I wish
155
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Cait lin would stop
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grow ing
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grow ing.
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11
Caitlyn and Haley
45678 9:
45678 ;:
!
!
!
"
#
#
#
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160
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Cait lyn still played
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160
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Iour square.
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wish Cait lyn did n't
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!
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#
#
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164
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date those guys so
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164
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much.
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wish Ha ley did n't
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cry so much.
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I wish Cait lyn moved
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-
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12
Caitlyn and Haley
!
!
!
"
#
#
#
#
3
4
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$
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back in!
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173
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wish I had my sis
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wish I had my sis
173
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ter back, my
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ter back, my
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stu pid ug ly sis
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stu pid ug ly sis
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ter back. We'd
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13
Caitlyn and Haley
!
!
!
"
#
#
#
#
177
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stuII our selves and get
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stuII our selves and get
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real Iat, sneak
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real Iat, sneak
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down the stairs Ior a mid
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down the stairs Ior a mid
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night snack. I
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night snack. I
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- -
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!
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"
#
#
#
#
3
=
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=
181
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hope we're on an up
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hope we're on an up
181
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ward track. I'll
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ward track. I'll
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sign a Iorm I'll make
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sign a Iorm I'll make
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a pact.
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a pact.
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14
Caitlyn and Haley
!
!
!
"
#
#
#
#
3
=
3
=
3
=
3
=
$
$
$
$
185
(
(
(
She'll make up
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She'll make up
185
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all the parts I
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all the parts I
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lack;
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lack;
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II I can
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!
!
!
"
#
#
#
#
190
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have my sis ter
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have my sis ter
190
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back.
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back.
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15
Caitlyn and Haley
!
!
!
"
#
#
#
#
195
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16
Caitlyn and Haley
!
"
#
#
#
#
$
$
Rhvthmic, driving
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Boy With Dreams
Benj Pasek/1ustin Paul
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guess, you would think but I can't
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38
&
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sleep, so you'd be wrong.
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love blue eyes. I
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41
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love how you're six Ieet tall.
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44
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real - ly there, and how we
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hate Christ - mas time at the mall.
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47
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1 +
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49
& & & & & &
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&
looks like it was all meant to be.
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growing more desperate
51
&
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night aI - ter night I keep
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slowlv building
&
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shut - ting my eyes and I
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53
& + & & &
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!
try, but I Iind I can't
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sleep.
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5
Lying There
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rit.
55
( '
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1
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I look at you ly - ing there
.
.
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a tempo
.
!
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57
&
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+ 0
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!
sleep-ing with - out me. I
.
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bet you'd nev - er guess my
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rest - less - ness just grows. And while I
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60
&
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want to shut my eyes and know the things you
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62
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! !
sleep, I can't breathe, I can't
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colla voce
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freelv
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move. How I wish I could
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wake you. I wish I could
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Lying There
!
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65
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love you. But
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wish-ing that I love you is - n't real- ly
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lov-ing, I sup-
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a tempo
69
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pose.
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Lying There
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ENERGETICALLY q
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f

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7
F

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No thing e ver hap pens in
7
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.

w
Mon ti cel lo. Let's
!
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w
- - - - - -
&
&
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9

.
give a hand for the land of bur ied
9
!
r
.

w
.
dreams. Cuz
!
r
-
.
.
-
-
Monticello
Piano/Vocal
Music and Lyrics by
&
&
?
11

when you hang you hat in
11
!
r
.

w

Mon ti cel lo, you end
!
r
.

w
b

up like your dad and it's
b
.

.

.
r
- - -
&
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14
b

b

real ly as sad as it seems.
14
b
b
.

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.

w
!
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w
w
w
"
!

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-
&
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17

. .

Ca rol at the di ner tried to
17
-
.

w
.

be a sin ger.
-
.

w
- - -
&
&
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#
19

Mark still swears he'll end up on T.V.
19
-
.

w
.
.
.
.
.
.
.
.
.
w
w
2
Monticello
&
&
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21

.

Ev 'ry one has plans
21
-
.

w

for some thing great er. But they
-
.

w
- - - -
&
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23
b

ne ver leave town. They just
23
.
.
.
.
.
b

j
.

j
!
.
j
b

n
let them selves drown. But I
.
.
.
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b

.

j
.

j
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j

won't be pulled down.
.
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.
.
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r
.
!

.

- -
&
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26
not me.
26
!
r
!
r
-
!

!

-
legato
.

j
Some day I'll
>
-
&
&
?
29

pack up my things and move
29
b
b
>

on, move
>
3
Monticello
&
&
?
31
.

on.
31
>
.

One day they'll come
>
&
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?
33

look in' for me, I'll be
33
b
b
>

.
.
gone, I'll be
>
-
&
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35
.
!

gone. I'm gon na
35
>
.

j
ditch this life and

.
.
!
r
.
.
#

ne ver re turn. And I
#
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- -
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4
2
4
2
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c
c
c
38
.

won't look back, and I'll
38
.
.
!
r
.
.

n al ly learn how it
.
.
.
.
.

feels to be un der a
.
.
.
.
.
.
.
.

li mit less
!

j
- - - -
4
Monticello
&
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c
c
c
42
w
sky.
42

.
r
b
b

w
w
w
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j
b
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w
w
w b
b
b
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I'm gon na
.
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w
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.

kiss In di a na good

- - - - -
&
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45
. .
bye.
45
!
r
.
.
.
.
I'll

.
.

.

give my two weeks no tice at the Rite

!
r

!
r

w
-
&
&
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48
Aid. I'll
48
.
.
.
.
!
r

sell my base ball cards to make some cash.
.
.
.
.
!
r

w
-
&
&
?
50
.
I'll
50
!

.
.

leave a note for Mom that says:
.
.
.
.
!
r

w
5
Monticello
&
&
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52
.
r

.

"I love you" I'll be
52
.
.
.
.
!
r

w
b

gone with no trace. I'll be
.
.
.
.
!
r

b

.
n
b

b

out of this place in a ash.
.
.
.
.
b
b

! r

#

&
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55

J
I'll
55
!

start by head ing west on High way
.
.
.
.
.
.
.
.
.

w
Eight y. Hit
.
.
.
.

3
3
.

w
&
&
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58

.
r

ev 'ry Steak and Shake a long the way.
58
.
.
.
.
.
.
.
.
.

w
.

I'll
!
.
.
.
j

drive a cou ple days Till I end
.
.
.
.
.
.
.
.
.

w
-
&
&
?
61

.

up in Ca li for nia. Then nd
61
.
.
.
.
.
.
.
.

w
b

!

for tune and fame; re ceive
.
.
.
.

b
b
!

b

n
mas sive ac claim. They'll won der
.
.
.
.
b
b

!

- - - - - - - -
6
Monticello
&
&
?
64
.

how I be came
64
.
.
.
.
!
r
.
!

.
.
j
.

the toast of L.
!
R

A.
!
R
-
!

!

-
-
&
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#
legato
67
.

j
Some day I'll

67
>
F

b
b
>
-
&
&
?
(#)
69

on, move
69
>
.

on.
>
&
&
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(#)
71
.

One day they'll come
71
>

look in' for me, I'll be
b
b
>
-
7
Monticello
&
&
?
(#)
73

.
.
gone, I'll be
73
>
.
!

gone. I'm gon na
>
.

j
ditch this life and

.
.
.
.
.
.
.
.
&
&
?
76
.
#

ne ver re turn. And I
76
#
!

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#
!

!

.

won't look back, and I'll
.
.
.
.
.
.
.
.

n al ly learn how it
.
.
.
.
.
- - - -
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4
2
4
2
4
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79
.

feels to be hand ed my
79
.
.
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piece of the
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w
pie.
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b
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w
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82
!

I'm gon na
82
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w
.

.

kiss In di a na good
. .
bye.
!
r
.
.
.
b
b
.
.

.
R
!
r
.
w b
- - - -
8
Monticello
&
&
?
86

.
.

.
know this might sound cra zy but I'm
86
!
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.
b

.
b

.
b

not like o ther peo ple. And while
b
!
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j
b

- - -
&
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88
b
b

set tl ing for less is ne for some,
88
b
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b
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if
.
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I keep tread ing wa ter here in
.
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.
.
.
.
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&
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91

.

J
No where, In di a na I
91
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r
.
w
w
w
rit.
b
b
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know ex act ly who I would be
b
b
rit.
b
b

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w N
come.
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.
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w
- - - - - - -
&
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94
"
94
!
r
w
w
freely
colla voce

May be this whole plan seems just a bit
w
w
w
U
p
w
w
w
U

un re a lis tic.
w
w
w
w
U
w
w
w
U
- - - - -
9
Monticello
&
&
?
97
!

.

But I"m not say ing I could leave to day.
97
w
w
w
w
w
U
g
g
g
g
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
U

I'll stay

a cou ple years and save e nough
-
- - - -
&
&
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100
.

.

to real ly do this.
100
U
w b
a tempo
.

.
That's when I'll see
.
.
.
.
a tempo
.
.
.
.

w
w
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what
.
.
.
.
.
.
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.
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.
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103
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more I can be.
103
.
.
.
.
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.
.
.
.
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105
.
Some day I'll

105

.
f
>

b
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-
10
Monticello
&
&
?
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on, move
107

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on.
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One day real soon they'll come
109

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loo king for me, I'll be
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gone, I'll be
111

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113
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113
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act like it's ne. You can
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keep this life cuz it
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11
Monticello
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116
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116
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die.
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miss you In di a na.
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I'm gon na kiss you good

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12
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125
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for me. Thank God you
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I just sat there on my own.
48
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tell me we need space. No, don't
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.
.
.
.
b
b

p
b

I'm not a fraid
w
p
b

I'm not a fraid
w
w
w
w
w

to be

to be

to be

to be

-
-
-
&
&
V
V
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?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
W2
W1
M1
M2
Pno.
84

who I am;

who I am;

who I am;

who I am;
.
.
F
q

.

Who I want

Who I want

Who I want

Who I want
5

.

.
j

f

to be come.
.
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f

to be come.
.
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to be come.
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f

to be come.
.
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-
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9
Like Breathing
&
&
V
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
W2
W1
M1
M2
Pno.
87
w
.
j

.
J

.
J
b
.
.
.
.
rock out!
.
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.
.
Be come.
.
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b

Be come.
.
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b n
Be come.
.
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Be come.
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b
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n
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-
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-
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&
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V
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?
b
b
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b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
W2
W1
M1
M2
Pno.
90
.
Be come
.
J
b

Be come
.
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b n
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.
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n
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Be come
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-
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-
10
Like Breathing
&
&
V
V
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?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
W2
W1
M1
M2
Pno.
93
w
b
F

Be come

F

Be come
!
!
!
w
w
w

F

Be come
!
!
w
w
w
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>

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-
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&
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b
b
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b
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b
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b
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W2
W1
M1
M2
Pno.
97
w
w
w
w
97

>

>

>

>
11
Like Breathing
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!
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18
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packed the car and head ed home and

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94
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9
Man oI My Dreams
+,-./012
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10
Man oI My Dreams
MEN:
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- - - - - - - -
11
Man oI My Dreams
WOMAN 2:
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- - - - - -
12
Man oI My Dreams
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- -
13
Man oI My Dreams
!
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- - - - - -
14
Man oI My Dreams
!
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2
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-
15
Man oI My Dreams
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!
Piano/Vocal
.
.
p
uid; reective
.
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.
.
.
#
. .
.
.
.

.

P MAN 2:
There's a
.
.
.
.
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j

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for tress on an is land that's an
Music and Lyrics by
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.
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ho ur south of Ath ens. In a
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nounce so I won't try. And it
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though it was slow, now I know the kind of

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now I know beau ty,

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I found what I need ed on the
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swear I'll be there and I'll share the things I've

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love you, now and al ways." He

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love af fair with you
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is
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w
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Piano Vocal
In Short
Music and Lyrics by
Suggested Monologue by
Todd Buonopane
7
Edges
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13
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we both had the chance
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to grow.
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17
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once be fore I go, there's

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just one thing I want
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you to know:
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21
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"

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punch you in the face,
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rip out all your hair.
F
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25
I want to burn

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detache
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you a live and if
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you sur vive I'll

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strap you to an e

- - -
In Short
Piano Vocal
Edges
&
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#
#
#
#
#
#
#
#
#
29
lec tric chair. Or
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lit tle too far.
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3 3
Don't look both ways and get
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detache

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hit by a car.

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34

Fall out of a
34
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rol ler coast er.
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Take a warm bath with a
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plugged in toast
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38
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38
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short;

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43
F

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3
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May be it's wrong to wish
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3
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death on some one you
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for. But
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n
- -
In Short
Piano Vocal
Edges
&
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47

J

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n
since we shared so much
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detache
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it makes me
n
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want to kill you more!

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51
both are do ing great.

!
!

New
cou ples al ways are.
I hope this won't

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- - -
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detache
55
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make you mad; I did
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some thing bad. I

played a ti ny joke that in
volves her car. I
- - -
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59

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pulled out my knife I

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slashed ev 'ry tire.
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Smashed in the wind shield and
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detache

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set it on re.

3
-
In Short
Piano Vocal
Edges
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#
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#
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63

Then I left a
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lit tle note which
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said "Leave town or I'll
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67
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bitch." In
67
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short,

I hope you fuck ing

die!

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O.
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72
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K. So may be I've
72
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gone too far.
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May be I'm say ing this
w
w
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out of spite.
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May be I
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w
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- - - -
&
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77

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think these things to

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cope with sleep ing a

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lone each night. Cause

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ob vi ous ly I'm still
3 3

- - - - -
In Short
Piano Vocal
Edges
&
&
?
81
3
think ing of you and
poco rit.

3 3
wish ing that we could just
#
poco rit.
n
3 3
#

3
start o ver new.
n
3
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rall.
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sweetly
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What if we both

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give it one more
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.
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- -
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b
b
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b
b
86
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try?
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U

j
f

Sucks that we
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can't cause you're a prick

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who de serves to
-
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b
b
b
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b
b
b
b
b
90
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die!
calypso
F

calypso

Die, die, die, die,

die, die, die, die!
&
&
?
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b
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n
n
#
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94

3
Die, die,
.

die,
.
.

die, die, die, die!
.
j

!

b
b

n
n

b
b

n
n

In Short
Piano Vocal
Edges
&
&
?
#
#
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98
w
f
Die,
w
die,

die, die, die, die, die,
>

>

>

.
.
j

Dy sen ta ry!

.
- - -
&
&
?
#
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102
w
Die,
102
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?
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n
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b
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103
w
die,

die, die, die, die, die!
n
n

#
#

Gan grene!
!
!
w
Die,
w
die,

In Short
Piano Vocal
Edges
&
&
?
b
b
b
108

>

>

>

>
.

Lu pus!

.
w
Die,
w
die,

"
b
b

n
n

.
"
.
"
&
&
?
b
b
b
113
!
U
113
!
!
In Short
Piano Vocal
Edges
&
&
?
b
b
b
114

Get
!
!
n
#

3 3
beat en and slugged, mo
bigger with every chord

n
#
3

#
#

#
n
#

b

3
les ted and mugged.
#

b
3
n
#

b
b
- - -
&
&
?
b
b
b
117
N
#

3
3
Wake up to nd you were
N
#

3 3
#
#

b
#
#

3 3
date raped and drugged. I
#
#

3
#
#

n
rall.
b
rall.
n
n
3
3
hate you, I'm leav ing, good
b
.

n
.

n
#
#
.

n
#
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3
3
b
b
.

.

n
n
.

b
.

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3
3
- - -
&
&
?
b
b
b
120
w
f
bye!
w
w
w
f
w
w
U

p
In

short, I'm

f
o ver you, so

.
.
.

.
.
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
G
l
i
s
s
a
n
d
o ~
~
~
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~
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~
~
G
l
i
s
s
a
n
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o
-
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124
w
die!
3
.
j

w
.
j

n
n

b
b
n
n

b
b
n
n

n
n

b
b
n
n

b
b
n
n

Die!
-
^
In Short
Piano Vocal
Edges
&
&
?
#
#
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c
c
c
!
Piano/Vocal
.
.
.
.
q soft pop/rock
P
j
.
.
.
.
.
.
.
!
.
.
.
.

!
Suggested Monologue by
Todd Buonopane
.
.
.
.

MAN 2:
j
with emotion
My
Music and Lyrics by
.
.
.

&
&
?
#
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#
5

love af fair with you
5
.
.
.
.
.
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.
.
.
.

is
.
.
.
.

o ver, it's through.
.
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.
We

- -
&
&
?
#
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9

loved and then we lost.
9
.
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.
.
. n
j

And while it
#
.
.

came at quite a cost,
.
.
.
#
.
.
.
. n
j
-
.
j
.
j
w
w
In Short
&
&
?
#
#
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13
j

J

we both had the chance
13
-
.
#
j
w
w #
.

to grow.
w
w

I've col
#
.

#
#
.

lec ted my thoughts and

.
.
.
P
j
.
.
- -
&
&
?
#
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#
17
.

j
once be fore I go, there's

17
.
.
.
.
g
g
g
g
g
w
j

j

just one thing I want
.
.
.
-
j
-
.
.
.
-
.
.
-
j
-
.
.
-
.
j

you to know:
.
.
.
.
.
>

w
-
&
&
?
#
#
#
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C
C
C
21
U
"

I want to
21
U

h
h
h
j

j

.
punch you in the face,
!
!
!

stab you with a sword.
F
Latin

&
&
?
#
#
#
#
#
#
25
I hope you lose

25

.
.
.
.

detache
J

all your hair, get eat

en by a bear,

j

j
strang le your self with a

- - -
2
In Short
&
&
?
#
#
#
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#
29

tel e phone cord.
29

.
j
Lean out a win dow a

.
.
.
.
.
.

lit tle too far.
n

3 3
Don't look both ways and get
n
detache

.
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.
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.
- - - -
&
&
?
#
#
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#
33
a

3
hit by a car.
33

Choke on a
.
.

"Now and La ter" get your
.
.

shoe lac es caught in an
.
.
.
- - -
&
&
?
#
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#
37
.
J

es ca la
37
.
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.
>
J
>

>
.
>
j
>

j
>
J
.

tor. In
J
.
.
.
.
>

j
.
.
>

short;

I hope you

die.

b
!
- - -
&
&
?
#
#
#
#
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#
43
F

n
b
3
3
May be it's wrong to wish
43
b
.
F
contained
n
.

.
3
3
b

n
death on some one you
had so much love

j
.

for. But
j
.
.
.

n
n
- -
3
In Short
&
&
?
#
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47

J

J
n
since we shared so much
47
b
detache
n

n
.
.
b
b
j
n

j
. n
it makes me
n
n
n

.
.
.
.
.
want to kill you more!

I want to
&
&
?
#
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51
j

j

stick pins in your eyes.
51
!
!

I
pray you get a rec tal rash.
I hope your Vi

.
.
.
.

- -
&
&
?
#
#
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#
detache
55
J

sa's de clined, your chil
55
j

j
dren are blind, you're

broke and have to do
porn for cash. Be

.
j
- - - -
&
&
?
#
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#
59

J
come ep i lep tic and

59
.
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vio lent ly shake.
n

3 3
Find out that you were con
n
detache

.
.
.
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.
.

3
ceived by mis take.

3
- - - - - - -
4
In Short
&
&
?
#
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63

Fall out of a
63
.
.
j

J
.
rol ler coast er.
.
.

Take a warm bath with a
.
.
.
.
J

plugged in toast
.
.
.
.
>
J
>

>
.
>
j
>

j
>
J
.

er. In
J
.
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.
.
>

j
.
.
>

- - - -
&
&
?
#
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#
n
n
b
n
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n
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68

short,
68

I real ly hope you

die!

b

n
O.
n
n
P

j
K. So may be I've
w
w
w
P

- -
&
&
?
b
b
b
73

gone too far.
73
w
w
w
w

j

j

May be I'm say ing this
w
w
w

out of spite.
w
w
w

May be I
w
w
w

- - -
&
&
?
b
b
b
77
think these things to

77
w
w
w
w
cope with sleep ing a

w
w
w
w
#
lone each night. Cause

.
.
.

3 3
ob vi ous ly I'm still
3 3

- - - - -
5
In Short
&
&
?
b
b
b
81
3
think ing of you and
81
poco rit.

3 3
wish ing that we could just
n
poco rit.
n
3 3
n
j

3
start o ver new.
n
3
n
j
n

rall.
j
sweetly
j

What if we both

.
.
.

give it one more
- #

-
.
.
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#
- - -
&
&
?
b
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86
w
try?
86

#

w
U

J
f

Sucks that we
#
U
g
g
g
g
g

can't cause you're a prick

j

who de serves to
-
&
&
?
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90
w
die!
90
calypso
F

calypso

w

Die, die, die, die,

die, die, die, die!

&
&
?
b
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94

3
Die, die,
94

die,
.
.

die, die, die, die!
j

!

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b

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n
n

6
In Short
&
&
?
#
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98
w
f
Die,
98

w
die,

>

>

>

.
.

Get Sars!

.
w
Die,

&
&
?
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103
w
die,
103

n
b

#
n

E bo la!
!
!
w
Die,

- -
&
&
?
b
b
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b
b
b
107
w
die,
107

>

>

>

>
.
j

Bird u.

.
w
Die,

w
die,

7
In Short
&
&
?
b
b
b
b
b
b
112

"
Insert Monologue
112
b
b

n
n

.
"
.
"
Monologue: Fall when you're getting out of the shower, and your tweezers are on the
oor because you're always plucking your eyebrows because you care more about
your eyebrows than you ever cared about me. So you're getting out of the shower and
you fall and the tweezers pierce you right in the middle of your forehead, right next to
that weird mole thing you have above your left eye that always drove me slightly
insane, which I always wondered why you never just surgically removed, its not that
expensive you cheap asshole, so the tweezers stab you and you become immediately
paralyzed and slowly bleed out.
!
!
!

Get
!
!
n
#

3 3
beat en and slugged, mo
bigger with every chord

n
#
3

#
#

#
n
#

b

3
les ted and mugged.
#

b
3
n
n

b
b
- - -
&
&
?
b
b
b
b
b
b
117
N
#

3
3
Wake up to nd you were
117
N
#

3
3
#
#

b
n
#

3 3
date raped and drugged. I
n
#

3
#
#

n
rall.
b
rall.
n
n
3
3
hate you, I'm leav ing, good
b
.

n
.

n
#
n
.

n
#
#
3
3
b
b
.

.

n
n
.

b
.

n
n
.
3 3
w
f
bye!
w
w
w
f
w
w
- - -
&
&
?
b
b
b
b
b
b
121
U

In
121
short, I

J
.
hope you fuck ing

.
.
.

.
.
w
die!

3
.
j

w

j

~
~
~
~
~
~
~
~
~
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~
~
~
~
~
G
l
i
s
s
a
n
d
o
~
~
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~
~
~
~
~
~
G
l
i
s
s
a
n
d
o
-
8
In Short
&
&
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126

126

n
n

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n

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n

n
n

b
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b
b
n
n

Die!
-3
-

9
In Short
!
"
#
#
$
$
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&
!"#$
' rubato
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poco rit.
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a tempo
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poco rit.
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night aI ter din ner we'd
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sit in the moon light;
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. #
- - - -
!
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7
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she would re call days gone
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MAN 2:
Edges
!
!
"
#
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10
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poco rit.
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she'd lie a wake and cry:
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did he do it?
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!
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"
#
#
#
14
&
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What did it ac com plish?
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#
#
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17
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#
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20
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Reason
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!
"
#
#
#
23
&
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&
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&
Mom looked so strong, but I knew
%
%
%
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she was hurt ing.
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!
"
#
#
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4
26
%
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sake. But her
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!
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.
.
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mem 'ries were stained by my Ia
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ther de sert ing.
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- - - -
!
!
"
#
#
#
29
&
&
&
& &
&
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I could n't take his place.
&
&
&
a tempo
&
&
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I am rea dy to be loved.
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Some one come steal my heart;
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Coasting
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Coasting
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Coasting

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!

Then we wait ed two

Then we wait ed two

pooped out rain bow col

pooped out rain bow col

that's not the point. Re

to touch her tit. But

bered up and asked

bered up and asked

We for gave your lack

We for gave your lack

Snap ple la dy?

Snap ple la dy?

What hap pened to that guy?

What hap pened to that guy?

It's like he dis sap peared.

It's like he dis sap peared.

Your girl friend sucks.

Your girl friend sucks.

day that you met Rach

day that you met Rach

It's so not cool.

star ring Mer yl Streep. We

just in case you nd

just in case you nd

back to the Jer sey shore.

back to the Jer sey shore.

may be for one af

may be for one af

Mon ti cel lo. Let's

Some day I'll

ditch this life and

Some day I'll

ditch this life and

Some day I'll

fuse to stay and

sure is n't mine. I

I'm gon na kiss you good

helped me see how fake they are, I

The wait er watched me as I

read my book, he gave that look, like,

use that fuck ing line. Now you

Third grade in Miss

try ing to for get. It's

not like I was a los er, it's

has to do with what hap pened to

Jor ge, our class

We had this tra di tion

One of us was picked to take him

n 'lly asked Miss A dams:

"May be if I'm ver bal I can

go home with this ger bil to night."

mom was mu ri pho bic (it's a real thing) I

knew ex act ly what this sit u

a tion would re quire. Well

got a bout him till our nan ny

kil lers burn in hell. But Miss

A dams took my hand

life goes on.

Jor ge's gone, to

mor row is a brand new day.

Ev 'ry one makes a

some where a long the way.

Col lege gra du a tion; that mo