Bafßklarinette 41

4. Akt Aida
2. Szene
Andante sostenuto Giuseppe Verdi
in B
allarg.
aB

PPP PP

PP
poco string.

string.

Edition Peters 31816

 SympIOILY IvU.
(1900)

ss Clarinet in A and Bb Gustay Mahler

(3rd Clarinet) (1860-1911)

I Bedächtig, nicht eilen

R Wieder
gemächlich
Solo 7

mf mp
ATempo 8]Tempo I
poco rit. w/b.
in

Pp
Solo
dim.

dim.

hol Fliessend,aber ohne Hast

w/w..0 2 Solo

ina
PPp

dim.

Wieder gemächlich
11,Immer fliessend 22 Solo

in E

dim.
mf PP

II In gemächlicherBewegung

Allmåhlich zur ersten Bewegung zurückherend

12
2Cehalten
6 Solo 3

p mf
28 IV
Sehr behaglich
4
in Bb

Solo w/bsns.3
poco riten.1 empo tutti mitsingstimme

Plözlich

in Bb
|3]frisch beweg!
4 w/bsns

tutti 2
5)
f Solo
w/eng.hn.
Tempo I Sehr zart u. geheimnis
voll bis zum'Schluss 9 Solo
in

Pp
14tempo
a 5 s

E
w/vla. rilen.

sf
Solo > 5

Pp morendo

Symphony No. 6
(1904)

Bass Clarinet in A and Bb Gustav Mahler (1860-1911)

Allegro energico ma non lroppo

19 Heftig. aber markig

in
w/bas.loustr. ff
20
bo
 21Allmäblich etwasgehaltener gg
4 in Bb,

Nicht eilen
22
w/cbsn hns.
2 Solo

in Bb pp
Same tempo
|24| Solo
in

espr.

Solo

p
Unmerklich drāgend a temp0 aber gemessener
moltorit. –
w/bsns.
in Bb
4

in Bb w/bsns.
37

ff
II. Scherzo, Wuchtig
Ancora meno mosso
n (Fast langsam) Solo w/ob. 10 97
A
p
Tempo I

subito
w/bsns, low str.

4 98 2 w/bsns,low str.

S
SempreJ
99 Solo
in

rit,

Andante moderato
II Same tempo
Soli w/w.w. 46 Solo

in Bb

D.
p fpo
30
47
a lempo

3 rit
w/c.
48
p
PP
Same tempo espressito 51
in
Solo

IV. Finale Allegromoderato

Etwas schleppend
104 8 Solo add bsns.

Cresc.
p espr.

marcato
w/cls,hp. Allmählich etwas fliessender

Pdim.PPPT morendo
p
Wieder schleppend 106| Schwer,Marcato
Bb8 105 tutti
piu mosso zurückhaltend

inBb ff Pelds,bsns.4
(ungefähr l'istesso tempo) in A
5 w/cls,bsns,hns. Nicht schleppen

pb 0cresC.

107 Etwas fliessender Solo

PP
-pmorendo
molto
3
108

Allmählich zum nächsten Tempo steigern

bo. poco
poco a

109

cresc.
ff
Sostenuto gehalten

128w/bs,loustr
it
in A
32 141 Nichtschlepen!
tatla

sempre

Etwas drägend

142 Stetselwasdrágend

sempre
ff
Vorwärts
143 Piumosso

50/bsndoustr

Unmerklich noch etwas dràägender

151
5

sf
152 153
4

Tempo I Allegro energico

tutta
154

160) Sametempo
155
in As
4 w/bsns,basses

lulli
 Dragend |161
2

Symphony No. 7
(1905)
kass Clarinet in A and Bb Gustav Mahler (1860-1911)
I. Satz
Allegro risoluto ma non troppo 13
tutli O
in A

w/bsn,str.
17 tutti

18 Tempo I
tutti 19

f sf:
Tempo I
wlcd,bsn. 3

in

tutti

3o Maestoso
in

Allegro come prima 48 poco rit.

Tempo I risoluto 51 3
tulli
in Aa

tr
Nicht eilen
tulti
54
inA
dim.,
 64

191|126
" Solo

myf

Symphony No. VI
(1939)

Bass Clarinet in Bb Dmitri Shostakovich (1906-1975)

I
Largo J=44
Solo

32 33

II
Allegrod. 88-96
41 w/d.l w/celli wra43

-44

Same tempo
Soli w/celli

Same tempo
51 55| Soli w/bsns.

tenuto espr.
 65
56 addcl.

addeng hn.

57/bndou

Cresc.

a58 59

Same tempo
w/bsns,lou str.

Cresc

62

63 add tuba

3+.tnba,basses

f add
celli sff
65 add trbs.

l66 lulli

67.. tempo

CresC
poco rit.
68 Solow/1.1
66
Solo u/c.

mp PPP

III
Presto d= I52
d. 83 90 / W.

|123| Soliw/bsn,tb,hns,lowstr.

p ffpesante

be
dim.

Petroushka
(1911 Version)
Bass Clarinet in Bb Igor Stravinsky
(4th Clarinet) (1882-1971)

Scene I
Vivace
w/solo cl..
meno mosso

2 meno mosso
w/solo cl.

mp
sempre 1P

c
 67

Scene III
65Sostenuto
w/cl.l

mp

The low D' may be replaced with an 'F#" in this movement.

Stravinsky revised his work in 1941. He wrote thesections fromSceneI entirely

in treble clef, thus resolving the bass clef/treble clef ambiguity. This version was
included for study purposes. The composer also changed the low D in scene III
to a low F#. In general practice, if your instrument has the extended low range, the
D is used in order to maintain the two octave spread between the first clarinet and
the bass clarinet. If it does not, the F# should be substituted.

The Nuteracker Ballet

(1892)
Bass Clarinet in Bb Peter Iyich Tchaikowsky
(1840-1893) Op. 71

No. 4 Scéne Dansante

Andantino Sostenuto
68 D. Danse Russe, Trepak.
Tempo di trepak, molto vivace

No. 14 Pas de deux

Andante maestoso
Solo canưabile

dolce
sempre pD
Var. II Danse de laFée-Dragée
Andante non troppo
7 Solo

mgf
A

Manfred Symphony
(1885)
ass Clarinet in Bb Peter Ilyich Tchaikowsky
(1840-1893) Op. 58
Largo
I. Lento lugubre
Solo

dolce
p
Animando Andante 2 w/bsns.,

poco cresc.
poco a poco
Poco piu animato Solo

p dolce espr.

Tempo I
Poco piu animato A Solo
2
Riten. dolce
mf