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Die Akkord-Skalen-Theorie und Jazz-Harmonik

Richard Graf & Barrie Nettles

Diese Publikation ist 1997 sowohl auf Deutsch als auch auf Englisch bei Advance Music erschienen
und wurde 2015 von SCHOTT MUSIC neu aufgelegt. Dieses Lehrwerk ist „Required Textbook“ an
zahlreichen Universitäten und Hochschulen weltweit, wurde bereits in ca. 100 wissenschaftlichen
Arbeiten als Referenz herangezogen und hat den internationalen Diskurs nicht nur im Bereich der
Jazzharmonik angeregt, sondern auch die Basis für weitere Forschungsfelder bis hin zum
Komponieren mit künstlicher Intelligenz gelegt (Siehe S.3).

Auch einige internationale Jazzgrößen haben dazu Stellung bezogen:

Art Farmer
"Having never had any institutional training in harmony and theory, I have often wondered just how
Jazz Harmony came to be? To develop and exist with its so deep well of knowledge that is necessary
to the improviser? Where did this come from and how did it develop? 'THE CHORD SCALE THEORY
AND JAZZ HARMONY' explains this and also goes farther by showing just how this knowledge can be
used. My only regret is that I’ve just found it."

Michael Brecker
"A helpful and organized tool that can shurely aid any musician interested in understanding
harmony as it relates to the complex subtleties of jazz improvisation."
Randy Brecker
"This comprehensive textbook is a must for beginners, intermediate or advanced students.
It is quite logically constructed, very easy to comprehend, and the amount of necessary information
contained in this pages is very impressive. Highly recommended."

Mick Goodrick
"This is a fine book, clear, comprehensive, and detailed. I like to think of it as the 'Basics Bible'. It
would make a wonderful addition to the personal library of any jazz student or teacher."

Bob Berg
"This book is a must for anyone interested in understanding the language of Jazz. It is laid out in a
simple (but not simplistic) manner that guides one from the basic, to the most challenging concepts
of improvisational aids. The book also shows a great respect for the traditions of our music which I
feel is important for opening minds to the future. I highly recommend this book!"

Cornelius Claudio Kreusch


"This might become the 'REAL BOOK of Jazz Harmony' for every serious musician!"

Joey Goldstein
Probably the best book out there right now, about jazz-style harmonic analysis, is The Chord Scale
Theory And Jazz Harmony by Nettles and Graf.
ZITATIONEN

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Salvador, 2008

„Arranging and Orchestration methods: a model text for post secondary courses“, Daryl A. McKenzie,
Master Thesis, RMIT University, Australia, March 2008

TFODE – Online Dictionary and Encyclopedia, Jazzharmonik, 2009

Elements Of Jazz Style In Twentieth-Century American Organ Works: Selected Works Of Charles Ives,
William Albright, And William Bolcom. Mi Kyung Hwang, The University of Arizona, 2009

„Harmonic Analysis of Jazz Chord Sequences“, Andrew Choi, 2009

„Musiikkianalyysimetodien Synthese zeitgenössischen Jazz-Studien“, Eerola, Jouni Master's Thesis,


Universität Helsinki, Musikwissenschaft Oktober 2009

„Cultivating the Imaginative Ear for Jazz Improvisation: A Study in Three Settings“, Anthony Maceli,
Dissertation, Columbia University, 2009

„Australian Jazz Musician-Educators: An Exploration Of Experts' Approaches To Teaching Jazz“, Andrew


Chessher, Bachelor Thesis, University of Sydney, 2009

„Insights In Jazz“, John A. Elliott, Jazzwise Publications Edinburgh, 2009


„An investigation into a cohesive method of teaching jazz harmony and improvisation to elective music
students in secondary schools using the basic principals of chord-scale theory“, Raymond Forster,
Master Thesis, University of Sydney 2010

„Toward Pop Chord Space Harmonic Hierarchy in Popular Music“, Sami Sallinen Master's Thesis,
University of Jyvaskyla, 2010

“Que acorde é esse aí?” „Pluralidade: o processo criativo da ressignificação de estruturas harmônicas e
melódicas“, Genil De Castro Pacheco Júnior, Master’s Thesis, University of Brasilia, 2010.

„A contribuição teórica do Jazz: sistematização dos aspectos horizontais e verticais na Teoria Escala
Acorde e no Conceito Lídio Cromático da Organização Tonal.“ Genil de Castro Pacheco Júnior
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„Georg Russells Lydian Chromatic Concept of Tonal Organization“, Master Thesis, Michael J. Strauss,
Anton Bruckner Privatuniversität Linz, 2010

„Miles Davis’ “So What” as Modal Jazz Case Study “, Jason Roger Titus, Doctoral Thesis, Eastman School
of Music, 2010

„Äänitemoodi. Äänite musiikillisessa kommunikaatiossa“ – „Recording Mode. Recordings in Musical


Communication“, Olli Heikkinen, University of Jyväskylä, 2010

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„Eighty-Eight Drums: The Piano As Percussion Instrument In Jazz“, Thomas Andrew Van Seters,
Dissertation, University of Toronto 2011

„Interactive music system based on pitch quantization and tonal navigation“, Leonardo Aldrey,
Universitat Pompeu Fabra, Barcelona 2011

„GimmeDaBlues: An Intelligent Jazz/Blues Player And Comping Generator for iOS devices“, Rui Dias,
Telmo Marques, George Sioros, Carlos Guedes, CITAR / INESC-Porto, Universidade Católica do Porto,
Portugal 2012

„Pädagogisch-didaktische Bedingungen zur Erarbeitung und Vermittlung von Lerninhalten für Schüler“,
Diplomarbeit, Toralf Schrader, Hochschule für Musik Carl Maria von Weber Dresden 2012
„A Permutational Triadic Approach To Jazz Harmony And The Chord/Scale Relationship“, John Bishop,
Dissertation, Faculty of the Louisiana State University 2012

„Da harmonia pela harmonia: sobre formalismo e seus impactos na ideia de harmonia funcional“, Sérgio
Paulo Ribeiro de Freitas, Revista do Conservatório de Música da UFPel 2012

„A Contour-Based Jazz Walking Bass Generator“, Rui Dias, Carlos Guedes, Proceedings of the Sound and
Music Computing Conference 2013, SMC 2013, Stockholm, Sweden

Joe Henderson’s harmonic approach to improvisation within the duo setting in his 1992 quintet album,
Lush Life: the Music of Billy Strayhorn, Patrick van der Moezel, Bachelor thesis, Western Australian
Academy of Performing Arts, Edith Cowan University 2013

„El acorde de sexta aumentada y el SubV7/V“, Sergio Lasuén, Revista Musicologia 2013

„In Your Own Sweet Way: A Study of Effective Habits of Practice for Jazz Pianists with Application to All
Musicians“, Iñaki Sandoval Campillo, Dissertation, Universitat Autònoma de Barcelona, 2013

„Dominante menor e música popular no Brasil entre os anos de 1960 a 1980: vale ferir a norma tonal“,
Sérgio Paulo Ribeiro de Freitas (Universidade do Estado de Santa Catarina), Sociedad de
Etnomusicología Barcelona, España, Trans. Revista Transcultural de Música, núm. 17, 2013

„Acordes e desacordos: ideário schoenberguiano, harmonias wagnerianas e valoração em música


popular“, Sérgio Paulo Ribeiro de Freitas (Universidade do Estado de Santa Catarina) Música Popular em
Revista, Campinas, ano 1, v. 2, p. 7-41, 2013

„Paul Hindemith’s Suite 1922: Influences of Jazz and Baroque Styles, and his Embryonic Compositional
System“, Bokyung Park, Dissertation, The University of Arizona, 2013

“Entre documentos e depoimentos: análise musical e o “falar de si” na investigação acadêmica da


música popular“, Sérgio Paulo Ribeiro de Freitas, Universidade do Estado de Santa Catarina, Simpósio de
Pesquisa em Música da UFPR, 2013

„BLUES EI UJOSTELE – Nuotinnos ja analyysi Don ́t Be Shy -kappaleen sooloista“, Rasmus Tammik,
Bachelor thesis, Centria University of Applied Sciences, Finnland 2014

„Lydia in Oz: The reception of George Russell in 1960s Australia“, Pierre-Emmanuel Seguin. JAZZ
RESEARCH JOURNAL, VOL 8, NO 1-2 (2014)

„Ciclos de terças em certas canções da música popular no Brasil“ (Cycles of thirds in certain songs of
popular music in Brazil), Sérgio Paulo Ribeiro de Freitas, UDESC, Florianópolis, Escola de Música da
UFMG, 2014

„Uma análise estrutural de Garota de Ipanema – de Antônio Carlos Jobim e Vinícius de Moraes“, Josimar
Machado Gomes Carneiro, ANAIS DO III SIMPOM 2014 - SIMPÓSIO BRASILEIRO DE PÓS-GRADUANDOS
EM MÚSICA, 2014
„Memories and Stories from the Neapolitan Chord and its Functions in Certain Songs of Popular Music in
Brazil.“ FREITAS, Sérgio Paulo Ribeiro de. Rev. Inst. Estud. Bras. 2014, n.59, pp. 15-56. Epub Dez-2014.
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“Chord-Specific Scalar Material in Classical Music: An Adaptation of Jazz Chord-Scale Theory”, Andrew
Pokorny, Dissertation, University of Oregon, 2014

„Modality In Teaching Solfeggio – Modalitet u Nastavi Solfeggia“, Nerma HODŽIĆ-MULABEGOVIĆ,


Univerzitet u Sarajevu Muzička akademija u Sarajevu, Paper, 2014

“Oliveira, Augusto Brambilla de. Bachianas Brasileiras nº. 9 - Processos de Hibridação com a Música
Instrumental Brasileira”, Augusto Brambilla de Oliveira, Bachelor Thesis, Faculdadede Música Souza
Lima, 2014

“THIRD STREAM: LA TRADICIÓN DE LA SONATA PARA PIANO MEZCLADA CON LA MODERNIDAD DEL
JAZZ”, SEBASTIÁN RODRÍGUEZ BONIL, Dissertation,Universidad Sergio Arboleda, 2015

„Ron Miller e o pensamento modal-cromático no jazz: abordagem analítica“, Diniz, Alexandre Henrique
de Sousa, Universidade de Évora, Portugal 2015

Review of Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013)
and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014), Keith Salley,
Journal oft he Society for Music Theory
Volume 21, Number 1, March 2015

„Django Reinhardts Improvisationen in Moll – Eine melodische Analyse“, Paul Ellersdorfer, Master
Thesis, Universität Wien, 2015

„Acordes fáceis de ouvir e difíceis de explicar: a tétrade fá#-lá-dó-mi é figura de subdominante em dó-
maior?“, Sérgio Paulo Ribeiro de FREITAS, I ENCONTRO BRASILEIRO DE MÚSICA POPULAR NA
UNIVERSIDADE, 2015

“II-V-I Progression in Jazz Music”, Petar Koychev, Scientific works of the Union of Scientists in Bulgaria-
Plovdiv, series А. Public sciences, art and culture, Vol. II., Union of Scientists, ISSN 1311-9400, Plovdiv
University “Paisii Hilendarski”, 2015

“An Analysis of the Grip System: An Approach to Jazz Harmony”, Jared T Hall, University of Miami,
Doctoral thesis, 2015

“O saxofone tenor no Samba-Jazz: Estudos de elementos melódicos, rítmicos e harmônicos utilizados na


improvisação”, Ricardo Augustus Sibalde, Universidade Federal da Bahia, 2015

“On Tonal Dynamics and Musical Meaning”, Per Aage Brandt, Presses universitaires de Liège, Signata,
2015

“A Proposal for the Inclusion of Jazz Theory Topics in the Undergraduate Music Theory Curriculum”,
Alexis Joy Smerdon, University of Tennessee, Master Thesis, 2016
ФОЛКЛОР, ВЗАИМОДЕЙСТВИЕ МЕЖДУ ДЖАЗ И. АКАДЕМИЯ ЗА МУЗИКАЛНО, ТАНЦОВО И
ИЗОБРАЗИТЕЛНО ИЗКУСТВО–ПЛОВДИВ ФАКУЛТЕТ КОЙЧЕВ, ВЕСЕЛИН ИВАНОВ; “МУЗИКАЛНА
ПЕДАГОГИКА” КАТЕДРА “ОРКЕСТРОВИ ИНСТРУМЕНТИ И КЛАСИЧЕСКО ПЕЕНЕ”, 2016

“Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study”, Keith Salley and Daniel T.
Shanahan, Journal of Jazz Studiesvol. 11, no. 1, pp. 1-39, 2016

MÙI, HÀTÂN. DẠY HỌC NHẠC JAZZ TRÊN ĐÀN PHÍM ĐIỆN TỬ HỆ ĐẠI HỌC SƯ PHẠM ÂM NHẠC TRƯỜNG
ĐẠI HỌC SƯ PHẠM NGHỆ THUẬT TW, 2017

“Context-Aware Hidden Markov Models of Jazz Music with Variable Markov Oracle”, Cheng-i Wang &
Shlomo Dubnov, Conference Paper: Eighth International Conference on Computational Creativity,
University of California, San Diego, 2017

“Blues progressions and scales”, Petar Koychev, scientific works of the Union of Scientists in Bulgaria-
Plovdiv, seriesА. Public sciences, art and culture, Vol. III, ISSN 1311-9400 (Print); ISSN 2534-9368 (On-
line), 2017.

“La injustificable inclusión de la escala dórica en la explicación del modo menor en España: un claro
ejemplo de contradicción entre teoría y práctica musical en las enseñanzas básicas.” Sergio Lasuén,
Óscar Prados, Carmen Alaminos, Miguel Beato, Conservatorio Profesional de Música, AV NOTAS revista
de investigación musical (7-25), 2017

“Особливості гармонії музичного стилю bebop – Characteristic features of harmony of the «bebop»
music style”, Volodymyr Zhurba, Вісник КНУКіМ. Серія: Мистецтвознавство, Kyiv National University
of Culture and Arts, Kyiv, Ukraine 2017

“Objetos Musicais — Uma Interface Musical Intuitiva”, Fernando Cardoso, Bandeira Amílcar,
Dissertation, Universidade de Coimbra, 2017

“Composición de un tema inédito de rock progresivo con aplicaciones armónicas y técnicas de


orquestación de Jazz”, Calderón Orozco, Ronald Adriano, Bachelor Thesis, Universidad Católica de
Santiago de Guayaquil, 2017

“The Rosenwinkel Introductions: Stylistic Tendencies in 10 Introductions Recorded by Jazz Guitarist Kurt
Rosenwinkel”, Jens Hopp, Masters Thesis, University of Sydney, 2017

“Deslizando na Canção? O caso das harmonias maiores por tons descendentes”, Sérgio Paulo Ribeiro de
Freitas, Universidade do Estado de Santa Catarin, Brazil, Revista Vórtex; v. 5, n. 3, 2017

"Número 3 Completo. AV NOTAS revista de investigación musical 3”, Segura, Sonia, 2017

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Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic 8.1 (2018): 7, University of
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“Esperanza” de Esperanza Spalding”, Ojeda Ollague & Lina Mishell, Bachelor Thesis, Universidad Católica
de Santiago de Guayaquil, 2018

“Stringing it all together: A study in harmony and counterpoint for solo jazz guitar”, Jeremy Sawkins,
Master Thesis, University of Sydney, 2018

„Experiências de vida e formação como músico e guitarrista : um memorial formativo“, Mauricio Lucas
Silva Peçanha Neves, Universidade de Brasília, 2018

Yudagama, Muhamad Tabah Furqon Hakim. PROSES PENCIPTAAN KARYA MUSIK" I Am Free" Muhamad
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“Composición de dos temas musicales basados en los recursos armónicos y rítmicos de los temas
“Lingus” y “Outlier” del álbum “We Like It Here” del grupo Snarky Puppy”, Icaza Aguilar& Joel Gerardo,
Universidad Católica de Santiago de Guayaquil, 2018

"Standard Jazz Harmony and the Constraints of Hypermeter: Some Thoughts on Regular and Irregular
Repetition", Salley, Keith , and Daniel T. Shanahan. Over and Over: Exploring Repetition in Popular
Music. Ed. Olivier Julien and Christophe Levaux . New York: Bloomsbury Academic, 2018

“In Your Own Sweet Way. A study of tertiary jazzpianists’ individualised approaches topractice and
performance.”, Daniel Anthony Gough, Dissertation, The University of Sydney, 2018

Bäckström, Björn: “Where’s the Melody, Where’s the Harmony?“, Bachelor Thesis, Königliche
Musikhochschule Stockholm, 2019

“A Comprehensive Analysis of Jazz Elements in Nikolai Kapustin’s Violin Sonata Opus 70 and String
Quartet Number 1, Opus 88”, Ching-Hsuan Wang, Dissertation, University of Northern Colorado, 2019

“Chord Language And Theory Of Everything”, Xiaohong Li, ScienceOpen Preprints Journal, 2019

“Chord Painting””, Xiaohong Li, ScienceOpen Preprints Journal, 2019

Chang, Su: „The Development of Thad Jones’ Arranging/Scoring Style: A Comparative Study of Six Works
for Large Jazz Ensemble Comparative Study of Six Works for Large Jazz”, Dissertation, University of
Northern Colorado, 2019

“Automatic chord-scale recognition using harmonic pitch class profiles”, Emir Demirel, Baris Bozkurt,
Xavier SerraU, Proceedings of the 16th Sound & Music Computing Conference, 2019

“Guide-Tone Space: Navigating Voice-Leading Syntax in Tonal Jazz”, Sean R. Smither, Society for Music
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SMITHER, SEAN R. "Flexible Conceptual Maps: A Schema-Based Approach to the Analysis of Jazz Tunes."
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“The Music of Meaning: Essays in Cognitive Semiotics”, Per Aage Brandt with Line Brandt, Ulf Cronquist,
Peter Hanenberg and Austin Bennett, Cambridge Scholars Publishing, 2019
„Le logiciel GTE (Gravitation Tonale Explorer”, Emanuele Di Mauro, Journées d'Informatique Musicale
(JIM 2019), Bayonne, France, 2019

„Tonaaliset ja metriset rakenteet Jazz-improvisaatiossa: korpusanalyysi aikavälin 1925-2001 jazz-


improvisaatioista“, Tammik, Rasmus, Master Thesis, University of Jyväskylä, 2019

„Composición de dos temas inéditos utilizando recursos armónicos, melódicos y rítmicos de Sean Ono
Lennon.“, Montalvo Diaz, Bella Andrea, Bachelor Thesis, Universidad Católica de Santiago de Guayaquil,
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Bäckström, Björn. "Where’s the Melody, Where’s the Harmony?" (Bachelor Thesis), 2020

Badoğlu, Özgür. Bıll Evans Doğaçlamalarında Melodik Ve Armonik Yapı. MS thesis. Sosyal Bilimler
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“All the Things: En studie om att vidareutveckla den improvisatoriska förmågan inom jazzgenren“, Jonas
Björk, Royal College of Music in Stockholm, Department of Music Education.
2021

„Jazzimprovisation på elgitarr“, Carl Nordling, Royal College of Music in Stockholm, Department of Music
Education, 2021

“Analisis Harmoni Lagu Caribbean Dalam Album Spears (1985) Karya Tribal Tech”, Al Idrus, Y. H.
(Doctoral dissertation, Institut Seni Indonesia Yogyakarta), 2021

Santos, João Vital de Araujo. Perspectivas teóricas sobre os Dez Estudos para violão de Radamés
Gnattali: Um olhar para a harmonia. Diss. Universidade de São Paulo, 2021

Paracık, Buğra. Solo caz gitardaki akor melodi yaklaşımının fusion ve sonrası rock stilinde elektrik gitar
icraları üzerine yansımaları. Dissertation, Yıldız Teknik Üniversitesi, 2021.

Mora Rioja, Arturo. "Into the Valley of Death: A Textual and Musical Analysis of Metal Music's
Adaptation, Appropriation, and Quotation of Poetry in English." (2021).

Steinmetz, Uwe. Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical,
Sacred, and Spiritual Jazz in a Postsecular Age. Dissertation, University of Gothenburg 2021

Santo Carvalho, Marília do Espírito, and Sérgio Paulo Ribeiro de Freitas. "Rebeldias e disforias na canção
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Wissenschaftlicher Diskurs in: Shufflebotham, James David. Gravitonicity: towards a model of the
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