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Yvonne Volkart, Kriegszonen: Krper, Identitten und Weiblichkeit in der High-Tech

Industrie, Springerin, Juni-August 1999.

Yvonne Volkart, War Zone: Bodies, Identities and Femininity in the global High-Tech
Industry, n.paradoxa vol. 4 1999.

Rebecca Gordon Nesbit, Manifesta 3, MAKE December 2000.

Yvonne Volkart, Gender matters to Capital, MAKE January 2001.

Jo-Anne Berelowitz, A Journey Shared - Ursula Biemanns Been There and Back to
Nowhere: Gender in Transnational Spaces, Genders, 2001

Fiona Jeffries, Re-presenting the Border Flexopolis: Women as an Accumulation Strategy, 2001

Val Hill, Writing Desire, Feminist Media Studies, Routledge, Vol 1/2, Juli 2001.

Paaloma Blanco, Jesus Carillo, Jordi Claramonte, Marcelo Exposito, Modos de hacer Arte criticio,
esfera publica y accion directa, Ediciones Universidad de Salamanca, 2001.

Edith Krebs, Topografien des globalen Sexhandels, Remote Sensing von Ursula Biemann
an den 37. Solothurner Filmtagen, WOZ 17/01/2002.

Johannes Binotto, In Geografien Denken, In Karlsruhe gekrt: die Zrcherin Ursula Biemann,
Neue Zrcher Zeitung 12/11/2002.

Barbara Basting, Blicke auf die Globalisierung. Die Zrcher Knstlerin Ursula Biemann
untersucht die Folgen der Globalisierung mit Videoessays und als Kuratorin, Tages-Anzeiger,

Neue Karten fr die Welt, Ausstellungsbesprechung von Geografie und die Politik der
Mobilitt, Falter, Wien 4/2003.

Barbara Krnches, Solipsistisches Begehren? - oder wie das Netz sich in die Lust einschreibt,
International Media Art Award, Ausstellungskatalog, ZKM 2003.

Carles Guerra, Despues de la Noticia-postmedia documentary, CCCB, Barcelona, 2003, 41-43

Jrg Bader, Geography and the politics of mobility, art press 289, 2003.

Roland Schny, Kunst als politische Kartografie, skug #54, 3/04/2003.

Paul Domela, Contained Mobility, exhibition catalogue International Biennial Liverpool 2004.

Frontier Capitalism, CULTUREPOLES: City Spaces, Urban Politics & Metropolitan

Theory, McMaster University, Hamilton/CA, February 2004.

Berta Sichel, Document(all) A nonconformist way to tell stories, Argos Festival 2004, 75-76.

Patricia Mayayo, Gender and Globalisation: Artists on the Border, Artecontexto no 8, 2005.

Anna MacDonald, Territories of Desire, Unquiet World, Australian Center for Contemporary
Art, 2006.

Pamela Allara, Geobodies: Feminist Activists Crossing Borders, New Feminism; worlds of
feminism, queer and networking conditions. Hsg. Marina Grzinic and Rosa Reitsamer, Locker
Verlag, Vienna, 2007.

Brian Holmes, Gographie diffrentielle B-Zone : devenir-Europe et au-del, Multitude

28, 2007.

Brian Holmes, The Maghreb Connection, nettime,

nettime-l-0612/msg00047.html, 23/12/06.

Battiston Giuliano, Invisibili in viaggio verso la fortezza Europa the Maghreb Connection.
Manifesto, Mai 3, 2007.

Isabel Tjada, Transitory Existences. Maghreb Connection, Townhouse, El Cairo,

Artecontexto, Issue 13, 2007.

Lisa Kaaki, The Maghreb Connection, Arab News, 07/12/06.

Yvonne Volkart, Fluide Subjekte Anpassung und Widerspenstigkeit in der Medienkunst,

transcript Verlag, Bielefeld 2006, 222-226.

Timeto, Federica. Controgeografie della mobilit: i video-saggi di Ursula Biemann, Sept 2006.

Rossella Sordilli, Passaggi di confine,, Mai 2007.

Ginette Verstraete, Womens resistance strategies in a high-tech multicultural Europe.

Transnational Feminism in Film and Media, hsg. Katarzyna Marciniak u.a., New York: Palgrave,
chapter 6.

Mieke Bal, Double Movement, 2move migratory aesthetics, Centro Parraga, Murcia/ES.

Charlotte Garzon, Gographies physiques. Dcouverte au 18me FID Marseille, Cahier du

Cinema, Juli-August 2007, 62.

Sharon Lin Tay, On the Edges of Geopolitics: Sexual Difference in Ursula Biemanns
Video Essays, Women on the Edge, Palgrave, 2008.

Sharon Lin Tay, Bodily Traces in Digital Encounters: Materializing Virtualities for the Political
Documentary, Afterimage, Vol. 36. No 4, 2009, 20-22.
Maria Rosa Sossai, Oltre i confini, Cinema dartista, hsg. Silvana Editoriale, Milano, 2008.

Julio Brotti, Nei mieu video i volti della globalizzazione. La Swizzera Ursula Biemann
arriva a Bergamo con i lavori dedicati alle terre di confini. LEco di Bergamo, 24/10/2007.

Silvano Manganaro, La Fronteiera non e un muro/The Border is not a Wall DROME 11,
Arts/Culture/Visions, November 2007, 42-45.

Andrew Pendakis, Disparities of Flatness: Ursula Biemann's Mission Reports, nettime, 6. Mrz,

Miguel A. Hernndez-Navarro, Contradictions in Time-Space, The Global Art World, eds.

Hands Belting und Andrea Buddensieg, Hatje Cantz, 2009, 147-151.

Nermin Saybasili, Desiring Production Across Border, Third Text, Special Issue A Vision of the
Future - 100th Anniversary, 2009.

Angela Dimitrakaki, The Global Imperative: Art History, Method and Political Subjectivities Today,
Art & Criticism published by Greek branch of AICA, Athen, April 2009.

Federica Timeto, Tracing Womens Routes in a Transnational Scenario: The Video-

Cartographies of Ursula Biemann, Transcultural Mediations and Transnational Politics of
Difference, Feminist Media Studies, Issue 4, November 2009.

Edith Krebs, Ursula BiemannFeldforschungen in transnationalen Zonen, Kunstbulletin

September 2009.

Snke Gau, Ursula Biemann Videogeografien, Camera Austria Nr. 108, 2009.

Mark Godfrey, TJ Demos, Eyal Weizman, Ayesha Hameed, Rights of Passage, Tate Etc, Nr.
19, Sommer 2010, 160-169.

Miguel A. Hernndez-Navarro, Ursula Biemann, 100 Video Artists, Exit Publishers, engl./esp.
2010, 102-105.

Ada Sbriccoli, Ursula Biemann, X-Mission, La Memoria del Otro, Museo de Arte, Universidad
de Colombia, Bogota, 2010, 49-65.

Ada Sbriccoli, Ursula Biemann, X-Mission, La Memoria del Otro, Museo Nacional de Bellas
Artes, Santiago de Chile, 2010, 73-90.

Barbara Mennel, The Global Elsewhere: Ursula Biemanns Multimedia Countergeography,

The Collapse of the Conventional: German Film and its Politics at the Turn of the New Century,
hsg. Jaimey Fisher und Brad Prager, Wayne State University Press, 2010, 133-159.

Andre Stefan Weiner, The Shapes I Remember from Maps: Tracking the New Geographies, X-
Tra Volume 13 Nr. 2 Winter 2010, 4-23.

Flows of Capital-The video essay in contemporary art, hsg. Amy Charlesworth und Judith Bodor,
East Street Art, 2010.

Anna Vincenza Nufrio, Territori di frontiera. Metodi e tecniche per lo studio, Intervista a Ursula Biemann,
Europa. Il Margine indistinto, No Mad// Yuzu Lab, 2010.

Brian Holmes, Do Containers Dream of Electric People Open Cahier, NAi publishers und
SKOR | Foundation on Art and Public Domain, 2011

Chi-hui Yang, Documentary, Other Spaces and the Infrastructural Migration Route: Rithy
Panh & Ursula Biemann, 2011

Janet C. Stewart, Making Globalization Visible? The Oil Assemblage, the Work of Sociology
and the Work of Art, Cultural Sociology, 2011.

Paulina Varas Alarcn, Ursula Biemann / Sahara Chronicle, Dislocacin. Kulturelle Verortung in
Zeiten der Globalisierung/Cultural Location and Identity in Times of Globalization, Hsg.
Kunstmuseum Bern, Ingrid Wildi Merino, Kathleen Bhler, bei Hatje Cantz, Deutsch/Englisch,
2011, 78-87.

Wilma Renfordt, Ursula Biemann: Wasservideos, Klima Kunst Forschung, eds. Friedrich von
Borries, Christian Hiller, Wilma Renfordt, Merve Verlag, Berlin, 2011, 32-41.

Pamela M. Lee, Forgetting the Art World - Globalization and Contemporary Art, MIT University
Press, 2011.

Anna-Lena Wenzel, Grenzberschreitungen in der Gegenwartskunst. sthetische und philosophische

Positionen, transcript Verlag, 2011, 133-139.

Maja and Reuben Fowkes, Art and Sustainability, in A Teachers Guide to Sustainability, eds.
Joy Murray, Common Ground: Sydney, 2011

Hanna Musiol Transnational Labor and Aesthetic Theory in Ursula Biemanns Geobodies Video
Essays. Special issue, Contemporary Labor and Cultural Exchange, Working USA: Journal of Labor
and Society, ed. Polina Kroik, 2012.

TJ Demos, Videos Migrant Geography: Ursula Biemanns Sahara Chronicle The Migrant Image
The Art and Politics of Documentary during Global Crisis, Duke University Press Durham &
London, 2013

Anthony Downey, Exemplary Subjects: Camps and the Politics of Representation in "Giorgio
Agamben: Legal, Political and Philosophical Potentialities", ed. Tom Frost (Routledge, 2013).

Claudia Wahjudi, Die Grenzreisende, exhibition review n.b.k., Zitty 6-2013

Sukhdev Sandhu, Liquid Assets Swiss avant-gazeteer Ursula Biemanns installation about the Sahara
sits alongside other recent work about the politics of water, Sight & Sound, London, May 2013

Lara Pawson, supcoming special issue on artistic research, Freeze Magazine, Summer 2013.