Beruflich Dokumente
Kultur Dokumente
Alma Mahler
Arvo Pärt
Drei frühe Lieder
für sechs- bis zehnstimmigen Chor Drei Hirtenkinder
transkribiert von Clytus Gottwald (2009)
aus Fátima
für gemischten Chor a cappella
Missa brevis in a
Lieder aus der Kindheit ist eine Sammlung von Stücken für Kinder, die Pärt in den Jahren 1956 bis
1970 schrieb. Während dieser Zeit war er als Komponist und Klavierbegleiter in Kindertheatern und
Kindergruppen aktiv. Die meisten für gemischten
Werke, Chor schuf,
die Pärt für Kinder SSATBentstanden
a cappellain unmittelbarer
Improvisation während der Gesangs- oder Schauspielproben und wurden erst später fertiggestellt und UE 34 957 Chorpartitur
Universal Edition
auf Notenpapier gebracht. So geben die Lieder jene spontane und spielerische Stimmung, in der sie
entstanden sind, wieder.
Dem Notenalbum ist eine CD beigefügt, auf der farbenreiche Instrumentalarrangements dieser UE 36 448 Chorpartitur
Universal Edition
Lieder, die vom Komponisten Tauno Aints zusammen mit Arvo Pärt gesetzt wurden, zu hören sind.
Diese Arrangements wurden zusätzlich auch rein instrumental aufgenommen, um sie als Sing-Alongs
abspielen zu können.
I Saw Three Ships Arvo Pärt is a composer best known for his tintinnabuli compositions. It is a lesser-known fact that in
arranged for mixed choir a cappella his earlier years as a composer, he also wrote children’s songs and piano pieces along with music for
plays and animated films.
by George Arthur This volume, Songs from Childhood, contains a selection of Arvo Pärt’s music for children from the
period 1956–1970. In those years he was involved with several children’s studios and theatres as the
piano accompanist and composer. Most of his music for children came about by way of improvisation Lieder aus der Kindheit Arvo Pärt
in rehearsals and was only later completed and put on paper. These pieces therefore retain all the
Universal Edition
Arvo Pärt
CD
Magnificat
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für gemischten Chor a cappella (1989)
UE 21 717 UE 36 693
Universal Edition
ISMN 979-0-008-08678-6 UPC ISBN 978-3-7024-7348-8
UE 33 718 Chorpartitur
Universal Edition
Max Beckschäfer
Anton Webern
Im Sommerwind
für 16-stimmigen gemischten Chor
transkribiert von Clytus Gottwald
UE 37 126
Universal Edition
UE 36 618 Chorpartitur
Universal Edition
Universal Edition
www.universaledition.com
Universal Edition
CHORAL MUSIC
George Arthur
Béla Bartók
Max Beckschäfer
Luciano Berio
Zoltán Kodály
Arvo Pärt
Johannes Steiner...
Contents
2. Index by genre
Mixed choir a cappella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 – 43
Mixed choir and instrument(s) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 – 45
Men’s choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Men’s choir and instrument(s) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Youth, women’s, and children’s choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 – 47
Choir and orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 – 48
Magni���
• Da pacem Domine • Fratres • Spiegel im Spiegel • Salve Regina
• Bogoróditse Djévo • Für Anna Maria • Summa • Nunc dimittis • Für Alina •
Morning Star • Te Deum • Variation for the Healing of Arinuschka • Tabula
rasa • In principio • Adam‘s Lament • The Beatitudes • Solfeggio • L‘Abbé
Agathon • Vater unser • Berliner Messe • Stabat Mater • Veni creator
ARVO PÄRT
1
➢ This catalogue contains all choral works available from Universal Edition up to October 2017
➢ There is a minimum order of 10 copies for choral scores and parts available for sale.
Instrumental material may be sold in quantities according to orchestral requirements:
Choral scores bearing the ‘photocopying ban’ stamp are invoiced by and available from your music retailer.
➢ Hire material is only available from UE and its representatives.
Please see our website: www.universaledition.com/licensing-and-clearing
➢ Information in this catalogue was as accurate as possible at the time the catalogue went to press.
Publications are supplied subject to availability.
➢ Abbreviations
S – soprano Mez – mezzo-soprano
A – alto Bar – baritone
T – tenor B – bass Ct – Countertenor
( ) alternative vocal arrangements music sample on page i Pieces For Christmas season
➢ Ban on photocopying of sheet music
Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.
To photocopy is to deprive composers and authors of their rightful income for their intellectual property.
2
Composer Index
3
Composer Index
5
Composer Index
6
Composer Index
Bennett Richard Rodney (1936–2012) The Insect World - Die Welt der Insekten
All the King’s Men 4 Songs
Childrens Opera The Insect World (Das Insektenvolk) · The Fly (Die
For voices, choir (SATB) and orchestra Fliege) · Glow-worms (Glühwürmchen) · Clock - a - clay
Piano reduction · English (Marienkäfer)
UE14661 ISMN 979-0-008-04765-7 For choir (unisono) and piano
Choral score · English Text: Marvel Andrew, Clare John, Oldys William
UE14665A ISMN 979-0-008-07565-0 Separate part · English
Performance material available on hire UE14167A ISMN 979-0-008-07047-1
Piano score · German, English
The Aviary - Das Vogelhaus UE14167 ISMN 979-0-008-04702-2
5 Songs
For choir (unisono) and piano
Separate part · German, English
Out of Your Sleep i
5 Carols No. 2
UE14168A ISMN 979-0-008-06487-6 For (SATB) soloists or choir
Piano score · German, English Vocal score · English
UE14168 ISMN 979-0-008-04701-5 UE14011 ISMN 979-0-008-04688-9
The Bermudas
For choir STB and school orchester Poor Intricated Soule
Text: Marvel Andrew Devotions No. 3
Piano reduction · English For soprano and choir (SATB)
UE15485 ISMN 979-0-008-07092-1 Vocal score · English
Performance material available on hire UE15532 ISMN 979-0-008-04556-1
i
The Seasons of his Mercies
5 Carols Devotions No. 4
There is No Rose (Anonymus) · Out of Your Sleep For soprano, choir (SATB)
(15. Jh.) · That Younge Child (Anonymus) · Sweet was Choral score · English
the Song (William Ballett - 17. Jh.) · Susanni (14. Jh.)
UE15533 ISMN 979-0-008-04557-8
For (SATB) soloists or choir
Vocal score · English
A Statue of Snowe
UE19157 ISMN 979-0-008-06135-6
Devotions No. 1
Epithalamion For soprano and choir (SATB)
For choir (SATB) and orchestra Vocal score · English
Text: Herrick Robert UE15530 ISMN 979-0-008-04554-7
i
Piano reduction · English
UE14201 ISMN 979-0-008-04706-0 Susanni
Performance material available on hire 5 Carols No. 5
For (SATB) soloists or choir
A Flower at Sun-rising Vocal score · English
Devotions No. 2 UE14014 ISMN 979-0-008-04691-9
For soprano, SAT choir and piano
Choral score · English
UE15531 ISMN 979-0-008-04555-4
Sweet was the song i
5 Carols No. 4
Flower Carol For (SATB) soloists or choir
2 Carols No. 1 Vocal score · English
For soprano, alto, tenor and bass soloists and choir UE14013 ISMN 979-0-008-04690-2
i
(SATB) Vocal score · English
UE14657 ISMN 979-0-008-04370-3 That younge Child
5 Carols No. 3
From needing danger to be good For (SATB) soloists or choir
Verses No. 2 Vocal score · English
For mixed choir (SATB) UE14012 ISMN 979-0-008-04689-6
Text: Donne John
Choral score · English
UE14150 ISMN 979-0-008-04693-3 There is no rose i
5 Carols No. 1
Heare us For (SATB) soloists or choir
Verses No. 3 Vocal score · English
For mixed choir (SATB) UE14010 ISMN 979-0-008-04687-2
Text: Donne John Through thy submitting all
Choral score · English Verses No. 1
UE14160 ISMN 979-0-008-04694-0 For mixed choir (SATB)
Text: Donne John
Choral score · English
UE14159 ISMN 979-0-008-04692-6
7
Composer Index
Meridian
Traumgekrönt For mezzo soprano, choir SSS/ SSS (slightly increased)
From: Sieben frühe Lieder and instruments
For choir 4S4A4T4B Text: Logue Christopher, Wyatt Thomas
Editor: Clytus Gottwald Score · English
Text: Rainer Maria Rilke UE15428 ISMN 979-0-008-04414-4
Choral score Performance material available on hire
UE33010 ISMN 979-0-008-07664-0
On the sheer threshold of the night
For soli: soprano, alto (Ct), tenor, bass soloists, triple
Berio Luciano (1925–2003) choir (SATB)
Canticum novissimi testamenti Text: Boethius
For 8 voices 2S2A2T2B, 4 clarinets and saxophone Vocal score · Latin
quartet UE16410 ISMN 979-0-008-04321-5
Text: Sanguineti Edoardo
Score · Italian
UE34819 ISMN 979-0-008-08411-9
Performance material available on hire
Boulez Pierre (1925–2016)
Cummings ist der Dichter
Coro For soli: 4 soprano, 4 alto, 4 tenor, 4 bass soloists,
For choir 10S,10A,10T,10B and orchestra (SATB) choir (in 48 parts) and instruments
Text: Neruda Pablo, etc. Text: Cummings E. E.
Score Score · English
UE15044 ISMN 979-0-008-02661-4 UE30503 ISMN 979-0-008-02504-4
Performance material available on hire Choral score · English
UE18638 ISMN 979-0-008-02503-7
Cries of London Performance material available on hire
For 8 voices, choir SSAATTBB
Text: Berio Luciano
Choral score · English
UE16828 ISMN 979-0-008-01401-7
8
Composer Index
Grosse Messe No. 3 – Grand Mass No. 3 F minor Nichtigkeit ist alles
For soli: soprano, alto, tenor and bass soloists, choir For mixed choir (SATB)
(SATB) and orchestra Choral score · German
Piano reduction · Latin UE30276 ISMN 979-0-008-05628-4
UE2901 ISMN 979-0-008-01701-8
Performance material available on hire
Charpentier Marc-Antoine (1634–1704)
Mitternacht – Midnight A flat major Laudate Dominum
For tenor soloist, TTBB choir and piano For soli: mixed choir (SSAATTBB), 2 instrumental
Text: Mendelssohn J. ensembles and basso continuo
Piano score · German Editor: Hitchcock H. Wiley
UE2920 ISMN 979-0-008-02854-0 Score · Latin
UE25154 ISMN 979-0-008-06502-6
Offertorium F major Piano reduction · Latin
”Afferentur regi” UE25157 ISMN 979-0-008-08066-1
For choir (SATB) and 3 trombones (organ) Choral score · German
Editor: Wöss Josef Venantius von UE 25155 ISMN 979-0-008-07523-0
Choral score · Latin Vocal part
UE4978 ISMN 979-0-008-02852-6 UE25156 ISMN 979-0-008-06733-4
Separate part: V 1/ Fl 1/ Coro 1
Der 150. Psalm C major
UE25156A ISMN 979-0-008-07253-6
For soprano, choir (SATB) and orchestra
Separate part: V2 / Coro 1
Piano reduction · German
UE25156B ISMN 979-0-008-07254-3
UE2909 ISMN 979-0-008-01700-1
Separate part: Va / Coro1
Performance material available on hire
UE25156C ISMN 979-0-008-07255-0
Separate part: Vc / Coro 1
UE25156D ISMN 979-0-008-07256-7
9
Composer Index
Separate part: Vl 1/ Fl 1 / Coro 2 · Der Engel (The Angel) · An die Hirten (The Shepherds)
UE25156E ISMN 979-0-008-07257-4 · Hirtentanz (Shepherd’s Dance) · Krippenlied (Song by
Separate part: V2/ Coro2 the Manger) · Wiegenlied (Lullaby) · Alleluja (Alleluia)
UE25156F ISMN 979-0-008-07258-1 For choir SSA, Sprecher, Solisten and instrumental
Separate part: Va / Coro 2 ensemble
UE25156G ISMN 979-0-008-07259-8 Score · German, English
Separate part: Vc / Coro 2 UE14316E ISMN 979-0-008-02881-6
UE25156H ISMN 979-0-008-07260-4 Choral score · German, English
Separate part: Continuo UE14318 ISMN 979-0-008-02925-7
UE25156I ISMN 979-0-008-07261-1 Separate part: sopranoblockflöte 1
UE14317A ISMN 979-0-008-02926-4
Te Deum Separate part: sopranoblockflöte 2
For soli: For 2 soprano, alto, tenor and bass soloists, UE14317B ISMN 979-0-008-02927-1
choir (SATB) and orchestra Separate part: altoblockflöte
Editor: Kolneder Walter UE14317C ISMN 979-0-008-02928-8
Score · Latin Separate part: violin 1
UE12780 ISMN 979-0-008-02579-2 UE14317D ISMN 979-0-008-02929-5
Pocket score · Latin Separate part: violin 2
PH604 ISMN 979-0-008-02182-4 UE14317E ISMN 979-0-008-02930-1
Piano reduction · Latin Separate part: Violoncello
UE25152 ISMN 979-0-008-08020-3 UE14317F ISMN 979-0-008-02931-8
Choral score · Latin Separate part: Gitarre
UE12779 ISMN 979-0-008-03018-5 UE14317G ISMN 979-0-008-02932-5
Separate part: violin 1 Separate part: Piano
UE12781A ISMN 979-0-008-03019-2 UE14317H ISMN 979-0-008-02933-2
Separate part: violin 2
UE12781B ISMN 979-0-008-05855-4
Separate part: Viola
UE12781C ISMN 979-0-008-03021-5
12 Deutsche geistliche Gesänge i
Volume 1
Separate part: Violoncello / Kontrabass
Adventlied (G. Weissel) · Adventlied (J. Tauter v.
UE12781D/E ISMN 979-0-008-03022-2
Strassburg) · In dulci jubilo (XIV century) ·
Wind set
Weihnachtslied (1697) · Weihnachtslied (“Ein alt Christ-
UE12781 ISMN 979-0-008-03131-1
Metten-Liedlein”, XIV century)
For choir (SATB) (4–8stimmig)
Editor: Reger Max
Choral Music for the School Choral score · German
Special edition from the ”Red Series”– In variable
UE1478 ISMN 979-0-008-02755-0
movements according to mixed or equal voices
UE20501 ISMN 979-0-008-07238-3 Volume 2
Neujahrslied (J.H. Schein) · Die sieben Worte Jesu (XV
• Folk songs from Switzerland, Franche, Spain, century) · Ein alt‘ Lob- und Freudenlied
Portugal, Austria, Scottland, England, Iceland, Denmark, For choir (SATB) (4 bis 8 stimmig)
North America and East of Europe Editor: Reger Max
• Songs from the 15th–18th century by C. Monteverdi, Choral score · German
M. Praetorius, J.J. Fux, J. Haydn, W.A. Mozart, L. van UE1479 ISMN 979-0-008-02756-7
Beethoven, C.M. Weber, F. Schubert, R. Schumann
• From our own century by B. Bartók, Z. Kodály, H.
Eisler, C. Bresgen, F. Neumann, H. Gattermeyer, H. Dürr Joannes Martin (1931–1997)
Kratochwil, G.Schwertberger, etc. Die Kathedrale
Hymn Symphony
• As well as works by contemporary composers like H. Adyton · Ikonostase · Tympanon · Tetramorph
Darmstadt, R.M. Schafer, H.C. Schaper, etc. For speaker, boys choir, choir (SATB) as well as large
orchestra and organ
Text: Kreuz Johannes vom, Pythagoras , Rotter Hans,
Contilli Gino (1907–1978) Wilder Thornton
3 Cori sacri per l’ufficio della Settimana Santa Score
For mixed choir (SATB) UE13988 ISMN 979-0-008-07042-6
Choral score · Latin Score part 1 and 2 – Performance material available on
UE12135 ISMN 979-0-008-03029-1 hire
11
Composer Index
● call & response exercises (using the enclosed CD) Haselböck Martin (*1954)
● exercises using body and vocal percussion. Konradmesse
●
special rhythmic sing and play-alongs to reinforce For 3 voices SAB (choir (SATB) ad lib.),
newly acquired skills 2 percussions and organ
●
a 5min daily rhythm workout and rhythm training plan Score and voices · German, Latin
UE32347 ISMN 979-0-008-07665-7 UE30451 ISMN 979-0-008-05807-3
Choral score · German, Latin
Vocal Percussion – english version with CD UE30452 ISMN 979-0-008-06586-6
Vocal Percussion is a totally innovative concept.
With the vocalisation of drum-set sounds, Richard Filz Madrigalmesse
has created a comprehensive workshop, where the For children‘s choir, flute, oboe, bassoon and string
rhythms produced by the voice can serve as quintet (organ)
accompaniment to singers and instrumentalists. The Organ score · Latin
Vocal Percussion workshop is a great ”rhythm UE17076 ISMN 979-0-008-01741-4
work-out” for singers and all other musicians! Performance material available on hire
Volume 1 – drums ’n’ voice with CD
UE32350E ISMN 979-0-008-06825-6 Madrigalmesse
Volume 2 – latin with CD For children‘s choir and organ
UE32341E ISMN 979-0-008-06659-7 Organ score · Latin
UE17076 ISMN 979-0-008-01741-4
13
Composer Index
14
Composer Index
Hallelujah
Unstete Liebe – Inconstant Love Page 54
For choir 3 versions: a) 4 part (SATB) singing choir b) 8
3 male choruses on folk poems
part speaking choir c) both choirs together
For men‘s choir TTBB
Score
Choral score · German, Czech
UE14913 ISMN 979-0-008-01606-6
UE16781 ISMN 979-0-008-02820-5
Performance material available on hire
Veni sancte spiritus
Improvisation ajoutée
For men‘s choir TTBB
For organ and 3 part choir ad lib.
Choral score · Latin
Score
UE16780 ISMN 979-0-008-02815-1
UE18565 ISMN 979-0-008-04155-6
Die Mutation
Jenkins David; Visocchi Mark No. 6 from ”Programm, Gespräche mit Kammermusik”
Easy mix ‘n’ - Match For TB choir (SA) 30 voices in speech and singing
Instant part singing for juniors divided with obbligato piano
For 1 or 2 part choir, percussion ad lib. and piano Piano score · German
Score · English UE15605 ISMN 979-0-008-04439-7
UE17953 ISMN 979-0-008-04063-4 Performance material available on hire
Set with 10 copies
UE17953A ISMN 979-0-008-07173-7 Parkett
No. 9 from ”Staatstheater”
Mix ‘n’ Match For 10 to 76 participants – Concertante crowd scene
Instant part singing for juniors Score
For 1 and 2 part choir, school instruments and piano ad UE15768 ISMN 979-0-008-02715-4
lib.
Vocal score · English Saison
UE16136 ISMN 979-0-008-07116-4 No. 5 aus ”Staatstheater”
Vocal score · German For choir (SATB) 16 - 76 voices
UE20515 ISMN 979-0-008-07244-4 Score
UE15764 ISMN 979-0-008-02711-6
Johnston David
3 Black Spirituals Kaminski Heinrich (1886-1946)
For choir SMSA and instrumental ensemble
Score · English
Geistliche Chöre – Sacred Choruses Vol. 1 i
Maria durch ein Dornenwald ging (Volkslied vor 1850) ·
UE16965 ISMN 979-0-008-02804-5 Maria und die arme Seele an der Himmelstür
Choral score · English (Süddeutsches Volkslied vor 1843) · Joseph, lieber
UE16967 ISMN 979-0-008-07144-7 Joseph mein (Volkslied vor 1400)
Vocal part For mixed choir (SATB) a cappella
UE16966 ISMN 979-0-008-02806-9 Choral score · German
UE1517 ISMN 979-0-008-02746-8
15
Composer Index
Dreikönigstag
Kodály Zoltán (1882–1967) For choir SA
Abend (Evening) · Este Choral score · German
For mixed choir (SATB) UE10754A ISMN 979-0-008-07563-6
Text: Gyulai Paul
Choral score · German, Hungarian
Christmasdance of the Shepherds i
(Weihnachtstanz der Hirten)
UE1135A ISMN 979-0-008-02772-7
For choir SA and wind instrument
Choral score · English
Choral score · English
UE1135 ISMN 979-0-008-06874-4
UE10878 ISMN 979-0-008-06324-4
Choral score · German
”Ach, könnt’ ich sterben nur –
UE10878A ISMN 979-0-008-05915-5
‘Meghalok, meghalok’”
For soli: soprano, 3 alto and choir SSAA
Das Häschen (The Leveret)
Choral score · German, English, Hungarian
For choir SA
UE13630 ISMN 979-0-008-02875-5
Choral score · German
UE10753A ISMN 979-0-008-06964-2
Ave Maria
Choral score · English
For female choir (SSA)
UE10753 ISMN 979-0-008-06965-9
Choral score · Latin
UE34370 ISMN: 979-0-008-08032-6
Jesus and the Traders (Jesus und die Krämer)
For mixed choir (SATB)
The Aged (Die Alten)
Choral score · English
For mixed choir (SATB)
UE10739 ISMN 979-0-008-06313-8
Text: Weöres Sándor
Choral score · German, Hungarian
Choral score · English
UE30123 ISMN 979-0-008-02821-2
UE10696 ISMN 979-0-008-06961-1
revised version
Choral score · German
UE10696A ISMN 979-0-008-06962-8 Jesus kündet sich
For choir SSAA
i
Die Engel und die Hirten
Choral score · German, Hungarian
The Angels and the Shepherds
UE8502 ISMN 979-0-008-03075-8
For choir SSA
Choral score · English Morgengruss
UE10755 ISMN 979-0-008-05583-6 For mixed choir (SATB)
Choral score · German Choral score · German, Hungarian
UE10755A ISMN 979-0-008-05565-2 UE10444 ISMN 979-0-008-06212-4
16
Composer Index
Pange lingua D flat major Choral score · Latin
For choir (SATB) and organ UE10849A ISMN 979-0-008-05582-9
Choral score · Latin Performance material available on hire
UE17146 ISMN 979-0-008-02809-0
Organ score · Latin Too Late (Zu spät)
UE7941 ISMN 979-0-008-01718-6 For mixed choir (SATB)
Text: Ady Endre
Psalmus Hungaricus op. 13 Choral score · English
Der 55. Psalm UE10695 ISMN 979-0-008-06960-4
For tenor soloist, choir (SATB), children‘s choir (ad lib.) Choral score · German
and orchestra UE10695A ISMN 979-0-008-06959-8
Pocket score · German, English, Hungarian
PH538 ISMN 979-0-008-05798-4 Topfen der Zigeuner kaut
Piano reduction · German, English, Hungarian Hungarian folk and children‘s song
UE30360 ISMN 979-0-008-06755-6 For choir SSAA
Choral score · German, English, Hungarian Choral score · German, Hungarian
UE30361 ISMN 979-0-008-05806-6 UE8479B ISMN 979-0-008-03073-4
Faksimile - Score For mixed choir (SATB)
UE40100 ISMN 979-0-008-07416-5 Choral score · German, Hungarian
Performance material available on hire UE18390 ISMN 979-0-008-02831-1
Die Ruine (The Ruins) Trinklied (Bordal) · Drinking Song Page 54
For choir TBarB From ”2 male choruses”
Text: Kölcsey For men‘s choir TTBB
Choral score · German Choral score · German, Hungarian
UE10877A ISMN 979-0-008-03112-0 UE32368 ISMN 979-0-008-06599-6
Choral score · English Choral score · English
UE10877 ISMN 979-0-008-07564-3 UE7445A ISMN 979-0-008-03049-9
Voix de nuits (The Ruins) Zechergesang (Mulató gajd · Tavern Song)
Choral score · French For ”2 male choruses”
UE10877B ISMN 979-0-008-03111-3 For men‘s choir TTBB
Choral score · German, Hungarian
Spinnstube (Székely Fonó ) UE32364 ISMN 979-0-008-06598-9
Dramatic picture of life in Transylvania (on folkloric Choral score · English
texts) UE 7445B ISMN M-008-03050-5
For soli: soprano, 2 alto, tenor, 2 baritone, women‘s
and men‘s choir, dancers and orchestra Zwei Volkslieder aus der Zoborgegend
Choral score · German, English, Hungarian Meghalok, meghalok (Ach könnt’ ich sterben) · Piros
UE30992 ISMN 979-0-008-05799-1 alma mosolyog (Blühend lacht vom Hügel her)
Revised version by Richard Bletschacher - Performance For soli: 3 soprano, 3 alto and choir SSAA
material available on hire Choral score · German, Hungarian
UE7447 ISMN 979-0-008-03066-6
Strohhans
Hungarian folk and children‘s song
For choir SSAA Kratochwil Heinz (1933–1995)
Choral score · German, Hungarian Klangstudie op. 63
UE8479A ISMN 979-0-008-03074-1 For choir (SATB) (children‘s/men‘s choir) and
instruments
Székeler Klage – Transylvanian Lament
Editor: Blasl Franz
For mixed choir (SATB)
Score · German
Choral score · German
UE20020 ISMN 979-0-008-03970-6
UE10757A ISMN 979-0-008-06967-3
Vocal part: winds/strings
Choral score · English
UE20A020 ISMN 979-0-008-07433-2
UE10757 ISMN 979-0-008-06968-0
Vocal part: piano/drums
Tantum ergo I – V UE20B020 ISMN 979-0-008-07435-6
For choir SA and organ (Harmonium)
Organ score · Latin Zaubersprüche op. 78
UE10487 ISMN 979-0-008-06576-7 For choir in variable voices
Editor: Blasl Franz
Te Deum Choral score · German
For soli: soprano, alto, tenor, bass, choir (SATB) and UE20053 ISMN 979-0-008-03888-4
orchestra
Pocket score · Latin
PH276 ISMN 979-0-008-02073-5
Piano reduction · Latin
UE10849 ISMN 979-0-008-01739-1
17
Composer Index
Die Jahreszeiten – The seasons op. 35 i Ich bin der Welt abhanden gekommen E flat major
4 little choruses For choir 4S4A4T4B
Der Frühling / Spring · Der Sommer / Summer · Der Editor: Gottwald Clytus Page 53
Herbst / Autumn · Der Winter / Winter Text: Rückert Friedrich
For mixed choir (SATB) Choral score · German
Text: Hölderlin Friedrich UE18105 ISMN 979-0-008-02829-8
Choral score · German, English
UE8392 ISMN 979-0-008-03072-7 5 Lieder nach Texten von Friedrich Rückert
Blicke mir nicht in die Lieder! · Ich atmet’ einen linden
Kantate von der Vergänglichkeit des Irdischen Duft · Um Mitternacht · Ich bin der Welt abhanden
op. 72 – After old lyrics gekommen · Liebst du um Schönheit
For soprano, choir (SATB) and piano For solo voice and orchestra, arranged for choir (SATB)
Text: Fleming P., Gryphius A., Klaj J., Opitz M. and piano
Score · German Editor: Carlo Marenco
UE10374 ISMN 979-0-008-03121-2 Piano score
UE34728 ISMN 979-0-008-08268-9
Kubelik Rafael (1914–1996)
Libera nos Das klagende Lied – Song of Lamentation
For choir (SATB), children‘s and speaking choir, Original version 1880 in 3 movements – According to
orchestra the text of the critical complete edition
Study score · Latin Waldmärchen · Der Spielmann · Hochzeitsstück
UE13661 ISMN 979-0-008-02409-2 For soli: soprano, alto, tenor, baritone, boy soprano and
Performance material available on hire
18
Composer Index
alto, choir (SATB), large orchestra and offstage UE13822 ISMN 979-0-008-02432-0
instrument part Study score
Editor: Kubik Reinhold UE34316 ISMN 979-0-008-08121-7
Text: Mahler Gustav Pocket score
Full score PH468 ISMN 979-0-008-02313-2
UE34715 ISMN 979-0-008-08154-5 Choral score · German, English
Score UE2942 ISMN 979-0-008-02861-8
UE33891 ISMN 979-0-008-08358-7 Performance material available on hire”
Study score
UE34801 ISMN 979-0-008-08155-2 Symphonie No. 8 E flat major
Piano reduction ”Symphonie der Tausend”
UE30424 ISMN 979-0-008-05983-4 According to the text of the critical complete edition
Choral score For soli: soli, boys‘ choir, 2 mixed choirs (SATB) and
UE30425 ISMN 979-0-008-08320-4 orchestra
Performance material available on hire Editor: Füssl Karl Heinz
Text: Goethe Johann Wolfgang von,
Hrabanus Maurus
Revised version 1899 in 2 movements – According to
Full score
the text of the critical complete edition
UE34318 ISMN 979-0-008-08147-7
For soli: soprano, alto, tenor, boy alto (ad lib.), choir
Study score
(SATB), large orchestra and offstage instrument part
UE34316 ISMN 979-0-008-08121-7
Editor: Stephan Rudolf
Score · German, Latin
Text: Mahler Gustav
UE13824 ISMN 979-0-008-02436-8
Full score
Pocket score · German, Latin
UE34716 ISMN 979-0-008-08156-9 PH490 ISMN 979-0-008-03136-6
Score · German Piano reduction · German, Latin
UE16814 ISMN 979-0-008-02453-5 UE2660 ISMN 979-0-008-01702-5
Study score
Choral score · German, Latin
UE34802 ISMN 979-0-008-08157-6 UE2660A ISMN 979-0-008-05557-7
Pocket score · German Choral score: edition for boys‘ choir · Latin
PH502 ISMN 979-0-008-02213-5 UE2661E ISMN 979-0-008-02753-6
Piano reduction · German Choral part: soprano · German, Latin
UE1694 ISMN 979-0-008-01703-2 UE2661A ISMN 979-0-008-02749-9
Performance material available on hire Choral part: alto · German, Latin
UE2661B ISMN 979-0-008-02750-5
Scheiden und Meiden Choral part: tenor · German, Latin
For 2 five-part choirs (SATBarB) UE2661C ISMN 979-0-008-02751-2
Editor: Gottwald Clytus Choral part: bass · German, Latin
Choral score · German UE2661D ISMN 979-0-008-02752-9
UE32668 ISMN 979-0-008-06796-9 Performance material available on hire
after the lyrics From ”Des Knaben Wanderhorn”
Symphonie No. 2 C minor Um Mitternacht b Minor
”Auferstehungssymphonie” Text: Friedrich Rückert
According to the text of the critical complete edition For choir SSAATTBBB
For soprano, alto, choir (SATB) and orchestra Editor: Clytus Gottwald
Editor: Stark-Voit Renate; Kaplan Gilbert Text: Friedrich Rückert
Full score (score and text volume) Choral score
UE34708 ISMN 979-0-008-08319-8 UE34684 ISMN 979-0-008-08084-5
Score (score and text volume) – Complete Edition
UE33882 ISMN 979-0-008-07949-8 Wo die schönen Trompeten blasen D minor
Study score after the lyrics from ”Des Knaben Wanderhorn”
UE34315 ISMN 979-0-008-08158-3 For choir SSAATTBB
Piano reduction Editor: Clytus Gottwald
UE35468 ISMN 979-0-008-05983-4 Choral score · German
Choral score UE34692 ISMN 979-0-008-08135-4
UE32600 ISMN 979-0-008-07735-7
Performance material available on hire Die zwei blauen Augen – The Two Blue Eyes of my
Beloved
Symphonie No. 3 D minor 4 choirs from ”Songs of a Wayfarer”
After lyrics by Friedrich Nietzsche and ”Des Knaben For mixed choir (SATB)
Wanderhorn” – According to the text of the critical Editor: Gottwald Clytus
complete edition, Volume 3 Choral score · German
for alto, boys‘ choir, female choir and orchestra UE31969 ISMN 979-0-008-06541-5
Editor: Füssl Karl Heinz, Ratz Erwin
Full score
UE34709 ISMN 979-0-008-08145-3
Score · German
19
Composer Index
20
Composer Index
Ein Neujahrshymnus Text: Bembo Pietro
For choir (SATB) and orchestra Choral score
Editor: Stefan Esser/ Berkant Haydin UE14368 ISMN 979-0-008-02910-3
Text: Joseph Marx
Study score Chi vol che m’ innamori
UE33038 ISMN 979-0-008-07794-4 Musica religiosa - From Volume 15/1 of the Complete
Choral score Edition
UE33037 ISMN 979-0-008-07791-3 For choir ATB, 2 violins and basso continuo
Orchestra material on hire Editor: Malipiero Gian Francesco
Choral score · Italian
UE14517 ISMN 979-0-008-04666-7
Milhaud Darius (1892–1974) Separate part: violin 1/2
Psaume 121 UE14517A/B ISMN 979-0-008-02888-5
For men‘s choir TTBB Separate part: Violoncello
Choral score · German, French UE14517C ISMN 979-0-008-02889-2
UE9632 ISMN 979-0-008-05722-9
Ch’io non t’ami
Madrigali from Volume 3 of the Complete Edition
Monteverdi Claudio (1567–1643) For choir (SSATB)
A un giro sol de’ begl’ occhi Editor: Malipiero Gian Francesco
Madrigali from Volume 4 of the Complete Edition Text: Guarini Giovanni Battista
For choir (SSATB) Choral score
Editor: Malipiero Gian Francesco UE14383 ISMN 979-0-008-02914-1
Text: Guarini Giovanni Battista
Choral score · Italian Confitebor Primo
UE14352 ISMN 979-0-008-02900-4 Musica religiosa from Volume 15/2 of the Complete
Edition
Ah dolente partita For double choir (SATB) (or ATB choir with soloists) and
Madrigali from Volume 4 of the Complete Edition basso continuo
For choir (SSATB) Editor: Gian Francesco Malipiero
Editor: Malipiero Gian Francesco Choral score · Latin
Text: Guarini Giovanni Battista UE14526 ISMN 979-0-008-02934-9
Choral score · Italian
UE14344 ISMN 979-0-008-02892-2 Confitebor Secondo
Musica religiosa from Volume 15/2 of the Complete
Amor, Lamento della Ninfa - Madrigali
Edition
From volume VIII/1,2 Canti guerrieri et amorosi
For choir STB, 2 violins and basso continuo
For choir (SATB) and basso continuo
Editor: Malipiero Gian Francesco
Choral score
Choral score · Latin
UE15791 ISMN 979-0-008-02921-9
UE14527 ISMN 979-0-008-02936-3
Audi caelum Vocal part: violin 1/2, Violoncello
No. 9 From ”Vespro della Beata Vergine” UE14527A/C ISMN 979-0-008-07055-6
For soli: 2 tenor, choir SSATTB and orchestra
Editor: Jürgens Jürgen Confitebor terzo alla francese
Vocal score · Latin Musica religiosa from Volume 15/2 of the Complete
UE16648/9 ISMN 979-0-008-02767-3 For choir (SSATB), strings and basso continuo
Editor: Malipiero Gian Francesco
Ave Maris Stella Choral score · Latin
No. 12 from ”Vespro della Beata Vergine” UE32266 ISMN 979-0-008-06504-0
For 3 Voices, 8 part choir (SATB) and orchestra violin 1
Editor: Jürgens Jürgen UE14528A ISMN 979-0-008-02938-7
Vocal score · Latin violin 2
UE16648/12 ISMN 979-0-008-02770-3 UE14528B ISMN 979-0-008-02939-4
violin 3
Beatus Secondo UE14528C ISMN 979-0-008-02940-0
From Volume 15/2 of the Complete Edition Violoncello 1
For choir SATTB and basso continuo UE14528D ISMN 979-0-008-07056-3
Editor: Malipiero Gian Francesco Violoncello 2
Choral score · Latin UE14528E ISMN 979-0-008-02941-7
UE32268 ISMN 979-0-008-06514-9
Separate part: Violoncello Cor mio mentre vi miro
UE14530A ISMN 979-0-008-04668-1 Madrigali from Volume 4 of the Complete Edition
For choir (SSATB)
Cantai un tempo Editor: Malipiero Gian Francesco
Madrigali from Volume 2 of the Complete Edition Text: Guarini Giovanni Battista
For choir (SSATB) Choral score · Italian
Editor: Malipiero Gian Francesco UE32054 ISMN 979-0-008-06522-4
21
Composer Index
22
Composer Index
fra l’altre · A Dio Florida bella · etc. Sacrae Cantiunculae, Sanctissimae Virgini, Vespro
For 5 Voices and instruments della Beata Vergine Volume 14/1
Editor: Malipiero Gian Francesco Lapidabant Stephanum · Veni in hortum meum · Ego
Vocal score · Italian sum Pastor bonus · Surge propera · Ubi duo · Quam
UE9586 ISMN 979-0-008-02337-8 pulchra es · Ave Maria · Domine pater · Tu es pastor (1a
pars) · Tu es Petrus (2a pars) · O magnum pietatis (1a
II settimo libro de Madrigali con altri generide pars) · Eli clamans (2a pars) · etc.
Canti Volume 7 Editor: Malipiero Gian Francesco
Sinfonia · Tempro la Cetra · Non è di gentil core · A Score · Latin
quest’ olmo · O come sei gentile · Io son pur UE9609A ISMN 979-0-008-02363-7
vezzosetta · O viva fiamma · Vorrei baciarti · Dice la mia
bellissima Licori · Ah, che non si conviene · Non vedrò Musica Religiosa I Volume 14/2
mai le stelle · etc. Vespro della Beata Vergine: Duo Seraphim (No. 7) · Nisi
For 1, 2, 3, 4 and 6 Stimmen and instruments Dominus (No. 8) · Audi Coelum (No. 9) · Lauda
Editor: Malipiero Gian Francesco Jerusalem (No. 10) · Sonata sopra Sancta Maria
Score · Italian (No. 11) · Ave Maris stella (No. 12) · Magnificat (No. 13)
UE9587 ISMN 979-0-008-02338-5 · Magnificat
For 3, 6, 7, 8 or 10 Voices and instruments
Il ottavo libro de Madrigali-Canti guerrieri et Editor: Malipiero Gian Francesco
amorosi, Volume 8/1 Score · Latin
Combattimento di Tancredi e C UE9609B ISMN 979-0-008-02364-4
Sinfonia · altori canti d’amor · Hor ch’el ciel e la terra
(1a parte) · Cosi sol d’una chiara fonte (2a parte) · Gira il Musica Religiosa II - Selva morale e spirituale I
nemico insidioso (1a parte) · Nol lasciamo accostar (2a Volume 15/1
parte) · Armi false non son (3a parte) · Vuol degli occhi O chiechi chiechi · Voi ch’ascoltate · È questa vita un
(4a parte) · etc. lampo · Spontava il di · Chi vol che m’innamori ·
For 1, 2, 3, 6 or 8 Voices and instruments Messa · Gloria · Crucifixus · Et resurrexit · Et iterum ·
Editor: Malipiero Gian Francesco Motetto
Score · Italian For 1, 2, 3, 4, 5 or 7 Voices and instruments
UE9588A ISMN 979-0-008-02339-2 Editor: Malipiero Gian Francesco
Score · Italian, Latin
Il ottavo libro de Madrigali - Canti guerrieri et UE9610A ISMN 979-0-008-02365-1
amorosi (II Ballo dell’lngrate), Volume 8/2
altori canti di Marte (1a parte) · Due bell’ occhi Musica Religiosa II - Selva morale e spirituale II
(2a parte) · Vago augelletto · Mentre vaga angioletta · Volume 15/2
Ninfa che scalza il piede (1a parte) · Qui deh meco Dixit Primo · Dixit Secondo · Confitebor Primo ·
(2a parte) · Dell’ usate mie corde (3a parte) · Dolcissimo Confitebor Secondo · Confitebor terzo alla francese ·
uscignolo · Chi vol haver felice · etc. Beatus Primo · Beatus Secondo · Laudate pueri
For 1, 2, 3, 4, 5, 6 or 7 Voices and instruments Primo · Laudate pueri Secondo
Editor: Malipiero Gian Francesco For 3, 5, 6 or 8 Voices and instruments
Score · Italian Editor: Malipiero Gian Francesco
UE9588B ISMN 979-0-008-02340-8 Score · Latin
UE9610B ISMN 979-0-008-02366-8
Il nono libro de Madrigali -
Musica Religiosa II - Selva morale e spirituale III
Madrigali e Canzonette Volume 9
Volume 15/3
Bel Pastor · Zefiro torna (Ciaccona) · Se vittorie si
Laudate Dominum omnes gentes Primo · Laudate
belle · Armato il cor · Ardo · O sia tranquillo il mare ·
Dominum Secondo · Laudate Dominum Terzo ·
Alcun non mi consigli · Di far sempre gioire · Quando
Credidi · Memento · Sanctorum meritis Primo ·
dentro al tuo seno · Non voglio amare · Come dolce
Sanctorum meritis Secondo · Deus tuorum militum ·
hoggi l’aurette · etc.
Iste Confessor Primo · Iste Confessor Secondo · Ut
For 1, 2 or 3 Voices and basso continuo
queant laxis · etc.
Editor: Malipiero Gian Francesco
For 1, 2, 3, 4, 5 or 8 Voices and instruments
Score · Italian
Editor: Malipiero Gian Francesco
UE9589 ISMN 979-0-008-02341-5
Score · Latin
UE9610C ISMN 979-0-008-02367-5
Canzonette e scherzi musicalli Canzonetti Volume 10
Qual si può dir, Canzonette d’amore · La fiera vista ·
Musica Religiosa III a - Missae e Psalmi Volume 16/1
Raggi dov’ è il mio bene · Vita de l’alma mia · Il mio
Messa · Dixit Dominus · Dixit · Confitebor · Confitebor ·
martir · Son questi i crespi crini · Io mi vivea · Su su su
Beatus vir · Laudate pueri Dominum · Laudate
che’l giorno · Quando sperai · Come farò cuor mio ·
Dominum · Laetatus sum
Corse a la morte · etc.
For 1, 2, 4, 5, 7 or 8 Voices and instruments
For 1 or 3 Voices and instruments ad lib.
Editor: Malipiero Gian Francesco
Editor: Malipiero Gian Francesco
Score · Latin
Score · Italian
UE9611A ISMN 979-0-008-02368-2
UE9590 ISMN 979-0-008-02342-2
23
Composer Index
Musica Religiosa III b - Misae e Psalmi Volume 16/2 UE14361B ISMN 979-0-008-02886-1
Laetatus sum · Nisi Dominus · Nisi Dominus · Lauda Separate part: Violoncello
Jerusalem · Lauda Jerusalem · Laetaniae della Beata UE14361C ISMN 979-0-008-02887-8
Vergine · Cantate Domino · Cantate Domino · Christe
adoramus te · Domine ne in furore tuo · Adoramus · Intorno a due vermiglie
Fugge, fugge anima mea · O Beate viae · Ego flos Madrigali from Volume 2 of the Complete Edition
For 1, 2, 3, 5 or 6 Voices and instruments For choir (SSATB)
Editor: Malipiero Gian Francesco Editor: Malipiero Gian Francesco
Score · Latin Choral score
UE9611B ISMN 979-0-008-02369-9 UE14391 ISMN 979-0-008-02915-8
24
Composer Index
Laudate pueri Dominum Editor: Cisilino Siro
No. 4 from “Vespro della Beata Vergine” Choral score · Latin
For soli: 2 tenor, 2 alto choir: (SATB)/ (SATB) and UE13765 ISMN 979-0-008-02872-4
orchestra
Editor: Jürgens Jürgen Nisi Dominus
Vocal score · Latin No. 8 from ”Vespro della Beata Vergine”
UE16648/4 ISMN 979-0-008-02761-1 For choir SAATB/SAATB and orchestra
Editor: Jürgens Jürgen
Laudate pueri Secondo Choral score · Latin
Musica religiosa from Volume 15/2 of the Complete UE16648/8 ISMN 979-0-008-02765-9
Edition
For choir SATTB and basso continuo Non giancinti o narcisi
Editor: Malipiero Gian Francesco Madrigali from Volume 2 of the Complete Edition
Choral score · Latin For mixed choir (SSATB)
UE14561 ISMN 979-0-008-02943-1 Editor: Malipiero Gian Francesco
Separate part: Violoncello Text: Casoni Girolamo
UE14561A ISMN 979-0-008-02944-8 Choral score · Italian
UE14364 ISMN 979-0-008-02908-0
Lumi miei cari
Madrigali from Volume 3 of the Complete Edition Non mi è grave
For choir (SSATB) Madrigali from Volume 2 of the Complete Edition
Editor: Malipiero Gian Francesco For mixed choir (SSATB)
Text: Guarini Giovanni Battista Editor: Malipiero Gian Francesco
Choral score · Italian Choral score · Italian
UE14395 ISMN 979-0-008-02918-9 UE14358 ISMN 979-0-008-02905-9
Non più guerra pietate
Magnificat
From Volume 4 of the Complete Edition
From ”Vespro della beata vergine”
For choir (SSATB)
For soli: 2 soprano, alto, 2 tenor, 2 bass, choir (SATB)
Editor: Malipiero Gian Francesco
and orchestra
Text: Guarini Giovanni Battista
Editor and arranger: Goehr Walter
Choral score · Italian
Vocal score · Latin
UE32066 ISMN 979-0-008-06544-6
UE12454A ISMN 979-0-008-03035-2
Non sono in queste rive
Magnificat
Madrigali from Volume 2 of the Complete Edition
No. 13 from ”Vespro della Beata Vergine”
For choir (SSATB)
Magnificat anima mea · Et exultavit · Quia respexit ·
Editor: Malipiero Gian Francesco
Quia fecit · Et misericordia · Fecit potentiam · Deposuit
Text: Tasso Torquato
potentes · Esurientes implevit · Suscepit Israel · Sicut
Choral score · Italian
locutus est · Gloria Patri · etc.
UE14392 ISMN 979-0-008-02916-5
For 6 voices, choir SSATTBB and orchestra
Editor: Jürgens Jürgen
Choral score · Latin O chiechi ciechi
UE16648/13 ISMN 979-0-008-02771-0 Musica religiosa from Volume 15/1 of the Complete
Edition
Magnificat Secondo For choir (SSATB), 2 violins and basso continuo
From Volume 15/3 of the Complete Edition Editor: Malipiero Gian Francesco
For choir (SATB) and basso continuo Vocal part: violin 1/2, violoncello
Editor: Malipiero Gian Francesco UE14513A/C ISMN 979-0-008-02890-8
Choral score · Latin Choral score · Italian
UE32284 ISMN 979-0-008-06439-5 UE14513 ISMN 979-0-008-02948-6
Missa ”Ave Domine Jesu Christe” O Rossignuol
For mixed choir (SATB) Madrigali from Volume 3 of the Complete Edition
Editor: Cisilino Siro For choir (SSATB)
Choral score · Latin Editor: Malipiero Gian Francesco
UE13777 ISMN 979-0-008-02949-3 Text: Bembo Pietro
Choral score
Missa ”In illo tempore” UE14381 ISMN 979-0-008-02912-7
For mixed choir (SATB)
Editor: Cisilino Siro Occhi un tempo mia vita
Choral score · Latin Madrigali from Volume 3 of the Complete Edition
UE13776 ISMN 979-0-008-02873-1 For choir (SSATB)
Editor: Malipiero Gian Francesco
3 Missae Text: Guarini Giovanni Battista
Missa ”Ave Domine Jesu Christe” · Missa ”In illo Choral score · Italian
tempore” · Missa ”Tu es Pastor ovium” UE14394 ISMN 979-0-008-01563-2
For mixed choir (SATB)
25
Composer Index
Monteverdi Claudio (1567–1643) Sonata sopra ”Sancta Maria ora pro nobis”
Ohimè se tanto amate From ”Vespro della beata vergine” No. 1”
Madrigali from Volume 4 of the Complete Edition For unison choir and orchestra
For choir (SSATB) Editor: Jürgens Jürgen
Editor: Malipiero Gian Francesco Choral score · Latin
Text: Guarini Giovanni Battista UE16648/11 ISMN 979-0-008-02769-7
Choral score · Italian
UE14348 ISMN 979-0-008-02896-0 Spontava il di - Canzoneta morale
Musica religiosa from Volume 15/1 of the Complete
Quel augellin che canta Edition
Madrigali from Volume 4 of the Complete Edition For choir ATB and basso continuo
For choir (SSATB) Editor: Malipiero Gian Francesco
Editor: Malipiero Gian Francesco Choral score · Italian
Text: Guarini Giovanni Battista UE14516 ISMN 979-0-008-02920-2
Choral score · Italian
UE32065 ISMN 979-0-008-07465-3 Vespro della Beata Vergine - Marien Vesper
Domine ad adiuvandum · Dixit Dominus · Nigra sum ·
Questo specchio ti dono Laudate, pueri, Dominum · Pulchra es · Laetatus sum ·
Madrigali from Volume 2 of the Complete Edition Duo seraphim · Nisi Dominus · Audi caelum · Lauda,
For choir (SSATB) Jerusalem · Sonata sopra ”Sancta Maria ora pro
Editor: Malipiero Gian Francesco nobis” · Ave maris stella · Magnificat
Choral score · Italian For soli: 2 soprano, alto, 2 tenor, 2 bass, choir SSATTB
UE14357 ISMN 979-0-008-02904-2 and orchestra
Editor: Jürgens Jürgen
S’andasse amor a caccia Pocket score · Latin
Madrigali from Volume 2 of the Complete Edition PH470 ISMN 979-0-008-02281-4
For choir (SSATB) Score · Latin
Editor: Malipiero Gian Francesco UE16646 ISMN 979-0-008-02698-0
Text: Tasso Torquato Choral score · Latin
Choral score · Italian UE16648 ISMN 979-0-008-01754-4
UE14354 ISMN 979-0-008-02902-8 Performance material available on hire
Se per estremo ardore Voi ch’ascoltate
Madrigali from Volume 3 of the Complete Edition Musica religiosa from Volume 15/1 of the Complete
For choir (SSATB) Edition
Editor: Malipiero Gian Francesco For choir STTTB, 2 violins and basso continuo
Text: Guarini Giovanni Battista Editor: Malipiero Gian Francesco
Choral score · Italian Text: Petrarca Francesco
UE14382 ISMN 979-0-008-02913-4 Choral score · Italian
UE14514 ISMN 979-0-008-02950-9
Sestina - Lagrime d’Amante al Sepolcro dell’ Amata Separate part: violin 1
From Volume 6 of the Complete Edition UE14514A ISMN 979-0-008-02951-6
Incernite spoglie (1a parte) · Ditelo voi (2a parte) · Darà Separate part: violin 2
la notte il Sol (3a parte) · Ma te raccoglie (4a parte) · UE14514B ISMN 979-0-008-02952-3
O chiome d’or (5a parte) · Dunque amate relique (6a e Separate part: Violoncello
ultima parte) UE14514C ISMN 979-0-008-02953-0
For choir (SSATB)
Editor: Malipiero Gian Francesco Zefiro torna e’l bel tempo rimena
Text: Agnelli Scipione From Volume 6 of the Complete Edition
Choral score · Italian For choir (SSATB)
UE32089 ISMN 979-0-008-06463-0 Editor: Malipiero Gian Francesco
Text: Petrarca Francesco
Sfogava con le stelle
Choral score · Italian
From Volume 4 of the Complete Edition
UE32086 ISMN 979-0-008-06536-1
For choir (SSATB)
Editor: Malipiero Gian Francesco
Text: Rinuccini Ottavio
Choral score · Italian
UE32056 ISMN 979-0-008-06605-4
Si ch’io vorrei morire
From Volume 4 of the Complete Edition
For choir (SSATB)
Editor: Malipiero Gian Francesco
Choral score · Italian
UE32067 ISMN 979-0-008-06577-4
26
Composer Index
27
Composer Index
Berliner Messe i
For soprano or choir SA (unisono) and orchestra
Study score · Spanish
Kyrie · Gloria · Erster Alleluiavers zum Weihnachtsfest UE31290 ISMN 979-0-008-06194-3
(ad lib.) · Zweiter Alleluiavers zum Weihnachtsfest Choral score = soloist part · Spanish
(ad lib.) · Erster Alleluiavers zum Pfingstfest (ad lib.) · UE31370A ISMN 979-0-008-07534-6
Zweiter Alleluiavers zum Pfingstfest (ad lib.) · Veni Performance material available on hire
Sancte Spiritus (ad lib.) · Credo
For mixed choir (SATB) and string orchestra Credo
Study score · Latin For mixed choir (SATB), Piano and orchestra
UE35554 ISMN 979-0-008-08539-0 Study score · Latin
Performance material available on hire UE33344 ISMN 979-0-008-07833-0
Kyrie · Gloria · Erster Alleluiavers zum Weihnachtsfest Credo aus der ”Berliner Messe”
(ad lib.) · Zweiter Alleluiavers zum Weihnachtsfest For choir (SATB) and string orchestra
(ad lib.) · Erster Alleluiavers zum Pfingstfest (ad lib.) · Study score · Latin
Zweiter Alleluiavers zum Pfingstfest (ad lib.) · Veni UE32631 ISMN 979-0-008-06692-4
Sancte Spiritus (ad lib.) · Credo Choral score · Latin
For mixed choir or soloists (SATB) and organ UE32630 ISMN 979-0-008-06693-1
Organ score · Latin Performance material available on hire
UE36063 ISMN 979-0-008-08540-6
Choral score · Latin Credo aus der ”Berliner Messe”
UE36064 ISMN 979-0-008-08538-3 For mixed choir (SATB) or soloists and organ
Organ score · Latin
Bogoróditse Djévo - Mother of God and Virgin UE33026 ISMN 979-0-008-07679-4
For mixed choir (SATB) Vocal score · Latin
Choral score · Church Slavonic UE33025 ISMN 979-0-008-07678-7
UE30414 ISMN 979-0-008-05590-4
Da pacem Domine
Cantate Domino canticum novum For choir (SATB) or soloists
For mixed choir or soloists (SATB) and organ Vocal score · Latin
Organ score · Latin UE32941 ISMN 979-0-008-07692-3
UE31058 ISMN 979-0-008-05832-5
Vocal score · Latin De profundis
UE31059 ISMN 979-0-008-05833-2 For male choir (TTBB), percussion ad lib. and organ
Organ score (Includes the percussion part) · Latin
Cantique des degrés UE32973 ISMN 979-0-008-07556-8
For mixed choir (SATB) and orchestra Choral score · Latin
Choral score · Latin UE32974 ISMN 979-0-008-07557-5
UE31466 ISMN 979-0-008-07522-3
Piano reduction and orchestra material on hire Dopo la vittoria
Piccola cantata
Cecilia, vergine romana For mixed choir (SATB)
For choir (SATB) and orchestra Choral score · Italian
Study score · Italian UE30429 ISMN 979-0-008-06070-0
UE31543 ISMN 979-0-008-07793-7
Choral score · Italian Drei Hirtenkinder aus Fátima Seite 52
UE31719 ISMN 979-0-008-07792-0 For mixed choir (SATB) a cappella
Orchestra material on hire Chorpartitur · German
UE36448 ISMN 979-0-008-08803-2
Collected Choral Works
Complete Scores – 22 small scores for studying. Gebet nach dem Kanon / Prayer after the Kanon
An den Wassern zu Babel saßen wir and weinten · From ”Kanon Pokajanen” – in memoriam Vladimir
Beatus Petronius · Cantate Domino canticum novum Zalipski
· Da pacem Domine · De profundis · Dopo la vittoria · For mixed choir (SATB)
Gebet nach dem Kanon · I Am the True Vine · Littlemore Choral score · Church Slavonic
Tractus · Magnificat · Memento (Ode VII) · Missa UE31280 ISMN 979-0-008-06081-6
syllabica (unaccompanied) · etc.
All choral scores available for purchase. Habitare fratres in unum
For choir (SATB) / TTBB/ SSAA and with instruments / For choir (S,A/Ct,T,B) or vocal ensemble (S/Ct,A/Ct,T,B)
orchestra a cappella
UE33880 ISMN 979-0-008-07973-3 Choral score · Church Slavonic
UE35900 ISMN 979-0-008-08504-8
28
Composer Index
I Am the True Vine
For mixed choir (SATB)
Choral score · English
UE30301 ISMN 979-0-008-05735-9
In principio
I. In principio erat Verbum (Jo. 1, 1–5) · II. Fuit homo
missus a Deo (Jo. 1, 6–8) · III. Erat lux vera
(Jo. 1, 9–11) · IV. Quotquot autem acceperunt sum
(Jo. 1, 12–13) · V. Et Verbum caro factum est
(Jo. 1, 14)
For mixed choir (SATB) and orchestra
Choral score · Latin 5 Children Songs / Viis laulu lastele
UE32655 ISMN 979-0-008-07680-0 Mina olen juba suur / I Am Already Big · Jaaniussi laul
/ Firefly‘s Song · Konnad / Frogs‘ Song · Lepatriinu laul
Kanon Pokajanen / Ladybird‘s Song · Nukul pole nime / The Doll Has No
Ode I · Ode III · Ode IV · Ode V · Ode VI - Kontakion - Name
Ikos · Ode VII (Memento) · Ode VIII · Ode IX (Nýnje k For children‘s choir (unisono) and piano
wam) · Gebet nach dem Kanon / Prayer after the Kanon Score · German; Estonian
For choir mixed (SATB) UE34844 ISMN 979-0-008-08294-8
Study score · Church Slavonic
UE31114 ISMN 979-0-008-06082-3 Lieder aus der Kindheit Seite 54
Choral score · Church Slavonic For children‘s choir and piano with CD
UE31272 ISMN 979-0-008-06152-3 Score · German, English, Estonian
Every part of „Kanon Pokajanen“ could be performed
UE36693 ISMN 979-0-008-08678-6
seperatly.
29
Composer Index
30
Composer Index
Missa Brevis op. 54
Vater unser Seite 54
For mixed choir (SATB)
For children‘s choir and piano
Choral score · Latin
Chorpartitur · German
UE17952 ISMN 979-0-008-04119-8
UE36676 ISMN 979-0-008-08804-9
Stabat Mater op. 57
Veni creator
For mezzo soprano, mixed choir (SATB) and orchestra
For choir (SATB) and organ
Piano reduction · Latin
Organ score · Latin
UE18443 ISMN 979-0-008-04120-4
UE33397 ISMN 979-0-008-07880-4
Performance material available on hire
Choral score · Latin
UE33398 ISMN 979-0-008-07884-2
31
Composer Index
35
Composer Index
36
Composer Index
37
Index by genre
Mixed choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 – 43
Mixed choir and instrument(s) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 – 45
Men’s choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Men’s choir and instrument(s) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Youth, women’s, and children’s choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 – 47
Choir and Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 – 48
38
Lieder aus der Kindheit Arvo Pärt Son
Lieder aus der Kindheit
Der Komponist Arvo Pärt ist vor allem für seine Werke im Tintinnabuli-Stil beka
Arvo Pärt Songs from
dass
“I went er in school
to nursery frühen everyJahren auch
day until the end ofKinderlieder
secondary school!”und Arvo PärtKlavierstücke
says and sowie Schausp
pauses, staring slyly at his listener. “My mother worked at a nursery school in Rakvere, and I
filmmusik
always went to visit komponierte.
her after my lessons.” There, the future composer often sat at the piano and
Der Komponist played orArvo Pärtforist vorfriends.
allem für seine Werke im Tintinnabuli-Stil bekannt. Wenige
Lieder aus his
improvised
derlittle
Kindheit ist eine Sammlung von Stücken für Kinder, die Pär
dass er in Arvo
frühen Jahren auch Kinderlieder und Klavierstücke sowie Schauspiel- und Zeic
1970 schrieb. Während dieser Zeit war er als Komponist und Klavierbegleiter
Pärt is a composer best known for his ‚tintinnabuli‘ compositions. It is a
filmmusik komponierte.
lesser-known fact that in his earlier years as a composer, he also wrote children‘s songs and piano
Kindergruppen
pieces along with music foraktiv. plays andDie meisten
animated Werke,
films. This die Pärt
volume, “Songs für Kinder schuf, entstande
From Childhood”,
Lieder aus der Kindheit ist eine Sammlung von Stücken fürInKinder,
contains a selection of Arvo Pärt‘s music for children from the period 1956-1970. those yearsdie Pärt in den Jahr
he Improvisation
was involved with several während der Gesangs-
children‘s studios oder
and theatres as the pianoSchauspielproben
accompanist and und wurden ers
1970 schrieb. Während
composer. Most of his dieser Zeit war
music for children came er
aboutalsby Komponist
way of improvisation und Klavierbegleiter
in rehearsals and in Kinderthe
wasaufonlyNotenpapier
later completed andgebracht. So pieces
put on paper. These geben dieretain
therefore Liederall thejene spontane
spontaneity and und spielerisc
Kindergruppen aktiv.
playful spirit in whichDiethey meisten Werke,
were created. die Childhood”
“Songs From Pärt für includes
Kinder a CDschuf, entstanden in unmittel
of the same
entstanden sind, wieder.
name, providing recordings of the songs with new and colourful instrumental accompaniments
Improvisation während
For yourDem
der Gesangs- oder Schauspielproben und wurden erst später fert
enjoyment. Notenalbum ist eine CD beigefügt, auf der farbenreiche Instrumentala
auf Notenpapier gebracht. So geben die Lieder jene spontane und spielerische Stimmung
Lieder,
These die vom Komponisten
new accompaniments, which are also includedTauno Aints
as backing trackszusammen
on the CD, were mit Arvo Pärt gesetzt w
entstandenarranged
sind,bywieder. the composer Tauno Aints in collaboration with Arvo Pärt.
Diese Arrangements wurden zusätzlich auch rein instrumental aufgenommen,
Dem Notenalbum ist eine CD beigefügt, auf der farbenreiche Instrumentalarrangement
abspielen zu können.
Lieder, die vom Komponisten Tauno Aints zusammen mit Arvo Pärt gesetzt wurden, zu hö
Diese Arrangements wurden zusätzlich auch rein instrumental aufgenommen, um sie als S
abspielen zu können.
Arvo Pärt is a composer best known for his tintinnabuli compositions. It is a le
his earlier years as a composer, he also wrote children’s songs and piano pie
plays and animated films.
Arvo Pärt is a composer best known for his tintinnabuli compositions. It is a lesser-known
o Pärt This
Arvo Pärt volume, Songs from Childhood, contains a selection of Arvo Pärt’s mu
Songs from Childhood
his earlier years as a composer, he also wrote children’s songs and piano pieces along w
ke im Tintinnabuli-Stil bekannt. Weniger weiß man,
ierstücke sowie Schauspiel- und Zeichentrick-
period 1956–1970. In those years he was involved with several children’s stu
tücken für Kinder, die Pärt in den Jahren 1956 bis
ponist und Klavierbegleiter in Kindertheatern und
piano accompanist and composer. Most of his music for children came abou
farbenreiche Instrumentalarrangements dieser
en mit Arvo Pärt gesetzt wurden, zu hören sind.
strumental aufgenommen, um sie als Sing-Alongs
This volume, Songs from Childhood, contains a selection of Arvo Pärt’s music for child
buli compositions. It is a lesser-known fact that in
in rehearsals and was only later completed and put on paper. These pieces t
ren’s songs and piano pieces along with music for
period 1956–1970. Inod those years he was involved with several children’s studios and the
ic for children came about by way of improvisation
on paper. These pieces therefore retain all the
aledition.com
UE 36 693
ISBN 978-3-7024-7348-8
Universal Edition
n Hungary
/2015
40
Mixed choir a cappella
41
Mixed choir a cappella
Monteverdi Claudio (1567–1643) Which Was the Son of ... · Page 31
Missa ”In illo tempore” · Page 25 The Woman with the Alabaster Box · Page 31
3 Missae · Page 25
Non giancinti o narcisi · Page 25 Patterson Paul (*1947)
Non mi è grave · Page 25 Christ is the King op. 51 · Page 31
Non più guerra pietate · Page 25 Missa Brevis · Page 31
Non sono in queste rive · Page 25
Peragallo Mario (1910–1996)
O Rossignuol · Page 25
De Profundis · Page 31
Occhi un tempo mia vita · Page 25
Ohimè se tanto amate · Page 26 Pousseur Henri (1929–2009)
Quel augellin che canta · Page 26 Sept versets des psaumes de la pénitence · Page 31
Questo specchio ti dono · Page 26
Reger Max (1873–1916)
S’andasse amor a caccia · Page 26
Ach, Bäumchen, du stehst grüne · Page 31
Se per estremo ardore · Page 26 6 ausgewählte Volkslieder · Page 32
Sestina - Lagrime d’Amante al Sepolcro Der evangelische Kirchenchoir · Page 32
dell’ Amata · Page 26 7 geistliche Volkslieder · Page 32
Sfogava con le stelle · Page 26 Ich hab’ die Nacht geträumet · Page 32
Si ch’io vorrei morire · Page 26 Liebeslied · Page 32
Zefiro torna e’l bel tempo rimena · Page 26 Mailied · Page 32
Schwäbisches Tanzliedchen
Pärt Arvo (*1935) ”Rosenstock,Holderblüh” · Page 32
And One of the Pharisees ... · Page 27 3 Sechsstimmige Chöre · Page 32
Bogoróditse Djévo - Trutze nicht · Page 32
Mother of God and Virgin · Page 28
Rihm Wolfgang (*1952)
Collected Choral Works · Page 28
Mit geschlossenem Mund · Page 33
Da pacem Domine · Page 28
Pater noster · Page 33
Dopo la vittoria · Page 28
Quo me rapis · Page 33
Drei Hirtenkinder aus Fátima · Page 28 Seite 54
Gebet nach dem Kanon / Sawer David (*1961)
Prayer after the Kanon · Page 28 Sounds - Three Kandinsky Poems · Page 33
Habitare fratres in unum · Page 28 Stramm Gedichte · Page 33
I Am the True Vine · Page 29
Kanon Pokajanen · Page 28 Schafer Robert Murray (*1933)
Magnificat · Page 29 Epitaph For Moonlight · Page 33
7 Magnificat-Antiphonen · Page 29 Miniwanka or the Moments of Water · Page 33
Missa syllabica · Page 29 Schaper Heinz-Christian
Morning Star · Page 29 Ludus Vocalis · Page 33
Most Holy Mother of God · Page 29
N unc dimittis · Page 29 Schiske Karl (1916–1969)
Ode I · Page 29 3 Sätze aus dem Oratorium ”Vom Tode” · Page 33
Ode III · Page 29 Schönberg Arnold (1874–1951)
Ode IV · Page 29 Ei, du Lütte · Page 34
Ode V · Page 29 Vier Stücke · Page 34
Ode VI - Kontakion - Ikos · Page 29
Ode VII (Memento) · Page 29 Sommer Hans (1837–1922)
Drei Lieder · Page 35
Ode VIII · Page 30
Ode IX (N˝nje k wam) · Page 30 Stockhausen Karlheinz (1928–2007)
2 Slawische Psalmen · Page 30 Choral · Page 35
Solfeggio · Page 30 Chöre für Doris · Page 35
Summa · Page 30 Stimmung · Page 35
The Deer’s Cry · Page 30
Strauss Richard (1864–1949)
Tribute to Caesar · Page 30
Der Abend · Page 35
Triodion · Page 30
Hymne · Page 35
Virgencita · Page 31
42
Mixed choir a cappella
43
Mixed choir and instrument(s)
44
Mixed choir and instrument(s)
45
Men‘s choir and instrument(s)
46
Women‘s and children‘s choir
Johnston David
Charpentier Marc-Antoine (1634–1704)
3 Black Spirituals · Page 15
Laudate Dominum · Page 9
Te Deum · Page 9 Kodály Zoltán (1882–1967)
Psalmus Hungaricus · Page 17
Dürr Joannes Martin (1931–1997)
Spinnstube (Székely Fonó) · Page 18
Die Kathedrale · Page 10
Te Deum · Page 18
Einem Gottfried von (1918–1996) Krenek Ernst (1900–1991)
Hymnus an Goethe · Page 10 Feiertags-Kantate · Page 18
47
Choir and orchestra
Mixed choir
Mahler Gustav (1860–1911) Patterson Paul (*1947)
Das klagende Lied · Page 18 Canterbury Psalms · Page 31
Symphonie N o. 2 · Page 19 Mass of the Sea · Page 31
Symphonie No. 3 · Page 19 Stabat Mater · Page 31
Symphonie N o. 8 · Page 19
Schiske Karl (1916–1969)
Martin Frank (1890–1974) Vom Tode · Page 33
Cantate pour le temps
de Noël · Page 20 Schmidt Franz (1874–1939)
Et la vie l’emporta · Page 20 Das Buch mit 7 Siegeln · Page 33–34
Golgotha · Page 20
In terra pax · Page 20 Schnittke Alfred (1934–1998)
Le vin herbé (Der Zaubertrank) · Page 20 ”Seid nüchtern und wachet...” · Page 34
Pseaumes de Genève
(Genfer Psalmenkantate) · Page 20 Schönberg Arnold (1874–1951)
Requiem · Page 20 Gurre-Lieder · Page 34
Die Jakobsleiter · Page 34
Marx Joseph
Berghymne · Page 20 Schreker Franz (1878–1934)
Morgengesang · Page 20 Schwanensang · Page 34
Ein Neujahrshymnus · Page 21
Schubert Franz (1797–1829)
Monteverdi Claudio (1567–1643) Tantum ergo · Page 34
Audi caelum · Page 21
Ave Maris Stella · Page 21 Stockhausen Karlheinz (1928–2007)
Dixit Dominus · Page 22 Carré - Orchester 1 - 4 · Page 34
Domine, ad adiuvandum, Toccata · Page 22 Szymanowski Karol (1882–1937)
Lateatus sum · Page 24 Stabat Mater · Page 36
Lauda Jerusalem, Dominum · Page 24
Laudate pueri Dominum · Page 25 Vivaldi Antonio (1678–1741)
Magnificat · Page 25 Beatus vir a due cori · Page 36
Nisi Dominus · Page 25 Magnificat ossecensis · Page 36
Sonata sopra ”Sancta Maria ora pro nobis” · Page 26
Webern Anton (1883–1945)
Vespro della Beata Vergine -
Marien Vesper · Page 26 Das Augenlicht · Page 36
Kantate No. 1 · Page 36
Nilsson Bo (*1937) Kantate No. 2 · Page 36
Und die Zeiger seiner Augen wurden
langsam zurückgedreht · Page 27 Weill Kurt (1900–1950)
Das Berliner Requiem · Page 37
Paccagnini Angelo (1930–1999)
Actuelles · Page 27
48
Mixed choir a cappella
2
for Simon Earl and the choir of Christchurch Priory for the Girls and Men of Romsey Abbey
4
4
7 4 Keyboard
8 4 mp pp
Keyboard (for rehearsal
4
4
mp only)
7 4
(for rehearsal
only)
8 4
4 p p
f f f p f
4
4 7
4 8
and there was a great calm, and there was a great
Christ mas day, I saw three ships come sail ing in on Christ mas day in the mor ning p f p f p f
4 7
4 8
was a great calm, and there was a great
p f p f p f
4 7
mf f
4 8
And and there was a great calm, and there was a great
p p p
4 7
mf f f f f
4 8
And
and there was a great calm, and there was a great
4 7
4 8
mf
4 7 f p f p f p f
4 8
© Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 21 717 © Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 21 714
for Cecilia McDowall for Ulrike Heider and the Haga Motettkör, Göteborg, Sweden
Ave Maria Ave maris stella
George Arthur
(* 1985) George Arthur
Plainsong incipit, optional
(* 1985)
Solo tenor Full tenors q = 74, calmo
Tenor pp mezza voce
4
A ve Ma ri a, gra ti a ple na,
Soprano
Alto 4
3
A ve, a ve, ma ris stel la,
pp mezza voce
4
5
Do mi nus te cum. Be ne di cta tu in mu li e ri bus, Tenor
Bass 4
A ve, a ve, ma ris
6
Full altos 4
Alto
pec ca to ri bus nunc et in ho ra mor tis no strae. stel la, De i ma ter al ma. A ve,
© Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 21715 © Copyright 2016 by Unviersal Edition A.G., Wien Universal Edition UE 21 716
2 2
Prof. Kurt Suttner zum 80. Geburtstag gewidmet Prof. Kurt Suttner zum 80. Geburtstag gewidmet
Dum medium silentium Angelus ad pastores ait
Nr. 1 aus Fünf Weihnachtsmotetten Nr. 2 aus Fünf Weihnachtsmotetten Max Beckschäfer
Max Beckschäfer (* 1952)
(* 1952) Allegretto
Lento f mf
4 4
p f
Soprano 4 Soprano 4
Dum me di um si len ti um te An ge lus ad pa sto res, ad pa sto res a it. An nun ti o
4 4
p f mf f
Alto 4 Alto 4
An ge lus ad pa sto res, ad pa sto res a it. An nun ti o
Dum me di um si len ti um
f
4 4
p f mf
Tenor 4 Tenor 4
Dum me di um si len ti um An ge lus ad pa sto res, ad pa sto res a it. An nun ti o
f
4 4
p mf f
Bass 4 Bass 4
Dum me di um si len ti um te ne ret An ge lus ad pa sto res, ad pa sto res a it. An nun ti o
4 4
4 4
Keyboard Keyboard
p
4
(for rehearsal f mf f
(for rehearsal
only)
4 only) 4
4
3 4 3 4 3
4 5
3 f
4 4 4 4 4
3
ne ret om ni a, te ne ret om ni a vo bis gau di um, gau di um mag num, an
3 4 3 4 3
f
4 4 4 4 4
te ne ret om ni a, te ne ret om ni a vo bis gau di um, gau di um mag num, an nun ti o, an
3 4 3 4 3
f
4 4 4 4 4
te ne ret om ni a, te ne ret om ni a vo bis gau di um mag num, an nun ti o, an
3 4 3 4 3
mp f
4 4 4 4 4
te ne ret om ni a, te ne ret om ni a et vo bis gau di um mag num, an
3 3
3 4 3 4 3
4 4 4 4 4
mp f
3 4 3 4 3
4 4 4 4 4
© Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 37 125 © Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 37 126
2 2
Prof. Kurt Suttner zum 80. Geburtstag gewidmet Prof. Kurt Suttner zum 80. Geburtstag gewidmet
Nesciens Mater Magi videntes stellam
Nr. 3 aus Fünf Weihnachtsmotetten Max Beckschäfer Nr. 4 aus Fünf Weihnachtsmotetten Max Beckschäfer
(* 1952) (* 1952)
Sostenuto e calmo Moderato
3 4
p
3
mf
Soprano 4 4 Soprano 4
Nes ci ens ma ter vir go vi rum, Ma gi vi den tes stel lam, vi den tes
3 4
p
3
mf
Alto 4 4 Alto 4
Nes ci ens ma ter vir go vi rum, Ma gi vi den tes stel lam, vi den tes
3 4
p
3
mf
Tenor 4 4 Tenor 4
Nes ci ens ma ter vir go vi rum, Ma gi vi den tes stel lam, vi den tes
3 4
p
3
mf
Bass 4 4 Bass 4
Nes ci ens ma ter vir go vi rum, Ma gi vi den tes stel lam, vi den tes
3 4 3
4 4 4
Keyboard p Keyboard mf
(for rehearsal (for rehearsal
3 4 3
4 4 only)
4
only)
5
4
p
3 4
5
mp
4 4 4
3 3
ma ter vir go pe pe rit, pe pe rit, stel lam, ma gi vi den tes stel lam
4
p 3
3 4
mp
4 4 4
ma ter vir go pe pe rit, pe pe rit, stel lam, ma gi vi den tes stel lam
4
mf p mf
3 4
mp
4 4 3
4
ma ter vir go pe pe rit, pe pe rit, stel lam, ma gi vi den tes stel lam di
p
4
mf
3 4
mp
4 4 4
ma ter vir go pe pe rit, pe pe rit, stel lam, ma gi vi den tes stel lam
3 3
3 4 4
4 4 4
mf 3 3 mf
p
mp
3 4 4
4 4 4
© Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 37 127 © Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 37 128
2 In monte Oliveti
Prof. Kurt Suttner zum 80. Geburtstag gewidmet Nr. 1 aus Fünf Passionsmotetten Max Beckschäfer
Lux fulgebit hodie Lento p (* 1952)
° 4 ‰ œ œj œ. j
&4Œ ∑ Œ bœ b˙
p
Nr. 5 aus Fünf Weihnachtsmotetten
Max Beckschäfer œ œ œ bœ
Allegro (* 1952) In mon - te O - li - ve - ti ad pa -
Soprano
4 ‰ bœ œj
f
3 & 4 Œ bœ œ œ ∑ Œ
p p
j
Soprano 4 n œ. œ œ œ bœ
Lux, lux ho di e, lux, In mon - te O - li - ve - ti ad pa -
4 bœ. bœ œ œ
mp
&4Œ ‰ Œ
p
3
p
j
f
4 œ œ bœ bœ bœ œ œ bœ J bœ b œ
Alto Alto
? 44 Œ ‰ nœ bœj œ œ
f p
∑ Œ œ œ bœ
p
Bass
3
4 Bass ¢ œ œ œ
3
3 In mon - te O - li - ve - ti ad pa -
Lux ful ge bit ho di e, lux ful
4 ‰ œ œœj œ. j bœ.
& 4 Œ bœœœ œœœ œœœ bœ œ
Œ
bœ
bœ
J œ bœœœ œœ b œœ
b œ b œ n œœ.
{
3 Keyboard œ œ
4 p
œ œ œ j
mp p
œ œ
(for rehearsal
Keyboard only) ? 44 Œ œ œ œ ‰ nœ bœœ bœ œœ ∑ Œ œ œ̇ bœ
f
œ
3
(for rehearsal
only)
4 3 3
° bœ œ œ ˙ b˙
5 f
bœ. nœ.
mp
& œ Œ J #œ œ J ˙
œ
4 3
5
- trem, o - ra - - vit ad pa - trem: Pa - - ter,
4 4
Ó.
f
& bœ Ó bœ ˙. bœ b˙ b˙
bœ
3
lux su per nos, ho di e, lux ful
{
3
bœ
4 3
4 4 nœj ˙ bb œœ
mp f
&4‰ œ œ œ j œ œ ‰ œ œ j &4 ∑ ∑ ∑ ∑
œ. œ œ œ #œ œ
Ju - das mer - ca - tor pes - si - mus, pes - si - mus
3 j 4 j
mf
œ œ œ. j j œ œ œ j œ œ ˙ #œ nœ œ œ. œ
œ œ œ œ œ #œ œ
Alto Alto
Si - cut o - vis ad oc - ci - sio - nem duc - tus
œ ˙ œ.
Ju - das mer - ca - tor pes - si - mus, pes - si - mus
œ œ 4 ˙ œ œ.
p
3 œ ‰ œ bœ œ ˙ j j
mf
&4œ œ œ &4 ∑ Œ J ‰ Ó
Tenor
J œ œ œ Tenor
‹ Ju - das mer - ca - tor pes - si - mus pes - si - mus ‹ Si - cut o - vis
? 43 ‰ œ œ œ j j œ #œ nœ ? 44
p
J œ. œ œ œ œ œ œ ∑ ∑ ∑ ∑
Bass ¢ J Bass ¢
Ju - das mer - ca - tor pes - si - mus, pes - si - mus
3 j œœj œ j j œœ j 4 bœ. j j
& 4 ‰ œœœ œœœ... #œœ œœ œ œ #œœœ # œœœ œœ œœ
œ œ ‰ œœœ œ œ
œœ
& 4 Œ ˙
œ œ ˙ Œ #œ nœ œ œ. œ
{
#œ œ
{
Keyboard œ œ Keyboard
p
œ ‰
mf
œj bœ œ œ œ œ
œ œ œ
mf
#œ nœ œ ˙ œ.
(for rehearsal (for rehearsal
? 43 œ œ œ. ˙œ œ œœ œœ œ œ œ ? 44 ∑ Œ ˙ œ œ. ‰ Ó
J J
only) only)
‰ J J J
p
° sub. fœ j #œ œ #œ
‰ œ #œ œ nœ
5
° Œ ˙
sub. p 5 p
& ‰ œ œ J Œ J J Œ œ & œ ˙ ˙ Œ œ œ
œ œ. œ œ œ
J
œ #œ ˙
pes - si - mus, os - cu - lo pe - ti - it Do - mi - Si - cut o - vis ad oc - ci - sio - nem duc - tus est,
j j
p
& ‰ œ ‰ œ œ œ œ œ œ & Œ ˙ j Œ œ œ Œ Ó
sub. f sub. p
#œ œ Œ J J Œ œ. #œ œ œ. #œ ˙ œ œ b˙#œ #˙
J
pes - si - mus, os - cu - lo pe - ti - it Do - mi - Si - cut o - vis ad oc - ci - sio - nem
j j j j j Œ œ j
& ‰ œ ‰ œ Œ Œ & ˙. œ œ #˙. œ
sub. f sub. p
j #œ œ œ #œ #œ nœ n˙ œ. œ ˙
œ œ œ œ œ ˙
pes - si - mus, os - cu - lo pe - ti - it Do - mi - est, si - cut o - - vis ad oc - ci - sio - nem duc - tus est,
#œ. j
p
nœ œ œ j & Œ ˙ œ œ. œ. œ ˙
sub. f sub. p
& J œ œ œ œJ ˙ œ n˙ ˙. œ #˙ œ œ œ #˙ J
‹ ‹ Si - cut o - - vis ad oc - ci - sio - nem duc - tus est,
pes - - si - mus, os cu lo pe - ti - it Do - mi -
j
- - - -
? Œ ˙
p
? #œ.
sub. f
nœ œ œ
sub. p
œ œ œ œ ˙ œ ˙ œ nœ. œ ˙ Œ œ œ œ b˙ ˙ œ Ó.
¢ J J J ¢
Si - cut o - vis ad oc - ci - sio - nem
pes - - si - mus, os - cu - lo pe - ti - it Do - mi - - -
Œ j
œœœ j œœœ #œ
j œœœ #œœ œœ #œœ nœ & ˙. ˙˙ œœ œ #˙˙œ. #œ œ˙ œ Œ œœœ œœ b˙œ.
œ #œ̇ œ œœ #œ ˙
‰ ‰ # œœ Œ Œ œ #œ œœ n˙ œ. œJ ˙
{
& #œœœ œœ œ #œ # œ
J J n œ œ. œ J J œ
{
œ
œj #˙˙ œj ˙
p
# œ. nœ ˙˙ œ ˙. œ. œ.
sub. f
œ œœ œ œ b˙˙
sub. p
œœ œ œ œœ ˙˙ œœ n ˙˙ ? Œ œ nœ. # œœ œ Ó.
? #œ. nœ œ J J œJ ˙ Œ̇ œ œ
J
© Copyright 2017 by Universal Edition A.G., Wien Universal Edition UE 37 170
© Copyright 2017 by Universal Edition A.G., Wien Universal Edition UE 37 169
‰ j œ œj ˙
mf
° 4 j j j ‰ œ œj &4 ‰ bœ bœ œ Œ œ
p
& 4 œ. œ œ œ œ ˙. Œ J J J
œ. œ Ec - ce quo - mo - do mo - ri - tur iu - stus, mo -
Soprano
j
Te - ne-brae fac - tae sunt, Te - ne-brae fac - tae sunt,
4 j
Soprano
4 j & 4 bœ ‰ œ j
#œ bœ Ó
p mf
& 4 œ. œ œ œj # œj ˙. Œ ‰ j
œ œ œ.
‰ j j
œ œ œ ˙
œ œ bœ bœ œ nœ œ
Te - ne-brae fac - tae sunt, Te - ne-brae fac - tae sunt, Ec - ce quo - mo - do mo - ri - tur iu - stus,
4 4 j
mf
‰ bœ Ó
p
&4 j j j Œ ‰ j ‰ j j &4œ œ œ j j œ
œ. b œ œ œ œ ˙. œ œ œ. œ bœ œ ˙ œ œ bœ œ bœ œ
Alto Alto
Ec - ce quo - mo - do mo - ri - tur iu - stus,
j
Te - ne-brae fac - tae sunt, Te - ne-brae fac - tae sunt,
4
4 j j j j j j j &4œ œ bœ. bœ. œ œ œ
mf
bœ Ó
p
& 4 œ. œ œ œ œ œ. œ œ œj œ ‰ œ œ œ. ‰ œ œ j œ œ J
œ ˙
Tenor Tenor
‹ Te - ne-brae fac - tae sunt, fac - tae sunt, ‹ Ec - ce quo - mo - do mo - - ri - tur iu - stus,
?4œ œ œ. œ œ #œ œ œ bœ
Te - ne-brae fac - tae sunt,
‰ œ nœ nœ. ‰ bœj œ Ó
p
¢ 4 œ œ j Bass ¢ 4 J J
Bass
J œ œ ˙ Ec - ce quo - mo - do mo - - ri - tur iu - stus,
bœ j œj j
Te - ne-brae fac - tae sunt, fac - tae sunt, Te - ne-brae fac - tae sunt,
4 œ bœœ nœœœ
œ
p
{
& 4 œœ.. œ œ œ œ ˙. Œ ‰ œ ‰ j œ œœ ˙˙ œ
b œœ œœ œœ # œœ ˙˙.. œœ
œ
œœ œœ.. œœ b œœ
{
œ.
Keyboard
œ ˙ œ
mf
œœ bœœ.. bœ œ œœ
? 44 œ œœ œ b œ.. #œ bœœ bœ
Keyboard (for rehearsal
j j Ó
? 44 œœ.. œ œœ.. œ œ œj œ ‰ œœ nœœ nœœ..
j J J
p only)
#œ œœ œœ bœœ ‰ bœœ œœ
(for rehearsal
only)
œ œ bœ œ œ ˙
J J J œ ˙
° j bœ
mf
& œ #œj ˙
4
° j j j bœ bœ Ó ∑ Œ b˙
5 p
j œ œ
sub. f
& ∑ ˙ bœ œ œ. œ ˙ œ. œ œ œ J J - ri - tur iu - - stus,
œ
ne - mo
Je - sum Ju - dae - i, dum cru - zi - fi - xis-sent
bœ
j j j bœ bœ ˙
mf
œ nœ j Œ Ó Œ #œ Œ
p mf
œ ˙ nœ
p sub. f
& ∑ œ. & bœ. œ
˙ J œ. œ œ œ J J mo
œ œ
ri - tur
œ
iu - stus
œ
et ne - mo… ne mo
Je - sum Ju dae - i, dum cru - zi - fi - xis-sent - - -
j j j j bœ bœ
p mf
Œ Ó ∑ Œ
sub. f p
& ∑ œ ˙ & j #œ
˙ œ œ œ. œ. œ œ œ J J œ. œ œ œ œ b˙
j
Je - sum Ju dae - i, dum cru - zi - fi - xis-sent
j j j bœ bœ Œ
p mo - - ri - tur iu - stus ne - mo
˙ œ Œ œ œ. œ ∑ j
& œ. œ œ œ J J & œ œJ ˙ œ. œ
p
Œ Ó ∑ Ó
mf
œ #œ J
‹ dum ‹ mo - ri - tur
bœ b œ
cru - zi - fi - xis-sent Je - sum Ju - dae - i,
˙ œ œ œ. œ œ
iu - stus ne - mo
? œ. œ œJ œJ J J Œ ? j œ
p
Œ ∑ bœ Œ <b>œ
p
J Œ œ Ó ∑
mf
¢ J ¢ œ. œ œ
dum cru - zi - fi - xis-sent Je - sum Ju - dae - i, mo - - ri - tur iu - stus, et ne - mo…
j
bœœœ bœ bœ
p sub. f
œ ˙ bœ
& ∑ ˙˙˙ nœœ
œ
nœœ..
œ. œœ ˙˙ œ. j
œ œ œ & bœœ. #œ ˙ œ œœ Ó Œ #œ œ Œ ˙
bb˙˙ n#bœœœ
{
œJ œ œœ
{
Œ œ
bœ b œ ˙ œ œ œ. œ œ.
? œ. œ œ œ œœ.œ œ œ œ
p p
Œ Œ ∑ œ œ œ œ
mf
Ky ri - e e le
3 = 58
- - - - - - - - - - -
3 œ. j j
Soprano Soprano
‰ œ œ œ bœ œ œ j
f
&4 œ #œ œ nœ #œ j œ.
œ œ œ J œ Aus dem Mund der Kin der und Säug lin ge
Ky - - - - - - ri - e e - le 3 - - - -
j
Alto
3
mf
&4˙ œ ˙ œ œ œ ˙ œ œ. j
Alto
J œ Aus dem Mund der Kin der und Säug lin ge
Ky - - ri - e e - le - i - son, e - le - i- Tenore
3˙
mf
œ ˙ œ œ œ ˙ œ œ. j
Tenor &4 J J œ 8
‹ Ky - - ri - e e - le - i - son, e - le - i- Basso
?3˙
mf
œ ˙ œ œ œ ˙ œ œ. œ
J
Al le lu ja, Al le lu ja, Al le lu ja, Al le lu ja,
Bass ¢ 4 J J 5
Ky - - ri - e e - le - i - son, e - le - i-
3 œ. j j œ œœ œ bœ
j œœœ.. œ ˙ ‰ œœ œœ
f
{
œ œœ 3
˙ œœœ ˙ œ œ œ ˙ œœ... schaffst du dir Lob.
Keyboard Aus dem Mund der Kin der und
(for rehearsal
? 43 ˙ ˙ œ œ œ ˙ œ œ œœ
only) J J J
U
mf
& bœ œ ‰ ‰
ff
J J J J œ . J
- 3- - - i - son, Ky - ri - e, Ky - ri - e, Ky - ri - e,
8
Aus dem Mund der Kin der und
j j r
ff
œ. œr œ. œ. œ U
œ
& nœ œ bœ œ bœJ œ œ. #œ œ. ‰ ‰
3
J J
- - - - i - son, Ky - ri - e, Ky - ri - e, Ky - ri - e
U
Al le lu ja, Al le lu ja, Al le lu ja, Al le lu ja, Al le lu ja,
j j j
œ. œr
ff
r ‰ ‰
10
& nœ n˙ œ. œ. #œ œ
#œ œ. nœ.
U
- son, Ky - ri - e, Ky - ri - e, Ky - ri - e
nœj
Säug lin ge schaffst du dir Lob. Aus dem
˙. œ. r œ. œ œ. œ. œ
ff
& J œ œ. ‰ J R ‰ œ œ
J
‹ - son, Ky - ri - e, Ky - ri - e, Ky - ri - e
¢ J R ‰ J R ‰ J
- son, Ky - ri - e, Ky - ri - e, Ky - ri - e
8
Säug lin ge schaffst du dir Lob. Al le lu ja, Al le lu ja,
nœœœ U
bœ
& nbœœ œœ bbœœ œœ œ
r
nœœ.. #œœ nœœ.. œœ.. r #œ. œ. œœœ
3
œ ‰ œ œœ.. ‰ J
J J
{ ?
œ ˙˙.
.
n˙ œœ.. # œœ œœœ...
ff
J
œ
R ‰
œœ..
J
œœœ nœœ..
R
œ.
‰
œœ..
œ.
n# œœœ
œ
J
œU
œ
œœ
Al le lu
from: M. Beckschäfer, Missa brevis in a from: A. Pärt, Drei Hirtenkinder aus Fátima
UE 37207, page 6 UE 36448, page
52
Mixed choir a cappella
from: F. Martin, Songs of Ariel, UE 14556, from: G. Mahler, Ich bin der Welt abhanden
page 20 gekommen, UE 18105, page 18
& # 68 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Soprani
#
& # 68
Die stil le Stadt. Liegt ei ne Stadt im Ta le, ein
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
p
I
# Œ ‰ œ.
& # 68 ∑ ∑ ∑ ∑ ∑ ∑ ∑
Sopran
Alti Die stil le Stadt. Liegt ei ne Stadt, liegt ei ne Stadt, im
# p.
II
& # 86
˙ ˙.
Wach -
∑ ∑ ∑ ∑ ∑ ∑ Liegt ei ne Stadt im Ta le, ein
Wach - ol - I
#
& # 68 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Tenori 8 Die stil le Stadt. Liegt ei ne Stadt im Ta le, ein
#
II
# π
˙. ˙. œ.
I
& # 68 ∑ ∑ ∑ ∑ ∑ œ.
Alt
Bassi Die stil le Stadt. Liegt ei ne Stadt im
# π
Som - mer - luft, Wach - II
& # 68 ∑ ∑ ∑ ∑ ∑ ˙. ˙. œ. œ.
Bassi Liegt ei ne Stadt im
π
œ. œ. œ. œ. ˙. œ. œ. ˙.
Som - mer - luft, Wach - III
#
V # 68 ∑ ∑ ˙.
Liegt ei ne Stadt im
4 rit. a tempo
π
Die lau - e
#
Som - - mer - luft,
V # 68 ∑ ∑ Ta le, ein blas ser Tag ver geht, es wird nicht lang,
# π
Die lau - e Som - - mer - luft, Wach -
π.
œ. œ. ˙. ˙. œ. œ. ˙. œ. œ.
Die lau - e Som - - mer - luft, Wach -
? ## 6 ∑ ˙
8
8 blas ser Tag ver geht, es wird nicht lang mehr
œ. œ. œ.
π
˙. œ. œ. ˙. œ. œ. œ. œ.
Es wogt die lau - - e Som - - - mer -
? ## 6
8 ∑ œ.
8 blas ser Tag ver geht, ver geht,
œ. œ.
π
œ. œ.
Es wogt die lau - e Som - - mer - luft, Wach -
? ## 6
Bass
∑ ˙. œ. œ. ˙. œ. œ. ˙.
Ta le, ein blas ser Tag ver geht, es wird nicht lang
8
p
Es wogt die lau - e Som - - mer - luft,
? ## 6
Ta le, ein blas ser Tag ver geht, es wird nicht lang mehr
8
˙. ˙. ˙. ˙. ˙. ˙. ˙. ˙.
Es wogt die lau - e Som - Ta le, ein blas ser Tag ver geht,
© Copyright 2016 by Universal Edition A.G., Wien Universal Edition UE 36 618 © Copyright 2009 by Universal Edition A.G., Wien Universal Edition UE 34 957
3
1. Ich bin schon groß
I Am Already Big
(Silva Kaputikjan)
Arvo Pärt
(*1935)
b 4
& b b 4 J œj ‰ œj ‰ œj ‰ œj
2
œ œ œ œœ œ œœ œ œœ Œ œœ œ œœ œœ œ‰ œœ 4
œ œ œ œ ‰ œ ‰ œ ‰ bœ ‰ œ œ œ œ œJ
S f
j œ.
? b 4 ‰ œj ‰ œ ‰ œj ‰ j ‰ J ‰ Jœ ‰ b œ ‰ >œ
œ j
bb4 j J Œ Œ œ ‰ 24
œ
œ
b 2 j j j Œ
4 œ j œ j j j j j 2 j4
&b b4 ˙ œ œ œ œ œ œj 4 œ .
4
4 œ J œ J œ œ œ œ 4
klein, zu Haus, am gro- ßen Ti - sche, sit - ze ich schon ganz al - lein. Ich
crib. There - fore I beg your par-don: But I am al - rea - dy big! I’m
b 2 4 œ 2 4
&b b4 4 œ œ œ œ œ œ Œ œ œ œ œ œ 4 œ . œj 4
‰̇ œœ ‰ œœ ‰ œœ ‰ œœ ‰ b œœ ‰ œœ œœ œ
œœ œœ ‰ œœ
J ‰ œœ Œ
J J . J
? b b 24 œ ‰ œj ‰ 44 j ‰ j
œ ‰ œ ‰ bœ ‰ > Œ œ j ‰ 2 œ‰ ‰ 44
b J J J œ Œ œ 4 J œj
œ
b 4 j j j j j j j j j j j j
& b b 4 œj œ œ œ œ œ œ œ œ œ œ œ.
j j j j
8
œ œ œ œ œ œ œ œ
bin nicht mehr ein Ba- by, ich ar - beit’ wie ein Mann, ich zeich - ne, strei - che, kle - be, mal
not a lit - tle ba- by – I work as hard as you. I draw and paint and may - be make
b
& b b 44 ˙ . ‰ œj ˙ . ‰ œj ˙˙ . ‰ œœj
˙˙ . œœ ˙˙ .. œ ˙.
œ œ
p
œ. œ. . . . œ. . œ.
? b 4 . œ.
bb4 œ œ.
œ. œ œ. .œ œ. œ œ. œ. œ. œ œ. œ. œ. œ œ. œ. œ.
from: Z. Kodály, Trinklied (Bordall) from: A. Pärt, Lieder aus der Kindheit –
UE 32368, page 17 Chorpartitur, UE 36693, page 29
Vater unser
für Knabensopran und Klavier (2005 / 2011) Arvo Pärt
(*1935)
= 76 ca
13
© Copyright 2005, 2011 by Universal Edition A.G., Wien Universal Edition UE 36 676
GER UK
For mixed choir (SATB) · Choral score For mixed choir (SATB) a cappella
Language: Latin
All Angels · English – UE21714
„Five Christmas Motets“ Ave Maria · Latin – UE21715
N° 1 Dum medium silentium – UE37125
Ave maris stella · Latin – UE21716
N° 2 Angelus ad pastorem ait – UE37126
N° 3 Nesciens mater – UE37127
I Saw Three Ships · English – UE21717
N° 4 Magi videntes stellam – UE37128
Arranged by George Arthur
N° 5 Lux fulgebit hodie – UE37129
www.universaledition.com
Universal Edition
55
f ocus Arvo Pärt
Focus on Arvo Pärt
DAvi D JAmes
INTERVIEW
10
David James and the h illiard ensemble have given simple chord … the overtones start, it blossoms, it becomes
������������������������� a much larger sound, you get these ringing tones, the
by Arvo Pärt. t he singer describes their interpretative harmonies start to resonate. Arvo never writes a note or
approach in an interview, raising many interesting changes it unless it means something, and that’s why I
pointers for performers of Pärt’s music. admire him so greatly. Why use ten notes when you can
use one to say what you want to say? And that is, at least
to my mind, what really sums him up for me, because one
T he Hilliard Ensemble perform a lot of early music. Do note can do it all, if you write it in the right way.
you use a different vocal technique for Arvo Pärt’s music?
James: As far as performing Arvo’s music and the required D oes Pärt's Passio play a central role for you and
vocal techniques go, I can only speak from our experience. the Hilliard Ensemble?
After all, we started as an early music group and we James: Yes, Passio has a very important place in our
applied the principles that guide good ‘early music’ musical heritage as the Hilliard Ensemble. It was really the
singing – at least the ones we adhere to – to Arvo’s music. defining moment that introduced us fully to Arvo Pärt’s
Fundamentally, we in the Hilliard have always tried to music. And it was performing Passio, coming to know
sing as purely, cleanly and simply as possible. Therefore, and understand Passio, that sort of sealed our relationship
all the vowels must be as – the realisation that this is
purely coloured as possible. really something unique. If you
And this helps good intona-
tion, singing in tune – which is
“Why use ten notes when look at the score of Passio and
analyse it, it is very, very spar-
likewise critical in Arvo’s music, you can use one to say what tan, very sparse in the sense
because there’s no hiding: in that there are actually only
his music, you can’t cover up you want to say?” DAVID JAMES three keys used. And then at
singing that’s out of tune. And the very end, just for the very
this comes from early music. end, at the critical moment
And you find, if all the elements of a chord are absolutely when Christ is on the cross and is about to die, suddenly,
in tune, then the harmony is what we call ‘locked in’, or the four Evangelists come together on one unison A-note.
‘in tune’. And suddenly, in what seems to be a very small, And then there’s this silence, this death – he gave up the
ghost, we’d say, his spirit isn’t in him, he gave up his spirit.
And then there’s this extraordinary moment when the
choir and everybody comes in, in D-major. So this chord
comes in and it just goes right through your body! It’s an
amazing moment – every time, it sends shivers down my
spine. It’s like the richest Brahms you’ve ever heard, and
you realise that there is life afterwards. This is the most
important moment, the death, but it's actually looking
forward, it’s for a reason, it’s a positive thing, and I think
that this last page is the most stunning page of music you
could ever wish to hear. where Arvo’s music doesn’t work is in those many cases
when people – conductors, choirs – try to put in too much
How do you deal with the fact that in Pärt’s scores emotion, try to ‘perform’ the music too much, as if they
there aren’t many notes, and how do you make sure that were doing Romantic music. A lot of Romantic music from
it doesn’t fall apart? the 19th century requires one to actually emote – change
James: Well, as you say, on first encounter it is not easy speeds, do rubato, add this or that effect. That is exactly
to work out how you are going to perform Arvo’s music – the opposite of what you need to do in Arvo’s music,
or how you’re going to maintain the intensity from begin- because it’s all there: if you try to perform or over-perform
ning to end. And it is very, very important – and I say this it, it won’t work. Everything is written into the music, and
to choirs – to realise that Arvo’s music always exhibits a you mustn’t try to put your own personality into it, be-
structure, one massive arch. No matter where in the piece cause the music will just die. I believe that it requires a lot
you start, there is some connection to the end, because of courage to do this, because you really are exposed: I’ve
the beginning has a connection to the end. And you must described it as being naked, performing naked. You’ve
have that in mind; it’s utterly critical. Keep that in mind – got nowhere to hide.
it’s an overriding sort of feeling, from beginning to end. So when people are going to perform a piece, I make
If you lose that, if you make too much of a stop between sure to say: “Look, please, can you make sure that the
the sections, it could very easily fall apart. It’s all about choir is really well prepared?” And by ‘well prepared’,
intensity and keeping that focus from beginning to end. I don’t mean just knowing the notes. It is better, with
And I should point out here that this applies very much to Arvo’s music, to sing maybe just 15 minutes each week,
silence, as well. In Arvo’s music, there are a lot of bars of in a rehearsal – and that’s all, to sing it once through –
rests, of complete silence, and I know that a lot of choirs rather than spend one rehearsal doing it for two hours.
look at this and are scared. So many singers and choirs, That won’t have an effect. This music is something that
particularly, are scared of silence, and so are so many has to become part of you, almost in your body, in your
conductors: when they have a bar’s rest, they’ll cut it short being, and you have to live with and grow into this music.
because they’re nervous; that insecurity then relays itself And suddenly it starts to make sense. When you rehearse
to the audience, so they will then start to move around. it gradually, spread over a month or two, it goes into you,
If you’re insecure yourself, then the people listening will and you begin to really appreciate what’s there.
become insecure.
Of course, the acoustics of the building help tremen- Could you say what this music has done for you?
dously: if you’re in a wonderful cathedral, where the James: Well, meeting Arvo and encountering his music
sound resonates, then it’s easier, because those wonderful was without a doubt the defining moment of my music
chords can hang on and then you go to the next. appreciation career. When I first saw Arvo’s music, I was
like many of these conductors and many of these choirs:
How would you explain Arvo Pärt’s music to singers and I looked at the paper and was so dismissive! I’m so
musicians who aren’t as experienced with his music? ashamed of myself now.
James: If you try to describe Arvo’s music to choirs or And it changed my whole approach to music: I real-
conductors, it is very difficult to put into words. But there ised that what you see is not necessarily what you get.
is this feeling of floating in the air. And that is very much As soon as you start performing it, it has a life of its own;
his music; it’s not ‘grounded’, and you never feel that it takes on a completely different character. It transports
you’re being pulled in a direction or forced. It is always you somewhere that a lot of other music does not. You’re
hovering, hanging, and sort of ‘above’ something. It has lifted into this sort of atmosphere, into the air, floating …
this ethereal quality, this sort of really almost unworldly and it grips you, it won’t let you go.
feel to it. And a related but slightly different point is this: Interview: Eric Marinitsch
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