Ejercicio Orquestal
& Technicor
Orchestra Exercises
& Horn Technique
Ignacio Garcia
Daniel Bourgue "Technicor"
Play only with mouthpiece and without tongue
=76 very long
Nur mit Mundstück und ohne Zunge sehr lang
A
2
4
pp p mp mf f
diminuendo bis pp
-1- created with iWriteMusic
Daniel Bourgue "Technicor"
(with tongue)
(mit Zunge)
-2- created with iWriteMusic
Daniel Bourgue "Technicor"
From here, play with the horn in B,A,Ab, etc. For low regiter B,C,Ds, D, E….
Ab hier mit dem Horn. In B, A, As, etc. (tiefe Lage) H, C, Des, D, Es, E, F, Fis, G, As, A, B-alto
-3- created with iWriteMusic
#$%&'()
Horn in C
Quality of the sound with long notes. You can choose between 1 or 1B.
Töne aushalten. Man kann zwischen 1 oder 1B auswählen.
!" "Nota larga"
* *
ca. 3 Takte
" % % ' % ' % % ' % '
!"
$# $# $& ( # $# $# $& ( )#
ohne Zunge in F-Horn
* *
only tongue in F-Horn
! % % ' % ' % % ' % '
)$# $# )$& )( +# +$# #
$# +$& +(
* *
! # % % ' % ' % % ' % '
$ $# $& ( +#
# +$# $# +$& +(
* * etc.(1)
! +# % # % +& ' +(
% ' % % '
#
% '
$ $ $ +# +$# $# +$& +(
(1) Continuar de la misma manera, abarcando el mayor registro posible (NO UTILIZAR LA TROMPA EN SI BEMOL!!)
(1) weiter nach unten und nach oben Further down and up.
Keep playing the exercise to improve the register. (NEVER USE THE HORN IN Bflat!)
!".1 (Para altanar con el ejercicio Nr.1)
*+,-.%-./.
"
0 ! " # )# # % )# ,# )# % ,# # # % # +# , #
%
+# # #
%
# )# #
%
-
! +# % % % % %
# # # # # # +# , # +# # # # +# , #
% %
Keep playing the exercise to extend and improve the register.
! etc.2 (2) Continuar hasta la nota más grave posible.
+# # # # )# # (2) Weiter nach unten so tief wie möglich
1
. = 60_0
"
/ ----------------------------------------------------------------------------------------------------------
!" % % % % % %
# +# # )# # # # # # +# +# #
1
# +# # )# # #
-
% % % % % %
-------------------------------------------------------------------
! #
,# # # # +# # )# # # # #
+# +# # ,# ,# #
! % % % % % %
# +# # )# # # # +# # )# # # # # # +# +# #
! % % % % % %
,# ,# # # +# # )# # # # # # +# ) # # ,# # #
! # +# # % )# # # % # +# # % )# # # % # # # % +# +# # %
,# # +# # % )# # # % # # # % +# ) # # % ,# # # %
! ,# # %
" # # # )# )# # ,# ,# # # # # % +# +# # %
2 ! " % % %
-
# # # % )# )# # % ,# ,# # % # )# # % +# # # % # # # %
!
! +# +# # % # # # % )# )# # % ,# ,# # % # # #
%
+# +# #
%
! # # % +# +# #
% % % % %
# # # # # )# # +# ,# # # # #
! %
Also play until the note as low as you can
etc(3) (3) También en este ejercicio llegar hasta la nota más grave posible.
+# +# # (3) Weiter nach unten so tief wie möglich
2
3". in F, E, Fis. Es, G, D, As, Des, A, C, B, H,
2 2
0 ' = 60 % %
!" & # #
&1 # & # # # # #
# # # # #
3 3
! % % & ##
# # & ##
## # # ##
# ## #
# # # # &1
Hacer estos12 ejercicios con el minimo
de pausa posible. En las positiones de
Trompa en Fa 1-3 y 1-2-3, sacar las bombas para bajar la afinación.
Try to play this exercices with the minimum of pause.
Horn in F 1-3 and 1-2-3, valves out for the entonation.
3
45%678(-9:;-< 4 = 60
Horn in H,(123) C,(1-3) Des, (2-3)D,(1-2) Es,(1) E,(2) F,(0)
" ' '
!" # # # #
)# # )# #
1.
)# )# )# )# )& # # # # &
! ' '
+# # +# # # # # #
+# # +# # +& # )# # )# &
! # # # # ' )# # )# # '
+# # +# # +& # )# # )# &
! # # # # '
# # # # &
Wiederholung gestoßen (weich) Repetition with stacatto (soft)
! ' '
# 1# 1$# 1# # 1# 1$# 1# & # ) # 1)$# 1# # 1) # 1)$# 1#
1 &
1$ $ $ 1$ $ $ 1$ $ $ 1$ $ $
! # # ' '
+1# 1$# 1$ 1$# 1+ # 1$# 1$ 1$# +& # ) # 1$# 1# # 1) # 1$# 1#
1 &
$ $ 1$ $ $ 1$ $ $
! ' '
+# +# # 1$# 1# # 1# 1$# 1#
+1# 1$# 1$ 1$# 1+ # 1$# 1$ 1$# +& # 1
1$ $ $ 1$ $ $ &
$ $
! '
)# )#
)1# 1)$# 1$ 1$# )1# 1)$# 1$ 1$# )&
$ $
4
Horn in H,(123) C,(1-3) Des, (2-3)D,(1-2) Es,(1) E,(2) F,(0)
! '
)# )# )# )# )# )# # )#
2.
)# ) # )# # )&
# # # #
Horn in H,(123) C,(1-3) Des, (2-3)D,(1-2) Es,(1) E,(2) F,(0)
# #
! # # # # # #
# # # # # # # #
3.
# #
! # #
# # &
Horn in H,(123) C,(1-3) Des, (2-3)D,(1-2) Es,(1) E,(2) F,(0)
5 # # # # # # #
!" # # # # # # #
# # # # # # # #
4.
# #
# # # # # # ' '
! # #
# # # &
#
5
Play exercices A,B,C and D, in Horn in F, then Horn in E,F, Eb, G, D, Ab, Eb, A, B
Alle Übungen A,B,C,D.E in F, dann in E, Es, D, Des, C, H.
=" 4 = 50 Tocar todos los ejercicios (A, B, C, D y E) en Fa, luego in Mi, Fa , Mib, Sol, Re, Lab, Eb, La, Sib,, Si
" 6 ' "
!" " " # # # # # 1# # 1# & '
# # # # 1# 1# 1# 1# $# # 1 1
0
$ &
6 '
! # # # # 1# 1# 1# 1# & ' # # # # 1# # "
# 1# 1 1 #
$ $#
&
! # # # # # # # # # #
# # # #
(
" # # # # 1# 1# 1# 1# 1 1 1
# # # # 1# # # #
1
# # # # # # 1# #
1 !"
1# 1# 1# 1# # # # # # # # 1 1# 1# 1# 1# 1# 1# 1# $ *
! # # # #
$ $# $#
&
"
!" ## ## #
# # # # 1 #
2
# # # # 1
# # 1# 1# # # 1# 1 1 1# # #
# # 1# 1 1# 1 # 1# # 1#
! ## # # ## # 1##
# # # 1# 1# 1 1# 1# # # # # ##
# # 1# 1# 1 1 1# 1# #
1 1 # 1 1 (
1# 1#
(2.x staccato)
"
! " 11 # # 1
# # # # # 1 (
# # # # #
>
# #
# #
"
!" # # # # # # # # # #
# # # # # # # 1# 1# 1# 1# 1 1# 1# 1# # # # # 1# 1 1# 1 1# 1 1# 1
?
! # # ##### # # # #
##### # # # 1# 1# 1# 1# 1# 1 1# 1 1 1# 1# 1# 1# 1# 1# 1# (
(Repetir una octava más grave)
6
(Repeat one octave lower)
@(&A&(.B:;-<.#C,DE&)
B + F Hr. 4 = 100
"
!" # ) # , # ) # , # # +# # +# #
# ) # # ) # # +# ,# +# # ) # # ) # # # ) # # )# # )# # # )#
7
! ) # # # ) # # # , # # +# # +# ' 8 11 1.2. Mal gebunden
# # +# # +# &
Mal gestossen
(ca 15 Sek, Pause)
1. Legatto.
2. Stacatto.
"
15 seconds pause
!" # ) # # +# # +# # +# +# # # )#
)# # )# # # # # ,# )# # )# # # )# )# # )# # # )#
7
! # # ) # # ) # , # # , # # +# # +# ' 8 11 1.2. Mal gebunden
# # +# # +&
Mal gestossen
(ca 15 Sek, Pause)
"
!" # +# , # # # +# # +# # # +# #
# )# # # ) # , # # + # # )# # # ) # # )# # # )# # )#
7
! # ) # # ) # # +# , # +# # +# +# # +# ' 8 11 1.2. Mal gebunden
# +# +# &
Mal gestossen
(ca 15 Sek, Pause)
Weiter bis zum hohen C
"
! " # +# # # +# , # # ) # # +# # # +# # +# # +# # # +# # +#
# # # )# # )# # # )# #
! # )# & ' 11
# # )# # )# #
1. Mal gebunden
# )# ,# )# ,# )# # )#
2. Mal gestossen
Weiter nach unten so tief wie möglich
>%(.*(,6&('';-<.F(,.G+&(-.H+6&(&.!./'D678(.I(%-
7
Repeat eveything with stacatto, clear but soft, classic style.
Play this exercice thinking about Piano N.5 by Beethoven or 1st Mahler’s Symphony.
Take care the sound, entonation, articulation, etc
How to practice:
For endurance, technique and register:
Play in F, E, F#, G, D, Ab, Db, A, C, Bb, B
Time: 66 minutes
As warm up:
Start one day in B, Db, Eb, F, G, A. The next day start with C, D, E, F#, Ab, Bb Time: 33 minutes
Quick warm up:
Choose three keys, low, medium and high. Time: 17 minutes
IMPORTAT: Respect all the pauses
All the keys and octaves:
We can play this exercices in different ways:
Start soft and without tongue. Change the dinamics, p to mp, mp to mf, etc
To improve the sound, play from mpp to mff, start very soft and precise, finish with a nice sound with quality.
To improve the low notes:
First note of each bar, frullato.
First two notes of each bar, frullato.
First three notes of each bar, frullato.
The whole bar, frullato.
IMPORTANT: don’t play that more than 5 minutes.
Amply the register limits, respecting the points before, quality of sound.
Ejercicio Orquestal Nr. 3
=60
Horn in F/E/F#/Es/G/D/etc.
Luft Luft luft
4
4
(Luftakzente) breath breath
Air accents
(eo) (eo) (eo)
3 3 3 3
(angestossen)
3 3 3 3
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 4 (Farkas)
=100
Horn In C, Des, D, Es, E, F, Fis, G, As, A, B, H, C, etc.
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 5 Gingrich/Garcia
Transpose in all possible transpositions, different tempos and dynamics.
In alle möglichen Lagen transponieren, verschiedene Tempi und Dynamik.
4
4
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 6
Horn in C, H, C#, B, D, A, Es, As, E, G, F, F#, etc.
=100 82 - 100
c
4
4
1. Legato 2. Staccato
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 7
In allen Lagen und Tempi, auch in anderen Intervallen
En todos los registros y Tempi, también con diferentes intervalos
In all registers and tempos, also in other intervals
4 3
... ...
gliss gliss
gliss..
ndo
s... s...
...a glis glis gliss
do
...an
3 3
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 8
Horn in C / H / Des / B / D / A / Es / etc.
=100 — 144
Sehr klar artikuliert!
Die ganze Übung in mf spielen,
danach bis zu pp oder ff aufbauen.
Play the whole exercise in mf, then build up to pp or ff.
3 3 3 3 3 3 3
3 3 3 3 3 3 3
-1-
now
created with iWriteMusic
Ejercicio Orquestal Nr. 8
3 3 3 3 3
3 3 3 3 3 3 3 3
3 3
3 3 3
3 3 3 3 3 3 3
-2- created with iWriteMusic
Ejercicio Orquestal Nr. 9
(legato, portato, staccato)
4
4
mp
(pianissimo …… mezzoforte)
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 9
-2- created with iWriteMusic
Ejercicio Orquestal Nr. 9
etc.....
-3- created with iWriteMusic
Ejercicio Orquestal Nr. 10
(legato, portato, staccato)
4
4
(pianissimo — forte)
-1- created with iWriteMusic
Ejercicio Orquestal Nr. 10
-2- created with iWriteMusic
Ejercicio Orquestal Nr. 10
etc...
-3- created with iWriteMusic
Ejercicio de trinos (Güelfo Nalli)
In all transpotitions and tempos. Practice individually too!
In alle Transpotitionen und Tempi. Auch einzeln üben!
2 3 3 6 6
3 3 6 6
3 3 6 6
3 3 6 6
3 3 6 6
3 3 6 6
3 3 6 6
-1- created with iWriteMusic
Escalas
e
