Sonatine F-Dur

für Orgel


Wolfgang Amadeus Mozart, KV 15t-v (nach 1765)
Bearbeitung*: Gabriel Isenberg (2006)

              
                   
1. Allegro

 
                               
 
Orgel

    


                 
                
7

                             
        
    


     

     
                   
13

 
                       
               
  


          

   
        
     
19


 
           
          



  
          

                
    
23

             
      
        
* Bearbeitet für eine Orgel mit angehängtem bzw. angekoppeltem Pedal. Eine 16'-Registrierung im Pedal wird nicht empfohlen. Es ist wird nicht konkret angewiesen, wo Pedal
verwendet werden kann, das ergibt sich aus dem Satz. Für den 1. und 3. Satz eignen sich 8'-4'-2'-Registrierungen, für den 2. Satz 8' + 4' oder 8' allein, ggf. mit den Echostellen auf
einem 2. Manual.

     
2

                                 
27

 
       
                


     
                                           
31

        
   


              
 
                     
 
35

       
  
            


                       
           

40

             
   


            
      
             
 
43

  
                     
         
 


     
                         
47

  
                
     
   

   
          
3


       



    
  
52


                             
    


       
                       
  
58

     
                              
       
  


                           
                 
64


          
         
 


 
   
                         
                 
69

             
       



             
                    
          
75 rit.

 
   
               
           



                             
                 
80

                
       
   

  
4

      
   
85

    
      

                 
     
  


  
    
                          
89

         
                     
   
   


   
            

        
94

              
   
   


             
                            
2. Andante

  
           
     
                     
Orgel




               

                      
       
7

 
     
                
  

        
       
 


       
            

       
       
14

 
           
 
                
    

                                   
5

 
   
                 
20

 
     
              
            



  
       
          
26

      
  
         
         
  


         
                
30

        
  
      
               
      


  
             
3. Allegro

           
                
Orgel

    


   
            

7

             
          


                   
            
14


                
    


               
       
6

        
          
22

         
  




                          
       
             
31

 

                              

    
        


      
                                
40

     
                       
  


  
      
               
    
49

     
     
                      
     


                         
        
56


                     
      


          
   
    
64


             
        
                          

  
7


                   
73

 
               
                 


      
                           

80

   
 
     
      




                  
                        
89


                           
    
    


  
                         
 
 
 
    
97

            
      
         