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Paganini 24
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NiccolòPaganini(*1782inGenua,|1840inNizza)
Capriccioop.1Nr.24fürKlarinettesolo
bearbeitetundvorgeleg!von
StephanKorody-Kreutzer

_Klarinettissimo"wardastreffendeMottoeinesKonzertsam16Oktober1990in
anderenvirtuosenKlarinettenwerkenNiccoloPaganinis.feuflisches"Capriccio derStadihalleRosenheim,indemichnebonvieten
DergrofilePublikumserfolgbestätigtemirdieBerechtigungme op1Nr.24zumerstenMalaufderKlarinettevor
folgsstückauchanderenKlarine!tistenzugänglichzu inerBearbeitureundreqtemichan,diesesvirtuosoundattrak trug
machen. tiveEr
DievorliegendeAusgabediesesCapricciossetztergânzenddieinerste
sischonundrom rLiniefurdenKonzertsaalgedachteReihevonbarocken,klas-
antischen.neuen°,dasheißt,vonmirfürdieKlarinettegesetztenode
Werkonfort. rerstmaligfordiesesInstrumentbearbeiteten
NiccoloPaganinislegendäresGeige
nspielhatseinorzeitüborall-inItalion,Wien,Paris,London,inSchottlandu
gemacht.DieserwievoneinermagischenKra ftbesesseneVirtuosogaltschonzuLebzoitenalsdasSymboleinosrom ndInIland-Furore
lertyps.VioleLegendenuminhabensichweltweitverbreite t,seineA antischonKönst-
Bewunderungvertallen.AlsKomponistvonvorwiegendVio rtistikautderGei gelißonseineZu höterIn z.T.okstatischa
linwerkenwarerebenfallssehrerfolgreich.
Die-24Capricciperviolinosoloop.I"sinderstmals1818inMailand
erschienon.Dasletztodavon,dioNummer24,istauchunter
demTitol-Variazionidibravuraperviolinoechitarra-opianoforte-bekannt.Die
enormoPopularitätderCapriccizolgtsichauchi
derbisinunseroZeitreichendenViolzahlvonArrangomentsuntors chiedlichsterKomponistenfürebonsounterschlodicheBesot;n
zungsformen,u.afürOrchesteroderKlavier-hiorseienvorallomdieBearbeitu
undLutoslawskigenannt. ngenvonSchumann,Liszt,Brahm s,Rachmaninolf
InminerhierveröffentlichtenKonzertfassungfürKlarinettesolo-eigentlichThomamitel/Variationen
sicht,dieVirtuositätunddenGlanzdosOriginals,soweitalsautderKlarinettemöglich,zubowahron.MeinHundFinale-warmeineAD-
denKonzertgebrauchdieGrenzendesaufdemInstrumontMachbarennichtzuüberschreiten.Be auptanllegonwar,für
reAlternativen(.ossia*)angeboten,umdommomentanentechnischenAusbildungsstanddesAieinigenVaria tionenhabeichmetro-
ustührondon(Studierendent)Roch-
nungzutragen.DieseVariantensinddemOriginalimGrundogleic
Variationenmußtechindividuelle,vomOriginalleichtabweichende.klahwertigun ddurchausobensoempfohlenswert.Inoinigon
rinotten-gerochteLosungonlinden
Ichbinüberzeugt,daßdasCapricciofürKlarinettesoloop.1Nr.24vonPaganiniindiesorFormeinvonKlarinettistonvielgospiolto
undbeimPublikumgutankommendesErfolgsstückseinwird.Nichtnu s
rder.abgcklärto"Klarinettensolist,sondemnauchdordiesos
InstrumentStudierende-inhmstecktderkünftigeSolist!-wirdsichüberdie sesStückfreuen.
StephanKorody-Kreutzer

NiccolòPaganini(*1782inGenoa,11840inNice)
Capriccioop.1Nr.24forSoloClarinet
arrangedandpresentedby-
StephanKorody-Kreutzer

"Clarinetissimo"wastheappropriatemottoofaconcertwhichIgaveon16thOctober1990inthetownhallofRosenhoim.Bosides
numerousothervirtuosoclarinetpiecescomposedbyNiccolòPaganini.Iplayedhis"devilish"capricioop.1no.24forthefirsttime
ontheclarinet.Thepositiveresponsefromthepublicconfirmedandthusjustifiedmyarrangement,andconsequontlyitinspiredme
tomakethisvirtuosoandcharmingbravurapieceavailabletootherplayersoftheclarinet,100.
Primarily,theeditionpresentedherecontinuestheseriesof"new"baroque,classicalorromanticpiecesfortheconcerthall,I.e.,tho
workswhichIhavearrangedfortheclarinet-someofthemforthefirsttimeevor.
Inhistime,NiccolòPaganini'slegendaryviolinstylecausedasensationwhereverheplayed-inItaly.Vienna,Paris,London,in
ScotlandandinIreland.Evenwhenhewasstillalive,thisvirtuosowhoseemedtobeobsessedbysomemagicpowerwasconsiderad
hesymboloftheromantictypeofartist.Numerouslegendscenteredaroundhimandwerespreadallovertheworld,hisartistryon
heviolinmadesomeofhislistenersfallintoecstaticadmiration.Paganiniwasalsoasuccosslulcomposerofworksmainlyfortho
violin.

The"24capricciperviolinosoloop.1"werepublishedforthefirsttimein1818inMilan.Thelastone,no.24,isalsoknownastho
"Variazionidibravuraperviolinoechitarra-opianoforle».Thelactlhatcapriccioshavealwaysbeenverypopularandstillareloday
isprovenbythegreatvarietyofarrangementsavailable,createdbymostdifferentcomposersformostdifferontinstrumontations,lo0,
e.g.fororchestraorpiano-lotmementionhereaboveallthearrangementswrittenbySchumann,Liszt,Brahms,Rachmaninolfand
Lutoslawski.
Inmyconcertarrangementforclarinetsolopublishedhere,inlact,athemewithelevenvariationsandfinale,ithasbeenmyintention
toretainthevirtuosilyandthebrillanceoftheoriginal,asfarasthisispossibleontheclarinet.Ithasbeenmymajorconcernnotto
exceedthelimitofwhatisfeasibleonthisinstrument.Inthecaseofseveralvariations,Ihaveofferedvariousalternatives("ossia"
sothattheperformer's(student's!)actuallevelofskillcanbetakenintoaccount.Basically,thesevariationsareofthesamestandard
astheoriginalandarewellrecommendable.Incertainvariations,Ihadtofindindividualsolutionssuitedfortheclarinetwhichdeviato
slightlyfromtheoriginal.
1amconvincedthatthisarrangementofthecapriccioforsoloclarinetop.,1no.24byPaganiniwillbeabravurapieceoftenplayed
byclarinetistsandwarmlywelcomedbytheiraudience.Notonlythe"sage"soloislbutalsothestudent-whoisthefuturesolois
willenjoythispiece.
StephanKorody-Kreutzer
(translaledbyHolgerKlier)

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CAPRICCIOOP.1NR.24
fürKlarinettesoloinB
KlarinetteSoloinBINI bearbeitetvon
ClarinetSoloinB3IN STEPHANKORODY-KREUTZER
THEMA
Ouasipresto()=ca
120-126]
Plydelr
中蛋
有街海合

1ei
Variation

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⻥照纽覺
25

Variation

43

-⻥
©1993byMusikverlagZimmermann,FrankfurtamMain/Fo
tskpierenunsererAusgibenisvertexenundwiedrecheie
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