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Zur Edition und Bearbeitung

Annotations to Edition and Arrangement

Dieser Ausgabe liegt das Autograph zugrunde (Bibliothque Nationale Paris). Die originalen Phrasierungsund Dynamikbezeichnungen sind durchwegs beibehalten. Bei eindeutigen Parallelstellen wurden sie,
sofern sie im Autograph fehlen, entsprechend ergnzt. In Klammern gesetzte Zeichen und punktierte
Bgen stammen vom Herausgeber.

This edition is based on the autograph (Bibliothque

Nationale Paris). The original phrasings and dynamic
indications have been maintained. In obvious parallel
parts they have been added where they were not inserted in the autograph. All signs in brackets and
dotted ties have been inserted by the editor.

Infolge der unterschiedlichen Tonlagen der Instrumente erklingt das ganze Werk auf der Flte (oder
Violine) eine Oktave hher als auf dem . Arpeggione
(oder) Cello). Bei der Bearbeitung fr Flte wurden zudem folgende Vernderungen am Originaltext vorgenommen:

Due to the different pitches of the instruments, the

whole opus sounds an octave higher if played on the
flute (or violin) than it does if played on the arpeggione
(or cello). In the arrangement for flute, the following
changes of the original tex have been made:

i) Transposition in another octave

i) Oktavierungen
(1. oder 2. hhere oder 1. tiefere Oktave)

(first or second higher or lower)

1. Satz / 1st Movement

Takt/Bar 30-32 resp. 148-150, 59-61 resp. 176-180, 119-121
2. Satz / 2nd Movement
Takt/Bar 34-47, 63-68
3. Satz / 3rd Movement
Takt/Bar 89-92, 111-112, 312-313, 314-319

2) Auflsung von Doppelgriff-Akkorden durch

Arpeggien oder Oktav-Vorschlge

2) Disintegration of double-stop octaves by

arpeggios or appogiaturas

1. Satz / 1st Movement

Takt/Bar 71-72, 145-146, 204-205

3. Satz / 3rd Movement

Takt/Bar 405-406

Flte I

Sonate a-moll "Arpeggione"

bearbeitet fr Flte und Klavier von Peter-Lukas Graf

Franz Schubert

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