Schwanengesang

(D.957)
5. Aufenthalt
Ludwig Rellstab Franz Schubert

     
 


Nicht zu geschwind, doch kräftig
Voice


                               
                             
3 3

       
Piano 

         

     
         
6





Rau schen der Strom, brau sen der Wald,

                                
                 
  
      
 

       
        




11



star ren der Fels mein Auf ent halt, rau schen der Strom,

                                      
                          
      
        


       
       
 
17




      
brau sen der Wald, star ren der Fels mein Auf ent halt.

                  

             
            
              
       
        
 

OpeScore (CC0)
   
     
   
23


  

                          
Wie sich die Wel le an

                             
            
                   


  

 
            
29

        


     
     
Wel le reiht, flie ssen die Trä nen mir e wig er neut,

       
                            
                    
                             
cresc.

       
 
35


                                        
flie ssen die Trä nen mir

      
                                   
                                    
                                   


          
         


 
41

 
 
                                      
e wig, e wig er neut, flie ssen die Trä nen mir e wig er

                       

                       
   

     
  
47



                                    
neut.

                                



      

 


2 OpeScore (CC0)
         
     
 
53


 

                                
Hoch in den Kro nen wo gend sich’s

   
                              
      
         
ben marcato


dim.

        
        


    
59

 
      
                       
regt, so un auf hör lich mein Her ze schlägt, hoch in den

      

                    
  
          







        
   


     
 
65

   
                               
            
Kro nen wo gend sich’s regt, so un auf hör lich mein Her ze

                   

    
      
   



           3     


  
71 3

  
                  
schlägt, so un auf hör lich mein Her ze schlägt.

                  
     
        
 


  


     
    
77


 

                         
Und wie des

                                   
      
                   
 


    
OpeScore (CC0) 3
  
          

83

         


     
     
Fel sen ur al tes Erz, e wig der sel be blei bet mein

               
                      
  
                    
                                
cresc.

      
  
89


                                  
Schmerz, e wig der sel be

                               
     
             
     
                       
                       
(cresc.) 

       
        


95

                 
blei bet, blei bet mein Schmerz, e wig der

             
                             

                        
        

         

100


 

                              
sel be blei bet mein Schmerz.

                              
  
   
    


      



105


                                       
                        
    
     
dim.




4 OpeScore (CC0)
       
        
     
111


 


Rau schen der Strom, brau sen der Wald, star ren der Fels mein

                                     
        
   
       
   


            
    


     
117



Auf ent halt, rau schen der Strom, brau sen der Wald,

                                     
                          
           
cresc.

        

        
       
123






star ren der Fels, rau schen der Strom,

                                         
                                 
         
(cresc.) dim.

       

  


  
             



129

 


brau sen der Wald mein Auf ent halt.

                                    
                                   

 
    
(dim.)

  

 
     


 

135

 
                                
                               
    

           

OpeScore (CC0) 5