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com

FUJICASTTOS

Owner's Manual Mode d'emploi

This booklet has been prepared to show you how to use the Le but Je ce livret est de vous initier d l'emploi correct de votre
F U J I C A S T 7 0 5 c o r r e c t l y . P l e a s er e a d i t o v e r c a r e f u l l y . FUJICA ST705. Lisezle attentivement.
Gebrauchsnleitung Manual de instruccion€s
Diese Anleitung soll lhnen helfen, lhre neue FUJICA ST705 Se ha preparado este folleto para ensefrarle c6mo utilizar la
k e n n e n z u l e r n e nd, a m i t S i e a l l e V o r t e i l e d i e s e r K a m e r aa u s n u t z e n FUJICA ST705 correctamente. Sirvase leerlo atentamente.
k6nnen. Lesen Sie sich diese Anweisung sorgfiiltig durch.
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CONTEN T S INHALT
P a r t 1 ,F u n d a m e n t a l s . . i... .... 4 Teil 1 - Grundanweisung.
N a m e sa n d F u n c t i o n so f P a r t s n B e z e i c h n u n gd e r T e i l e u n d i h r e F u n k t i o n e n
S p e c i a l F e a t ur e s 11 B e s o n d e r et e c hn i s c h eM e r k m a l e
1 . B a s i cS t e p s IJ 1. Kamerabedienung
2. Battery Insertion 19 2 . E i n l e g e nd e r B a t t e r i e n . . . .
3 . F i l m L o a d i n g. . . 22 3 . E i n l e g e nd e s F i l m s
4 . S e t t i n gt h e F i l m S p e e d zo 4. Einstellung d e r F i l m e m p f i n d l i c h k e i .t . .
5 . S e t t i n gt h e S h u t t e r S p e e d 28 5 . E i n s t e l l u n gd e r V e r s c h l u s s z e i t
6 . F o c u s t h e L e n sa n d F r a m e Y o u r P i c t u r e . . . . JU 6 . S c h a r f e i n s t e l l u nugn d B i l d a u s s c h n i t t. . . .
7 . C o r r e c tE x p o s u r e 7. KorrekteBelichtung
B . H o l d i n g t h e C a m e r aa n d R e l e a s i n g B . K a m e r ar u h i g h a l t e n u n d a u f d e n
the shutter JtJ Ausloseknopfdrticken
L R e . w i n d i nFg i l m a n d U n l o a d i n gF i l m . 41 9 . N a c h d e r B e l i c h t u n gl h r e s F i l m e s . . . . .
P a r t 2 , A d v a n c e d T e c h ni q u e s 45 Teil 2 - Technik fiir Fortgeschrittene
f h o, _ I_ o- r, t s
1 Chrnninn
46 1 . A u s w e c h s e l nd e s O b j e k t i v e s.
2 . E x p o s u r eC o r r e c t i o n 54 2 . B e l i c h t un g s k o r r e k t ur
3 . U t i l i z i n gt h e L e n s D e p t h o f F i e l d 59 3. Die Vorteileder Tiefenschdrfe
4 . U s i n gt h e S e l f T i m e r 63 4 . W i e S i e s i c h s e l b s tf o t o g r a fi e r e n k o n n e n
5 . l n f r a r e dP h o t o g r a p h y. . . 5. Infrarot-Fotografie
6 . F l a s hS y n c h r o n i z a t i o S nhooting 66 6. Aufnahmen mit Blitzlichtsynchronisation
7 . A c c e s s o r i efso r t h e F U J I C A S T 7 0 5 70 7 . D e r G e b r a u c hd e s Z u b e h o r s
B . C a r ea n d S t o r a g eo f y o u r F U J I C A S T 7 O 5 , . . . 80 B . B e a c h t e nS i e b i t t e f o l g e n d e
9. Specifications... 82 Vorsichtsmassregeln
9 . T e c h n i s c h eD a t e n

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PAR T ,.',
TEIL ", ,:','i,
CHAP ITR E
PARTE

FUNDAMENTALS
Part 1 Explains the basic operati6ns of the camera. The reader is
recommended to master the basics before proceeding to Part 2 which deals
with the more advanced techniques of photography

GRUNDANWEISUNG
Lu
T e i l 1 e r l a u t e r t d i e G r u n d h a n d h a b u n gd e r K a m e r a . M a n s o l l t e s i c h z u n d c h s t
rnrt dreser Grundanweisung beschiiftigenund nicht eher zu Teil 2 - der sich
mit der fortgeschrittenen Technik befaBt * Libergehen, bevor man die
-q
G r u n d h a n d h a b un g b e h e r r s c h t .

MANIPULATION DE BASE
Le chapitre 1 explique les op6rations de base de cet appareil. ll est
recommand6 au lecteur de se iamiliariser avec ces principes avant de
poursuivre Ia lecture du chapitre 2 qui traite des techniques les plus avanc6es
de la photographle.

DATOS FUNDAME $LES

La parte 1 explica las aCiones fundamentales de la cdmara. Se
recomienda al lector quc mrne estos bdsicosantes de proceder a
lectura de la parte 2 mds adelantadas t6cnicas d
fotograf ia.

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"ffi*t'--%

4
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N A M E SA N D F U N C T I O N SO F P A R T S
B E Z E I C H N U ND
GE R T E I L E U N D I H R E F U N K T I O N E N
NOMENCLATURE
N O M B R E SD E L A S P A R T E S

www.orphancameras.com

mike
Digitally signed by mike butkus
DN: cn=mike butkus,
o=orphancameras, ou=29,

butkus
email=mike@butkus.org, c=US
Date: 2017.02.09 11:30:02
-05'00'
www.orphancameras.com

www.orphancameras.com

i,i,.:.{ir
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e Film Advance Lever @ Battery Chamber/ lnsert two silveroxide batteries

@ S h u t t e r S p e e dS e l e c t o r D i a l for powering the cameraElectric Eye System
@ F i l m A S A S p e e dW i n o o w -
@ G u i d e R a i l , @ F i l m R a i l / T h e f i l m i s p a s s e do v e r
@ Combination Shutter ReleaseButton - Exoosure t h e F i l m R a i l a n d t h e e d g e sg o b e t w e e nt h e G u i d e
Meter Switch / Provided with lock and cable re- R a il .
l e a s es o c k e t @ F i l m R e w i n dS p i n d l e
@ F i l m C o u n t e r / A d d i t i v e t y p e , a u t o m a t i c a l l yr e s e t s @ Film Chamber
@ Shutter SpeedMark (red dot) 6n
v F i l m R e w i n dB u t t o n
o N e c k s t r a pE y e l e t @ Tripod Socket
@ Self-timer Start Button, @ Self-timer Set Lever/ @ S p r o c k e t W h e e l / T h e f i l m p e r f o r a t i o n sa r e e n g a g e d
The shutter is activatedin B^,1 O seconds. w i t h t h e s o r o c k e t t e e t h t o a d v a n c et h e f i l m .
@ Depth of Field Preview Button / Provided with @ T a k e - u pS p o o l
lock @ CameraBack
@ Lens Safety Lock ReleaseButton @ P r e s s u r eP l a t e
@ Taking Lens
@ A c c e s s o r y( h o t ) S h o e
@ Hot Shoefor X Contact
@ Combination Rewind Crank-Camera Back Lock
@ F i l m P l a n eM a r k
@ Lens Mounting Screw / Prakticascrewmounr
@ Aperture SelectorRing
@ A p e r t u r e D i s t a n c eM a r k
@ Depth of Field Indicator
@ D i s t a n c eS c a l e
@ FP Contact Socket
@ X Contact Socket
@ F o c u s i n gR i n g
@ V i e w f i n d e r E y e p i e c e/ D e s i g n e d f o r a t t a c h i n g t h e
Eye Cup, etc.

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S P E C I A LF E A T U R E S
1 . l m p r o v e d T h r o u g h - T h e - L e n sE x p o s u r e M e t e r
T h e e x o o s u r em e t e r o f t h e F U J I C A S T 7 0 5 c o n s i s t s
of 2 Silicon photocell light receptors located on
e i t h e r s i d e o f t h e v i e w f i n d e r e y e p i e c e ,w h i c h a r e
connected to an FET (Field Effect Transistor)
circuit and are coupled with the shutter and dia-
p h r a g m . l t m e a s u r e st h e a v e r a g el i g h t i n t e n s i t yw h i c h
f a l l s o n t h e e n t i r e s u r f a c eo f t h e f o c u s i n g g l a s s .T h e
l i g h t i s m e a s u r e dt h r o u g h t h e l e n sa t f u l l a p e r t u r et o
e n s u r et h a t t h e v i e w t h r o u g h t h e v i e w fi n d e r i s a l w a y s
b r i g ht .
Its special features are: high sensitivity, complete
accuracy, instantaneous response, and a spectral
s e n s i t i v i t yc l o s e t o t h a t o f c o l o r f i l m . O t h e r m e r i t s
are its compatibility with any lens that can be
mounted on the camera. and elimination of the
n e c e s s i t yo f m a k i n g e x p o s u r e c o r r e c t i o n s i n t a k i n g
c l o s e - u p sa n d i n s h o o t i n g w i t h a f i l t e r o n t h e l e n s
b e c a u s et h e l i g h t t h a t h a s p a s s e dt h r o u g h t h e l e n s i s
the light that is measured.
2. World RenownedFUJINON Lens
T h e i n r e r c h a n g e a b llee n s e so f t h e F U J I C A S T 7 0 5 a r e
widely known for their superbcolor definition and
perfect corner-to-corner picture sharpness and
clarity.
3. A Complete CameraSystem in ltself
A w i d e r a n g e o f i n t e r c h a n g e a b l lee n s e s a , ccessories,
and its improved through-the-lensexposure meter
m a k e t h e F U J I C A S T 7 0 5 a c o m p l e t e c a m e r as y s t e m
in itself capable of handling any picture-taking
s i t u a t i o na n d s u b j e c t .
EE C H N I S C H M
BESONDERT E ERKMALE
1 . Verbesserte TT L Belichtu ngsmessung
D e r B e l i c h t u n g s m e s s edr e r F U J I C A S T 7 0 5 b e s t e h t
aus zwei Silizium Fotozellen,die das Licht emp-
f a n g e n ; j e e i n e d i e s e r F o t o z e l l e n b e fi n d e t s i c h a u f
j e d e r S e i t e d e s S u c h e r o k u l a r sS . ie sind an eine FET
"F ield Effect Transistor" Schaltung angeschlossen
u n d s i n d m i t V e r s c h l u Bu n d B l e n d e g e k u p p e l t .D i e
Messung erfolgt auf der Basis der Durchschnitts-
L i c h t i n t e n s i t d t ,d i e a u f d i e G e s a m t fl d c h ed e r S u c h e r -
M a t t s c h e i b ef d l l t . D a s L i c h t w i r d d u r c h d a s O b j e k t i v
b e i v o l l e r O f f n u n g g e m e s s e n u, m l h n e n e i n i m m e r
h e l l e sS u c h e r b i l dz u g e w d h r l e i s t e n .
Besondere Merkmale sind: hohe Empfindlichkeit,
a u B e r g e w o h n l i c h eG e n a u i g k e i t , s o f o r t i g e R e a k t i o n
u n d e i n e S p e k t r a l - E m p f i n d l i c h k e i t ,d i e d e r d e s
F a r b f i l m e ss e h r i i h n l i c h i s t . W e i t e r eV o r t e i l e s i n d d i e
M o g l i c h k e i t d e r V e r w e n d u n gj e d e sO b j e k t i v e s ,d a s i n
die Kamera paBt und der Wegfall jeglicherBelich-
tungskorrektur bei Nahaufnahmen und bei der
B e n u t z u n g v o n F i l t e r n . N u r d i e L i c h t m e n g e ,d i e
d u r c h d a sO b j e k t i v f d l l t , w i r d e f f e k t i v g e m e s s e n .
2. Weltbekannte FUJINON Objektive
D i e W e c h s e l o b j e k t i v ed e r F U J I C A S T 7 0 5 s i n d b e -
k a n n t f L l r i h r e g r o B a r t i g eF a r b w i e d e r g a b u en d d i e b i s
z u m B i l d r a n d g e s t o c h e n eS c h i i r f eu n d B r i l l a n z .
3 . E i n v o l l s t d n d i g e sK a m e r a - S y s t e m
Z u b e h o r , s o w i e d i e v e r b e s s e r t eT T L L i c h t m e s s u n g ,
machen die FUJICA ST705 zu einem vollsteindigen
Kamera-System, mit dem so gut wie alle foto-
g r a fi s c h e n A u f g a b e n u n d S i t u a t i o n e n g e m e i s t e r t
werdenkonnen.
11
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BASIC STEP S
1. Load the Film
Pull the CombinationFilm Rewind
Crank - Back Cover Lock fullY until
t h e C a m e r a B a c k a u t o m a t i c a l l ys n a p s
open. Next, load the film cartridge
i n t o t h e F i l m C h a m b e ra n d i n s e r tt h e
film into the slot of the Take-up
Spool.
2. Set the Film Speed
l f y o u a r e u s i n ga F U J I C O L O R F - I I o r
F I J I C H R O M ER l O O ( A S A 1 O O f) i I m ,
pull up the top of the Shutter Speed
Selector Dial and turn it until the
n u m b e r ' l 0 0 a p p e a r si n t h e c e n t e r o f
the ASA Film Speed Indicator
Window.
K A M E R A B E DEI N U N G
1 . E i n l e g e nd e s F i l m s
Ziehen Sie den Rtlckspulhebelganz
heraus, bis sich die Kamerarilckwand
a u t o m a t i s c h o f f n e t . S o d a n n l e g e nS i e
d e n F i l m i n d i e F i l m k a m m e re i n u n d
stecken Sie die Filmzunge in den
S c hl i t z d e r A u f w i c k e l s p ul e .
2. Einstellen der Filmempfindlich-keit
keit
Wenn Sie FUJICOLOR F-tr oder
FUJICHROMERlOO (ASA 1OOI21
DIN) benutzen, heben Sie die Ver-
s c h l u B z e i t e n - W a h l s c h e i blee i c h t a n
und drehen sie bis die Nummer lOO
sich in der Mitte des FilmemPfind-
Iich keitsfenstersbef i ndet.
G E NER A LI T E S
1. Mise en place du chargeur
Tirer sur le bouton jusqu'dce que le
dos de l'appareil s'ouvre. Placer le
chargeurdans le logement pr6vu d cet
effet et introduire I'amorcedu film
d a n s l a f e n t e d e l ' a x e d e r 6 c e p t i o nd u
film.
2. S6lection de la sensibilit6 du film
S i v o u s u t i l i s e zu n F U J I C H R O M E
R100 ou FUJICOLOR F-tr (100
ASA) tirer simplementsur la partie
sup6rieure du cadran de vitesse et
t o u r n e r j u s q u ' dc e q u e l e n o m b r e 1 0 0
a p p a r a i s s ed a n s l e c e n t r e d e l a f e n O t r e
d e s e n s i b i l i td
6u f i l m .
O P ER A C I O NE S
FUNDAMENTALES
1. Carguela pelfcula
Levante la combinaci6n palancade
r e b o b i n a d o d e l a o e li c u l a - c i e r r e d e
la tapa posterior totalmente hasta
que salte automdticamente la tapa
p o s t e r i o r d e l a c d m a r a .A c o n t i n u a -
c i 6 n , c a r g u e e l c a r t u c h o d e l a p e l i c u l a e n l a c d m a r ad e p e l f c u l a e
i n t r o d u z c al a p e l f c u l ae n l a r a n u r ad e l a b o b i n a d e b o b i n a d o .
2 . A j u s t e l a s e n s i b i l i d a dd e l a p e l i c u l a
S i u t i l i z aV d . u n a p e l i c u l aF U J I C O L O R F - t r o F U J I C H R O M E R 1 0 0
( A S A 1 0 0 ) , s i m p l e m e n t e l e v a n t e l a p a r t e s u p e r i o rd e l d i a l s e l e c t o r
d e v e l o c i d a dd e o b t u r a d o r y d e l e v u e l t a sh a s t aq u e e l n 0 m e r o 1 0 0 s e
e n c u e n t r ae n e l c e n t r o d e l a v e n t a n i l l ai n d i c a d o r ad e l a s e n s i b i l i d a d
ASA de la pelfcula.
13
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3. Set the Frame Counter to 1 (the
first white dot before the number
2l
T h e o d d n u m b e r so f t h e f r a m e c o u n t -
er are represented by white dots.
Wind the Film Advance Lever and
p r e s st h e S h u t t e r R e l e a s eB u t t o n . D o
this twice, and on the 3rd winding,
the f irst white dot on the film count-
er (frame No. 1) will move opposite
t h e t r i a n g u l a rm a r k .
4. Set the Shutter Speed Selector Dial
T u r n t h e S h u t t e r S p e e dS e l e c t o rD i a l
to the speed desired. lf you are
shooting out of doors, the shutter
speed will be either 11125 sec. or
1/25O sec. lf you are shooting in-
d o o r s , i t w i l l b e 1 / 3 0 s e c .o r 1 / 6 0 s e c .
5. Focusthe Lensand Frame Your
Picture
O Look through the Viewfinder
Eyepieceand turn the Focusing
Ring to focus and frame your
o i c t ur e .
@ t o f o c u s , t u r n t h e F o c u s i n gR i n g
to make the upper and lower
s e g m e n t so f t h e s p l i t i m a g ei n t h e
microprism center spot converge
a n d f o r m a p e r f e c tf i t .
14
,**:t*x r*ut& ;*
3. Stellen Sie das Bildzdhlwerk auf 1
(der erste weiBe Punkt vor der
Nummer 2).
D i e w e i B e nP u n k t e a u f d e m Z d h l w e r k
s i n d d i e u n g e r a d e nZ a h l e n . B e t d t i g e n
S i e d e n F i l m a u f z u g h e b eul n d d r L l c k e n
S i e a u f d e n A u s l o s e k n o o f .S i e m L ] s s e n
2 B l i n d b e l i c h t u n g e nm a c h e n ,b e i d e m
dritten Aufzug des Filmtransport-
hebels liegen der erste weiBe Punkt
a u f d e m B i l d z d h l w e r k( B i l d N r . 1 )
u n d d i e D r e i e c k s m a r k e n e b e n eni -
ander.
4 . E i n s t e l l u n gd e r V e r s c h l u B z e i t
Stellen Sie die VerschluBzeiten-
W a hl s c h e i b e a u f d i e v o n I h n e n g e -
wLlnschteVerschluBzeit. FLlr AuBen-
aufnahmen wird die Belichtungszeit
i n d e n m e i s t e n F d l l e n 1 / 12 5 S e k .
oder 1/250 Sek. sein,wdhrend sie frir
Innenaufnahmen je nach den
L i c h t v e r h S l t n i s s e-n 1 l 3 0 S e k . o d e r
i / 6 0 S e k . b e t r a g e nw i r d .
5. Scharfeinstellung und Bildaus-
s c hn i t t
C Schauen Sie durch den Sucner
u n d s t e l l e nS i e d a s O b j e k t i v s c h a r f
ein. Dann wdhlen Sie den Bild-
ausschnitt.
@ Z u r S c h a r f e i n s t e l l u n gd r e h e n S i e
d e n E i n s t e l l r i n g ,b i s d i e o b e r e n
und unteren Teile des Schnitt-
bildes im Mikroorismakreisein
e i n z i g e sB i l d w e r d e n .
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6. Set the Exposure
Pressthe Combination Shutter Re-
lease Button Exposure Meter
Switch partway down to activatethe
exposure meter needle in the view-
finder, and turn the Aperture Selec-
t o r R i n g u n t i l t h e n e e d l em o v e s i n t o
the center of the indentation. You
can also set the aperture first then
adjust the needle by turning the
S h u t t e r S p e e dS e l e c t o rD i a l .
7 . P r e s st h e S h u t t e r R e l e a s eB u t t o n
Hold camera steady to prevent shake
a n d g e n t l y p r e s st h e S h u t t e r R e l e a s e
Button-
6 . E i n s t e l l u n gd e r B e l i c h t u n g
Nun drucken Sie den kombinierten
VerschluBausloser Belichtungs-
messerknopf ungefdhr halbwegs
nieder, um die Belichtungsmesser-
nadel im Sucher zu aktivieren und
betiitigen dabei gleichzeitig den
Blendenring. Sobald sich die MeB-
werknadel in der Mitte des Rahmen-
e i n s c h n i t t e sb e f i n d e t , i s t d i e r i c h t i g e
BlendeeingestelltS . ie konnenjedoch
a u c h d i e B l e n d e z u e r s te i n s t el e n , u m
d u r c h D r e he n d e r V e r s c h l u B z e i t e n -
W a h l s c h e i b ed i e k o r r e k t e B e l i c h t u n q
zu erhalten.

/, \
(,! 7. Ausliisen des Verschlusses
x+ l"/
ry
Beachten Sie bitte, daB die Kamera
lz1:
'-l r u h i g g e h a l t e nw e r d e n m u B , w e n n S i e
/...r) f o t o g r a f i e r e n .D r r i c k e nS i e n u r l e i c h t
ttt u n d r u h i g a u f d e n A u s l o s e k n o p ,f
damit die Gefahr einer Verwackluno
a u s g e s c h l o s s ewni r d .

lI
I
16
I
..d1"' .-*. .*;&-- . ,**r-J
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8. Rewindthe Film
After you have exposed the entire
r o l l o f f i l m , p r e s st h e F i l m R e w i n d
B u t t o n , e r e c t t h e F i l m Re w i n d
Crank, and turn it in the direction
pointed by the arrow and wind the
film back into the cartridge, until
vou feel tension releasedN . ext, lift
the Back Cover Lock fully up until
the camera back snaps open. Now,
remove the cartridge.
8 . R i i c k s p u l u n gd e s F i l m s
Nachdem Sie einen Film vollstiindig
belichtet haben, dr[icken Sie auf den
F i l m r r i c k s p u l k n o p f s, t e l l e nd e n F i l m -
r u c k s p u l h e b ehl o c h u n d d r e h e n i h n i n
d e r P f e i l r i c h t u n g ,b i s S i e e i n e n l e i c h -
tbn Widerstand spriren. Nun ist der
F i l m i n d i e K a s s e t t ez u r u c k g e s p u l t .
S o d a nn o f f n e n S i e d i e K a m e r a -
R u c k w a n d .i n d e m S i e d e n F i l m r u c k -
s p u l h e b e la n h e b e nu n d n e h m e n l h r e n
b e l i c h t e t e nF i l m a u s d e r K a m e r a .
18
.: ji.;16;fu,
8. R6embobinage
Aprds avoir expos6 tout le film aP-
puyer sur le bouton de r6embobinage
oui libdre I'axe d'entrainement du
f i l m , e n s u i t e d d g a g e rl a m a n i v e l l ed e
r6embobinage et la tourner dans la
d i r e c t i o n i n d i q u 6 ep a r l a f l d c h e p o u r
renvover le film dans son chargeur
j u s q u ' d c e q u e v o u s s e n t i e zu n e l 6 9 d r e
tension. Vous pouvez ensuiteouvrir
l ' a p p a r e i lp o u r d 6 g a g e rl e c h a r g e u r .
8. Rebobine la pelfcula
D e s p u 6 sd e h a b e r u t i l i z a d o u n c a r r e t e
c o m p l e t o d e p e l f c ul a , a p r i e t e e l
b o t 6 n d e r e b o b i n a d o ,l e v a n t el a P a -
l a n c a d e r e b o b l n a d od e l a p e l ' f c u l ay
d e l e v u e l t a se n l a d i r e c c i 6 n i n d i c a d a
por la flecha y enrolle la pelfcula
hacia atrds dentro del cartucho, hasta
q u e s i e n t a u n a l i g e r at e n s i 6 n . A c o n -
t i n u a c i 6 n l e v a n t ee l c i e r r e d e l a t a p a
posterior totalmente, hasta que se
abra dicha tapa. Entonces saque el
c a r t uc ho .
,-
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B A T T E R YI N S E R T I O N
1. Open the Cover
lnsert a coin into the slot of the
Battery Chamber Cover €D located
on the upper rear side of the body
and turn it counter-clockwise.
2. Load the Batteries
l n s e r t t w o s i l v e r o x i d e b a t t e r i e s ,o n e
on top of the other, into the battery
c h a m b e rw i t h t h e p l u s s i d e s( + ) f a c i n g
outward (toward the batterv chamber
cover) and closethe cover.
E I N L E G E ND E R B A T T E R I E N
1. Offnen' des Batteriegehdusedek-
kels
Entfernen Sie den Deckel des Bat-
t e r i e g e h d u s e s@ , i n d e m S i e e i n e
Mdnze in den Schlitz oben an der
Rtickseite des Kameragehduses
s t e c k e n u n d g e g e nd i e U h r z e i g e r r i c h -
tung drehen.
2. Einlegender Batterien
Legen Sie zwei Silberoxydbatterien
u n d z w a r h i n t e r e i n a n d e ri n d i e B a t -
t e r i e k a m m e re i n . B e a c h t e nS i e d a b e i ,
daB der Pluspol (+) bei beiden Bat-
t e r i e n n a c h a u B e n( g e g e nd e n B a t t e r i e -
kammerdeckel)zeigt. Nun befestigen
Sie den Deckel wieder.
C H A R G E M E N TD E S P I L E S
1. Ouverture du logement
I n t r o d u i r eu n e p i d c ed e m o n n a i ed a n s
la fente du couvercle @ et tourner
dans le sens contraire des aiouilles
d'une montre.
2. Mise en place des piles
Introduire 2 piles d oxyde d'argent
d a n s l e l o g e m e n t- l ' u n e s u r I ' a u t r e l e
s i g n e( + ) 6 t a n t t o u r n 6 v e r sl ' e x t 6 r i e u r
( d u c 6 t 6 d u c o u v e r c l ed u l o g e m e n t )-
et refermer le couvercle.
CARGUELAS PILAS
1. Abra la tapa
lntroduzca una monedaen la ranura
d e l a t a p a d e l o r i f i c i o d e u b i c a c i 6 nd e
las pilas @, situado en la parte tra-
s e r as u p e r i o rd e l c u e r p o d e l a m d q u i -
n a y d e le v u e l t a e n s e n t i d o c o n t r a r i o
a l a s a g u j a sd e l r e l o j .
2. Cargue las pilas
lntroduzca dos oilas de 6xido de
plata, una encima de otra, en la
cdmarade pilas con el lado del polo
positivo (+) hacia afuera (hacia la
t a p a d e l a c d m a r a d e p i l a s )y c i e r r e l a
tapa.
19
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3. Check the Batteries 3. Batteriepriif ung
T u r n t h e S h u t t e r S p e e dS e l e c t o rD i a l Stellen Sie die VerschluBzeiten-
@ to B and set the Aperture selector Wdhlscheibe @ auf B und den
Ring @ to wide open (1.8). Now, Blendenring @ auf die weiteste
point the camera toward light, look Offnung (1.8). Nun drehen Sie die
through the viewfinder and press K a m e r a z u m L i c h t u n d d r L l c k e nS i e
s l i g h t l y t h e S h u t t e r R e l e a s eB u t t o n leicht auf den Ausloseknopf @.
@ . t t t h e n e e d l es w i n g su p w a r d , t h e Wenn die Nadel nach oben aus-
batterieshave been insertedproperly s c hl i i g t , s i n d d i e B a t t e r i e n k o r r e k t
a n d a r e f u n c t i o n i n gc o r r e c t l y . e in g e l e g tu n d f u n k t i o n i e r e n .

The silver oxide batteries will Die Silberoxydbatterienhaben ge-

ftt n o r m a fl y l a s t f o r 1 y e a r .
lf you are not using the camera
for a long while, remove the
w o h n l i c h e i n e L e b e n s d a u e rv o n
einemJahr.
W e n n S i e d i e K a m e r a l d n g e r eZ e i t
batteries and keep them where it nicht benutzen, nehmen Sie die
isdry. B a t t e r i e n h e r a u su n d b e w a h r e n s i e
Be sureto wioe both ends of the a n e i n e m t r o c k e n e n P l a t za u f .
batteries clean with a piece of Die Batterien sollten vor dem
cloth before loading.Poor contact E i n l e g e ni n d i e K a m e r am i t e i n e m
m a y r e s u l t i f t h e e n d sa r e u n c l e a n . s a u b e r e n ,t r o c k e n e n T u c h a b g e r i e -
lf you are buying new batteries, b e n w e r d e n ,d a m i t g u t e r K o n t a k t
be sure to specify 1.5V Eveready g e w d h r l e i s t e ti s t .
S-76E,Mallory MS-76Hor UCAR Wenn Sie sich neue Batterien kau-
5 - 7 6 E ( i n E u r o p eo n l y ) . f e n , b i t t e v e r l a n g e n S i e 1, 5 V
E v e r e a d yS - 7 6 E , M a l l o r y M S - 7 6 H
o d e r U C A R S - 7 6 E( n u r i n E u r o p a ) .

20
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F IL M L O A D I N G
1. Open the Camera Back
Lift the CombinationFilm Rewind
Crank - Camera Back Lock @ fully
up until the Camera Back @ auto-
m a t i c a l l ys n a p so p e n .
2. Load the Film
Insert the cartridge into the Film
Chamber @ with the spool head
(projection) pointing to the bottom
o f t h e c a m e r a ,p u s h d o w n t h e C o m b i -
nation Film RewindCrank - Camera
B a c k L o c k @ t o e n g a g et h e F i l m
Rewind Spindle @ with the film
spool. Pull out the trimmed end of
the film and insert it down to the
bottom end into the slot of the
T a k e - u pS p o o l @ .
22
@s:+tt*litb[ib
E I N L E G E ND E S F I L M S
1. Offnen der Kamera-Ri,ickwand
Ziehen Sie den kombinierten
R i i c k s p ul h e b e l KamerarLlckwand-
verschluB @ soweit heraus, bis sich
die Rrickwand @ offnet.
2 . E i n l e g e nd e s F i l m s
Legen Sie die Filmkassettein die
F i l m k a m m e r@ e i n u n d z w a r s o , d a B
d e r s i c h t b a r eS p u l e n k e r n n a c h u n t e n
zeigt. Nun drtlcken Sie den Ri.ick-
spulhebel@ herunter, bis die Film-
rticksoulachse@ einrastet. Sodann
ziehen Sie die Filmzunge aus der
K a s s e t t eu n d s t e c k e n d e n F i l m b i s
zum untersten Ende in den Schlitz
d e r A u f w i c k e l s p u l e@ .
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3. Close the Camera Back
wind the film a little with the Film
Advance Lever O and engage the
p e r fo r a t i o n s o n b o t h e d g e s o f t h e
film with the sprocketteeth. Be sure
t h e f i l m i s p r o p e r l y i n s e r t e db e t w e e n
t h e G u i d e B a i l @ . N o w , P r e s sd o w n
t h e C a m e r a B a c k u n t i l i t c l o s e st i g h t -
ly with a click.
r l f t h e F i l m R e w i n d C r a n kt u r n s i n
the opposite direction of the ar-
row as you wind the Film Ad-
vance Lever @, it meansthe fi lm
\ hasbeen loadedproPerlY.
r The odd numbers of the Film
\ Counter @ are rePresentedbY
white dots.
r To allow vou to take quick shots
i n s u c c e s s i o n t, h e F i l m A d v a n c e
L e v e r@ w i l l b e b a c k w i t h a s l i g h t
l a t i t u d e . P r e s si t a l l t h e w a Y b a c k
after you have finished shooting.
4. Set the Frame Counter @ to t
(the first white dot before the
number 2)
Wind the Film Advance Lever O all
the way to the right and press the
Shutter Release Button @ . Do this
twice, and on the third winding, the
first white dot before the number 2
will move opposite the triangular
mark. You are now ready to take the
first picture.
24
3. SchlieBen der Kamerariickwand
T r a n s p o r t i e r e nS i e d e n F i l m m i t d e m
F i l m a u f z u g h e b e lC b i s b e i d e S e i t e n
der Perforation in die Zahnrader ein-
g e r a s t e ts i n d . B e a c h t e n S i e b i t t e , d a B
d e r F i l m s i c h z w i s c h e nd e n F u h r u n g s -
schienen @ befindet. Nun klaPPen
S i e d i e K a m e r a r i t c k w a n dz u , b i s s i e
horbar einschnappt.
o Wenn die FilmrticksPulkurbel
beim Drehen des Filmaufzughe-
bels @ sich entgegen der Pfeil-
richtung bewegt, bedeutet dies,
daB der Film richtig eingelegt
w u r d e u n d o r d n u n g s g e m i i Bt r a n s -
portiert.
r Die ungeraden Zahlen des Bild-
z Z i h l w e r k s@ w e r d e n d u r c h w e i B e
Punkteangezeigt.
. U m s c h n e l l e sA u f n e h m e n z u e r -
m o g l i c h e n ,k e h r t d e r F i l m a u f z u g s -
hebel O nicht in seine Normal-
stellung zuriick. Er sollte aber
n a c h B e e n d i g u n gd e r l e t z t e n A u f -
n a h m e z u r t i c k g e s c h o b e nw e r d e n .
4 . E i n s t e l l u n g U e i e i t U z a h l w e r k s@
auf 1 (der erste Punkt vor Num-
mer 2)
Betiitigen Sie den Filmaufzughebel
bis zum Anschlag nach rechts und
drticken Sie auf den AusloseknoPf
@ . S i e m r i s s e n2 B l i n d b e l i c h t u n g e n
machen, bei dem dritten Aufzug des
Filmtransporthebels erscheint der
erste weiBe Punkt vor Nr. 2 im
Fenster des Bildzdhlwerks neben der
Dreiecksmarke. Die Kamera ist nun
fUr die erste Aufnahme schuBbereit.
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S E T T I N GT H E F I L t \ 4S P E E D
Lift the top of the Shutter Speed Selector Dial @
and turn it to the left or right until the film speed
n u m b e r y o u w a n t a p p e a r si n t h e c e n t e r o f t h e A S A
F i l m S p e e dI n d i c a t o rW i n d o w @ .
The calibrations between the ASA numbers repre-
s e n t t h e f o l l o w i n g n u m b e r s :( I )
o lf you are using a film marked for DIN speed,
r e f e r t o t h e f o l l o w i n g c o n v e r s i o nt a b l e . ( I I )
o Be sure to set the f ilm ASA speed before setting
t h e s h u t t e r s p e e d , o t h e r w i s e t h e s e l e c t e ds h u t t e r
speed will move out of position while you are
turningthe d ial.
E I N S T E L L U N GD E R
FILMEMPFINDLICHKEIT
H e b e n S i e d i e V e r s c h l u B z e i t e n - W a h l s c h e i b@e an,
und drehen Sie sie nach rechtsoder links, bis die
g e w t i n s c h t eZ a h l d e r F i l m e m p f i n d l i c h k e i t i n d e r
s erscheint.
M i t t e d e s F i l m e m o f i n d l i c h k e i t s f e n s t e r@
Die einzelnen Striche zwischen den bezeichneten
ASA Nummern bedeuten folgende Empfindlich-
keiten:(I)
o FLir die DIN-Empfindlichkeit gilt folgende Um-
l : (II)
r e c h n u n g s t a b el e
o Beachten Sie, daB Sie die Filmempfindlichkeit
i m m e r z u e r s t e i n s t elle n , d a s i c h b e i m D r e h e n d e r
W a h l s c h e i b ea u c h d i e v o n l h n e n g e w i i h l t e V e r -
s c hl u B z e i t i i n d e r t .

(r)
g2 Q 64 80 125lm 250320 5m 640 10m1250 20m25m
r | | ll .1.1.
50 100 m M 8OO 1600 32OO

(II)

ASA 2 5 3 2 40 5 0 8 0 100 m 2fi 3n zl00

DIN 1 5 1 6 1 7 1 8 20 2 1 24 25 2 6 27

26
.*;*kis-ed;*'q^,i* .
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S E T T I N GT H E S H U T T E RS P E E D
T h e l e t t e r B a n d t h e n u m b e r s1 , 2 , . . . . 1 5 0 0 o n t h e
S h u t t e r S p e e d S e l e c t o rD i a l r e p r e s e n "t b u l b " , 1 s e c . ,
1/2 sec. etc. up to 111500sec. They indicate the
l e n g t ho f t i m e t h e f i l m w i l l b e e x p o s e dt o l i g h t .
T h i s c a m e r a a l l o w sy o u t o s e t e x p o s u r ee i t h e r b y t h e
shutter speed or by the size of the lens opening.
H o w e v e r , i t i s b e s t t o s e t t h e s h u t t e r s p e e df i r s t . F o r
e x a m p l e ,t h e s h u t t e r s p e e dw o u l d b e f r o m 1 1 1 2 5t o
1/25O sec. if you are shooting outdoors, or from
1 / 3 0 s e c .t o 1 / 6 0 s e c . ,i f y o u a r e s h o o t i n g i n d o o r s .
T o s e t t h e s h u t t e r s p e e d ,f i r s t t u r n t h e S h u t t e r S p e e d
S e l e c t o r D i a l w h i l e p r e s s i n gd o w n o n i t s l i g h t l y a n d
s e t t h e n u m b e r y o u w a n t o p p o s i t et h e r e d d o t o n t h e
c a m e r ab o d v .
o U s e B ( b u l b ) i f t h e e x p o s u r ew i l l t a k e 2 s e c o n d s
or longer.
o There are no intermediate settings between the
n u m b e r si n d i c a t e do n t h e d i a l .
o 60 is marked in red to remind you that it is the
s p e e du s e df o r s h o o t i n gw i t h e l e c t r o n i cf l a s h .
o E x c e p t i n g 1 / 1 5 0 0 s e c o n d ,e a c h s h u t t e r s p e e d i s
either one-half or twice the speedof the shutter
speednext to i t.
28
. .x,lu-g**fu.
E I N S T E L L U N GD E R V E R S C H L U S S Z E I T
D e r B u c h s t a b eB a u f d e r V e r s c h l u B z e i t e n w a h l s c h e i b e
bedeutet "Ball" (fir Zeitaufnahmen) und die Num-
m e r n 1 , 2 . . . . 1 5 0 0 s i n d d i e V e r s c h l u 8 z e i t e n1: S e k . ,
1 / 2 S e k .u s w .b i s 1 / 1 5 0 0S e k .
D i e B e l i c h t u n g s z e i ts e t z t s i c h i m m e r a u s d e r V e r -
s c h l u B z e i tu n d d e r B l e n d e n o f n f u n g z u s a m m e n .E s i s t
j e d o c h r a t s a m ,a l s e r s t e sd i e V e r s c h l u R z e iet i n z u s t e l -
l e n . F L l rA u B e n a u f n a h m e ns i n d d i e g e b r d u c h l i c h s t e n
V e r s c h l u B z e i t e n1 1 1 2 5 S e k . u n d 1 / 2 5 O S e k . , w i i h -
r e n d f r j r I n n e n a u f n a h m e nj,e n a c h L i c h t v e r h d l t n i s s e n
u n d F i l m e m p f i n d l i c h k e i t ,l d n g e r e V e r s c h l u B z e i t e n
b e n o t i g tw e r d e n .
U m d i e V e r s c h l u B z e i te i n z u s t e l l e n ,m u B d i e W a h l -
scheibe @ - leicht nach unten gedruckt- gedreht
w e r d e n u n d s i c h d i e v o n l h n e n g e w u n s c h t eZ e i t d e m
r o t e n P u n k t g e g e n u b ebr e f i n d e n .
o F r l r V e r s c h l u B z e i t e nl d n g e r a l s 1 S e k u n d e m u B
" 8 " ( B a l l ) e i n g e s t e l lw
t erden.
o N u r d i e a n g e g e b e n e nV e r s c h l u B z e i t e nk o n n e n
v e r w e n d e t w e r d e n , Z w i s c h e n z e i t e ns i n d n i c h t
moglich.
o 60 ist in Rot markiert, um darauf hinzuweisen,
d a B d i e s e V e r s c h l u B z e i tf L l r E l e k t r o n e n b l i t z b e -
nutzt werden muB.
o Mit Ausnahme von 1/1500 Sek., ist jede Ver-
s c h l u B z e i te n t w e d e r d i e H d l f t e o d e r d a s D o p p e l t e
d e r d a n e b e n li e g e n d e nZ e i t .
,Mf
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F O C U ST H E L E N S A N D
FRAMEYOUR PICTURE
1. Focusthe Lens
(1)Look through the Viewfinderand
point the cameraso that the main
subject is seen through the small
m i c r o p r i s mc e n t e r s p o t .
( 2 ) S p l i t - i m a g eF o c u s i n g
Turn the FocusirigRing @ until
the upper and lower segments of
the split image in the microprism
center spot converge to form a
s i n g l ei m a g e .
( 3 ) M i c r o p r i s mF o c u s i n g
T u r n t h e F o c u s i n gR i n g u n t i l t h e
i m a g ei n t h e m i c r o p r i s mc e n t e r s p o t
a p p e a r ss h a r p .
( 4 ) Y o u c a n a l s of o c u s w i t h a n y p a r t o f
the area surrounding the micro-
prism center spot. This method is
especially useful when shooting
with aperturestopped far down.
( 5 ) T h e w h i t e n u m b e r so n t h e F o c u s i n g
Ring are for meters and the green
numbers are tor feet. The distance
c a n a l s o b e s e t b y v i s u a lj u d g e m e n t
f or qu ick shooting.
When shooting extreme close-ups.
the distancefrom subject to Film
Plane Mark @ must be p;ecisely
m e a s u r e dw i t h a t a p e m e a s u r e .
30
'"igiik;.
S C H A R F E I N S T E L L U NUGN D
B I L D A U S S C HINT T
1. Scharfeinstellung
( 1) S c h a u e nS i e d u r c h d e n S u c h e r ,u n d
. richten Sie lhre Kamera auf das
Motiv, so daB der Hauptbildgegen-
s t a n d s i c h i m M i k r o p r i s m a k r e i si m
Z e n t r u m d e s M a t t s c h e i b e n b i l d e sb e -
fi ndet.
(2)Scharfeinstellung durch Schnitt-
b i l d e nt f e r n u n g s m e s s e r
Drehen Sie den Scharfeinstellungs-
ring bis die oberen und unteren
Teile des Schnittbildes in dem
M i k r o p r i s m a k r e i se i n e i n z i g e s B i l d
weroen.
(3) M ik roprismatische Scharfeinstel-
l un g
D r e h e n S i e d e n S c h a r f e i n s t e l l r i nsgo
weit, bis das Mikroprisma scharf
und klar erscheint.
(4)Sie konnenauch mit dem Gesamten
Mattscheiben-Bildfeldes eine
Scharfeinstellung erzielen. Diese
M e t h o d e i s t b e s o n d e r sd a n n a n z u -
wenden,wenn man Aufnahmen mit
g e r i n g e rB l e n d e n o f f n u n gm a c h t .
(5) Die weiBen Zahlen auf dem Scharf-
e i n s t e l l r i n gs i n d A n g a b e n i n M e t e r ,
wiihrend die grrinen Zahlen Anga-
b e n i n F U B s i n d . F r i r s c h n e l l eA u f -
n a h m e n k a n n d i e E n t f e r n u n ga u c h
n a c h A u g e n m a B e i n g e s t ellt w e r d e n .
Falls Sie extreme Nahaufnahmen
machen wollen, so muB die Ent-
fernung zwischen Motiv und der
F i l m e b e n e g e n a u g e m e s s e nw e r d e n .
 www.orphancameras.com
2. Frame Your Picture
T h e V i e w f i n d e r w i l l l e t y o u s e e 9 2 % oo f t h e e n t i r e
v i e w t h a t w i l l r e g i s t e ro n y o u r f i l m s o t h a t y o u c a n
g o a h e a da n d u s e t h e w h o l e l e n g t h a n d w i d t h o f t h e
a r e ai n t h e V i e w f i n d e r t o f r a m e y o u r p i c t u r e .
o E y e s i g h tA d j u s t m e n t L e n s
T h e V i e w f i n d e r i s p r o v i d e d w i t h a n e y e p i e c ef o r
t h o s e w i t h n o r m a l v i s i o n . l f y o u a r e n e a r s i g h t e do r
f a r s i g h t e d , b e s u r e t o u s e a n E y e s i g h tA d j u s t m e n t
L e n s , o t h e r w i s ei t w i l l b e e x t r e m e l yd i f f i c u l t f o r y o u
t o f o c u s t h e l e n s p r e c i s e l y .F o u r d i f f e r e n t E y e s i g h t
Adjustment Lenses are supplied as optional acces-
s o r i e s :+ 2 , + O " 5 ,- 2 . 5 a n d - 4 d i o p t o r .
2. Wahl des Bildausschnittes
fm Sucher sehen Sie 92% des Bildes, das auf lhrem
t i r d . S i e k o n n e n a l s og e t r o s tl h r B i l d
F i l m r e g i s t r i e rw
b i s i n d i e d u R e r s t e rW i inkel hinein komponieren.
o Sqhschdrfenadapter
Der Sucher ist mit einem Okular ftir normale
S e h s c h d r f e a u s g e s t a t t e t .W e n n S i e k u r z - o d e r w e i t -
sichtig sind, sollten Sie unbedingt von dem als
Z u b e h o r e r h S l t l i c h e n A u s g l e i c h s a d a p t e rG e b r a u c h
m a c h e n ,d a d i e S c h a r f e i n s t el ul n g s o n s t s c h w i e r i gs e i n
kann. DieseAdapter sind in 4 Dioptrien erhdltlich:
+ 2 , + O , 5 ,- 2 , 5 u n d - 4 .
32
*:"*;ia+lta.ixA .
2. Cadrage
Le viseur vous permet de voir 92l1OO de l'image
e n r e g i s t r 6 es u r l e f i l m . V o u s p o u v e z d o n c u t i l i s e r
sans crainte toute la longueur et largeur de votre
v i s e u rp o u r c a d r e rv o t r e i m a g e .
o Lentille de correction d votre vue
'est
L'appareil livr6 avec un oculaire pour une
p e r s o n n ea y a n t u n e v u e n o r m a l e . S i v o t r e v u e n ' e s t
pas parfaite, il faut utiliser la lentillede correction
autrement il vous seradifficile de faire une bonne
m i s e a u p o i n t . l l e x i s t e 4 l e n t i l l e s :+ 2 , + O , 5 ,- 2 , 5 - 4
dioptries.
2. Encuadre su fotograffa
El visor le permitirdver el 92o/o d e t o d a l a v i s i 6 nq u e
r e g i s t r a r ds u p e l f c u l a d e f o r m a q u e p u e d e u t i l i z a r
t o d a l a a n c h u r a y p r o f u n di d a d d e l a z o n a q u e
o b s e r v ae n s u v i s o r p a r a e n c u a d r a rs u f o t o g r a f f a .
o Lente de ajuste para correcci6n de la visi6n
Al visor se le proporciona un ocular para los que
tienen vision normal. Si es Vd. de vista corta o de
v i s t a l e j a n a , a s e g I r e s ed e u t i l i z a r u n a l e n t e c o n a j u s t e
o correcci6n de visi6n, ya que si no le serd muy
dificil enfocar con precisi6n el objetivo. Como
a c c e s o r i o sa o p c i 6 n s e s u m i n i s t r a n c u a t r o l e n t e s d e
c o r r e c c i 6 nd e v i s i 6 n. + 2 , + O , 5 , - 2 , 5 V - 4 d i o p t r i a s .
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C O R R E C TE X P O S U R E
1 . P r e s ss l i g h t l y t h e S h u t t e r R e l e a s eB u t t o n
Point the camera at your subject while looking
t h r o u g h t h e v i e w f i n d e ra n d p r e s ss l i g h t l y t h e S h u t t e r
R e l e a s eB u t t o n @ p a r t w a y d o w n . T h e m e t e r n e e d l e
o n t h e r i g h t h a n d s i d e o f t h e v i e w fi n d e r w i l l m o v e u p
from the (-) position.
2. Turn the Aperture SelectorRing
P r e s ss l i g h t l y t h e S h u t t e r R e l e a s eB u t t o n a n d t u r n
t h e A p e r t u r e S e l e c t o rR i n g @ u n t i l t h e n e e d l ei n t h e
v i e w fi n d e r m o v e s i n t o t h e c e n t e r o f t h e i n d e n t a t i o n .
Y o u n o w h a v et h e c o r r e c t e x o o s u r e .
3. lf the Needle does not move into the Center of
the Indentation
l f t h e m e t e r n e e d l ed o e s n o t m o v e i n t o t h e c e n t e r o f
the Indentation by turning the Aperture Selector
R i n g , y o u w i l l h a v et o c h a n g et h e s h u t t e r s p e e d .
o l f t h e n e e d l e i s n e a r t h e ( + ) s i d e , i n c r e a s et h e
s h u t t e r s p e e d .( E x a m p l e : l f t h e s h u t t e r s p e e di s
1 1 1 2 5s e c . ,t u r n t h e d i a l t o 1 / 2 5 0 s e c . ) .
o lf the needle is near tfre (-) side, reduce the
s h u t t e r s p e e d .( E x a m p l e : l f t h e s h u t t e r s p e e di s
1 1 1 2 5s e c . .r e du c e i t t o 1 / 6 0 s e c . ) .
4 . W i d e M e a s u r i n gR a n g e
S i n c e t h e l i g h t t h a t i s m e a s u r e di s t h e a v e r a g el i g h t
i n t e n s i t yf a l l i n g o n t h e f o c u s i n gg l a s s ,t h e r a n g eo f
measuremenm t u s t d i f f e r d e p e n d i n go n t h e s p e e d so f
the lens and film. A noteworthv feature of this
exposure meter is that it covers a wide range of
e x p o s u r ev a l u ' e s .l f y o u a r e s h o o t i n g w i t h F u j i c o l o r
F l l ( A S A 1 0 0 ) f i l m u s i n g a S O n r m F 1 . 4 l e n s ,f o r
e x a m p l e ,t h e r a n g ec o v e r e dw o u l d b e E V 1 - E V 1 B . 5
f f / 1 . 4 1 s e c .- f 1 1 6 1 1 1 5 0 0s e c . ) .l f t h e l e n si s 5 5 m m
F 1 . 8 . t h e r a n g ei s f r o m E V 1 . 7 - E V 1 B . 5 ( f / 1 . 8 1
S € c -. f / 1 6 1 / 15 O Os e c . ) .
l n a d d i t i o n , t h e f u l l a p e r t u r em e t e r i n gs y s t e mo f t h e
F u j i c a S T 7 0 5 l e t s y o u f o c u s w i t h t h e l e n sw i d e o p e n
so that the viewing image through the viewfinder
r e m a i n s a l w a y s b r i g h t . l t a l s o e n a b l e sy o u t o c h e c k
t h e d e p t h o f f i e l d f o r t h e a p e r t u r ey o u h a v es e l e c t e d
b y p r e s s i n gt h e D e p t h o f F i e l d P r e v i e wB u t t o n . ( S e e
p a g e5 9 , " U t i l i z i n g t h e l e n sd e p t h o f f i e l d " . )
The chart on page 53 shows the light measuring
range of the Fujica ST7O5's exposure meter. A
built-in safety device holds the operation of the
S h u t t e r S p e e dS e l e c t o rD i a l w i t h i n t h e r a n g eg i v e n i n
the chart.
33
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r1+
4 T t
Under Moderate Over
Unterbelichtet Richtig 0berbelichtet
Sous-expos6 Normal Surexpos6
S ub - E x p o s i c i 6 n Correcto Sobre-Exposici6n

34
,.;**i**d*&bigii:,{.;riil,iiii:eblsli{li:,.,r;ia:i&; '..drrs-
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EXPOSITION
1. Mise en circuit du posemitre
D i r i g e z l ' a p p a r e i l v e r s l e s u j e t t o u t e n r e g a r d a n td a n s
le viseur et appuyez d demi sur le bouton du
d 6 c l e n c h e u r@ t r d s l 6 g d r e m e n t .L ' a i g u i l l e d u p o s e -
mdtre, qui se trouve dans la partie droite de votre
v i s e u rs e d $ o l a c e r av e r s l e h a u t .
2 . R 6 g l a g ed u d i a p h r a g m e
E n a p p u y a n t l d g d r e m e n ts u r l e b o u t o n d u d 6 c l e n -
c h e u r e t e n t o u r n a n t l a b a g u e d e d i a p h r a g m e@
l ' a i g u i l l e s e d 6 p l a c e r ad a n s l a z o n e d e m o u v e m e n t .
L o r s q u ' e l l es ' a r r d t e r ad a n s l e c e n t r e l ' e x p o s i t i o ns e r a
oonne.
3. Casextr€mes
S i l ' a i g u i l l en ' a r r i v e p a s d s e s t a b i l i s e rd a n s l e c e n t r e
d e l a z o n e d e m o u v e m e n t , i l f a u d r a c h a n g e rl a v i t e s s e
d'obturation.
o S i l ' a i g u i l l ee s t p r d s d u ( + ) a u g m e n l e zl a v i t e s s e
( E x e m p l e : s i l a v i t e s s ee s t 1 / ' l2 5 s e c , t o u r n e z l e
c a d r a nd 1 / 2 5 0 s e c . ) .
o Si l'aiguilleest prds du (-) r6duisezla vitesse
( E x e m p l e : s i l a v i t e s s ee s t 1 / 1 2 5 s e c ,r 6 d u i s e z - l d a
1/ 6 0 s e c . ) .
4. Grande plage de mesure
Etant donn6 que la lumidre mesur6e repr6sente
l ' i n t e n s i t 6m o y e n n e d e l u m i d r e t o m b a n t s u r l e v e r r e
d e m i s e a u p o i n t , l a p l a g e d e m e s u r ev a r i e s e l o n l a
s e n s i b i l i t dd u f i l m u t i l i s 6 e t l a v i t e s s ed ' o b t u r a t i o n .
U n d e s a v a n t a g e sd e c e p o s e m d t r ee s t q u ' i l a u n e t r d s
grande sensibilit6.Par exemple: vous utilisez un
36
..Jd*q*.;*ss;r.!i,,,",*ilidk@i,.. :,;i*&;;;:-;';s*acit&*a;
FUJICOLOR F-tr (100 ASA) et un obiectif 50mm
F1 ,4, la gamme couverte par le posemdtre est de
E V 1 d E V 1 B , 5 ( f / 1 , 4 - 1s e c .- f 1 1 6 1 / 1 5 0 0 d s e c . ) .
P o u r u n o b j e c t i f 5 5 m m F ' l , B l a g a m m ee s t d e E V 1 , 7
- E V 1 B , 5 f f 1 1 , 8 1 s e c .- f / 1 6 1 / 1 5 0 0 d s e c . ) .
E n o u t r e , l e s y s t d m ed e m e s u r ed p l e i n e o u v e r t u r ed u
FUJICA ST705 vous permettra d'effectuer la mise
a u p o i n t a v e cu n d i a p h r a g m e g r a n do u v e r t p o u r q u e
votre image dans le viseur reste toujours claire. ll
d o n n e 6 g a l e m e n t l a p o s s i b i l i t 6d e c o n t r d l e r l a p r o -
f o n d e u r d e c h a m p p o u r l e d i a p h r a g m es 6 l e c t i o n n 6e n
appuyant sur le bouton de v6rification de la pro- l'
fondeur de champ @. (Voir page 61 , "La pro-
fondeurde champ").
L e t a b l e a u s u r p a g e 5 3 m o n t r e l a p l a g e d e m e s u r ed u
p o s e m d t r ed u F U J I C A S T 7 0 5 . U n c r a n d e s 6 c u r i t 6
m a i n t i e n t l e f o n c t i o n n e m e n td u c a d r a n d e s 6 l e c t i o n
d e s v i t e s s e se n r e l a t i o n a v e c l a g a m m e d o n n 6 e p a r c e
tableau.
',"41&i**
l
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H O L D I N GT H E C A M E R AA N D
R E L E A S I N GT H E S H U T T E R
1. Hold the Camera Steady
l f y o u d o n ' t h o l d t h e c a m e r a s t e a d y ,y o u r p i c t u r e s
w i l l n o t t u r n o u t s h a r p b e c a u s et h e c a m e r a w i l l
s h a k e .B e s u r e t o h o l d y o u r s e l f i n g o o d b a l a n c ew i t h
elbows close against your body and the camera
p r e s s e dl i g h t l y a g a i n s ty o u r f a c e .T h i s i s a l l t h e m o r e
n e c e s s a r yi f y o u a r e s h o o t i n g w i t h t h e c a m e r a h e l d
vertically. Practice a little and get used to these
motions.
2. Press Down the Shutter Release Button
B e s u r e t o p r e s sd o w n t h e S h u t t e r R e l e a s eB u t t o n @
g e n t l y . .A n y j e r k y m o t i o n c a n c a u s e t h e c a m e r a t o
y'''f-- s h a k ea n d p i c t u r e st o b e u n s h a r p .
z -:*,
\\ 3. When To Use a Tripod
i
\l\
t] l f y o u a r e t a k i n g a c l o s e - u p t, e l e p h o t os h o t , o r i f y o u
a r e s h o o t i n ga t a s h u t t e r s p e e ds l o w e r t h a n 1 / 3 0 s e c . ,
6 b e s u r e t o u s e a t r i p o d a n d c a b l e r e l e a s et o a v o i d
c a m e r as h a k e .
A c a b l e r e l e a s ei s a l s o r e c o m m e n d e df o r s h o o t i n g
\Y long-exposure shots with the camera placed on a
table, against a tree, or on some other steady
f o u n d a t i o n . A c a b l e r e l e a s ew i t h a s t o p p e r a t t a c h -
m e n t i s a v e r y c o n v e n i e n ti t e m f o r s h o o t i n gw i t h t h e
camera set at B (bulb). You can press open the
s h u t t e r , h o l d i t i n t h a t p o s i t i o n w i t h t h e s t o p p e rf o r
a s l o n g a s y o u w a n t , t h e n r e l e a s et h e s t o p p e r t o c l o s e
the shutter.

3B
Sf&l&&,"- .jni*ih&
-v
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R E W I N D I N GF I L M A N D A P R E S L E S P R I S E SD E
U N L O A D I N GF I L M VUES
A f t e r v o u h a v ef i n i s h e da r o l l o f f i l m , Votre film termin6, suivez bien les
r e w i n d i t b a c k i n t o t h e c a r t r i d g ea n d r e c o mm a n d a t i o n s s ui v a n t e s .
take it out of the camera. 1. D6brayage du systime d'entraine-
1 . P r e s st h e F i l m R e w i n d B u t t o n ment
First, pressdown ttre Film Rewind l l f a u t d ' a b o r d a p p u y e rs u r l e b o u t o n
Button @ located on the underside @ situ6 sur la partie inf6rieurede
o f t h e c a m e r a .O n c e y o u h a v e p r e s s e d I'appareil. Rel6chez imm6diatement
down this button, you can let it go votre doigt, ce bouton restera en-
b e c a u s e i t w i l l s t a y d e p r e s s e d .T h e c l e n c h 6 , e t l ' a x e d ' e n t r a i n e m e n td u
Sprocket Wheels@ are now f ree. f i l m @ s e r al l b r e .

NACH DER BELICHTUNG D E S P U E SD E TOMA R S U S

I H R E SF I L M S FOTOGRAF I AS
Nachdem Sie lhren Film belichtet Una vez que ha terminadoun carrete
h a b e n , w i r d e r i n d i e K a s s e t t ez u r t i c k - d e p e li c u l a , v u e l v aa r e b o b i n a r l oe n e l
gespultund aus der Kamera genom- c a r t u c h o y s d q u e l od e l a c d m a r a .
men. 1. Apriete el bot6n de rebobinado
1. Driicken Sie auf den Riickspul- de la pelicula
knopf En primer lugar apriete el bot6n de
Zu ndchst drticken Sie auf den r e b o b i n a d od e p e l f c u l a @ s i t u a d oe n
Ruckspulknopf Q), der sich an der la parte inferior de la cdmara. Una
U n t e r s e i t ed e r K a m e r a b e f i n d e t . E i n vez que ha apretado este bot6n,
e i n m a l i g e r k u r z e r D r u c k g e n t i g t ,d e r puede soltarlo porque permanecerd I
K n o p f b l e i b t i n d e r P o s i t i o nu n d g i b t en esta posici6n. El eje dpntado 33
d i e T r a n s p o r t z a h n r a d e3r $ f r e i . e s t da h o r a l i b r e .

. -.!i
41
ll
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2. Turn the Film Rewind Crank
E r e c t t h e F i l m R e w i n dC r a n k G a n d
wind it in the direction of the arrow
t o r e t u r n t h e e x p o s e df i l m b a c k i n t o
the cartridge. Just before the end of
t h e f i l m i s r e a c h e d ,y o u w i l l f e e l a
s li g h t t e n s i o n r e l e a s eo n t h e c r a n k .
Give it 2 more turns and the film is
wound back into the cartridqe.
2. Drehen des Riickspulhebels
Richten Sie den Filmrticksoulhebel
@ auf und drehen Sie ihn in Pfeil-
richtung. Dadurch wird der Film in
d i e K a s s e t t e z u r r i c k g e s p u l t .K u r z v o r
B e e n d i g u n gd e r R i l c k s p u l u n gw e r d e n
S i e e i n e n l e i c h t e n W i d e r s t a n ds p t i r e n .
M i t z w e i w e i t e r e n U m d r e h u n g e ni s t
d e r F i l m v o l l s t d n d i gi n d i e O r i g i n a l -
f i l m k a s s e t t ez u r t i c k g e s p ul t .
42
.
2. R6embobinage
D6gagez la manivelle @ et tournez
dans la direction indiqu6e par la
f l d c h e e t r 6 e m b o b i n e zl e f i l m d a n s l e
c h a r g e u rj u s q u ' d c e q u e v o u s s e n t i e z
une l6gdre tension. Faire 2 tours
s u p p l 6 m e n t a i r e sv, o u s p o u v e z o u v r i r
l'appareil.
2. Gire la palancade rebobinado de
la pelfcula
L e v a n t e l a o a l a n c ad e r e b o b i n a d od e
la pelfcula @ y dele vueltas en la
direcci6nde la flecha para volver la
p e l f c u l a y a u t i l i z a d aa l c a r t u c h o . U n
p o c o a n t e s d e q u e l l e g u ee l f i n a l d e l a
p e lf c ul a , s e n t i r e ui n a l i g e r at e n s i 6 ne n
l a p a l a n c a .D e l e d o s v u e l t a sm d s y l a
p e li c u l a t e r m i n a r dd e e n r o l l a r s ee n e l
chasis.
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3. Open the Camera Back 3. Quverture de l'appareil
iIi1
Lift the CombinationFilm Rewind Tirez le bouton (0. Le dos de
C r a n k - C a m e r aB a c k L o c k @ u n t i l l'appareil @ s'ouvre. Sortez le
i
the Camera Back @ opens with a c h a r g e u r .D o n n e z - l ed d d v e l o p p e r ,l e
s n a p .N o w , t a k e o u t t h e c a r t r i d g ea n d o l u s t d t s e r al e m i e u x .
s e n d i t t o t h e p r o c e s s o r- t h e s o o n e r
the better.

3. Offnen der Kamerariickwand 3. Abra la parte Posterior de la

Durch Anheben des kombinierten c5mara
R t l c k s p uI h e b e l s - K a m e r a v e r s c hul s s e s L e v a n t e l a c o m b i n a c i 6 n : P a l a n c ad e
@ offnet sich die KamerarLickwand r e b o b i n a d o d e p e lf c u l a - c i e r r e d a l a
AD automatisch. Jetzt konnen Sie t a p a p o s t e r i o rd e l a c d m a r a @ , h a s t a
l h r e n F i l m h e r a u s n e h m e nu n d e n t - que la tapa Posterior sJ se abre con
w i c k e ln l a s s e n ; u b r i g e n s , j e f r u h e r un salto. A continuaci6n saque el
desto besser. c a r t u c h o y e n v i e l o a l l a b o r a t o r i od e
r e v e l a d o c, u a n t o a n t e sm e j o r .

1
,;di*c&uhi"*lair*,."
43 i
1
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B e s u r e t o l o a d a n d u n l o a d t h e c a r t r i d g ei n t h e
s h a d ea w a y f r o m d i r e c t s u n l i g h t .
l f t h e e n d o f t h e f i l m i s r e a c h e dw h e n y o u h a v e
w o u n d t h e F i l m A d v a n c e L e v e r h a l f - w a ya r o u n d ,
d o n o t f o r c e i t b e c a u s et h e f i l m m i g h t b r e a k .
S i m p l y p r e s st h e F i l m R e w i n d B u t t o n a n d w i n d
the Film Advance Lever all the wav back. The
s h u t t e rw i l l b e c o c k e d .b u t t h e f i l m w i l l r e m a i n
s t a t i o n a r y . S i n c e y o u h a v e a l r e a d y p r e s s e dt h e
F i l m R e w i n d B u t t o n , a l l y o u n e e dd o i s t u r n t h e
F i l m R e w i n dC r a n k .
Beachten Sie bitte, daB lhr Film immer im
S c h a t t e n u n d n i e i n d i r e k t e m S o n n e n l i c h te i n g e -
legt oder aus der Kamera genommen werden
muB.
Wenn Sie das Ende des Filmes erreicht haben,
k o m m t e s o f t v o r , d a B d e r F i l m a u f z u g s h e b enl u r
h a l b u n d n i c h t b i s z u m A n s c h l a gg e d r e h tw e r d e n
k a n n .B i t t e w e n d e nS i e k e i n eG e w a l ta n , d e r F i l m
konnte sonst rei8en. Drucken Sie auf den Film-
r u c k s p u l k n o p fu n d b r i n g e n S i e d a n n d e n F i l m -
a u f z u g s h e b ebl i s z u m A n s c h l a g .D e r V e r s c h l u Bi s t
n u n g e s p a n n t ,w d h r e n d d e r F i l m n i c h t t r a n s p o r -
t i e r t w i r d , d a d i e T r a n s p o r t z a h n r d d e ar u s g e k u p -
p e l t s i n d . S i e b r a u c h e nj e t z t l e d i g l i c hd e n F i l m i n
d e r o b e n b e s c hr i e b e n e nW e i s ez u r L ] ck z u s p uIe n .
44
'
ll est recommand6 de charger ou d6charger
l ' a p p a r e i ld l ' a b r i d e l a g r a n d el u m i d r e .
S i v o u s s e n t e zu n e r 6 s i s t a n c e quand la f in du f ilm
e s t a r r i v 6 e , n e f o r c e z p a s e t p r e s s e zs i m p l e m e n t l e
tl
b o u t o n d e d 6 b r a y a g e ,p u i s a c t i o n n e z l e l e v i e r
d ' a r m e m e n t e t e n s u i t ec o n t i n u e z d r 6 e m b o b i n e r .
I
I
I
{
A s e g [ r e s e d e c a r g a r y d e s c a r g a re l c h a s i s e n u n
l u g a r s o m b r i o l e j o sd e l a l u z d i r e c t ad e l s o l .
S i l l e g a a l e x t r e m o d e l a p e li c u l a c u a n d o h a
enrollado la palanca de avance de la pelicula
aproximadamente la mitad de camino, no la
f u e r c e p o r q u e l a p e l f c u l a p u e d e r o m p e r s es i l o
h a c e . S i m p l e m e n t ea p r i e t e e l b o t 6 n d e r e b o b i n a -
d o d e p e lf c u l a y a c o n t i n u a c i 6 n a c c i o n e l a
p a l a n c ad e a v a n c ed e p e lf c u l a h a c i a l a d e r e c h a .E l
obturador se armard, pero la pelfcula perma-
necerd fija. Como ha apretado ya el bot6n de
r e b o b i n a d od e l a p e l i c u l a , t o d o l o q u e t i e n e q u e
h a c e r e s d a r v u e l t a s a l a p a l a n c ad e r e b o b i n a d o .
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 www.orphancameras.com
P AR T , ,
TEIL
CHAPITR E
PARTE

A D V A N C E DT E C H N I O U E S
Read lhis only after you have masteredPart 1. A{ter you have read this manual,
y o u w i l l n o t o n l y h a v e g a i n e d a k n o w l e c l g eo f r h e m e c h a n i c a l o p e r a t i o n s o f t h i s
c a m e r a b u 1 a l s o o f t h e i m m e n s e p o s \ i b i l i t i e so f t h e F U J I C A S I 7 0 5 c a m e r a
system as a whole. ln other words, you will be read.y for adventtlres into the
new and untrodden regrons of photography.

T E C H N I KF U R F O R T G E S C H R I T T E N E
Bitte lesen Sie die folgenden Seiten ersl dann, wenn Sie Teil 1 beherrschen.
D i e s e G e b r a u c h s a n w e i s u n gw i r d l h n e n n i c h t n u r d i e K e n n t n i s u b e r d i e m e c h a '
nischen Funktionen dieser Kamera vermitleln, sondern lhnen auch die au8erge-
wohnlichen Moglichkeiten des FUJICA ST705 Kamerasystemszeigen. Das
S p i e g e l r e f l e x s y s t e md e r F U J I C A S T 7 0 5 e r s c h l i e 8 t l h n e n f a s t a l l e A n w e n d u n g s -
b e r e i c h ea u f d e m G e b i e l e d e r F o t o g r a f i e . .

E T G E N E R A L I T E SD E P R I S ED E V U E
TECHNIOUES . .i..
L i s e z a t t e n t i v e m e n t c e c h a p i t r e , v o u s o b t i e n d r e z u n e c o n n a i s s a n c ep a r f a i t e d e s
opdrations m6caniques de cet appareil, et il vous fera apprricier tou tes les
possibilitds du FUJICA ST705. En d'autres mots, vous pourrez decouvir
f a c i l e m e n t l e s d o m a i n e s s e c r e t sd e l a p h o t o g r a p h i e .

T E C N I C A SA V A N Z A D A S \ *' .3;*t t
11
L e a e s t a p a r t e s o l a m e n t e d e s p t - r 6 sd e d o m i n a r l a p a r t e 1 . U n a v e z q u e h a y a l e i d o
este manual. no solamente habrd conseguido un conocrmiento de las opera
ciones mecdnicas de esta cdmara, sino tambi6n de las inmensas posibilidades del
s i s t e m a d e c d m a r a F U J I C A S T T O 5 e n s u t o t a l i d a d . E n o t r a s p a l a b r a s ,e s t a r d
preparado para una fascinante eventura en las regiones nuevas e inexploradas de
l a f o t o g r a fi a .

ffiry/
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C H A N G I N GT H E L E N S
A complete range of highly color-compatible,'high
r e s o l u t i o nF U J I N O N i n t e r c h a n g e a b llee n s e sa r e a v a i l -
a b l e f o r s h o o t i n g s c e n i c s ,p o r t r a i t s ,s n a p - s h o t sn, e w s
p h o t o s , a n d p h o t o r e c o r d sw i t h t h e F U J I c A s T 7 0 5 .
You can also use anv lens with a Practica screw
m o u n t o n i t a s w e lI a s a n y L e i c a m o u n t l e n s b y
s i m p l y a t t a c hi n g a L e i c a m o u n t a d a p t e r o n t h e
c a m e r a .B u t t h e L e i c a m o u n t l e n s c a n o n l v b e u s e d
f o r s h o o t i n gc l o s e - u p s .
How to change the Lens
To remove a lens, push back the Lens Safety Lock
Release Button O in tfre direction of the arrow
and turn the lens barrel to the left (counterclock-
wise). To mount, just screw the lens in turning it
c l o c k w i s eu n t i l i t s t o p sw i t h a c l i c k .
W a r n i n g : C o r r e c t e x p o s u r ei s i m p o s s i b l eu n l e s st h e
l e n s i s m o u n t e d p r e c i s e l yi n p o s i t i o n .
o W h e n c h a n g i n gt h e l e n s , b e c a r e f u l n o t t o t o u c h
t h e l e n s g l a s so r t h e m i r r o r i n t h e b o d y w i t h y o u r
fi ngers.
o Do not press in the Depth of Field Preview
B u t t o n w h e n c h a n q i n qt h e l e n s .

l:
46
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U S I N G F U J I N O N I N T E R C H A N G E A B LLEE N S E S
V E R W E N D U N GD E R F U J I N O N W E C H S E L O B J E K T I V E
U T I L I S A T I O ND E S O B J E C T I F SI N T E R C H A N G E A B L EFSU J I N O N
U S O D E L O S O B J E T I V O SI N T E R C A M B I A B L E SF U J I N O N

r*28 ^- 35,n,n 55 rr

f
p

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ti
ll e e c F U J T N o NT N T E R c H A N G E A BL E N S E sF o R T H E F U J T c As r T o s

(D Composilion (D Closestfocusing
lE Aperture
O Tvp" O B r a n dE B C F U J I N O N
o o tstance o $ Lens hood
@
Angle of view (grl Filter (mm)
O co-- D (D @ Minimu (D Lieht (S Meters Weight
ponents :lements
Typu
aperture metering {m) @ Feet (ft)

@ @ Futl @ Four
Q risl eye F l6mm I 2 I 80" o.25 0.8 425 Q Buitt.in built in
Automatic aperture
fi ters

o Hll';'""n," l : J c 19mm 8 Au tomat rc

Full
aperlure
0.3 O Screw in 726

Full
28mm 74' Automatic 16 0 184 O stip on 496
aperture

Full
O Wideangle 1.9 35mm 6 8 62'44' Automatac
aOerture
o.4 1.3 230 Screw in 496

Full
2.4 35mm 6 7 Automatic o r85 Scrow in 496
aperlure

Full
50mm 4s"22' Automatac 16 o.45 270 Screw in 49d
aperture
lO Normal
tsull
.8 55mm 6 42" 10' Au tomatic b 045 5 200 Screw in 496
aperlUt

{t @ Macro

C sott
M 55mm

85mm
5 Automal
aperlure

Full
o 241 0.8 205 Screw in 49d

28'34' Au tomat ic l6
aperture
0 245 Screw in 49d

Full
1:2.8 I OOmm 4 5 Automat 2 254 Screw in 496
aperture

Full
135mrn 5 iB" 09' Automattc 5 5 432 Screw in 58d
aperture
O Tel€photo
'lg" Full
1: 3 . 5 i35mm t 3' Automat;c 22
aperture
5 5 300 Screw in 496

FUII
200mm 5 c 12"20' Automatic 22 aoerture
2.5 4.2 489 Bu ilt-in 496

T l:4.5 4O0mm 4 5 o l
@ 45 iDStopped I Bu ilt-in 496
Ma nua I

o Y"lljn"," :5.6 6O0mm 5 4" oi Man ua I 45 Stopped 2.5 40 3000 Euilt-in 496

Stopped
T l:8 I .0o0mm 5 5 2" 2a' Manual
down
30 100 4960 Bu ilt-in 496

Fu I
2 t4.5 75 15omm o 2 i6" 22'
Automat r.8 6 748 Built-in 626
aperture
(t Zoom
z 4.5 270mm 43" 13', FUII
54 5 9- 11', Au tomat ic 22 apertur 2.5 A ' 1464 Built-in 826
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E B C F U J I N O NW E C H S E L O B J E K T I VF EU R D I E F U J I C A S T 7 O 5
O B J E C T I E SI N T E R C H A N G E A B L E SEBC FUJINONDU FUJICA ST7O5
O B J E T I V O SI N T E R C A M B I A B L E SE B C F U J I N O N D E L A F U J I C A S T 7 O 5
o Tvp o Mod€le o Tipo
o Fisheye o Fisheye o Fisheye
o Ultra-Weitwinkel o Ultra grand angulaire o Ultra gran rngular
o Weitwinkel o Grand angulaire o
o Standard o Normal o
Gran angular
Normal
f
@
o
o
Macro
We'rchzeHrrs
Telefoto
@
o
@
Macro
Soft Focus
T€l6objectif
I Macro
Soft Focur
@ Teleobjetivo
o Ultra-Telefoto o U ltra-t6l6objectif o Ultra teleobjetivo
@ Toom {E Zoom @ Zoom
o Marke EBC FUJINON o Maque EBC FUJINON o Marca
@ Bestandteile @ Composition EBC FUJINON
@ Komponenten (D Parties composantes (P C o m p o s i c i 6 n
(E E l e m e n t e @ El6ments o Componentes
@ Blickwinkcl
(D
(E Angle de vision o Elementos

3
Blende @ Ouverture Angulo de visi6n
o Tvp (E Type
(D Automatique
Abertura
@ automatisch Tipo
(D M a n u e l
@ Manuell
@ Kleinste Blende
o Belichtungsmessung
€D Ouverture Minimum
€) Mesure de la lumi€re
I Autom6tico
Manual
@ Abertura mlnima
@ bei voller 0ffnung @ A pleine ouverture @ Medici6n de luz
@ bei Arbeitsblende @ Par diaphragmation @ A plena abertura
@ Kleinste Auf nah meentfernung
@ Meter (m)
@ Mise au point avec
plus courte
distance la o Por diafmgmaci6n

(D Mdtres @ Distancia mfnima de dnli4nc

@ FuB (ft.) (D M e t r o s ( m )
@ Gewicht (g)
@ Sonnenblende
(D P i e d s
@ Poids (gr)
o Pies
(D Peso (g)
@ Am Objektiv @ Parasoleil @ arasol
P
@ Schraubgewinde @ Incorpo16 @ Tipo incorporado
o Aufsteckbar
(D F i l t e r ( m m )
@ A vis. @ Tipo rosca
(D Vier eingebaute Filter 6) S u r m o n t 6
@ Filtre (mm)
@ 4 Filtres incorpor6s
I Tipo montado
Filtro (mm)
@ Cuatro filtros montados

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C O U P L I N GR A N G E O F T H E F U J I C A P L A G E D ' A C C O U P L E M E ND
TU
ST7 O5 ' SE X P O S UREME T ER POSEMETRE DU FUJICA
sT705
T h e c h a r t s h o w s t h e c o u p l i n g r a n g eo f s h u t t e r s p e e d s
at each ASA film speed' The f-numbers on the Le tableau montre la plage d'accouplement des
bottom row representthe usable range of aperture v i t e s s e sd ' o b t u r a t i o n p o u r c h a q u es e n s i b i l i t 6A S A d u
for eachshutter sPeed. f i l m . L e s v a l e u r s d u d i a p h r a g m ed a n s l a p a r t i e i n -
O S h u t t e r S p e e d 1/ ( s e c . ) f 6 r i e u r er e p r 6 s e n t e nlta g a m m e d e s d i a p h r a g m e su t i l i -
(f/stoP) s a b l e sp o u r c h a q u ev i t e s s ed ' o b t u r a t i o n .
O R a n g eo f A P e r t u r e
O V i t e s s ed ' o b t u r a t i o n 1 / ( s e c . )
O G a m m e d e s d i a p h r a g m e s( v a l e u rf / )

DEL
K U P P L U N G S B E R E I CDHE S B E L I C H T U N G S . C AMP O D E A C OP LA MIE N TO
M E S S E R SD E R F U J I C A S T 7 O 5 EX P OS IN 4E TRDOE LA FU JIC A S T7O5
D i e T a b e l l e z e i g t l h n e n d e n K u p p l u n g s b e r e i c hd e r L a t a b l a m u e s t r a e l c a m p o d e a c o p l a m i e n t od e l a s
VerschluBzeiten bei jeder ASA-Filmempfindlichkeit' v e l o c i d a d e sd e o b t u r a d o r p a r a c a d a s e n s i b i l i d a dA S A
D i e B l e n d e n z a h l e na u f d e r u n t e r s t e n R e i h e s t e l l e n d e p e lf c u l a . L o s n d m e r o s d e a b e r t u r a e n l a p a r t e
d e n v e r w e n d b a r e n B l e n d e n o f f n u n g s b e r e i c hf t i r
jede i n f e r i o r r e p r e s e n t a nl a g a m ad e d i a fr a g m a su t i l i z a b l e s
V e r s c h l u B z e i td a r . para cada velocidad de obturador.
'1l(seg')
(D VerschluBzeit'l/(Sek.) O Velocidad de obturador
O Gama de diafragmas ( v a l o r f/)
O B l e n d e n o f fn u n g s b e r e i c h

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ASA (D ShutterSpeed 1/(sec)

500
',H"u
15 60 125 250
25 1 4 8 JU
1.50c

4 8 5 30 60 125 250 500 &

I
1 ,OO0
40 4 8 15 60 125 250 500 &
1.50C
'125
l,ooc
2 t5 30 bU 250 500 &
50 4
1.50C

64 1 2 4 I 30 60 125 250 500 &

1
1,OOO
ao 1 2 4 I 15 30 60 125 250 500 &
1.500
100 1 2 8 15 an 60 125 250 500 &
1.50(

125 1 2 8 1 t 30 60 125 250 500 &

1,500
,ooc
160 2 4 6 30 60 125 500 &
.50c
1,OO(
200 2 4 8 t5 30 125 250 500 &
1.50(

400 2 4 I l5 30 125 250 500 1,OOO

800 a 5 30 60 125 250 500 ,ooo

1600 I 30 60 125 250 500 1.OO0

3200 15 30 60 125 250 500 l , o o o

'1.4 't.4
1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4 1.4

o \ ' \ ' , J t t , ) ' \

, t l I I I t I J t , t
22 22 2 2 22 22 2 2 2 2 22 2 2 22 2 2 2 2 2 2 2 2 22 16 16 16 11 11 11 8 I 8
'lr 2 ,r3 ,1,
2/r3 '3 Z l 1t
t a
J

53
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CORRECTION
EXPOSURE
Any normal subject can be accurately exposed by
following the meter reading. However, best results
a r e o b t a i n e d u n d e r t h e f o l l o w i n g s i t u a t i o n sb y c o r -
r e c t i n gt h e e x p o s u r e .
1. Backlighted Subjects, etc.
B a c k l i g h t e ds u b j e c t so r s k i s c e n e s w , hich are domi-
n a t e d b y w h i t e a r e a sa n d s t r o n g r e fl e c t i o n s ,w i l l t u r n
o u t w i t h t h e m a i n s u b j e c tu n d e r e x p o s e dB . y opening
t h e a p e r t u r eb y 1 / 2 o r 1 f u l l s t o p , o r b y a p p r o a c h i n g
t h e m a i n s u b j e c t t o m e a s u r et h e l i g h t i n t e n s i t y , i t
can be correctly exposed.
2. Spot-lighted Subjects, etc.
A personstandingbefore a black backgroundor a
s p o t - l i g h t e ds u b j e c t i n a s t a g ep l a y w i l l b e i n f l u e n c e d
b y t h e d a r k s u r r o u n d i n g sa n d t u r n o u t o v e r e x p o s e d .
The apertureshould be stopped down by 112or 1
f u l l s t o p b e l o w t h a t i n d i c a t e db v t h e m e t e r .
u ,;ss&6a*;" .
3. Copying Documents
The major portion of most documents are occupied
b y w h i t e a r e a s .T h e s i t u a t i o n c a l l s f o r o p e n i n g t h e
a p e r t u r e b y 1 f u l l s t o p f r o m t h a t i n d i c a t e db y t h e t
meter.
lf you want to be more precise, place an 19o/o
s t a n d a r d r e fl e c t a n c e c a r d i n f r o n t o f t h e c a m e r a a n d
s e t t h e e x p o s u r ew i t h t h e e x p o s u r em e t e r .
F o r m a x i m u m c o r n e r - t o - c o r n e sr h a r p n e s st,h e m i n i -
mum practicalaperture should be usedfor copying
work and for takingclose-ups.
4. Taking Advantage of the Eye Cup
With the aperture stopped well down, the light
r e f l e c t e d f r o m y o u r e y e o r s p e c t a c l e s( i f y o u a r e
wearing them) will reach the focusing glass and
s l i g h t l y i n f l u e n c e t h e m e t e r r e a d i n g .T o a v o i d t h i s ,
usean Eye Cup over the Viewf inder eyepiece.
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 www.orphancameras.com
B a c k l i g h t e dS u b j e c t
G e g e lni c h t a u fn a hm e
S uj e t e n c o n t r e j o u r
T e m a se n c o n t r a l u z

Spot-lighted Subject
B i i hn e n a u f n a h m e
S c d n e sd e t h 6 6 t r e
Temas con foco de luz

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U T I L I Z I N GT H E L E N S D E P T HO F F I E L D
1. What is meant by Depth of Field thewider it becomes.
To check the effects of the aperture you have @ tfre farther the distance the lens is focused on,
selected how welI you have blurred out the the wider the depth of field.

t*
b a c k g r o u n do r h o w w i d e t h e d e p t h o f s h a r p n e s si s -
a l l v o u h a v e t o d o i s t o l o o k t h r o u g h t h e v i e w fi n d e r ,
b e c a u s et h e a o e r t u r ew i l l c l o s e d o w n t o t h e s i z ev o u
h a v e s e l e c t e da s y o u p r e s sd o w n t h e D e p t h o f F i e l d
P r e v i e w B u t t o n . T h u s , t h e s h a r p n e s so f a p i c t u r e
extends over a considerablerange both in front of
and behind the point the lens is focused on. This
z o n e o f s h a r p n e s si s r e f e r r e d t o a s t h e d e p t h o f f i e l d .
T h e w i d t h o f t h e d e p t h o f f i e l d d i f f e r s d e p e n d i n go n
the lens focal length, subject d istance,and lens
aperture.
C t f r e h i g h e r t h e a p e r t u r e n u m b e r ( t h e s m a l l e rt h e
a p e r t u r e ) ,t h e w i d e r t h e d e p t h o f f i e l d . T h e l o w e r
the aperturenumber, the narrower it becomes.
@ tfre longer the focal length of the lens, the
narrower the depth of field, and the shorter it is
@ t f r e z o n e o f s h a r p n e s si n f r o n t o f t h e p o i n t o f
sharpest focus is narrower than the zone of
sharpnesb s e hi n d t h e s a m ep o i n t .
@ E x a m p l e A s h o w s t h e a p e r t u r ef u l l y o p e n .
Example B shows the aperture stopped down to
t/16.
2. How to see the Depth of Field
A l l t h e i n t e r c h a n g e a b l lee n s e so f t h e F U J I C A S T 7 0 5
are provided with a depth of field indicatoron the
l e n s b a r r e l . F o r e x a m p l e ,i f y o u a r e u s i n g a n F 1 . B
5 5 m m n o r m a l l e n s a n d h a v e s e t t h e a p e r t u r ea t f l B
a n d t h e d i s t a n c ea t 1 5 f e e t ( 5 m ) , e v e r y t h i n gf r o m
a b o u t 1 1 . 5 f e e t ( 3 . 5 m )t o 2 8 . 5 f e e t ( 8 . 7 m )w i l l b e i n
s h a r pf o c u s .

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U S I N GT H E S E L F T I M ER
lf you are taking picturesof a group or if you are
shootinga family souvenirpicture and want to get
into the picture yourself, just use the self-timer.
F i r s t , m o u n t t h e c a m e r ao n a t r i p o d , w i n d t h e f i l m
a n d p u s h t h e S e l f - t i m e rS e t L e v e r a l l t h e w a y d o w n ,
: Next, press the Self-timer Start Button and move
b a c k i n t o t h e p i c t u r e .T h e s h u t t e r w i l l b e a u t o m a t i c -
a l l y r e l e a s e di n 8 - 1 0 s e c o n d s .
o Y o u c a n s e t t h e s e l f - t i m e rf i r s t , t h e n w i n d t h e
f i l m a f t e r w a r d s ,w h i c h e v e r w a y y o u p r e f e r .
. D o n ' t p r e s st h e S h u t t e r R e l e a s eB u t t o n " i n s t e a d "
o f t h e S e l f - t i m e r S t a r t B u t t o n , b e c a u s ey o u w i l l
r e l e a s et h e s h u t t e r i f v o u d o .
W I E S I E S I C H S E L B S TF O T O -
G R A F I E R E NK O N N E N
W e n n S i e i m F a m i l i e n - o d e r E r i n n e r u n g s f o t on i c h t
f e h l e n w o l l e n , b e n u t z e nS i e d e n e i n g e b a u t e nS e l b s t -
a u s l o s e r . Z u e r s r w i r d d i e K a m e r a a u f e in S t a t i v
g e s c h r a u b t , d e r K a m e r a v e r s c h l u Bg e s p a n n t u n d d e r
H e b e l d e s S e l b s t a u s l o s e r sg a n z h e r u n t e r g e d r t l c k t .
S o d a n n m u B d e r S e l b s t a u s l o s e k n o pbf e t i i t i g t w e r d e n .
B i s z u r A u s l o s u n gd e s V e r s c h l u s s ehsa b e n S i e B - 1 0
S e k u n d e nZ e i t s i c h i n s B i l d e i n z u r e i h e n .
o D e r A u f z u g d e s S e l b s t a u s l o s e r ks a n n s o w o h l v o r ,
als auch nach dem Filmtransportund Spannen
d e s V e r s c hl u s s e se r f o l g e n .
o N i e m a l s a u f d e n A u s l o s e k n o p fd r t i c k e n ,s o n d e r n
immer nur auf den kleinen Selbstausloser-
A r r e t i e r kn o p f .

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ff
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RAPHY
I NF R A R E D P H O T O G
W h e n s h o o t i n gw i t h i n f r a r e df i l m , r e m e m b e rt h a t t h e
p o i n t o f f o c u s w i l l b e s l i g h t l y c l o s e rt h a n t h e n o r m a l
p o i n t . F i r s t , f o c u s t h e l e n s o n y o u r s u b j e c ta s y o u
w o u l d d o n o r m a l l y ,c h e c k t h e p o i n t o n t h e F o c u s i n g
R i n g ,a n d a d j u s t t h a t p o i n t t o t h e i n f r a r e dm a r k b y
t u r n i n g t h e r i n g . T h e i n f r a r e dm a r k i s t h e s h o r t r e d
line on the left sideof the Depth of Field lndicator
a sy o u l o o k d o w n o n t h e l e n s b a r r e l .

I NF R A R O T - F O T OR
GA F I E
W e n n S i e m i t I n f r a r o t f i l m f o t o g r a f i e r e n ,b e a c h t e n
S i e b i t t e , d a B d e r P u n k t d e r S c h a r f e i n s t e l l u n eg t w a s
n d h e ra l s b e i N o r m a l a u f n a h m e ni s t . Z u e r s t s t e l l e nS i e
w i e r i b l i c h n a c h d e m M a t t s c h e i b e n b i l de i n , s o d a n n
p r r i f e nS i e d i e E n t f e r n u n ga u f d e m S c h a r f e i n s t e l l r i n g
u n d k o r r i g i e r e nd i e s e d u r c h D r e h e n d e s R i n g e sa u f
d i e k u r z e r o t e M a r k i e r u n g .d i e s i c h a u f d e r l i n k e n F O T O G R A F I AI N F R A R R O J A
Seite der normalen Scharfeinstellungsmarkierung
befindet. Cuando fotograffa con pelfcula infrarroja, recuerde
q u e e l p u n t o d e l f o c o d e b e r d e n c o n t r a r s el i g e r a m e n t e
mds cercanoque el punto normal. En primer lugar
P H O T OI N F R A R O U G E enfoque el objetivo sobre su tema como lo harfa
L o r s q u ev o u s u t i l i s e zd e s f i l m s i n f r a r o u g e ,l e p l a n d e n o r m a l m e n t e ,c o m p r u e b e e l p u n t o e n e l a n i l l o d e
nettet6 est plus prdsque la normale. Faitesla mise au enfoque,y ajustedicho punto a la marca infrarroja
p o i n t n o r m a l e , v 6 r i fi e z l a d i s t a n c e e s t i m 6 e s u r l a dando vueltas al anillo. La marca infrarroja es la
b a g u e d e m i s e a u p o i n t e t d 6 p l a c e zc e l l e - c i s u r l a l f n e a r o j a c o r t a q u e s e e n c u e n t r ae n e l l a d o i z q u i e r d o
l i g n e r o u g e q u i e s t g r a v 6 ed g a u c h ed e l ' i n d i c a t i o nd e d e l i n d i c a d o rd e p r o f u n d i d a dd e c a m p o , c u a n d o m i r a
p r o f o n d e u rd e c h a m p . V d . e l c u e r p od e l o b j e t i v o .

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F L A S H S Y N C H R O N I Z E DS H O O T I N G A U F N A H M E NM I T
You can use a flash for shooting indoorsand night HO NI S A T I O N
B L I T Z L I C H T S Y N CR
p i c t u r : e sa s w e l l a s f o r s u p p l e m e n t a r y l i g h t i n g i n B e i I n n e n - u n d N a c h t a u f n a h m e nw e r d e n S i e h d u f i g
outdoor photography. e i n B l i t z l i c h t v e r w e n d e n ;s o w i e a u c h m a n c h m a l a l s
1. Electronic Flash z u s d t z il c h e L i c h t o u e ll e f r i r A u B e n a u fn a h m e n .
( 1) W i t h a c o r d l e s s h, o t - s h o et y p e e l e c t r o n i cf l a s h ,a l l 1. Elektronenblitz
t h a t i s n e c e s s a r yi s t o m o u n t i t o n t h e c a m e r a ' s ( 1 ) H a b e n S i e e i n k a b e l l o s e sE l e k t r o n e n b l i t z g e r i i ts,o
h o t - s h o eQ 9 . befestigen Sie es an dem Steckschuh @ der
(2)With other types of electronic flash, the flash Kamera.
u n i t i s m o u n t e d o n t h e c a m e r a ' sh o t - s h o ea n d t h e ( 2 ) D i e a n d e r e n e l e k t r o n i s c h e nB i l t z l i c h t t y p e n b e
cord is plugged into the camera's X-contact f e s t i g e nS i e e b e n f a l l sa u f d e n S t e c k s c h u h j,e d o c h
s o c k e t@ . muB das Kabel in die X-Buchse @ gesteckt
( 3 ) W i t h l a r g e - s i z e l e c t r o n i cf l a s h , t h e f l a s h u n i t i s werden.
mounted on the camera with the accessorv ( 3 ) B e i g r o B e r e ne l e k t r o n i s c h e nB l i t z g e r d t e nw i r d d a s
b r a c k e t a n d t h e c o r d i s p l u g g e di n t o t h e c a m e r a ' s G e r d t m i t e i n e r H a l t e s c h i e n ea n d e r K a m e r a
X-contact socket. b e f e s t i g t . D a s K a b e l w i r d i n d i e X - B u c h s ed e r
( 4 ) I n e a c h c a s e ,t h e s h u t t e r s p e e d i s s e t a t 1 / 6 0 s e c . Kameragesteckt.
( m a r k e d i n r e d o n t h e S h u t t e r S p e e dS c a l e ) . (4) In jedem Fall ist die VerschluBzei1 t /60 Sek. (die
2. FlashGun i n R o t a u f d e r S k a l a d e r V e r s c h l u B z e i t e nm a r -
(1)Tfre f lash cord is plugged into the camera's k i e r t i s t ).
F P - c o n t a c ts o c k e t@ . 2. Blitzbirnengerdt
( 2 ) A n F P - c l a s sb u l b i s u s e do n t h e f i r i n g u n i t . ( 1 ) D a s B l i t z l i c h t k a b e lw i r d i n d i e F P - B l i t z s y n c h r o -
n i s a t i o n s - B u c h s e@ d e r K a m e r a g e s t e c k t .
( 2 ) E i n e F P - B l i t z l i c h t b i r n em u B v e r w e n d e t w e r d e n .

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NU FLASH
SYNCHRONISATIOD C O M O F O T O G R A F I A RC O N F L A S H
O n p e u t u t i l i s e r u n f l a s h p o u r l e s p r i s e sd e v u e d Para tomar fotograf ias en interiores o en la noche,
l'int6rieur ou dans l'obscurit6,ainsi que comme p u e d e u t i l i z a r u n f l a s h .T a m b i 6 n p u e d e u s a r s ec o m o
c o m p l 6 m e n td ' 6 c l a l r a g ed l ' e x t 6 r i e u r . i l u m i n a c i 6 n s u p l e m e n t a r i ap a r a f o t o g r a ff a s a l e x t e -
rior.
1. Flash 6lectronique
( ' l) A v e c u n f l a s h 6 l e c t r o n i q u es a n sf i l , l a s e u l ec h o s e 1. Flash electr6nico
d faire est de le monter sur la prise de flash ( 1 ) C o n u n f l a s h e l e c t r 6 n i c o ,s i n c o r d 6 n , t i p o c o n -
c h a r g 6 ed e l ' a p p a r e i l@ . tacto central, s6lo es menester montarlo en la
(2) Avec les autres types de flash 6lectronique, le zapata @ de la cdmara.
f l a s h e s t m o n t 6 s u r l a p r i s e c h a r g 6 ed e I ' a p p a r e i l ( 2 ) C o n o t r o s t i p o s d e f l a s h e l e c t r 6 n i c o ,e l f l a s h s e
e t l e f i l e s t c o n n e c t 6d a n s l e c o n t a c t X @ . monta en la zapata de la cdmara y se conecta el
( 3 ) L e s g r a n d sf l a s h e s6 l e c t r o n i q u e sd o i v e n t 6 t r e f i x 6 s cord6n con el enchufe de contacto X @ de la
sur une barrette. Le fil est connect6 dans le c|mara.
contact X. ( 3 ) C o n u n f l a s h e l e c t r 6 n i c o d e t a m a f r o g r a n d e ,e l
( 4 ) D a n s t o u s l e s c a s ,l a v i t e s s ed ' o b t u r a t i o n e s t f i x 6 e conjunto del flash se monta sobre un soporte
e 1/60 sec. marqude en rouge sur l'6chellede adecuadov el cord6n se conectaen el enchufe de
'obtu contacto X de la cdmara.
I | r a t e ur .
I ( 4 ) E n c a d a u n o d e e s t o s c a s o s ,e l o b t u r a d o r s e f i j a r d
2. Flash i ampoule e n 1 / 6 0 s e g . ( m a r c a d o e n r o i o e n l a e s c a l ad e
(i)Le fil du flash est plac6dans la prisecontact FP
t i e m p o sd e e x p o s i c i 6 n ) .
@.
( 2 ) O n u t i l i s eu n e a m p o u l eF P . 2. Bombilla de flash
( 1) E l c o r d o n d e l f l a s h s e c o n e c t a e n e l e n c h u f e d e
contacto FP @ de la cdmara.
( 2 1 L a b o m b i l l a a u t i l i z a r e s d e l a c l a s eF P .

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SHOOTING
F L A S HS Y N C H R O N I Z E D A U F N A H M E NM I T
You can use a flashfor shootingindoorsand night R ONIS A TIO N
B L ITZ L IC H TS Y N C H
p i c t u r e s a s w e l l a s f o r s u p p l e m e n t a r yl i g h t i n g i n B e i I n n e n - u n d N a c h t a u f n a h m e nw e r d e n S i e h d u f i g
outdoor photography. e i n B l i t z l i c h t v e r w e n d e n ;s o w i e a u c h m a n c h m a l a l s
1. Electronic Flash z u s d t z l i c h eL i c h t q u e l l ef r i r A u B e n a u f n a h m e n .
( 1 ) W i t h a c o r d l e s s h, o t - s h o et y p e e l e c t r o n i cf l a s h ,a l l 1. Elektronenblitz
t h a t i s n e c e s s a r vi s t o m o u n t i t o n t h e c a m e r a ' s ( 1) H a b e n S i e e i n k a b e l l o s e sE l e k t r o n e n b l i t z g e r i i st ,o
h o t - s h o e@ . befestigen Sie es an dem Steckschuh @ der
(2)Witfr other types of electronic flash, the flash Kamera.
u n i t i s m o u n t e d o n t h e c a m e r a ' sh o t - s h o ea n d t h e ( 2 ) D i e a n d e r e n e l e k t r o n i s c h e nB i l t z l i c h t t y p e n b e -
cord is plugged into the camera's X-contact f e s t i g e nS i e e b e n f a l l sa u f d e n S t e c k s c h u h j,e d o c h
s o c k e t@ . muB das Kabel in die X-Buchse @ gesteckt
( 3 ) W i t h l a r g e - s i z e l e c t r o n i cf l a s h , t h e f l a s h u n i t i s weroen.
mounted on the camera with the accessory ( 3 ) B e i g r o B e r e ne l e k t r o n i s c h e nB l i t z g e r d t e nw i r d d a s
b r a c k e t a n d t h e c o r d i s p l u g g e di n t o t h e c a m e r a ' s G e r i i t m i t e i n e r H a l t e s c h i e n ea n d e r K a m e r a
X-contact socket. befestigt. Das Kabel wird in die X-Buchse der
( 4 ) I n e a c h c a s e ,t h e s h u t t e r s p e e d i s s e t a t 1 / 6 0 s e c . Kameragesteckt.
( m a r k e d i n r e d o n t h e S h u t t e r S p e e dS c a l e ) . ( 4 ) I n j e d e m F a l l i s t d i e V e r s c h l u B z e i t1 / 6 0 S e k . ( d i e
2. Flash Gun i n R o t a u f d e r S k a l a d e r V e r s c h l u B z e i t e nm a r -
(1)The f lash cord is -plugged into the camera's k i e r t i s t ).
F P - c o n t a c ts o c k e t @ . 2. Blitzbirnengerdt
(2) An FP-clasb s u l b i s u s e do n t h e f i r i n g u n i t . ( 1 ) D a s B l i t z l i c h t k a b e lw i r d i n d i e F P - B l i t z s y n c h r o -
n i s a t i o n s - B u c h s e@ d e r K a m e r a g e s t e c k t .
( 2 ) E i n e F P - B l i t z l i c h t b i r n em u B v e r w e n d e t w e r d e n .

66
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3. S y n c h r o n i z i n g R a n g e s 3. C h a m p s d e s y n c h r o n i s a t i o n F
3. S y n c h r o n i s i e r e n d eB e r e i c h e 3. Campos de sincroni zaci6n

Shutler Spood
3
I
Sync Socket Flash Vor schl uBz6r t
B l It z a n s c h l u B Blilz Vitess6 d'obturation
V€loordad d6l obturaclor
Pflse contact F lash t
E^chufe Flash

Syno Contaol El€ctronrc tlash

Synohrokontakl E l6ktron6nbl i tz
Contaot Synohro Flash arlectronrqu6
Contact de srooronrzaor6n Flash €t€otr6nioo

R e c o m m e n dS h u t t e r S p e e d
E m p f o h l e n eV e r s c h l u B z et ei n
V i t e s s e s r e c o m m a n d 6 eps o u r d i f f 6 r e n t s l l a s h e s
V e l o c i d a d e sr e c o m e n d a d a sd e o b t u r a d o r

T h e s h u t t e r s p e e d sm a r k e d w i t h a n * c a n r e s u l t i n L e s v i t e s s e sd ' o b t u r a t i o n m a r q u 6 e sd ' u n * p e u v e n t
exposure streaks depending on the type and c a u s e r u n e e x p o s i t i o n i n s t a b l e ,e n f o n c t i o n d u
make of bulb used. t y p e e t d e l a m a r q u ed ' a m p o u l e u t i l i s 6 e .

Die mit einem * markierten VerschluBzeiten
k o n n e n e i n e u n g l e i c h m d B i gBe e l i c h t u n gz u r F o l g e
h a b e n , a b h i i n g i gv o n d e m v e r w e n d e t e n B i r n e n t y p
und der Marke.
*
L a s v e l o c i d a d e sd e o b t u r a d o r m a r c a d a sc o n u n
p u e d e nd a r p o r r e s ul t a d o u n a e x p o s i c i 6 n i n e s t a b l e ,
s e g 0 ne l t i p o y l a m a r c ad e b o m b i l l au t i l i z a d a .

68
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4. Exposure 4. Diaphragme
( 1 ) E l e c t r o n iFc l a s h ( 1 ) F l a s h6 l e c t r o n i q u e
Flash guide number divided by subject-to-film C o n t r 6 l e r l e n o m b r e - g u i d ed o n n d a v e c l e f l a s he n
d i s t a n c ee qu a l s a p e r t ur e . f o n c t i o n d e l a s e n s i b i l i t d u f i l m u t i l i s 6 .D i v i s e rl e
E x a m p l e : E l e c t r o n i cF l a s h ( G u i d e N o . m 1 B / f t . n o m b r e g u i d e p a r l a d i s t a n c e f l a s h - sjue t p o u r
60) obtenir le diaphragme.
F U J I C O L O R F - t r , F U J I C H R O M E R 1 O O ,F U J I E x e m p l e : F l a s h6 l e c t r o n i q u e( N o m b r e g u i d e 1 B )
PAN SS (ASA 1OO) F U J I C O L O R F . t r , F U J I C H R O M E R 1 O O ,F U J I -
S u b j e c t - t o - fi I m d i s t a n c e =3 m / 1O f t . PAN SS (ASA 1OO)
1B (cN.m)/60 (GlJ!__ 6 (f/5.6 isthe correct D i s t a n c ef i l m - s u j e t= 3 m d t r e s
3(m)/10(ft) a p e r t ur e ) 1 B ( G N ) = 6 ( f / 5 , 6 e s t l ' o u v e r t u r ed e d i a p h r a g m e
( 2 \ F P F l a s hB u l b 3-l m)- correcte).
Since the flash guide number varieswith the (2) Ampoule de flash FP
shutter speed, the recommended procedure for Comme le nombre guide du flash varie avec la
d e t e r m i n i n gt h e a p e r t u r e i s t o f o l l o w t h e i n s t r u c - vitesse d'obturation, la meilleure manidre de
t i o n s o a c k e dw i t h t h e f l a s h . d 6 t e r m i n e rl e d i a p h r a g m ee s t d e s u i v r el e s i n s t r u c -
t i o n s d o n n 6 e sa v e c l e f l a s h .

4. Blende 4. Diafragma
( 1) E l e k t r o n e n b l i t z ( 1) F l a s he l e c t 1 6 n i c o
Die Leitzahl des Blitzes geteilt durch die Motiv- E l d i a f r a g m aa u s a r e s e l p r o d u c t o d e d i v i d i r e l
F i l m - E n t f e r n un g e r g i b t d i e B l e n d e . n I m e r o g uf a d e l f l a s h p o r l a d i s t a n c l a d e l a
.l
Z . B . : E l e k t r o n e n b l i t zL e i t z a h l B c d m a r aa l s uj e t o .
F U J I C O L O R F - t r , F U J I C H R O M E R 1 O O ,F U J I - E j e m p l o :F l a s he l e c t r 6 n i c o( G u f a N o 1 B )
P A N S S ( A S A 1 O O / 2 1D I N ) F U J I C O L O R F - t r , F U J I C H R O M E R 1 O O ,F U J I -
M o t i v - F i l m - E n t f e r n u n g= 3 m PAN SS (ASA 1OO)
18(cN) = D i s t a n c i ad e l a c d m a r aa l s u j e t o = 3 m e t r o s
(tl5'6 ist die korrekte Blende)
3i-l- 1 8 ( G N )= ^ , ,
6 (la aberturacorrecta es f/5,6)
el FP Blitzlichtbirne ffi
D a d i e B l i t z l e i t z a h ls i c h d u r c h d i e V e r s c h l u B z e i t ( 2 ) B o m b i l l ad e f l a s hF P
verdndert, empfehlen wir, die Gebrauchsanwei- Como el nimero gufa del flash varia seg0n la
s u n g i n d e r B l i t z l i c h t p a c k u n gz u b e a c h t e n ,d a m i t v e l o c i d a dd e o b t u r a c i o n , e l p r o c e d i m i e n t oq u e s e
d i e B l e n d ek o r r e k t e i n q e s t e l lw t ird. recomienda para determinar el diafragma es
s e g u i r l a s i n s t r u c c i o n e sq u e a c o m p a f r a na l f l a s h .
69
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A CCESS O RI E SF O R TH E F U J IC A ST 7 O5 L E S A C C E S S OIR E S
D E R G E B R A U C HD E S Z U B E H O R S COMO UTILIZAR LOS ACCESORIOS
I n t e r c h a n g e a bL leen s eosf t h e F U J I C AS T 7 0 5 O b j e c t i f si n t e r c h a n g e a b l edsu F U J I C A S T 7 0 5
W e c h s e l o b j e k tdi veer F U J I C AS T 7 0 5 O b j e t i v o si n t e r c a m b i a b l eds e l a F U J I C A S T 7 0 5
C e e c F U J t N o N ' T F 4 . 52 o o m m @ EBC FUJINON'W F2.B 35mm
€ ) E B c F U J | N o N. T F 3 . 51 3 5 m m @ EBC FUJtNoN .sw F3.b 28mm
€ ) E B C F U J t N o N . T F 2 . B1 0 0 m m @ EBC FUJ|NON.z F4.s 7s-15omm
@ FUJINoN F 1. 4 S o m m
Accessories Zubehor A c c e s s oi r e s Accesorios
@ Hood for 100mm and @ S o n n e n b l e n d ef r l r 1 0 0 @ P a r a s o l e ipl o u r @ P a r a s o lp a r a o b j e t i v o s
135mm lenses und 135mmObjektiv 100mmet 135mm d e 1 0 O m m y. 1 3 5 m m .
@ H o o d f o r S O m ma n d @ S o n n e n b l e n d ef t l r 5 0 @ P a r a s o l e ipl o u r 5 O m m @ P a r a s o lp a r a o b i e t i v o s
55mm lenses und 55mm Objektiv et 55mm de 50mm. y 55mm.
@ H o o Of o r 3 5 m m l e n s @ S o n n e n b l e n d ef r . l r @ P a r a s o l e ipl o u r 3 5 m m @ P a r a s o lp a r a o b j e t i v o
@ Hood for 28mm lens 35mm Objektiv ( 9 P a r a s o l e ipl o u r 2 8 m m de 35mm
@ LeatherCase @ S o n n e n b l e n d ef r i r @ S a cc u i r @ P a r a s o lp a r a o b j e t i v o
@ M i c r o s c o p eA d a p t e r 2Bmm Objektiv @ A d a p t a t i o nd u m i c r o - de 2Bmm.
@ Macrocinecopy 6) Ledertasche scope @ E s t u c h e d ep i e l
@ E x t e n s i o nB e l l o w s @ Mikroskopadapter @ Macrocinecopy @ A d a p t a d o ra l m i c r o -
@ EyeCup @ Macrocinecopy @ S o u f fl e t p o u r m a c r o - scopro
photo /id
\.t/ M a c r o c i n e c o p y
(Q RightAngle Finder [! Balgengeriit
@ E x t e n s i o nT u b e @ Augenmuschel @ oeilleton @ F u e l l ed e e x t e n s i 6 n
/iA)
^- E y e s i g h tA d j u s t m e n t (6) Wi,nkelsucher @ V i s e u r a n g l ed r o i t v O c u l a rd e g o m a
LENS @ Zwischenringe @ Tube rallonge UEV i s o r d e d n g ul o r e c t o
@ C l o s e - u pL e n s @ SehschdrfenadaP- @ L e n t i l l ep o u r a j u s t e r @ Tubo de extension
@ R e v e r s eA d a p t e r terl i nse IA VUC
@ L e n t e d e a j u s t eP a r a
@ L e i c aM o u n t A d a p t e r @ Nahlinse @ L e n t i l l ed rp o r t r a i t la vlsi6n
@ Umkehr-Adapter @ B a g u ed e m o n t a g e (9 L e n t e p a r a p r t m e r o s
Q9 Adapter frir inversdl planos
Leicagewinde @ B a g u ed ' a d a p t a t i o n @ Adaptador inversor
Leica 6n A d a p t a d o r d e m o n t a -
vv
je Leica

70
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$ffiffiffiffiffi
(D ffiffi@ffib
(D@€D
 www.orphancameras.com
AND COPYING
A C C E S S O R I EFSO R C L O S E - U P S
T h e s i n g l e - l e n rse fl e x c a m e r a i s t h e i d e a l e q u i p m e n t
f o r t a k i n g c l o s e - u pp i c t u r e s a n d f o r c o p y i n g w o r k .
Y o u a r e a s s u r e do f s i m p l i c i t y a n d a c c u r a c yw i t h t h e
a c c e s s o r i eps r o v i d e d f o r t h e s e p u r p o s e s .
o Close-upLens @
l f y o u a r e s h o o t i n g a s u b j e c tt h a t i s c l o s e rt h a n
t h e s h o r t e s ts h o o t i n gd i s t a n c eo f t h e c a m e r al e n s ,
j u s t s c r e w i n t h e C l o s e - u pL e n s i n f r o n t o f t h e
t a k i n g l e n s .W i t h a n o r m a l l e n s i n p l a c e , i t w i l l l e t
'l
y o u s h o o t y o u r s u b j e c tf r o m a s c l o s ea s 1 i n c h e s
( 2 8 c m ) u p t o 1 9 . 7 i n c h e s( 5 0 c m ) .
Extension Tube 0
T h i s i s u s e d b e t w e e nt h e l e n sa n d c a m e r ab o d y t o
extend the lens for copying work. Three pieces
make a set. Used in combination, they will
i n c r e a s et h e m a g n i f i c a t i o no f a n o r m a l l e n sf r o m
approximately 0.34x to 1.2x. These tubes are
e q u i p p e d w i t h a u t o m a t i c d i a p h r a g mt o a l l o w y o u
t o f o c u s t h e l e n sw i t h t h e a p e r t u r ew i d e o p e n .
Extension Bellows @
This unit will let you freely adjust the distance
b e t w e e n l e n sa n d f i l m p l a n e . l t i s a p r i m e a c c e s -
s o r y f o r t a k i n g c l o s e - u p sa n d h i g h m a g n i f i c a t i o n
s h o t so f s m a l l o b j e c t sa t c l o s ed i s t a n c e s .
. Reverse Adapter @
T h i s a c c e s s o r yi s u s e d f o r m o u n t i n g t h e r e v e r s e
e n d o f t h e l e n s t o t h e E x t e n s i o nB e l l o w s u n i t , t o
simplify focusing when taking pictures of sub-
j e c t s m a g n i fi e d t o l a r g e rt h a n l i f e s i z e .
Leica Mount Adapter @
T h i s i s u s e d f o r m o u n t i n g L e i c a m o u n t l e n s e so n
t h e c a m e r a .O n l y c l o s e - u ps h o t s a r e p o s s i b l ew i t h
t h i s a d a p t e ri n u s e .Y o u c a n u s e i t i n c o m b i n a t i o n
w i t h t h e e x t e n s i o n b e l l o w s o r e x t e n s i o nt u b e s t o
m o u n t a F U J I N O N - E So r F U J I N O N - E Pe n l a r g i n g
lens (These lenses are provided with Leica
m o u n t ) t o t a k e c l o s e - u p sf o r m a x i m u m s h a r p -
ness.
Microscope Adapter @
T h i s i s u s e d i n p h o t o m i c r o g r a p h yf o r a t t a c h i n g
t h e c a m e r a b o d y t o t h e m i c r o s c o p ee y e p i e c e .
Right Angle Finder @
T h i s i s a t t a c h e d t o t h e V i e w f i n d e r E y e p i e c et o
simplify viewing through the finder when the
camerais aimedfrom a low positionor when it is
m o u n t e d o n a c o p y i n g s t a n d .T h e e y e s i g h ta dj u s t -
m e n t l e n si s b u i l t i n .
Macrocinecopy @
T h i s a c c e s s o r yi s u s e d f o r m a k i n g f i l m r e p r o d u c -
t i o n s o f B a n d 1 6 m m f i l m s a n d m i c r o s c o p es l i d e s
with the FUJICA sT705. lt can also be usedas
an extension tube for taking extreme close-ups.
 www.orphancameras.com
E X P A N DT H E V E R S A T I L I T Y O F Y O U R F U J I C A S T 7 O 5W I T H P R O P E RA C C E S S O R I E S
I The FUJICA ST705 is providedwith a broad range Eye Cup @
i o f a c c e s s o r i e st h a t w i l l h e l p y o u t o e x p a n d t h e T h i s i s a p r o t e c t i o n a g a i n s te x t r a n e o u sl i g h t f o r a
c a p a b i l i t i e so f y o u r c a m e r a . clearer view th rough the Viewfinder. lt also
o Lens Hood C @ @ p r e v e n t s l i g h t f r o m e n t e r i n gt h e c a m e r at h r o u g h
This is a vital accessory because it prevents the Viewfinder Eyepiece.
unwanted extraneous light f rom entering the o Lens Cap
lens. lt is particularly useful for shooting back- Lens Front Cap Protects the lens front glass.
l i g h t e d s u b j e c t s .T h e L e n s H o o d i s r e c o m m e n d e d L e n s R e a rC a p Protects the rear glass and
for shootingunder all conditions.lf you are not automatic diaphragm of the
shooting,you can turn it around and cover the dismountedlens.
l e n sw i t h i t . T h e l e n s c a p i s m a d e t o f i t o v e r t h e Body Mount Cap Protects the interior of the
LensHood in this oosition. camera body from dust after
o Eyesight Adjustment Lens @ t h e l e n sh a s b e e n d i s m o u n t e d .
Eyesight Adjustment Lenses are available to
t h o s e w h o f i n d i t h a r d t o f o c u s t h e l e n sd u e t o
eyesightdifficulties. Four different attachment
lenses (+2, +0.5, -2.5, and -4 diopter) are
a v a i l a b l et o t h e f a r - s i g h t e do r n e a r - s i g h t e d .

ry s

73 i
r ill
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C A R E A N D S T O R A G EO F Y O U R
FUJIC A S T 7O 5
o After removing the exposed film from the
c a m e r a , p r e s s t h e s h u t t e r r e le a s e b u t t o n t o b e
certain the shutter is released.
o Dust off the camera periodically and wipe it
clean with cleaning cloth (example: Silicon
c l o t h ) . U s e a b l o w e r b r u s h t o c l e a nd u s t a n d f i l m
f r a g m e n t s t h a t m a y h a v e a c c u m u l a t e di n s i d e t h e
camera.
r G u a r d t h e l e n s a n d v i e w fi n d e r e y e p i e c ea g a i n s t
finger marks and dust. Use a blower brush to
removedust. Wipe off finger marks gently with
l e n s c l e a n i n gf l u i d a n d l e n s c l e a n i n gp a p e r . D o
not touchthe mirrorwith your f ingers.
o lf Vou are not using the camera for a long
interval, remove the batteries, place the camera
a n d b a t t e r i e s i n s e p a r a t e c a s e s ,a n d s t o r e t h e m
away from moisture, heat, and dust. All the
b e t t e r i f y o u c a n g e t h o l d o f s o m e d e s i c c a n to r
s i m i l a rd r y i n g a g e n tt o p u t i n t o t h e c a s e st o g e t h e r
w i t h t h e c a m e r aa n d b a t t e r i e s .
80 -,:-.,.-,.,.-.1i[;E **Xi€m*ctu-,
B E A C H T E NS I E B I T T E F O L G E N D E
V O R S IC H TS MA S SERGELN
o Nachdem Sie den belichteten Film aus der
Kamera genommen haben, muB der Aus-
loseknopf betdtigt werden, damit der VerschluB
e n t s p a n n ti s t .
. Von ZeiL zu Zeit sollte die Kamera mit einem
s a u b e r e nT u c h g e r e i n i g tw e r d e n ( 2 . B . m i t e i n e m
S i l i k o n t u c h ) .B e n u t z e nS i e e i n e n w e i c h e n P i n s e l
zur Reinigung des Inneren der Kamera, um
e v e n t u e l l eS t a u b p a r t i k e l u n d F i l m r e s t e d i e s i c h
a n g e s a m m e lht a b e n ,z u e n t f e r n e n .
o S c h r l t z e nS i e d i e O b j e k t i v l i n s e u n d d e n S u c h e r
v o r F i n g e r a b d r t l c k e nu n d S t a u b . Z u r S d u b e r u n g
nur einen weichen Pinsel benutzen. Fingerab-
drricke sollten mit Objektivpapier oder einem
sehrweichenTuch entfernt werden. Den Spiegel
n i e m a l sm i t d e m F i n g e r b e r u h r e n .
o W e n n S i e l h r e K a m e r ae i n i g eZ e i t n i c h t b e n u t z e n ,
e m p f e h l e nw i r d i e B a t t e r i e nh e r a u s z u n e h m e u nnd
d i e K a m e r a a n e i n e m s t a u b f r e i e n ,t r o c k e n e n u n d
kLlhlen Platz aufzubewah ren.
 www.orphancameras.com
S PECIFICA T I O NS

Tvpe 35mm focal-plane shutter single-lens ref lex camera Weight 780 g. with F1.8 lens mounted (including batteries
with TTL full aperture exposure meter coupled with a n d l e n sc a o ) .
the shutter qnd diaPhragm. 580 g. body alone (includingbody cap).
Film Used 135 cartridge-packed f ilm. Optional Soft Case, Semi-hard Case, Eye Cup, Eyesight
Picture Size 24 x 36mm. Ext raS Adjustment Attachment Lens, Bightangle Finder,
Normal.Lens FUJINON 50mm Fl.4 (6 component,7 element), Close-up Lens, Extension Tube (auto), Microscope
FUJINON 55mm F'l.8 (4 component,6 element). Adapter, Leica mount Adapter, Reverse Adapter,
Automatic diaphragm, multiple increment F-stop Extention Bellows, Macrocinecopy, Lens Hood.
calibrations with click stops for intermediate values,
screw mount. Rectilinear helicoidal focusing. 1.83
dinch (49dmm) screw-in f ilter.
Distance Scale F 1.4 Somm 1.5 feet (0.45m) - inf inity.
F 1. 8 5 5 m m 1. 5 f e e t ( 0 . 4 5 m ) - i n f i n i t v .
Shutter Focal-plane shutter, 8.1 ^ 1/150O sec. Film speed
indicator window built into Shutter Speed Selector
Dial, built-in selt-timer. FP and X contacts. Hot Shoe
Viewf inder Pentaprism eye-level finder (0.96 x magnification
with F1.8 55mm lens),microprism focusing center,
split-imageand ground glass.
Mirror Ouick return type.
Exposure Meter Averaging light measurement through the lens at full
or stopped down aperture, Silicon photocell recep-
tors coupled to FET (Field Effect Transistor) circuit,
zero in type indicator needle visible in viewfinder,
exposure meter switch actlvated by shutter release
button.
Coupled Range A S A 2 5 - 3 2 O O ( 1 / 3 r d s t e p ), E V 1 - E V l 8 . 5 (f/1.4
1 s e c .- f l 1 6 1 / 1 5 0 0 s e c .w i t h A S A 1 0 0 f i l m ) .
Power Source Two 1.5V silver oxide batteries (Eveready 5-768,
Mallorv MS-76H or UCAR S-76E).
Film Advance One-stroke film advance lever, stand off on lever
r e t u r n a b l ef r o m a n y a n g l e , e a s y l o a d i n g .
Frame Counter Automatic resetting additive type.
Film Rewind Hand crank.
FlashSynchro-
FP, X. Hot Shoe
n ization
Lens Mount Praktica screw mount, I 0.093 P
inch (1 P mm)
Dimensions 5.24 x 3.39 x 3.47 inch 86 x SBmm) with
F 1. B l e n s .

82
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