Beruflich Dokumente
Kultur Dokumente
Mario Bürki
Concert Band • Harmonie
Oeuvre imposée par l‘Association Suisse des Musiques ASM pour la Fête
Fédérale 2011, avec le soutien de la Fondation SUISA pour la musique
musikverlag frank
Industriestrasse 30
CH-4542 Luterbach
DER KOMPONIST
Mario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium
in Bern und erreichte am Diplom sowie dem Höheren Studienausweis das Prädikat “Sehr Gut”. Mario
Bürki erhält regelmässig Kompositionsaufträge und mehrere Werke wurden als Wettstücke im In- und
Ausland gespielt.
Ton- und Notenbeispiele seiner Werke können auf der Homepage des Verlages eingesehen werden:
www.musikverlag-frank.ch
LE COMPOSITEUR
Mario Bürki naît le 26 octobre 1977. Il étudie la direction d’ensembles à vent au conservatoire de Berne,
obtenant la note «très bien» aux examens menant au diplôme et au certificat d’études supérieures.
Mario Bürki suit l’enseignement (Master classe) d’U.P. Schneider (composition) et de Toshiyuki
Shimada / Andreas Spörri (direction). Sa première oeuvre d’envergure – Scènes tirées de Max et
Moritz – reçoit le deuxième prix au concours de composition de la World Association for Symphonic
Bands and Ensembles (WASBE) à Lucerne, tandis que sa composition Indian Fire se voit décerner le
prix spécial de la composition la plus originale au Flicorno d’Oro Junior (Italie). Les premières de deux
autres oeuvres (Cap Hoorn et 1405: l’incendie de Berne) ont lieu à la Mid-Europe de Schladming. En
novembre 2005, 1405: l’incendie de Berne est exécuté à Valence par l’ensemble à vent espagnol
«La Artistica Buñol». Mario Bürki est directeur à l’école de musique pour jeunes d’Ostermundigen. En
tant qu’instrumentiste, il joue de la trompette, du piano et de l’orgue. Mario écrit régulièrement des
compositions pour le compte d’ensembles à vent et de brass bands.
Bar 9:
Every day, the faithful of the Great Mosque of Bagdad watched a slave arrive. His beard and hair were
shorn and he wore a black eye patch over his left eye.
Bar 17:
One day, a beautiful young woman approached him with graceful steps, her hips swaying. She drew
back her veil and looked at him. ‘Take this packet with olives, saffron flowers, gypsy weed and Syrian
cheese to my house’, she said. The slave followed her bidding. Upon arriving at her house, the woman
encouraged him to rest. He sank in exhaustion onto her bed.
‘Where do you come from?’, she asked him. ‘I can see that you are a foreigner; your skin is lighter than
ours. Tell me, which land do you originate from and how did you lose your eye? Did you fight in a war
or lose it due to an affliction?’
The slave shook his head. ‘No, no’, he said, ‘the affliction is my own doing. But that’s a long and
curious tale’. ‘I thought as much’, answered the young woman. ‘I would really like to hear it. I take
pleasure in listening to you, and wish to hear who you really are.’ ‘Well then I shall tell you’, said the
slave, and began to tell his story.
Bar 25:
‘My name is Adschib; I am the son of Kassib. This name was once known on all the lands of this
earth, as I was both king and son of a king. I was also a man of learning. I read all the holy books; I
was versed in the stars and the poets. When my father died, I ascended the throne. I was a just and
gracious ruler who ruled with wisdom and performed many good deeds. I was loved by my subjects.
I delighted in sea trips and loved the sea for our capital stood on the shore. And I took great pleasure
in the islands that belonged to me.
Bar 59:
One day, I desired to visit my islands, wherefore I chose a ship and, alongside my sailors, put out to
sea.
Bar 83:
The journey was calm, without a trace of peril. After 20 days and 20 nights, we discerned an island
where we could rest. We came ashore, rested for a while, before setting sail again. As we reached a
considerable distance from the island, we lost our bearings. No one, not even the captain, knew their
way through these foreign waters. We instructed the sailor on watch: “Climb up to the top of the mast
and see if you can catch a glimpse of something”. The sailor followed our command. He climbed up to
the masthead and looked vigilantly in every direction. Then he shouted:
Bar 185:
“Oh my master, I see a curious object looming in the distance. One minute it is light, the next, dark.”
The captain dashed his turban on the dirty deck and began tearing his hair out in despair. “Heavens,
we are doomed!” he cried in dismay. “I say to you all - no-one will be spared.” As we looked at him
despairingly, we, too, were overcome with sorrow. “Oh Captain”, I called. “Please, impart to us first
what the watch actually witnessed.” “My Lord”, replied the Captain, “tomorrow, when the day draws to
an end, we will encounter a mountain of black stone: the Magnet Mountain. Even if we try to steer in
the opposite direction the current will pull us back in and we will be utterly powerless to stop it. As soon
as the ship turns downwind, the planks will unbolt and every nail will fly out and cling to the mountain.
For the Almighty Allah has endowed this stone with a mystical power, and this mystical power enables
him to draw all iron to him. A myriad of iron is already embedded in the Magnetic Mountain and all ships
lie in smithereens at the foot of it. At the pinnacle of this mountain stands a dome of yellow copper,
vaulted upon ten columns. On top of this dome sits a horseman made of brass. In his hand he holds a
lance which points to a particular star in the sky. On his chest is a tablet of lead, upon which the names
of those in possession of mystical powers are graven. And one thing you must all know, oh my lord, as
long as this rider sits on his horse, all the ships that sail below him will perish. The enchantment will
only be broken when the rider is toppled from his horse.” After this pronouncement, the captain began
to wail and curse. We saw death approaching. We said our farewells in desperation and entrusted our
last wishes to others in the hope that one of us would survive.
Bar 194:
During the night not one of us slept a wink. We were much closer to the mountain as the new day
dawned. The water had taken hold of our ship and was sweeping us unrelentingly towards the
mountain. We were powerless to stop it.
Bar 223:
Sure enough, as the ship drew closer, all the nails and iron in the wooden planks flew out and stuck
firmly to the Magnet Mountain. The ship was smashed to smithereens and we all plunged into the sea.
Some of us were saved and others drowned. Yet those who were spared could not find each other and
the waves and wind cast them out into the unknown.
Bar 249:
Allah did save my life, but only to send me more suffering and onerous trials to overcome.
Bar 261:
I managed to scramble onto a plank from the ship. Holding onto it tightly I was able to propel myself to
a rocky outcropping of the mountain. Finally, I pulled myself up onto the outcropping. I fell to my knees
and said a prayer thanking Allah for my salvation. But then I was overcome by weariness. I dropped
to the ground and fell asleep.
Bar 275:
Then I heard a voice in my sleep, saying: “Oh son of Kassib, listen to me! When you awaken, you must
scrape away the earth beneath your feet. Here you will find a bow of copper and three leaden arrows,
upon which talismans are inscribed. Take the bow and arrows and shoot the horseman on top of the
dome. When you smite him you will bring peace back to mankind and free them from this curse for as
soon as you hit him he will plunge into the sea. The horse will drop at your feet - bury it in the sand.
Then you will see a boat on the sea, in which a figure sits. The figure will hold an oar in his hand and
approach you. Have no fear, but climb in the boat. The figure will then guide you for ten days. After this
time, you will reach the island known as the “Island of Sanctuary”. Here you will find people who can
take you back to your homeland.”
Bar 295:
I awoke from my sleep and began forthright to execute the commands of the mysterious voice.
Bar 314/335:
I searched for the bow and arrows in the sand and shot the horseman down from the dome. He
plunged into the deep waters and the horse dropped at my feet. I buried it immediately, as instructed.
Bar 340:
As foretold, the sea began to surge up until it reached the mountain’s pinnacle. And here I could make
out the boat slowly navigating its way towards me. As it got closer, I could distinguish a man made of
copper, with a tablet of lead on his chest. Names, numbers and symbols were graven on the tablet.
And thus, the copper man guided me for ten days through the floods. Then, at last, I saw the Island of
Sanctuary in the distance...
THE COMPOSER
Born the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory.
He also followed courses in composition with Urs Peter Scheider and conducting under the direction of
Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a
second place in the composition contest in Lucerne organized by the World Association for Symphonic
Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was
awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned
to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were
premiered at the Mid-Europe Conference in Schladming and several have been chosen as set test-
piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet
and theory. Mario himself plays the trumpet, the piano and the organ.
DER MAGNETBERG Mario Bürki
Instrumentation
Dauer / Durée / Duration: 12.00´´
Schwierigkeitsgrad / Degré de difficulté / Grade: 4
Piccolo
1st Flute
2nd Flute
1st Oboe
2nd Oboe
Bassoon
Clarinet Eb
1st Clarinet Bb
2nd Clarinet Bb
3rd Clarinet Bb
Bassclarinet Bb
1st Alto Saxophone Eb
2nd Alto Saxophone Eb
Tenor Saxophone Bb
Baritone Saxophone Eb
1st Trumpet Bb
2nd Trumpet Bb
3rd Trumpet Bb
1st Cornet Bb
2nd Cornet Bb
1st Horn Eb/F
2nd Horn Eb/F
3rd Horn Eb/F
4th Horn Eb/F
1st Trombone Bb/C
2nd Trombone Bb/C
3rd Trombone Bb/C
Euphonium Bb/C
Tuba Bb/Eb/C
Contrabass
Timpani
Percussion 1
Percussion 2
Mallets
Ouverture q=72
2 3 4
Piccolo
f 6 6 6 6 6 6 6 6 6 6
5
1st Flute
5 6 6 6 6 6 6 6 6 6 6 6 6
f
2nd Flute
f 6 6 6 6 6 6 6 6 6 6 6 6
5
6
1st Oboe
f 5 6 6 6 6 6 6 6 6 6 6 6
6
2nd Oboe
6 6 6 6 6 6 6 6
f 6 6 6
Bassoon
f
6
Bass Clarinet Bb
sfz
1st Alto Saxophone Eb
f
2nd Alto Saxophone Eb
f
Tenorsaxophone Bb
f
Baritonsaxophone Eb
sfz
1st Trumpet Bb
f
2nd Trumpet Bb
f
3rd Trumpet Bb
f
1st Cornet Bb
f
2nd Cornet Bb
f
1st & 3rd Horn F
f f
2nd & 4th Horn F
f f
1st Trombone C
f
2nd Trombone C
f
3rd Trombone C
f
Euphonium
f
Tuba
sfz
Contrabass
sfz
Timpani
f
Snare Drum
1st Percussion
f
C.C. C.C.
Tamtam
2nd Percussion
f f
Mallets
f
© 2011 by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, Switzerland
2
5 6 7 8
9 10 11 12
Picc.
3 3
one
1st Fl.
mp
one
2nd Fl.
mp
Ob.
Ob.
Bssn.
mp
Eb-Cl.
1st Cl.
mf p mp
2nd Cl.
mf p mp
3rd Cl.
mp
Bkl.
mp
1st Asax.
mf mp
mp
2nd Asax.
mf
Tsax.
mf mp
Barsax.
1st Trp.
2nd Trp.
mf
3rd Trp.
mf
1st Crn.
mf
2nd Crn.
mf
1st Solo
2nd & 4th Hrn.
mf p
mute
1st Trb.
mp
mute
2nd Trb.
mp
3rd Trb.
one
Euph.
mf mf p
2nd Tuba
Tb.
mf mp p mp pizz.
Cb.
mf mp p mp
Pk.
mf mp
p
S.C.
2nd Perc.
mf
Mall.
p
3
13 14 15 16
17 18 19 20
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
p
Eb-Cl.
1st Cl.
p
2nd Cl.
3rd Cl.
Bkl.
p
1st Asax.
2nd Asax.
Tsax.
Barsax.
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
mf mp
open
1st Trb.
open
2nd Trb.
3rd Trb.
one
Euph.
mp
Tb.
Cb.
p
Pk.
p
2nd Perc.
mf
Xylophon
Mall.
4
21 22 23 24 25 26
Picc.
all
mf cresc.
1st Fl.
mf
cresc.
all
2nd Fl.
mf
cresc.
Ob.
mp mf cresc.
Ob.
mp mf cresc.
Bssn.
mp mf
cresc.
3
3
3
Eb-Cl.
3
mp mf
cresc.
3 3
1st Cl.
mp mf
3 3
cresc.
3
3
3
3
3rd Cl.
cresc.
mp
mf
Bkl.
mp mf
cresc.
3 3
3 3 3 3
3 3
1st Asax.
mf
cresc.
mp
3 3 3 3 3 3 3 3
2nd Asax.
mf
cresc.
mp
Tsax.
mf cresc.
Barsax.
mf cresc.
1st Trp.
mf cresc.
2nd Trp.
mf cresc.
1st Crn.
mf cresc.
2nd Crn.
mf cresc.
all
1st & 3rd Hrn
mf
cresc.
2nd & 4th Hrn.
cresc.
mf
pp mf
cresc. cresc.
all
Euph.
pp cresc. mf cresc.
Tb.
mp mf
cresc.
Pk.
mp mf cresc.
1st Perc.
mp mf cresc.
2nd Perc.
Mlts.
mp mf cresc.
5
28 a tempo q=72
rit.
27 29 30 31
Picc.
f
1st Fl.
f
2nd Fl.
f
Ob.
f
Ob.
f
Bssn.
6 6 6 6 6 6 6 6 6 6 6 6 6
6
1st Cl.
f 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2nd Cl.
f
Bkl.
f
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
1st Asax.
ff
f
2nd Asax.
ff f
Tsax.
ff f
Barsax.
1st Trp.
f
2nd Trp.
f
3rd Trp.
f
1st Crn.
f
2nd Crn.
f
1st & 3rd Hrn
ff
2nd & 4th Hrn.
ff
1st Trb.
f mf 3 3 3 3
2nd Trb.
f mf 3 3 3 3
3rd Trb.
f 3 3 3
mf 3
Euph.
ff
Tb.
f
arco
Cb.
f
Pk.
fp f mf f
1st Perc.
f mf 3 3 3 3
C.C.
Tamtam
2nd Perc.
f f
soft mallets
Mlts.
f 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6
6
32 33 34 35
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
6 6 6 6 6 6 6 6 6 6 6 6
6
Eb-Cl.
6 6 6
1st Cl.
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2nd Cl.
Bkl.
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
1st Asax.
2nd Asax.
Tsax.
Barsax.
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
2nd & 4th Hrn.
1st Trb.
3 3
2nd Trb.
3 3
3rd Trb.
3 3
Euph.
Tb.
Cb.
Pk.
mf f mf
Tamtam
2nd Perc.
f
Mlts.
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6
7
39
36 37 38 40 rit.
Picc.
dim.
f mp
1st Fl.
3
2nd Fl.
3
3 mp
dim. dim.
Ob.
3
dim.
3 mp dim.
Ob.
3 3 mp dim.
dim.
Bssn.
mp
dim.
6 6 6
6 6 6 6
Eb-Cl.
3 mp dim.
3 dim.
6
3 3 3 3 3 3 3 3
1st Cl.
f dim.
6 6 6 6 6 6 6 6
3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3
2nd Cl.
f dim.
3 3 3 3
3 3 3 3
3rd Cl.
f dim.
Bkl.
dim. mp dim.
3
3 3 3
3 3 3 3 3
3
1st Asax.
mp
dim.
3 3
2nd Asax.
dim. mp
Tsax.
dim. mp
Barsax.
dim. mp
1st Trp.
dim. mp
2nd Trp.
dim. mp
3rd Trp.
mp
dim.
1st Crn.
dim. mp
2nd Crn.
mp
dim.
1st & 3rd Hrn
mp
dim.
2nd & 4th Hrn.
dim.
mp
1st Trb.
3 3 mf dim.
2nd Trb.
3 3 mf dim.
3 mf
3 dim.
Euph.
mf dim.
Tb.
mf dim.
dim.
Cb.
dim. mf dim.
Pk.
f dim. mf dim.
C.C.
2nd Perc.
f
Glockenspiel
Mlts.
6 6 6 6 6 6 6 6 dim. mp
8
Lento q=54 rit. 47 Allegro q=144
41 42 43 44 45 46 48 49
Flute
Picc.
p mf
dim.
1st Fl.
p p mf
dim.
Ob.
p
Bssn.
mp mf dim.
1st Cl.
mp p mf dim.
2nd Cl.
mp p mf dim.
3rd Cl.
mp p mf dim.
Bkl.
p
mp mf dim.
Tsax.
p
Barsax.
one, Cup mute
open
1st Trp.
p
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st
1st & 3rd Hrn
p cresc.
one, Cup mute
open
1st Trb.
p
2nd Trb.
3rd Trb.
solo all
Euph.
3 3 p
Tb.
p cresc.
Cb.
p cresc.
Pk.
p p cresc
1st Perc.
pp cresc
Bar Chimes
2nd Perc.
pp
Mllts.
p mf
9
51
50 52 53 54 55 Picc. 56 57
Picc.
1st Fl.
f
2nd Fl.
f
all
Ob.
f
Ob.
f
Bssn.
f
Eb-Cl.
f
3rd Cl.
f
Bkl.
f
1st Asax.
f f
2nd Asax.
f f
all
1st Trp.
f
2nd Trp.
f
3rd Trp.
f
1st Crn.
f
2nd Crn.
f
all
1st & 3rd Hrn
f
f
all
2nd & 4th Hrn.
f f
all
1st Trb.
f
Cb.
f
Pk.
f
S. D. & B.D.
sus. Cymb
2nd Perc.
mf f mf f
Xylophon
Mllts.
f
10
63 Giocoso q.=82
58 59 60 61 62 64 65 66 67 68
Picc.
f
mf f mf
1st Fl.
f
mf f mf
2nd Fl.
mf f mf f
Ob.
fp f fp mf cresc.
Ob.
fp f fp mf cresc.
Bssn.
fp f fp mf
cresc.
Eb-Cl.
f
mf f mf
cresc.
mf
1st Cl.
mf f mf f mf cresc.
2nd Cl.
f mf f
mf
3rd Cl.
mf f mf f
Bkl.
fp
fp mf
f
1st Asax.
mf f mf f f
2nd Asax.
mf f mf f mf cresc.
Tsax.
fp f fp mf cresc.
Barsax.
fp f fp mf cresc.
1st Trp.
fp f fp mf cresc.
2nd Trp.
fp f fp mf cresc.
3rd Trp.
fp f fp mf cresc.
1st Crn.
mf cresc.
2nd Crn.
mf cresc.
1st & 3rd Hrn
mf cresc.
2nd & 4th Hrn.
mf
cresc.
1st Trb.
fp f fp mf mf cresc.
2nd Trb.
fp f fp mf mf cresc.
cresc.
3rd Trb.
fp f fp mf
Tb.
fp f fp mf cresc.
Cb.
fp f fp mf cresc.
Pk.
fp f fp mf cresc.
1st Perc.
fp fp mf
cresc.
C.C.
2nd Perc.
f f
Mllts.
mf f mf f
11
69 70 71 72 73 75 76 74 77 78 79 80 81 82 83 84 85 86
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
f mf
Eb-Cl.
1st Cl.
mp
2nd Cl. mp
3rd Cl.
mp
Bkl.
f
mp
1st Asax.
cresc. mp
Tsax.
mp
Barsax.
f
f
1st Trp.
f
2nd Trp.
f
3rd Trp.
f
solo
1st Crn.
f f
solo
2nd Crn.
mf f
f
1st solo
1st & 3rd Hrn
f mf f
2nd & 4th Hrn.
f
1st Trb.
f
2nd Trb.
f
3rd Trb.
f
Euph.
f mf
Tb.
f
mf
Cb.
f
Solo
Pk.
f
Tambourine
1st Perc.
mp
B.D.
2nd Perc.
mf
Mllts.
12
107
87 88 89 90 91 92 93 94 95 Flute 96 97 98 99 100 101 102 103 104 105 106 108
Picc.
mp
1st Fl.
mp
2nd Fl.
mp
Ob.
mf
Ob.
Bssn.
f
Eb-Cl.
mp
2nd Cl.
mf
3rd Cl.
mf
Bkl.
mp
1st Asax.
mf mp mp
2nd Asax.
mf mp mp
Tsax.
mf mp mp
Barsax.
mf mp mp
1st Trp.
mf
2nd Trp.
mf
3rd Trp.
mf
1st Crn.
2nd Crn.
mp
2nd & 4th Hrn.
mp
1st Trb.
mf
2nd Trb.
mf
3rd Trb.
mf
Euph.
f
Tb.
mp
Cb.
mp mp
Pk.
mp
1st Perc.
sus. Cymb.
2nd Perc.
p mf
Glockenspiel
Mllts.
mp
13
109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126
Picc. 5
Picc.
f 5
1st Fl.
mf 5 5 5 f 5
2nd Fl.
mf f
Ob.
5 5
f
Ob.
f
Bssn.
f
5
Eb-Cl.
f
5 5
1st Cl.
f 5
2nd Cl.
f
3rd Cl.
f
Bkl.
mf f
2nd Asax.
f
Tsax.
f
Barsax.
f
1st Trp.
mp f
3rd Trp.
mp f
all
1st Crn.
mp f
all
2nd Crn.
mp f
1st & 3rd Hrn
mp
mp f
2nd & 4th Hrn.
mp mp
f
1st Trb.
f
2nd Trb.
f
3rd Trb.
f
Euph.
f
Tb.
mf f
Cb.
mf f
p
Pk.
f
1st Perc.
2nd Perc.
p mf p mf
Xylophone
Mllts.
p f
14
136
127 128 129 130 131
132 133 134 135 137 138 139 140 141 142 143 144
Picc.
1st Fl.
Bssn.
1st Cl.
2nd Cl.
3rd Cl.
Bkl.
1st Asax.
Tsax.
Barsax.
one
1st Trp.
mf
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
mf
2nd & 4th Hrn.
mf
1st Trb.
mf
3rd Trb.
mf
Euph.
mf
Tb.
mf
Cb.
mf
Pk.
mf
1st Perc.
f mf
S.C.
B.D.
2nd Perc.
p mf
Mllts.
15
5
145 146 147 148 149 150 151 152 153 154 155 156 157 158 159
Picc.
f
mf
5 5
1st Fl.
mf 5 5 5 f
2nd Fl.
mf f
Ob.
mf f
Ob.
mf f
Bssn.
mf f
5 5 5
Eb-Cl.
mf f
1st Cl.
mf 5 f
2nd Cl.
mf f
3rd Cl.
mf f
Bkl.
mf f
1st Asax.
mf f
2nd Asax.
mf f
Tsax.
mf f
Barsax.
mf f
all
1st Trp.
mf f
2nd Trp.
mf f
3rd Trp.
mf f
1st Crn.
mf f
2nd Crn.
mf f
1st & 3rd Hrn
mf
2nd & 4th Hrn.
mf
1st Trb.
mf f
3rd Trb.
mf f
Euph.
mf f
Tb.
mf f
Cb.
mf f
Pk.
1st Perc.
2nd Perc.
p mf
Mllts.
mf f
16
169
163
160 5 161 162 164 165 166 167 168 170 171 172 173 174 175 176
Picc.
mf f
cresc.
1st Fl.
5 mf f
cresc.
2nd Fl.
mf cresc. f
Ob.
mp f
cresc.
Bssn.
f
5
Eb-Cl.
f
1st Cl.
mp cresc. f
2nd Cl.
cresc.
mp f
mp cresc.
3rd Cl.
Bkl.
mp cresc.
f
1st Asax.
mp
cresc. f
2nd Asax.
mp cresc. f
Tsax.
mp cresc. f
Barsax.
mp cresc. f
1st Trp.
f
2nd Trp.
f
3rd Trp.
f
1st Crn.
f
2nd Crn.
f
1st & 3rd Hrn
f
2nd & 4th Hrn.
f
1st Trb.
f
2nd Trb.
f
3rd Trb.
f
Euph.
f
Tb.
mp cresc. f
Cb.
mp cresc. f
Pk.
f pp
1st Perc.
f
C.C. B.D.
2nd Perc.
pp
Mllts.
f
17
177 Allegro q=132 186 Vivo q=168
178 179 180 181 182 183 184 185 187 188
Picc.
1st Fl.
f ff
2nd Fl.
Ob.
Ob.
Bssn.
mf
Eb-Cl.
pp
mf
div.
1st Cl.
mf ff mf ff mf ff pp mf
div.
2nd Cl.
mf ff mf ff mf ff pp mf
3rd Cl.
mf ff mf ff mf ff pp mf
Bkl.
mf
Tsax.
Barsax.
mf
1st Trp.
mf ff mf ff mf ff
2nd Trp.
mf ff mf ff mf ff
3rd Trp.
mf ff mf ff mf ff
one, cup mute
1st Crn.
mf ff mf mf ff pp
2nd Crn.
mf ff mf ff mf ff
1st
1st & 3rd Hrn
mf ff mf ff mf ff
1st Trb.
ff f ff
2nd Trb.
ff f ff
3rd Trb.
ff f ff
Euph.
ff f ff
Tb.
ff f mf
f
Cb.
ff mf
Pk.
f ff f ff mf
S.D.
1st Perc.
ff
2nd Perc.
f ff mf
Xylophon
Mllts.
mf
18
accel.
189 190 191 192 193 194 195 196 Flute
Picc.
p
1st Fl.
p
2nd Fl.
p
Ob.
p
Ob.
p
Bssn.
Eb-Cl.
pp mf p
1st Cl.
pp mf
2nd Cl.
pp mf
3rd Cl.
pp mf
Bkl.
1st Asax.
2nd Asax.
Tsax.
Barsax.
3 3
1st Trp.
p f p f
3 3
2nd Trp.
p f p f
3 3
3rd Trp.
p f p f
open all
3 3
1st Crn.
p f p f
3 3
2nd Crn.
p f p f
all
1st & 3rd Hrn
mf
2nd & 4th Hrn.
mf
1st Trb.
mf
2nd Trb.
mf
3rd Trb.
mf
Euph.
Tb.
Cb.
Pk.
f mf f mf
S.D.
1st Perc.
mf
2nd Perc.
Mllts.
19
199
197 198 200 201 202 203 204
3 3
Picc.
f p f
ff
3 3
Eb-Cl.
f p f ff
1st Cl.
f
2nd Cl.
f
3rd Cl.
f
Bkl.
f
1st Asax.
f ff f
2nd Asax.
f ff f
Tsax.
f f
Barsax.
f
1st Trp.
f
2nd Trp.
f
3rd Trp.
f
1st Crn.
f
2nd Crn.
f
1st & 3rd Hrn
f
2nd & 4th Hrn.
f
1st Trb.
f
2nd Trb.
f
3rd Trb.
f
Euph.
f f
Tb.
f
Cb.
f
Pk.
f f mf f
mf
1st Perc.
2nd Perc.
207
205
3 3
206 208 209 210
Picc. 211
212
213
Picc.
p
ff
f
3 3
f
1st Fl.
3 3
ff
p f
2nd Fl.
p f ff
3 3
Ob.
p f ff
3 3
Ob.
p f ff
Bssn.
3 3
Eb-Cl.
p f ff
1st Cl.
ff
2nd Cl.
ff
3rd Cl.
ff
Bkl.
1st Asax.
ff
2nd Asax.
ff
Tsax.
ff
Barsax.
ff
1st Trp.
ff
2nd Trp.
ff
3rd Trp.
ff
1st Crn.
ff
2nd Crn.
ff
1st all
1st & 3rd Hrn
ff
ff
2nd & 4th Hrn.
ff
2nd Trb.
ff
3rd Trb.
ff
Euph.
ff
Tb.
ff
Cb.
ff
Pk.
f mf f ff
1st Perc.
2nd Perc.
Mllts.
ff
21
215 Martellato q=144
214
216 217 218 219
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
f
Eb-Cl.
1st Cl.
f
2nd Cl.
f
3rd Cl.
f
Bkl.
f
1st Asax.
f
2nd Asax.
f
Tsax.
f
Barsax.
f
1st Trp.
1st Crn.
1st
2nd
2nd & 4th Hrn.
f
1st Trb.
f
2nd Trb.
f
3rd Trb.
f
f
Tb.
f
Cb.
f
Pk.
f
1st Perc.
f
C.C.
Tamtam
2nd Perc.
ff f
Mllts.
22
220 221 222 223 224
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
Eb-Cl.
1st Cl.
3rd Cl.
Bkl.
1st Asax.
2nd Asax.
Tsax.
Barsax.
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
2nd & 4th Hrn.
1st Trb.
2nd Trb.
3rd Trb.
Tb.
Cb.
Pk.
1st Perc.
2nd Perc.
Mllts.
23
225
226 227 228 229 230
Picc.
f
1st Fl.
f
2nd Fl.
f
f
1st Cl.
f
2nd Cl.
f
2nd Asax.
1st Trp.
1st Crn.
1st Trb.
2nd Trb.
3rd Trb.
Euph.
Tb.
Cb.
Pk.
1st Perc.
Tamtam
2nd Perc.
f
Mllts.
f
24
233
231 232 234 235 236 237 238
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
Eb-Cl.
1st Cl.
2nd Cl.
3rd Cl.
Bkl.
1st Asax.
2nd Asax.
Tsax.
Barsax.
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
2nd & 4th Hrn.
1st Trb.
2nd Trb.
3rd Trb.
Euph.
Tb.
Cb.
1st Perc.
Tamtam
2nd Perc.
f
Mllts.
25
241
239 240 242 243 244 245
Picc.
1st Fl.
mf mf mf mf
2nd Fl.
mf mf mf mf
Ob.
mf mf mf mf
Bssn.
Eb-Cl.
mf mf mf mf
1st Cl.
mf mf mf mf
2nd Cl.
mf mf mf mf
3rd Cl.
mf mf mf mf
Bkl.
1st Asax.
mf
2nd Asax.
mf
Barsax.
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
2nd & 4th Hrn.
1st Trb.
gliss. gliss.
f
2nd Trb. gliss. gliss.
f
3rd Trb.
mp cresc.
Euph.
mp cresc.
Tb.
mp cresc.
Cb.
mp cresc.
Pk.
mp cresc.
Floor
1st Perc.
mp cresc.
Crash
S.C.
2nd Perc.
f f mp cresc.
Mllts.
mf
26
246 247 248 249 250 251 252
Picc.
f ff
1st Fl.
f ff
2nd Fl.
f ff
Ob.
mf ff
Ob.
mf ff
Bssn.
mf ff
Eb-Cl.
f ff
1st Cl.
mf f ff
Bkl.
mf ff
Barsax.
mf cresc. ff
1st Trp.
mf cresc. ff
2nd Trp.
mf cresc. ff
3rd Trp.
mf cresc. ff
1st Crn.
cresc. mf cresc. ff
mp
2nd Crn.
mp cresc. mf cresc. ff
1st Trb.
mp cresc. mf cresc. ff
2nd Trb.
mp cresc. mf cresc. ff
3rd Trb.
mf ff
cresc.
Euph.
mf cresc. ff
Tb.
mf cresc. ff
Cb.
mf cresc. ff
Pk.
mf
1st Perc.
mf cresc.
2nd Perc.
mf
Mllts.
mf cresc. ff
27
253
rit.
254 255 256 257 258 259 260
Picc.
ff ff
3 3
1st Fl.
3 ff 3 ff f
2nd Fl.
3 3
ff ff f
Ob.
3 3
ff ff f
Ob.
3 3
ff ff f
Bssn.
ff ff
Eb-Cl.
3 3
ff ff f
1st Cl.
3 3
ff ff f
2nd Cl.
3 3
ff ff
mf
3rd Cl.
ff ff
mf
Bkl.
ff ff
1st Asax.
ff ff mf
2nd Asax.
ff ff mf
Tsax.
ff ff mf
Barsax.
ff ff
1st Trp.
3 3
ff ff
1st Crn.
3 3
ff ff
2nd Crn.
ff ff
1st solo
1st & 3rd Hrn
f p
ff ff
mf
2nd & 4th Hrn.
ff
ff f mf
1st Trb.
ff ff sffz sfz
2nd Trb.
ff ff sffz sfz
3rd Trb.
ff ff sffz sfz
solo
Euph.
ff ff f mf
Tb.
ff ff sffz sfz
Cb.
ff ff sffz sfz
Pk.
fff
sffz sfz
1st Perc.
fff
Tamtam
2nd Perc.
ff f
Mllts.
3 3
ff ff
28
Andante q=100
Lento q.=52
262 263
261 wave noise (say: Sh) 267
264 265 266 268 269 270 271 272 273 274
Picc.
f f f
wave noise (say: Sh)
1st Fl.
f f f
wave noise (say: Sh)
2nd Fl.
f f f
wave noise (say: Sh)
Ob.
f f f
wave noise (say: Sh)
Ob.
f f f
wave noise (say: Sh)
Bssn.
f f f
wave noise (say: Sh)
Eb-Cl.
f f f
wave noise (say: Sh)
1st Cl.
f f f
wave noise (say: Sh)
2nd Cl.
wave noise (say: Sh)
f f f p
3rd Cl.
wave noise (say: Sh)
f f f p
Bkl.
wave noise (say: Sh)
f f f p
1st Asax.
f f f
wave noise (say: Sh)
2nd Asax.
f f f
wave noise (say: Sh)
Tsax.
f f f
wave noise (say: Sh)
Barsax.
f f f
wave
2
noise (say: Sh) Solo
2
1st Trp.
f f f mf 2 2
wave noise (say: Sh)
2nd Trp.
f f f
wave noise (say: Sh)
3rd Trp.
f f f
wave noise (say: Sh)
1st Crn.
f f f
wave noise (say: Sh)
2nd Crn.
f f f
1st & 3rd Hrn
ppp
wave noise (say: Sh)
2nd & 4th Hrn.
f f f
wave noise (say: Sh) mute
1st Trb.
f f f pp 2
wave noise (say: Sh)
mute
2nd Trb.
f f f pp 2
wave noise (say: Sh)
mute
3rd Trb.
f f f pp 2
one
Euph.
p ppp p
Tb.
p ppp p
Cb.
p ppp p
Pk.
ppp
sus. Cymb. (very soft) cresc. and decresc. ad lib.
1st Perc.
ppp
Bar Chimes
2nd Perc.
ppp
Vibraphone (motor off)
Mllts.
p
29
275 276
277 278 279 280
Picc.
solo
1st Fl.
mf 2
2nd Fl.
Ob.
Ob.
Bssn.
Eb-Cl.
1st Cl.
mf 2
2
2nd Cl.
mf
2
3rd Cl.
mf
Bkl.
1st Asax.
2nd Asax.
Tsax.
mp
Barsax.
mp
2
1st Trp.
2
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
all
1st & 3rd Hrn
mp
2nd & 4th Hrn.
mp
1st Trb.
2nd Trb.
3rd Trb.
Euph.
Tb.
Cb.
Pk.
p mf
1st Perc.
2nd Perc.
Mllts.
30
rit.
281 282 283 284 285 286
Picc.
1st Fl.
2 2 2 2 2 2 2
2nd Fl.
Ob.
Ob.
Bssn.
Eb-Cl.
2 2
2 2
1st Cl.
2 2 2
2
2 2 2 2
2nd Cl.
2 2
2 2 2 2 2 2 2
3rd Cl.
Bkl.
1st Asax.
2nd Asax.
Tsax.
Barsax.
2 2
2 2
1st Trp.
2
2 2
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
2nd & 4th Hrn.
1st Trb.
2nd Trb.
3rd Trb.
Euph.
Tb.
Cb.
Pk.
1st Perc.
S.C.
2nd Perc.
p
Mllts.
31
287 Andante q=100
288 289 290 291 292 293 294
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
mf
Eb-Cl.
sonore
1st Cl.
mf
sonore
2nd Cl.
mf
sonore
3rd Cl.
mf
Bkl.
mf
mf
1st Asax.
pp mf
2nd Asax.
pp mf
Tsax.
pp mf
Barsax.
mf
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
mf
2nd & 4th Hrn.
mf
open
1st Trb.
mf mf
open
2nd Trb.
mf mf
open
3rd Trb.
f mf
all
Euph.
Tb.
f
Cb.
f
Pk.
f
1st Perc.
mf
2nd Perc.
mf
Mllts.
32
295 296 297 298
299 300
Picc.
f all
1st Fl.
f
2nd Fl.
f
Ob.
f
Ob.
f
Bssn.
f
Eb-Cl.
f
1st Cl.
f fp f
2nd Cl.
f fp f
3rd Cl.
f fp f
Bkl.
f
1st Asax.
f
2nd Asax.
f
Tsax.
f
Barsax.
f
all
1st Trp.
f fp f
2nd Trp.
f fp f
3rd Trp.
f fp f
1st Crn.
f fp f
2nd Crn.
f fp f
1st & 3rd Hrn
f
2nd & 4th Hrn.
f
1st Trb.
f
2nd Trb.
f
Tb.
f
Cb.
f
Pk.
f
1st Perc.
f
B.D.
2nd Perc.
f
Xylophone
Mllts.
f
33
301 302 303 304 305
Picc.
cresc.
1st Fl.
cresc.
Ob.
cresc.
Ob.
cresc.
Bssn.
Eb-Cl.
cresc.
1st Cl.
fp f fp f
2nd Cl.
fp f fp f
3rd Cl.
fp f fp f
Bkl.
1st Asax.
2nd Asax.
Tsax.
Barsax.
1st Trp.
fp f fp f
2nd Trp.
fp f fp f
3rd Trp.
fp f
fp f
1st Crn.
fp f fp f
2nd Crn.
fp f
fp f
1st & 3rd Hrn
2nd & 4th Hrn.
1st Trb.
2nd Trb.
Euph.
Tb.
Cb.
Pk.
p
2nd Perc.
Mllts.
cresc.
34
q=144 307
309 311 313 314
306 Martellato 308 310 312
Picc.
ff -f
1st Fl.
ff -f
2nd Fl.
ff -f
Ob.
ff -f
Ob.
ff -f
Bssn.
f
Eb-Cl.
ff -f
1st Cl.
ff -f
2nd Cl.
ff -f
3rd Cl.
ff -f
f
Bkl.
f
1st Asax.
f
2nd Asax.
f
Tsax.
f f
Barsax.
f
1st Trp.
2nd Trp.
3rd Trp.
1st Crn.
2nd Crn.
1st & 3rd Hrn
f
2nd & 4th Hrn.
f
1st Trb.
f ff
2nd Trb.
f ff
3rd Trb.
f ff
Euph.
f ff
Tb.
f
Cb.
f
S. C.
Tam Tam
2nd Perc.
ff mf ff
Mllts.
ff -f
35
Picc.
1st Fl.
2nd Fl.
Ob.
Ob.
Bssn.
p mf
cresc. cresc.
Eb-Cl.
1st Cl.
2nd Cl.
3rd Cl.
Bkl.
p mf
cresc. cresc.
1st Asax.
mf
cresc.
2nd Asax.
mf
cresc.
Tsax.
mf
cresc.
Barsax.
p mf
cresc. cresc.
1st Trp.
ff mf cresc.
2nd Trp.
ff mf cresc.
3rd Trp.
ff
mf cresc.
1st Crn.
ff p cresc. mf cresc.
2nd Crn.
ff
mf cresc.
1st & 3rd Hrn
p cresc.
mf cresc.
2nd & 4th Hrn.
p cresc.
mf cresc.
1st Trb.
p mf
cresc. cresc.
2nd Trb.
p mf
cresc. cresc.
3rd Trb.
p mf
cresc. cresc.
C.C.
2nd Perc.
f
Mllts.
mf cresc.
36
327
molto rall.
324 325 326 328 329 330 331
Picc.
f
1st Fl.
mf f
2nd Fl.
f
Ob.
f
Ob.
f
Bssn.
f cresc. fp f dim. dim.
Eb-Cl.
f
3
3
1st Cl.
mf f
p
dim.
3
2nd Cl.
mf f
dim. p
3rd Cl.
fp f dim. p
Bkl.
fp
f cresc. f dim. dim.
3
1st Asax.
3
f mf
cresc.
3
2nd Asax.
f mf
cresc.
Tsax.
f cresc. mf 3 f dim. p
Barsax.
fp
f cresc. f dim. dim.
1st Trp.
f cresc. f
2nd Trp.
f cresc. f
3rd Trp.
f f
cresc.
1st Crn.
f cresc. f
2nd Crn.
f cresc. f
1st & 3rd Hrn
f
f
cresc.
p
dim.
dim.
2nd & 4th Hrn.
f cresc. f
dim. dim.
p
1st Trb.
f f p
cresc. dim.
2nd Trb.
f cresc. f dim. p
3rd Trb.
f cresc. f dim. p
Euph.
f cresc. mf f dim. p
Tb.
f fp
cresc.
f dim.
dim.
Cb.
f cresc. fp f dim. dim.
3
f
Pk.
p
3
ff dim. dim.
2 toms
1st Perc.
f
3
B.D.
2nd Perc.
ff f p
dim. dim.
Mllts.
f cresc. f
37
332 Lento q=68
wave noise (say: Sh)
333 334 335 336 337 338 339 340 341
Picc.
f f f f f f f f f f
wave noise (say: Sh)
1st Fl.
f f f f f f f f f f
wave noise (say: Sh)
2nd Fl.
f f f f f f f f f f
wave noise (say: Sh)
Ob.
f f f f f f f f f f
wave noise (say: Sh)
Ob.
f f f f f f f f f f
wave noise (say: Sh)
Bssn.
p pp ppp f f f f f f f
wave noise (say: Sh)
Eb-Cl.
f f f f f f f f f f
wave noise (say: Sh) Solo
1st Cl.
f mf
wave noise (say: Sh) dolcissimo wave noise (say: Sh)
2nd Cl.
f p f f f
wave noise (say: Sh) dolcissimo wave noise (say: Sh)
p
3rd Cl.
f f f f
dolcissimo
Bkl.
mf
p
wave noise (say: Sh) pp p
1st Asax.
f f f f f f f f f f
wave noise (say: Sh)
2nd Asax.
f f f f f f f f f f
wave noise (say: Sh)
Tsax.
f f f f f f f f f f
wave noise (say: Sh)
Barsax.
p pp ppp f f f f f f f
wave noise (say: Sh)
1st Trp.
f f f f f f f f f f
wave noise (say: Sh)
2nd Trp.
f f f f f f f f f f
wave noise (say: Sh)
3rd Trp.
f f f f f f f f f f
wave noise (say: Sh)
1st Crn.
f f f f f f f f f f
wave noise (say: Sh)
2nd Crn.
f f f f f f f f f f
3rd wave noise (say: Sh) 1st solo
1st & 3rd Hrn
3rd simile
f f f f f mf
wave noise (say: Sh)
2nd & 4th Hrn.
f f f f f f f f f f
wave noise (say: Sh) play, cup mute
1st Trb.
f f f f f f p
wave noise (say: Sh) play, cup mute
2nd Trb.
f f f f f f p
wave noise (say: Sh) play, cup mute
3rd Trb.
f f f f f f p
wave noise (say: Sh)
Euph.
f f f f f f f f f f
Tb.
p
p
pp
Cb.
p pp p p
Pk.
Sus. Cymb. (very soft) cresc. and decresc. ad lib.
1st Perc.
p
Bar Chimes (very slow)
2nd Perc.
p
Mllts.
38
342 343 344
rit. 345 346 347 348 349
Diminuendo dal niente
350 (repeat ad lib) 351
Picc.
f f f f f f f f f f
1st Fl.
f f f f f f f f f f
2nd Fl.
f f f f f f f f f f
Ob.
f f f f f f f f f f
Ob.
f f f f f f f f f f
Bssn.
f f f f f f f f f f
Eb-Cl.
f f f f f f f f f f
all not in time
1st Cl.
mf mp p p dal niente
play
not in time
2nd Cl.
f f mf mp p p dal niente
play
not in time
3rd Cl.
f f mf mp p p dal niente
Bkl.
mf mp p p dal niente
1st Asax.
f f f f f f f f f f
2nd Asax.
f f f f f f f f f f
Tsax.
f f f f f f f f f f
Barsax.
f f f f f f f f f f
1st Trp.
f f f f f f f f f f
2nd Trp.
f f f f f f f f f f
3rd Trp.
f f f f f f f f f f
1st Crn.
f f f f f f f f f f
2nd Crn.
f f f f f f f f f f
1st & 3rd Hrn
mf mp p
wave noise (say: Sh)
2nd Trb.
mf mp p dal niente f f
wave noise (say: Sh)
3rd Trb.
mf mp p dal niente f f
Euph.
f f f f f f f f f f
wave noise (say: Sh)
Tb.
dal niente f f
mf mp p wave noise (say: Sh)
Cb.
mf mp p dal niente f f
Pk.
mf
1st Perc.
2nd Perc.
Mllts.