• Percussion Island http://faridhaidar.blogspot.

com
• Hard Pickin' Mama
• Olga's SongDance
• Canario
• Amalia's Dream
• A Guitarist's Romantic Nighhnare
Doblinger
35004
 Zeichenerklarung Explanation of markings

Finger der rechten Hand pima Fingers of the right hand

Finger der linken Hand 1 2 3 4 Fingers of the left hand

Lagenwechsel Change of position

Legatobindung (Aufschlagen) 2 3 Legato slur (strike the string)

Legatobindung (Abziehen) 3 2 Legato slur (lift the finger)

Saite (h-Saite) String (8 string)

Slide Slide

Barregriff (Quergriff) in der 2. Lage Barlock (in 2nd position)

Ober mehrere Saiten schlagen (mit dem Zeigefin- Strike across two or more strings (with the index fin-
ger) ger)

Arpeggio (Saiten nacheinander ansch lagen) Arpeggio (strike the strings in sequence)

mit dem Daumen durchstreichen Run the thumb across the strings

FLAG. XII
Flageolett (am 12. Bund) Harmonic (on the 12th fret)
~
kunstlicher Flageolettton FLAG. ART. artificial harmonic

natUrlicher Flageolettton FLAG. NAT. natural harmonic

Slap Harmonics: Kombination aus Tambora und
Flageolett: Der Zeigefinger der rechten Hand schlagt
genau am XII. Bund flach auf die 1. und 2. Saite und
federt sofort zuruck. Die leeren Saiten erklingen eine
Oktave hoher.
Slap harmonics : combination of tambora and
harmonics: the index finger of the right hand flatly
strikes the 1st and 2nd string precisely at the X lith
fret and spri ngs back immediately. The open strings
sound an octave higher.

Ghost note: Saite nicht bis zum Griffbrett nieder- Ghost note: do not depress the string completely to
drucken; ,stumpfer", perkussiver Klang the fingerboard; the sound is ,dull" and not clearly
articulated
 Die Einleitung:
In halt: fOnf Originalkompositionen und eine Bear-
beitung.
Instrument: klassische Gitarre.
Herkuntt: vollig verschiedene musikalische Rich-
tungen , die jedoch aile auf diesem Instru-
ment zu Ieben beginnen .
Gemeinsamkeit: aile diese StOcke wurden eingespielt auf
der CD Michael Langer: ,crossing over ..."
(erhaltlich beim Musikverlag Doblinger ;
Acoustic Music Records BRD , in Oster-
reich: Blue Groove BG-1220, im Vertrieb
der BMG Ariola).
Hard Picking Mama
Sehr schnelles Bluegrass-Gitarrensolo und zugleich der
Versuch, die virtuose Clawhammer-Banjotechnik aut die
Gitarre zu ubertragen. Die Fingersi:itze wurden ganz genau
notiert, denn gerade in der feinen Artikulation (Legatospiel
der linken Hand, Cross-Picking Effekte , Polyrhythmik) liegt
der Reiz dieses StOcks.
Percussion Island
Dieses StUck basiert eigentlich auf einem Ton allein: dem
tiefen A, in meiner Klangvorstellung und dann auch auf der
CD gespielt von einem Didgeridoo. Ober diesem Fundament
traumt die Gitarre vor sich hin, einmal sehr nahe in einfachen
Akkorden, dann wieder weiter weg in versponnenen Linien.
Canario
Komposition von Johann Hieronymus Kapsberger (ca. 1580
- 1651 ) aus dem , Libro quarto di chitarrone" (1640). Das
ist Popmusik aus dem Barock. Kapsbergers fOr seine Zeit
unkonventioneller Virtuosen-Stil bringt hie r eine frei mit-
einander verknupfte Folge von Variationen uber einem
zweitaktigen Akkordschema ohne groBartigen musikali-
schen Ablauf, aber: mit Groove und interessanten ldeen!
Olga's SongDance
Gitarrensoloversion der gleichnamigen Komposition fur Alt-
flote und Gitarre (Bestellnummer GKM 183). lm Mittelteil
dieses instrumentalen Liebeslieds geht es eigentlich har-
ter zur Sache: achte auf Arti kulation und Fingersatz im BaB!
Auf der leeren G-Saite (6. und 5. Saite sind einen Ganzton
tiefer gestimmt) imitieren p und i den Plektrumanschlag und
sollen ein wen ig , Rockfeeling " in diese Komposition
bringen.
Amalia's Dream
Langsame Jazzballade, versucht die Moglichkeiten der
klassischen Gitarre fOr diese Musik zu nutzen: neben dem
herkommlichen Chord-Melody-Spiel wird die Melodie auch
in eine Zerlegung ,verpackt" oder gegen eine zweite poly-
phone Linie gesetzt.
A Guitarist's Romantic Nightmare
Klassische Tremolozerlegung uber 2 Saiten. lch spiele die Zer-
legung auf der CD mit p a m i statt p i m i : das ist anfangs
recht gewohnungsbedurftig, geht dann aberwesentlich schnel-
ler und erlaubt so mehr agogische Freiheit beim Phrasieren.
Wien , im Juni 1997 Michael Langer
Cover: Marcus Doneus
Introduction:
Contents: five original compositio ns and one ar-
rangement.
Instrument: classical guitar.
Origin: utterly different musical idioms, all of which
start to live on this instrument.
In common: all these pieces are on the CD Michael
Langer: ,crossing over ... " (available at
Musikverlag Doblinger ; Acoustic Music
Records BRD, in Austria: Blue Groove
BG-1220, distributed by BMG Ariola).
Hard Picking Mama
Very fast bluegrass guitar solo and an attempt to
appl y the virtuoso clawhammer banjo technique to
the guitar. The fingerings are worked out precisely,
because the charm of th is piece lies in its subtleties of
articu lation (left-hand legato, cross-pickdi ng effects ,
polyrhythm) .
Percussion Island
This piece is based on just one note, the low A, which I
imagined being played on a didgeridoo, as it is on the CD.
Above this foundation the guitar day-dreams, sometimes
very close by in simple chords, sometimes further away
in self-contained melodic lines.
Canario
Composition by Johann Hieronymus Kapsberger (c. 1580
- 1651) from the "Libra quarto di chitarrone" (1640) . This
is baroque pop music. Kapsberger's virtuoso style,
unconventional at his time , produces a freely connected
set of variations on a two -bar chord pattern . It may
not be great music , but it has groove and interesting
ideas!
Olga's SongDance
Guitar solo version of the composition of the same title
for alto flute and guitar (order number GKM 183). In the
middle section of this instrumental love song we get down
to basics, so to speak: pay attention to the articulation and
fingering in the bass! On the open G string (the 6th and 5th
strings are tuned a whole tone down) p and i imitate the
plectrum stroke, which is meant to put a bit of rock feeling
in this composition.
Amalia's Dream
Slow jazz ballad which tries to use the potential of
the classical guitar for this kind of music . In addition
to traditio nal cho rd-melody pl aying , the melody is
"packaged " in broken figures ·or set against a seco nd
polyphonic line.
A Guitarist's Romantic Nightmare
Classical two-string tremolo. I play the pattern on the CD
with p a m i rather than p i m i . This takes a lot of
getting used to, but it goes much faster and permits more
agogic freedom in phrasing .
Vienna, June 1997 Michael Langer
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