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Clarinet

Johann Sebastian Bach


1685 – 1750

Classical Highlights for Clarinet


Beliebte Klassiker für Clarinet
arranged for Clarinet and Piano
bearbeitet für Clarinet und Klavier

With piano accompaniment and play-along (pdf/mp3) for download


Mit Klavierbegleitung und Play-along (pdf/mp3) als Download

Edited by / Herausgegeben von


Kate Mitchell

ED 23449
ISMN 979-0-001-21373-8

Piano

www.schott-music.com Mainz · London · Madrid · Paris · New York · Tokyo · Beijing


© 2013/2021 Schott Music GmbH & Co. KG, Mainz · Printed in Germany
Inhalt / Contents

Bach, Johann Sebastian (1685–1750) Fauré, Gabriel (1845–1914)


Air aus: Orchestersuite Nr. 3 D-Dur / Après un rêve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
from: Orchestral Suite No. 3 D major, BWV 1068 . . . 4 Pavane op. 50 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Jesus bleibet meine Freude / Jesu, Joy of Man’s Desiring
Fibich, Zdeněk (1850–1900)
Choral aus der Kantate /
Poème op. 39 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Chorale from the Cantata BWV 147 . . . . . . . . . . . 6
Tárrega, Francisco (1852–1909)
Händel, Georg Friedrich (1685–1759)
Recuerdos de la Alhambra . . . . . . . . . . . . . . . . . . . . 55
Largo aus der Oper / from the opera “Xerxes” . . . . 10
Elgar, Edward (1857–1934)
Schubert, Franz (1797–1828)
Pomp and Circumstance – Military March No. 1 . . . 60
Ave Maria op. 52/6 . . . . . . . . . . . . . . . . . . . . . . . . 12
MacDowell, Edward (1860–1908)
Mendelssohn, Felix (1809–1847)
To a wild rose op. 51/1 . . . . . . . . . . . . . . . . . . . . . 70
Hochzeitsmarsch / Wedding March op. 61/9
aus: „Ein Sommernachtstraum“ / from:
Satie, Erik (1866–1925)
“A Midsummer Night’s Dream“ . . . . . . . . . . . . . . . 14
Gymnopédie No. 1 . . . . . . . . . . . . . . . . . . . . . . . . . 72
Schumann, Robert (1810–1856)
Ravel, Maurice (1875–1937)
Träumerei / Reveries op. 15/7 . . . . . . . . . . . . . . . . 22
Pavane pour une infante défunte . . . . . . . . . . . . . . 74
Wagner, Richard (1813–1883)
Kreisler, Fritz (1875–1962)
Treulich geführt – Brautchor aus /
Liebesfreud – Liebesleid / Love’s Joy – Love’s Sorrow
Bridal Chorus from “Lohengrin“ . . . . . . . . . . . . . . . 25
aus: Alt-Wiener Tanzweisen /
from: Old Viennese Dance Tunes . . . . . . . . . . . . . 81
Rubinstein, Anton (1829–1894)
Melodie / Melody op. 3/1 . . . . . . . . . . . . . . . . . . . . 32
Noack, Kurt (1895–1945)
Heinzelmännchens Wachtparade / Flibbertigibbets . . 96
Johannes Brahms (1833–1897)
Ungarischer Tanz Nr. 5 /
Pütz, Eduard (1911–2000)
Hungarian Dance No. 5 WoO 1/1 . . . . . . . . . . . . . 38
Blue Waltz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Air
aus der Orchestersuite Nr. 3 D-Dur
from the Orchestral Suite No. 3 D major
BWV 1068
Arr.: Wolfgang Birtel Johann Sebastian Bach
1685–1750

           
 
  

Klarinette in B   

   
  
  
 


        
   
Klavier 
           
     
      

4 1.
              
         

      
    

                 
 
 
       
                 
  
 

6 2.
        
              


    
  



             
        

   
            
      
Das widerrechtliche Kopieren von Noten ist gesetzlich
verboten und kann privat- und strafrechtlich verfolgt werden.
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428 Unauthorised copying of music is forbidden by law,
and may result in criminal or civil action.
5

9
  
             
  

  

      
          
                 
   
           
             
12 



               

          
                 
     

       
        
 
14
           
   

  
                     

  
          
       

    
16 
           
           

  
       
                  
     

      
          
    

55 428
6

Jesus bleibet meine Freude



Jesu, Joy of Man s Desiring
Arr.: Wolfgang Birtel Johann Sebastian Bach
1685–1750

 3                  

                  
3 3 simile

 
                 
                    
 
3 3 simile    
    
         

5
           
         

                 


 
    
  
    
          
           
       
10
         
          
     
   
 
                   
                

        
 




   


15
  
        

               
   

           
                 
         
  
   
   
         
 
aus der Kantate „Herz und Mund und Tat und Leben“ / from the Cantata “Heart and Mouth and Deed and Life“, BWV 147
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
7

20

    

   
                      
                         
            

        
    

24
        
  

     
                    
            
         
  
          
         
 

29

( )  
  
           


                         

         
                    

  
       
      
 

34
  
        

 

      

               
          
                   
     
         

55 428
8

39
                 
    
    
     
   
      
 
  
            
 

      
         
 
  
 
        
          
      
ad lib. 
43
               
           
     

    
     
                     
         

   
        
  
        
 
47
                   
              
    
       
                  
 
              
  
          
     
       

51
  
( )
      



                            
          
          
  
      
 

            
 

55 428
9

55
  
     

        
         
                             
 
        
          
             

59 ( )
   
                
     

3 3 3 3 3 3

 
                     
  
   
 
  
              
   



     
    
  
63
  
      3
                          
 
3 3

                    


 
             
  
       
       
     
   
 
67
         
                
     

  
                           
              
       
     
        
    
55 428
10
Largo
aus der Oper / from the opera »Xerxes«
Arr.: Wolfgang Birtel Georg Friedrich Händel
1685–1759
Larghetto
        



            

           
      
p f
                
     

8
       

          
                  
         
f
  
p
        
         
      
15
     
        
p

      
                  
            
p
 
              
       

22
       
      

     
 

       
          

              
     
               
   

© 2013 Schott Music GmbH & Co. KG, Mainz 55 428


11

28
           
      
   

            
                   
 
  
    
      
 
  

34
         
       
 
f

                
  
      
    
 
     

f
      
          
 



40
               
            
p

   

        
                  
    
              
  
    
p
 
               

47
      

 

  
   
  
              
              

f
    
              

55 428
12
Ave Maria
Arr.: Rudolf Mauz Franz Schubert
opus 52/6 1797−1828
Molto adagio, religioso

6 6 6

6 6
6 6 6

6 6 6 6

6 6 6 6

cresc. dim. 3 3

6 6 6 6 6

cresc. 6 6 6
dim.

cresc. 3
3 3 3

6 6

cresc. 6 6 6 6 6 6

© 2013 Schott Music GmbH & Co. KG, Mainz 55 428


13

3 3

6 6

6 6 6 6 6 6

11

3 3
3

6 6 6 6 6 6

6 6

13

6 6 6 6 6 6

6
6

15

6 6
6

6 6 6
6 6

55 428
14

Hochzeitsmarsch
aus »Ein Sommernachtstraum«
Wedding March

from »A Midsummer Night s Dream«
Arr.: Wolfgang Birtel opus 61/9
Felix Mendelssohn
1809–1847
Allegro vivace
  

            
3 3 3 3
f 3 3 3

 3 3 3 3
      3

                  
f
      


6        
 
         
  
ff

    
              
       
         

 
ff

           
            
   
 

10       
    
1.
    
  

    
    
           
   
       
3
 
      
       3 3
             
   
      
© 2013 Schott Music GmbH & Co. KG, Mainz

55 428
15

15 3 3     2.
         

        
    
3 3 3
ff
3
 3
 3
       
3 3

             
    
3 3 3 ff
                          
 
  
3 3

15
            
           

sf

     
              
       
 
                   
sf
     
        
         
     
20             
               
  
 

         

                         
     
         
   


            
 
 
             

   
      

26        1.
   
2.
           

 

         
              
                
   

f

      
    
        
   
   
        
55 428
16

30
           
           
  

sf sf

  
 
   

    
 

      
 
     
       
 
 
 
                   

      sf sf sf
            
      
            
   
  
34
 1. 2.

                
     
 

sf

 
   
             
                
               

       
sf 
                
    
 
          
   
37
           
          
     


sf

        
         
           
 
         
   

     
sf sf
    
    
               
        


 
41
         
1. 2.

          

sf f


 
   
    
           
      
   
  
      3
f
  
sf
 
                
    
  
55 428
17

44     
           
   
 
ff

    
              
       
         

 
ff
          
           
   
 
48        
      
  

  
           
    
     
     
p
      
          
   
      
59 
     
         

    

            
     
  

                        
                                
    

63
   
       


             
    

                         
                       
   
55 428
18
67
       
      
 
p

  
    
         
          
 
   
p e legato

    
                                
     
71
      
        
sf dim. p

           
         
       
sf dim. p
                             
                
 
75
         
 mf
p

  
          
           
p

                     
cresc.
  
           

78
     
       
 
molto cresc. sf sf

     
  
              
           
 sf molto cresc. sf sf
                         
         
      

55 428
19

82  
             
  
p cresc. sf

    
            
  
 
          
p sf
cresc.
                                 
                       

86  
    
        
sf

p

cresc.

  3 3 3 3 3

            


               
sf p cresc.
                                 
            


90  
          
    
ff


3 3
 
                    
      
  
      
ff
              
              
     
 
94
       
    
         
 
 

        
               
               

   
       
          
       
       
55 428
20

99
                 
         
 
ff sf

     
       
                
  
        
          
ff sf
      
  
            
     
          
105         
       

    
  
ff

     
                  
      
  

      
ff
     
        
      
      
     
110
        
             
  


                 


    
             
       

   


              
3

         
    
      

115
    
3 3

              
   
3
3 3
3
 3 3 3 3

3
 
  
  

  
   
 
  
3 3 3 3
                         
 
3 3
55 428
21

119
              
   
sf sf

 
                  
 

               
sf simile sf
   
      
              
         
124 1. 2.
                
  
sf

        
      
            
         
   
sf
   
        
   
         
simile
  
128
            
   

        
        
simile
 
               
         

132    

        

  
ff

        

   

       
ff
    
          
 
  
    
     
55 428
22

Träumerei
Reveries
opus 15/7
Arr.: Wolfgang Birtel Robert Schumann
1810–1856

  c              
        
p

             
 c         
p
  c     
         
    
 

rit.
5
           
  

        


          
                  
  
          
            
  

9 a tempo
               
       

             
           

       
       
     

aus: „Kinderszenen“ / from: “Scenes of Childhood“


© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
23
13
            
   
  
     
    


          
                       
 

         
        
         
 

 
18
 
          
       
 

 
        
       

     
              
  
    
 
          
           
           
 
23
rit. a tempo
               
      

      


          
                     
        
 p
      
        
     
     
 
rit.
28

    
            
     
p

 
        
     


             
 

                

p


 


       
 

55 428
24

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55 428
25
Treulich geführt
Brautchor aus / Bridal Chorus from
Arr.: Wolfgang Birtel »Lohengrin« Richard Wagner
1813–1883
Moderato con moto
           
       
p

          
             
                 


   
p
    
mf
             
     

10

                            

    
           


                    
    
  

                  
 
 
 
 

 
19
  
        
       
  
 mf
  p

         

  
              
          

3
 
mf 3
       p
            
     
26
              
   

         


        
  
  
        
 
       
     
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
26
33
          
  
  
p

  
               
      
p
       
      
  
         

39
                
  


          
   
        

                  
    
 
45
       
     
mf

          
            
    
  
 
 
mf
       
           


  


     
       
    
50
      
             

        
         
              
    

 

             
               


         


      

   
55 428
27
56
            

 
f

    

  
         
       
          
 

f 3
      
   
3
 3

         
 3

3



     
  
    3   3

62  Vi- Poco più lento



    
     
   
f dim.

  
             
     


 



 
    
 
p fp fp

3 3 f

 
3
          
           
  

   






3

69

        

p

    
                
           
 
p p
                
             
         


  





   


  





75
   
           
      
dim. p

 
   
          
     
             
 
dim. p fp fp
     
        
             
 







55 428
28
85
   
        


            

         
      
 
   

p
    
   
                         


 





   







  
92

           
       
  
pp
fp

              


  
          
fp pp
      
 
         
99
      
     
    

           

       
                        
        
  
    
  
       

105
-de
 
                     
p

 
          
p
                         
                           
 

55 428
29

Tempo primo
113
     
             
mf

         

                   
   
mf
               
 

  
     

   
119
        
      
    

           
   
     
 
     

             
                 
  
    
125
   
         
  
 mf

 
          
    
 
    mf
             
  
130
   
            
  p

   
      
             
 
p
        
   
       
 
  

   
 
55 428
30
136
              

 
         
   

 
                
          

 
142
           
  
  

           

         
p
       
     
            

148
            
  

    3
 
       
     
       

3

        

    
  
      
3

153
         
            
    
f    
     

                 
 
    
f
        
  
   

55 428
31
158
          
   

    
      
 

          
        
    

 
   
   

   
  
 
 
163
      
      
ff

    
   
 
             
        
f 3
       3
   
          
   


 
 
   3 
168
     
     
p

 
   
        
   

  
3
3 3 3

3
 pp 3
  3

3
           
    
3 3 3
  3 
172 
       
        
pp

   
   
       
       


pp
      3

              


3

55 428
32
Melodie
Melody
Arr.: Wolfgang Birtel Anton Rubinstein
opus 3/1 1829–1894
Moderato rit.
        

 
                             
         
p
f
        
              
     
7 a tempo
       
   
    
p espress.

    
                      
     
  p
      
       
    








   
 
  segue
14 poco rit. a tempo
 
           
     
  
       
                            
        
        


        




 


 



  
    a tempo
21 poco rit. *)
        
        
p

     
      
                        
     
p

   
           
   


     








   
*) Erleichterte Fassung: Takt 25–40: / easier version: measure 25–40:    segue
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
33
poco rit. a tempo
28            
   

          


               
       
         
         




  





    
   
34    
        
    
   
         
                         

   
          


 


      


   





  

41
      
           
         
mf dolce e espress.

                  


                  

         

             
    



  




  
   
49 poco rit.
    
          
          
f

                           
            

  f
        
          




 


 





    






  
55 428
34

57 a tempo rit.
        


f


                      
                
p
f
       
         
         
63   a tempo
    
           
  
       
p

  

                    
     
 p
       
      
 
   









   
 
  segue
70 poco rit. a tempo
 
           
     

   
    
                            
        
        


       






    



  
   
77
                   

mf dolce e espress.


           
  

 
      
 
   
     
    

        


    


 




 


  
55 428
35
84
      
           

    

             
         
     
      
        



     





 
 
90 poco rit.
    
        
        
f



                         
      

       
      

 




  





  





  
97 a tempo rit. 
             
  
 

        
p pp

 
                        
 
           
p pp mp
  
        
        

105 a tempo poco rit.


     
       
mp


      
            
  
                              
      

55 428
36
113 a tempo 
 
   
  
   

  
     f
mf
  
       
                     
            
mf f
   
       
            


  


    



 



 
121
            
 
 p

                            


         
  
p

        
      
     
128
         
       
   
p

  
      
     
                       
     
p
     
   


  
      




   



    
  
136 rit. 
     3
   
  
3
  

pp   pp
mf
 
    
         


   
      
  3
pp pp
mf
3  
    


3
   
     
      
 
 
 55 428    
37

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55 428
38
Ungarischer Tanz Nr. 5
Arr.: Rudolf Mauz Hungarian Dance No. 5 Johannes Brahms
WoO 1/1 1833–1897
Allegro

fieramente

legg.

15

22

© 2013 Schott Music GmbH & Co. KG, Mainz 55 428


39

29

legg.

poco rit.
35

poco rit.

42 a tempo

a tempo

Vivace
49

55 428
40

55

61 poco rit. a tempo poco rit. a tempo

legg.
poco rit. a tempo poco rit. a tempo

68 poco rit. a tempo poco rit.

poco rit. a tempo poco rit.

75 a tempo Allegro

a tempo fieramente

55 428
41

83

legg.

90

96 poco rit.

poco rit.

104 a tempo

a tempo

55 428
42

Après un rêve
Arr.: Wolfgang Birtel Gabriel Fauré
1845–1924
Andantino
       
       
p dolce 3 3


                           
                         
pp
    
   
 
5
       
            
3 3


                      
                         
 
    
   
   
9 3 3 3
3
        
      
     


                              
                       
    
  
    
13 3

           
  
3


                          
                        



   
mf
    
  
   
  
© 2013 Schott Music GmbH & Co. KG, Mainz
55 428
43
17
              
   
f 3 3


                           
                         



mf
  
   
  

21 3 3
         

         

3 3 p


                           
         
                 
p
  
   
  
  
25 3 3
  3
                    


       
     
                  
   

           
     

29 3

3
   3

                 
cresc. 3 f 3

      
                           
                dim.
   
f
    
    
     

55 428
44

33 3
                
   
3 3 mf 3


        

                
                   
      
mf
         
   

37 3 3

               
cresc.


                           
                      
    
        
41
     
    
f p


                          
                 
mf p
    
   
 
45 3 3

          

pp


       
      
 
pp
              
                
   
 
  
55 428
45

Pavane
opus 50
Arr.: Wolfgang Birtel Gabriel Fauré
1845–1914
Andante molto moderato (q = 84)

                      
p


                    
             
pp
                 

5
                   
 
  


       
 
  
      
         
   
            
    

9
     

                   
       
                   

p

                            
   
       

© 2013 Schott Music GmbH & Co. KG, Mainz


55 428
46
13
    

                    


   
 
p mf

                                   
  
              

17
3
   
3
                    
p

                      
        
 
p
   
            
       

21 3
      3
 3
 
      
      
   

              

                  

 
            




25 ( )

               
 
mf pp con grazia

           
        
   
      
mf

             


55 428
47
29
     
        
 
pp

 
     
                
          
pp
  
    
     
 
      
32
                      
     
mf p

     
   
             

      
 
mf
  pp
                   
         
      
36
            

 

    


        

                
      
                    
p

 
    
              
   

40
        
   
   
            

 ff
p
              
              



   
 
 
p
f
    ff
      
             

          

55 428
48

    
44
              
 
ff

 
                     




mf ff
   
             

   

48 
                  
 ff

 
                            




 
mf
    ff
       
     
   

52
      
                 
 ff
mf

                         
  
 

  mf
  ff
             
 
   

56
              
    
          
  
mf


                   
 mf p
         


  
55 428
49
60 3
    
               
p

              
          
         3

               
 
    
          
( 
64 3
     

         
3
p f

     
     
                   
 3 
 
              
f

   
               

  )
68
                       

p

 
                  
            
p
        
  
    
72
                       
 
f p

   
                    
              


f
  p

             
     



     
 
55 428
50
77

          
      
   

               
       
   
              
       
         
 
           

80   
     
          

    
    
f

        
  


           
  
  
f
       
        
       
         
 
84
   
    
            


                      
        
 
sfz sfz
             


88 3
  
                   
 
3
p espress. mf p

              
                 
pp
   
      
   
55 428
51
92 3
3 3 
 
3
       

          
3
pp

            
     
pp
 
     
  

95
3 3
      
              
p
tranquillement

  
                      
                

            
 

98
3 3

3
    
 
        

  espress.
  
           
    
 
               
      
      

101
    
        
          
   
f pp

 
       
      
   
f
 pp      

 

               
   
55 428
52

Poème
opus 39
Arr.: Wolfgang Birtel Zdeněk Fibich
1850–1900
Andante
      

 
         
 

 

 
 
  
p
        
                      
    

6 Lento q = e
    
 
        
mp


            
     
                  
pp
               
         
         


10
       
       
 
 
mf sfz

 
                   
                 
mf sfz
 f
            
   


aus der Idylle „Am Abend“ / from the Idyll “At Twilight“
© 2013 Schott Music GmbH & Co. KG, Mainz
55 428
53
  
      
12
     
  
p f

            
            
   
 
p f

        
        
     
  
14      
           
   
          
ff p
 
mf pp
   
                            
      
             
 
ff mf p pp

               
              

17
     
         
        
mp

        
                            
         
pp
 
               
     
  
 
20


           
          
   
mf sfz

               
  
      
                             
mf sfz
                   
f
  
                   
  
 
55 428
54

  
      
23
     
  
p f

            
            
        
 
p f

           
      
       
25      
         
         
 
ff mf p pp
     
    
 
              
         

   
ff mf p pp

                
        

27
      
            
 

                  


             

          
    
  
29
        
            
 
   ppp
pp
   
                    
                  


  
       
 
pp ppp
  
           
      
55 428
55

Recuerdos de la Alhambra
Arr.: Wolfgang Birtel Francisco Tárrega
1852–1909
Andante
      

      
         
   

 
                    
  
5
          

                     
                

         
   

10
     
   

                        
                     

 
       
   
15
           
 
3 3

                  

                
   
        
     
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
56

20
 
3

         

                        
                      

  
       
       

25

        

3
  
         
3
   
  
3 3 3 3

     
 
 
29
  
         
3

3
3
               
     
3

     

   
  
 
34

       

        
     
      
          
      

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38 1. 2.
 3
  
            




 
 
                
  
    
              
       
  

41
         

 

                          
                 

      
       

47           
 
3

                        
                   

 
        
   

52
       
 
3

              
               
      
         
   
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57
          
 
3

                     
                
   
    
 

61
        
  

  
  
3 3
    
             
3 3 3 3
 
    
      

 
67
    
        
3 3

3
3
      
 
        
     
      
3

     
 


   
 
  
72
     

3

      
     
  
  

  

           
           

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59

77
       
 

                         
           
         
        

82
         
 

            
                 
       
  
       


    
87
  


                      
    
       
      

92
     
  
   


 
       
    
              

         
  
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Pomp and Circumstance


Military March No. 1
opus 39/1
Arr.: Wolfgang Birtel Edward Elgar
1857–1934
Allegro, con molto fuoco

 
    

          
       
ff sf sf sf sf


                
     
      

ff sf  sf  sf sf
           
                
              
     

 poco allargando a tempo


5  
           
        
 
   
    
sf sf ff

     
            
                   

      
        
sf sf  sf sf sf ff
          
            
   
                 
                   
      

11
    
                        
    
      
   
    simile sf

     
simile
        
   
              
       

sf
      
                
           

© 2013 Schott Music GmbH & Co. KG, Mainz
55 428
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 
17
  
                           

         
5

    
       

     
 
 

     
   
  
        
             
             
animato
23     
                      
        

sf molto cresc.
   
mf

 


         
            
     

sf mf molto cresc.

        
               
  
     
  
      
29
                 
ten.

      
 
  ff  
    ten.
  
 
          
       
     
   sf
ff   
     
                        
    

36      ten.


         




 
     
 
   
  ten.
    
      

 
    
 

    
  
 
    
                        
   
55 428
62
42 a tempo   
                                   
  
  
    sf
sf sf p
sf
        
   
   
     
                     
sf   p 
      sf
    
             
  
  


 
47  1.  2. 
                   
          
 
      
   
ff f
  

         
 
                 
          
             
 
  f ben marcato
ff
          
     
                   
       
       
    
52
       

cresc. poco a poco

    
           
    
             
cresc. poco a poco
                     
  
    
    

   
57
   
    
ff
  
 
 
                

   
 ff
                 
         
                     
   
 
55 428 
63


     
62
  

          
                            

sf sf sf sf

                   


                     
        
 sf
            sf  sf
sf
                 
    
                                
              
 

 
     
 poco allargando
68
             
     
          
   
sf sf     
sf pesante sf sf
 sf

     
      
  


       
   
 

sf

                 
sf
pesante sf sf
      sf sf
 
  
                         
                    
   
75 TRIO. Largamente
     
         
p legato e cantabile
 

 
                  
               
p simile
                       
                 

86
      
                


   
                       
     
   
        
 
           
     
55 428
64

97 allargando
 
    
 
  
 
         
f
espress.


              
              
f
          
              
        

107 a tempo
  
           

dim.         

    
              
                  
dim.
    
                     
      

117
Molto maestoso
       

         

f


       
                  
     
         
f
   simile
 
                      
   

129
           
        

  
                   

        

 


             
        
55 428
65

139 allargando
   
  
        
 

espress. f

     
      
       
     
   
   
espress. f
           
               
        


a tempo
147
       
         
  

   
 
    

  
       

        
     
    
                 
            
   
      


 
Tempo primo
157
            
                                
    
f simile sf

  
               
   
      
   
       

   
 
simile
   
sf

        
                 
         


164
  
     
                        

         
5

    
       

     
 
 

     
   
  
        
             
             
55 428
66
animato
170      
                          
    
sf

   
mf molto cresc.

       
 
             
    

 
sf mf molto cresc.
        
              
  
     
  
      
176
              
ten.

      
 
  ff

     ten.

     
   
 
      
 
      

 sf
     
   
                     
 
182       ten.
            




  

          ten.
       
     
 
 

 
     

     
       
               
 
188 a tempo   
                            
       
    sf sf
         sf sf

      
        
  
                   
 sf  sf 
       
             
   
    



55 428
67

193
  
                                 
     
        
p f

   
            
       
 
        
    
  

 
  
 
p f ben marcato

       
   
      
               

       
     
199
         

cresc. poco a poco

     


          
     
                             
cresc. poco a poco
      
  
             
    
 

  
205  
           
ff
  
        
                
        
  
  
ff

                      
   
       
   
 
  
           
210
 
                     
 
sf sf sf sf sf

   
    
 
  
       

 
                    

 

             sf  sf sf sf
 
sf
      
                          
                   
                  
   
55 428
68

216
      poco allargando 
   
          
                 
sf

pesante sf sf
  
   
sf sf

   

 
           
 

             
sf
sf sf sf pesante sf
   
    
         
      
         
        
    
Molto maestoso
222
       
      
ff simile


         
      
   
      
ff
  
         
             
 
           

 simile
   

231
 
 

      
     
  

         
 
          
        
    

 
                 
               

240
  
         
   

   
                 
              
simile
    
          
         
     
55 428
69
allargando rit.
249 ad lib. 
         
          

            

               
        
   
   
         
        
           
   

 Tempo primo
257
       
  

 

 


   

       
 

    
     
                
    
         
 
            
  


  

 
       
    
 
264        Più mosso
      
   

          

       
 
                
               
    
   
         
                 
       
 
 
269
  
            
 
      
  
sf

  
 
 
        

           
          
  sf
        
      
   
            
   
 55 428
70

To a wild rose
opus 51/1
Arr.: Wolfgang Birtel Edward MacDowell
1860–1908
Semplice, con tenerezza (q = 72)

             
  
 
p p

 
        
p
   
p
        
 
7
  
                
pp mp p


     
  pp
  
p
     
mp
 
     

14
  
  
           
pp cresc.


    

 
     
pp cresc.
      
    

20
           
  
f
cresc.

  
         

cresc.
           f

 
poco marcato   
aus „Amerikanische Wald-Idyllen“ / from “Woodland Sketches“
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
71

26 rit. a tempo
          
      
dim.
p
    
        
     
p

dim.
  
            

32
 
  
         

  
p

  
     

      
p
     
    

39
              
    
mp

    
      

poco marcato
mp
   
   
     

45
 
       
    

p pp ppp

 
  
       

p pp ppp
   
      
    
55 428
72

Gymnopédie No. 1
Arr.: Wolfgang Birtel Erik Satie
1866–1925
Lent et douloureux
     
            
pp


          
        
pp
   
f
 
        

10
     
           

pp

   

















         
pp

        

20
       
          
      
p

           
           
  p   
     
   
     *)      

30
          
        
 

              
   


  
      
       
 
    
       
*) Die eingeklammerten Noten sind original, können aber zur Erleichterung weggelassen werden. /
The notes in brackets are original notes but can be left out to make it easier.
© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
73

40
    
             
pp

   

















     
pp f

         

50
     
          
 
pp

   















 
         
pp

        


60
                 
       
p

          

    



     


p
      
    
         

70
           
       
 

           

              
 

    
   
        

55 428
74

Pavane
pour une infante défunte
Arr.: Wolfgang Birtel Maurice Ravel
1875–1937
Assez doux, mais d'une sonorité large (q= 54)

                       

p

 
         
        sim.
p
            
                  
     
 


5 cédez Au Mouvement
       
              
mf p

  5

 
      
   
                 
mf  p
    
             
 
  
   
 

en élargissant Au Mouvement
  
9
 
            
 
pp
mf 3

      
  
        
               

          p  
   
pp
         mf
    
 
        
          

   
© 2013 Schott Music GmbH & Co. KG, Mainz
55 428
75

Très lointain
13
             
     
p espr.

  
     

       
             
     


       
           
           
pp

     
     
   

17

      
         
  
    
mf très soutenu pp


  
         
    

      
        
 
    

    
 
mf très soutenu pp
   
 
        
  
  

21
      
         
  
p

            


                         
  
                  
p
   
    
   

55 428
76

25 un peu retenu
     
     
         
  
mf f


   
         
    

   
       
            
 
mf f
     
         
           
 
   

Au Mouvement
28
  
              
p

          


           
             
p
  
            


    






   


 



  
   sim.

Au Mouvement
32 cédez
    
        

        
mf pp

          rapide    



 

                   
         
 
 pp
  
  
mf
   







      


  

55 428
77

36
un peu retenu Large
     
        
        
ff 3

    
           
            
             
   
  
ff      pp

            
    
           
    

Au Mouvement
40
 3 
 
     
   
    
       
3 pp
pp subitement très doux et très lié p

                 
     3
    
                    
           
    
p
subitement très doux et très lié pp
      
                 

         
         

 

        
44
              
           
3
6 p fz ff

         
3
    

                 
    
       
p
 ff
    fz
  
  
                 
           
3       
  
 
55 428

78


47
      
Très grave
     
     
sf p

    
 
  
    
    
    

            
sf
 
p pp
   
         
             
  
 

50 ad lib.
  
         
     
pp fugace

 
            

        
   
   

p
3 
  
        
  

52 Flz. (ad lib.)


   
            
                
 
ppp
p

    
    
3

     
 
 
        
   
   
     

     
  p
   
       
      
       
            
      
 
 
55 428
79


55
 3         
  
3
  
      
        
ff sf
p fz
 

  
3

            
    

              
  
    
       

 
p fz
ff sf
6
   3
     


                
         
         
   
  
  

Très grave Au Mouvement


58


   
           
p pp

       
  
           
            
       
sim.
p pp

  
         
       
  





   
   

61
 
      
   

                       

   

    
     




  



 
 sim.
55 428
80

63 cédez

                   
  
     
                                        
 

   
          






 





 



     

Au Mouvement
66
          
   

pp

   
        
    


      

           
       
  
pp
   

            

 
       
   
 


en élargissant beaucoup
69
       
        
      
3
  
mf ff
perdendosi

        
   
m.g.

             


  




      
     

  
pp     3  ff   perdendosi
    mf 
           
 
 
 
  

               
 
  
           


  

    
  
55 428
81
Liebesfreud
Love s Joy
Arr.: Wolfgang Birtel Fritz Kreisler
1875–1962
Allegro 
 
           
 43        
 
p

      
f marcato

  
3
  4     
       
          
  
      

    
p
f marcato
   
  43            
       
  
   

6
     
     
        
    
  f
   
      
             
            
         
        
     
  f
     
              
        
     
    
 
12       

               
 
p
 f

         
                        

           
p    
            
f

          
          
        
   
 
    
       
19
           
    
p
    f
        
                   
      
         
 
      
     
p 
             f
                 
             
 
 
aus: Alt-Wiener Tanzweisen, Nr. 1 / from: Old Viennese Dance Tunes, No. 1 
© Carl Fischer Inc. All rights assigned to Carl Fischer LLC. Reprinted with permission by SCHOTT MUSIC GmbH & Co. KG, Mainz (Germany).
55 428
82

 più lento
25
 
         
      
     
 

  
p
 
   
       
       
   


   
        
   
    
p
    
 
             
                   
    
       
  
 
32
                 
 
  
          

p grazioso


      
 
  
 
  
 

 

 

 
 p           
    
   
 
   

           
              

39
                   
 

    
 

 
     
 

 

 



       
    
          
        
         
           
 
45
               
       

 


    
 

  
  
          
      
    
        p grazioso  
    
            
     

   
   
 55 428
83
51
             
 
             

   
                  
          
    
 
  
   
    
      
  
    
     
 
57
             
   
       

  
  
            

   
            
    
    
        
          
    
    
62 a tempo
  
  

        
         

     f
 

          
             
 
       
  
     
 f
   
       
  
             
  
     
    

68           

         
 
    
p
   
 
          
f
 
                 


       
       
 
      f  
 
     
p
     

 
                
            
  
 
55 428 
84

74    
     
         
     

   
p p grazioso

  
                 
                
          

  
  
p

      
      
    

       
         
  
 
 
81
     
                  


   
             
  
  
      
  
p
 
        
   
    
 
 
87
   
                 

 

 
             
 
  
             


 
   
    
    
      
 
93
 
         
       
  

 
               
     

p 
    
 
   
        
    
  
55 428
85
99
   
             


   
   
   



 
 
  

   
  
 
   
     
   

104
 
              
   
    
         
 
 
    

    

 
  
         
   
   
109 rit. a tempo
              
    
   p

          
    
       

  
p
   
 
            
    
 
   
114  
           
      
   
      
     
fz
 fz

    
                 
              
           

   fz fz
       
    

    

       



    
        
      
  55 428
86
119     
     
                      

   
fz fz
p

     


             
      

            
 
  fz

fz

fz p
    
      
 
                       
               
    
 
124
   1.
                         
 fz p

     
         
             
 
  

      
fz p
     
                 
 
 
            
   
128
    
2.

             

p

  
               
       
p
 
     
     
   


   
133    
     
    

 
                     
       
 
       
  
  
55 428
87

138

              
   

 
   
           
 
        

 
       
      
 
    
143   
         
         
 f

 
  
                  
 
   
       
  
f
   
        
       
 
  
 
   

148             
    
 
p
   
            
                   
       
 
p
        
       
   
        

 

152      
 
     
  
      
p

f

   
             
   
     
       
       
  
f p
    
            
      
  
55 428
88

157
   
  
     

  
  
 f
   
    
                  
        
   
       f
  
         
      
        
   
 
162         
     
     
  

p
  

           
           
              
        


 
p
     
 
               
       
 
 
167   
                 
    
f

     

  
  

    
      
       
 
   
        
  
f
    
        
       
   
    
    

172         
      


p f

 
    
   
                 
    
    
p
   f
   
 
            
       
 
 
55 428
89

Liebesleid
Love’s Sorrow
Arr.: Wolfgang Birtel Fritz Kreisler
Tempo di Ländler
          
  
     
     
p con sentimento


   
  
 
  
       
p      
   
              
    
     
7
 simile

  
                  
 
        

              
  
  
     


     


      
   
 
    

 
    
   
14
          
          


        
    
  
          
           
  
  
20
   
           
  
espress.

            

              
     
                    
          
  

aus: Alt-Wiener Tanzweisen, Nr. 2 / from: Old Viennese Dance Tunes, No. 2
© Carl Fischer Inc. All rights assigned to Carl Fischer LLC. Reprinted with permission by SCHOTT MUSIC GmbH & Co. KG, Mainz (Germany).
55 428
90

25 
      
 
      
   


            
        
      


  
        
   
               
    

30

    
      


espress.

  
      
      

          
      
   

35
     
    

   
             
  
       
    
    
40 poco rit.
       
        
 
p grazioso

         
                      
         
p
           

     
55 428
91

45
 
          
 
con passione

   
            
       
     


            

     

50
            
      
mf dim.

    
            
 
dim.
         
  
   

55 poco rit.

        
   
p


            
    
p
   
    
     
    

60
 
     
        
  

    
     
        
 
      
 
 
          
    

55 428
92
Poco meno mosso

   
65 
                    
      


    
          

                      
      

71 
             
   


   


            
         
  
  
                     
   
77  
 
         
          
    

   
            
      
      
              
     

83  
              

     
  

  3  3
               
    
fz   
           
       
  
55 428
93
poco rit.
89 
   
    
                   
   


             
       
  
    
              
    

95 Tempo I
             
  

     


        


 
  
         
  

           
    
  
101
                
      


       

  
      
          
  
 
        
       


107 
        
 
          
  con passione

  
         
          
  
 
         

  
     
55 428
94
poco rit.
113
                 
      
dim.


espress.
         
              
   
  
cresc.

dim.
         


    
      

121
a tempo
             
             
 
p grazioso
  

       
    
         

p 

 
 
     
  
            
  
          


Poco meno mosso
129    
         
             
   

     

pp

  3 3
                  
   
pp
                      
      
simile

136 
                 
   

    

  
 
  
  
      
        
 
  
    
  
  

                    
      
55 428
95

143
  
  
      
      
    
  

   
        
    



        
   

                  
     
 
149  
             
    
        


 

 
   
        
   
    
          

    
     
            
     
155
    
       

     

     
 
  
  
    
          
    
    
     
                 
     

161 
 
                 
 p perdendosi

  
 
pp perdendosi
     
      
       
    
  
                  
              
 

55 428
96
Heinzelmännchens Wachtparade
Flibbertigibbets
Arr.: Wolfgang Birtel opus 5
Kurt Noack
1895–1945
Langsames Marschtempo
          
              

p
f
      
                  
      
  
  
f
        p     
        


7
                 
                   


         
  
 
     

  
 
        
      
                  
   
     

13
                  
              

          
                
              

     
  
 
  
  
         
 

19
                    
      
       
fz mf

                  
               
     
 mf
 
fz
         
   
  
         
      

© 2013 Schott Music GmbH & Co. KG, Mainz 55 428
97

26
                
    

  
   

             
   
   

        
              
          
     

32      
            
1. 2.
       
  

      
                      
            

     
        
           
        Fine

37       
             
    
               
  


f
     
                            
  
       
f
           

                        

                 
 

44    
 
          
                
 
 
   
                
     
    
            

 
       
    
 
          
     
      
  
55 428
98

51  
  
 
                   
   
p

   
                      
   
            
 p

        
           
            
 

59     
              

       
        
          

     
  
                 
              
     

67  
            
     

     

              
        
 
          
         
      

74        
       
  
p

         
     
        

 

 
 p         
        
       
        
          
 
55 428
99

82          
 

  
               
              
           
 
                     
    
     
       

88 1. 2.
    
    

   

  
        
    
   
        
   
     f 
       
       

       

          
  
D. S. al Fine,
poi Trio
Trio
93
              
         
pp


              
   
    
  
            
           
 
mf pp
                      
   
       
       

 
99
                  
  




 
               
                     
        
               
  

  
 
    

55 428
100

105
               
      
  

                 

                    
  
 

     
     

 
  
    

110   1.
   2.       
             
      
mf pp mf

  
     

  
    
    
 
  
     
         
mf pp mf

      

   

         
 
       
        
 
113

           
  
1. pp 2. ff e più lento

  

               
       
1. pp 2. ff e più lento

               
       
    

119

       
 
 

      
    

         

         
                  
     
2. coll' 
55 428
101

125   
         
 

   
         
             
 
 
         
               
   
 
  
  
2. coll' 

  
 
131
   
 
  1.


                
    
      
     
  
         1.

 
             
      
 
 
136
       
 
f
3

3 3    
3

            
                      
f
 
      
   
    
     
 
1. 2. 
141
       
        
 

1.

      ff  


          
     
1.
     ff
                 
           
   
55 428
102

Blue Waltz
Arr.: Wolfgang Birtel
Eduard Pütz
Not too slow (h. = 56) 1911–2000
      
      
 
 

mf


             
         
  
mf
      
  
 
7
       
     

   
       
 
     

   
    
      

13
       
       
  

              
     
    
      

1.
19
       
      

               
      
          
 

© 2013 Schott Music GmbH & Co. KG, Mainz 55 428


103

2.
  
20
  
     
   

p

          


     
p
   

     
 



26
        
 

   
         
 
 
   

   
    


31
        
     

  
       
       
   
        
  



ad lib.
37
      
    
f mf


   



      
 
f mf
  
    

55 428
104

42
    
    
   
 

                  
        

     

  

48
         
    

   
     
 
       
   

     
     

54
     
      
  

       
    
    
   
     

59
        
      

f

                
       
f
       
 



  
55 428 Schott Music, Mainz 59 951

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