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WELL. TEMPERED CLAVIER --Bk.

Bach.

SCHIRMER'S

Piano

LIBRARY

OF MUSICAL'CLASSICS

VaI. 1'4

H
Well-Tempered
Clavier
For the Piano
Book 11
(CZERNY)

.SCHIRME't'.

f
OESIGN

COPlIlGHT

1939,

HNfw[O

I"tll.

SCHIRMEI.

,,..c.

SCHIRMER'S

LIBRARY

OF MUSICAL

JOHANN

CLASSICS

SEBASTIAN BACH

The Well-Tempered
Clavier
Forty-Eight Preludes and Fugues

For the Piano


Edited

by

CARL CZERNY
Wilh a Biog,aphieal Sketeh af lhe Aul~a, by

IN

__

PHllIP

HAlE

TWO

BOOKS

Book 1-

ll
'y Vol.

8_k

Llbr.,y Vol. 14

11-

G. SCHIRMER, Inc.
IIHRIf""::;;~11DClJrpmt/aD
lT17Wr:st~RrwJ

Copyright.

p,o ~

13819 Mi~tft.et, Wl532IJ

1893, by Q. Schirmer.
4 _

U. I.

Inc .

Vorwort.

P reface.

-=The principal

object

in issuing

this new edi-

tion of J. S. Bach's "Well-tempered


Clavichord"
has been to make it as correct and complete as
possible, both by means of comparison with ali
preceding editions, and by col1ating with some
earlier manuscripts,
In marking the tingering,
which renders

this issue far m'ore generally

use-

fui, two points have been steadily kept in view:


First, to keep the hands as quiet as may be,
even in extremely
complicated
passages;

Bei dieser neuen Ausgabe von J. S. Bach's


wohltemperirtem
Clavier h~.t man vor Allem gestrebt, durch Vergleichung
alie r frhern Ausgaben 50 wie einiger alter;l Handschriften,
die
mglichste
Correctheit
un! Vollstimdigkeit
zu
erlangen.
In der Angabe des Fingersatzes,
wodurch dieses Werk eine weit grbssere
Gemeinntzlichkeit
erhlt, wurde slets der zweifache
Gesichtspunkt
beachtet :
Erstens, die Hande, auch in den verwickeltesten F allen mglichst ruhig zu halten;
Zweitens, jede einzelne Stimme von den
Andern unabhangig,
streng gebunden
und
folgerecht ausfhren zu knnen.

Secondly, to enable the player to bring out


each separate
part independent1y,
with
perfect smoothnss,

and with due regard to


Der Spieler wird die d ......
an zu verwendende
the phrasing.
Mhe. sowohl auf dem Pianoforte
wie auf der
Patient study, either on the pianoforte or on Orgel, durch die gehaltreiche
Wirkung
belohnt
the organ, will be rewarded by the rich and fu 11 finden, die mit einem vollstimmigen
und ftiessenwird.
effect produced by a smooth and f10wing poly. den Spiele hervorgebracht
phonic rendering,
It has been my endeavor
and interpretation

Das Zeltmass
to indicate

tempo

work.
an extremely

rapid tempo

is ndio

cated, this is, af (ourse, meant anIy for the pianoforte.


When playing passages
so marked 00
the organ, the tempo ml1st be moderated
very
decidedly,
Those who have no Maelzel's Metronome at
hand are reminded, that the AlIegro in these old
compositions
is to be take-n, as a fule, much
more tranqui1ly and slowly than in modern works.

CARL
lnv~rted
mordent.

Drittens.
endlich nach den Ideen aufzu.
zeichnen und zu bewahren gesucht', welch,e
ich selbst durch ein mebr ais dreissigjahriges Studium dieses Werkes
in mir festsetzte.
Wo ein bedeutend schnelles Zeitmass vorgeschrieben wurde, ist es natrlicher Weise
nur
fr das Pianoforte
berechnet.
Wollte man jedoch die so bezeichneten
Satze auch auf der Orgel vortragen, dann msste allerdings das Tempo
bedeutend la,ngsamer genommen werden.
Fr diejenigen,
denen kein Maelzel'scher
Metronom zu Gebote steht, 'wird noch erinnert,
dass das Allegro bei diesen altern Compositionen
in der Regei viel ruhiger und langsamer zu nebmen ist, ais bei modernen Tonstcken.

CZERNY.
Trill

Mordent.

without after-beat.

:~:'~c:.;
~
.~

Tril1
with alter.beat.

/ir

"i"

Morde,,/,

habe icb :

Erstens, nach dem unzweifelhaften


Character eines jeden Satzes;
Zweltens, nach der wohlbewahrten
Erinnerung wie ich eine grosse Anzahl dieser
F ugen
einst von Beethoven
vortragen
hor'e;

First, according to the unmistakable


char,
acter of each movement ;
Secondly,
according
to the wel1-remembered impression ma de on me by Beethoven's rend~ring of a great number of these
(ugues;
Thirdly, accordiog to convictions matured
by more than thirty years' study of this
Wherever

und den Vortrag

T,..;Il~r
oi"e ~ackJck'aAr.

i~

Triller
mil ~acllSc"'ar.

Contents
Vol. TI
Preludio
Preludio

p"ge 2

ltAW"~

I.

Preludio

paga li

tI
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2~~I!,J'~

pag<! 10

3'I,,~,I, d"'!2&"m!fij'

GG'!,

Fuga

,,4 voei

Fuga

p"ga

WW'

Preludio

fu WJZ5JJJ

Fuga.

a S voei

Fuga

3 vod

P'K" 72

pa~ t2

a 8 voei

Preludio
Largo

pa.g~17

16

rT
paKt' 26

17

Fuga.

a 3 voei

page

18

4 voei

Fuga

lF li

t.
plI

paK" 4.0

''''lI ~.j'=t~ r
pa,f('tl 4-4

Fuga

a 4 voei

-r
Fuga.

Ir

a S voei

Ir

Fuga

'I

P"'~ g,q

4 voei

&

pag"

90

rrwf1ltJl fi

Fuga

,,3 voe i

P"~ 98

'fi\, ,-D! A~UtI Em p)iJl100IW"~


P"'~

H!O

Fuga

Fuga"

Preludio

20'1'~
Preludio

..I

. I

p.~ 8!

4 voei

3 voei

p"gll tOe

" 'WicfivfjM!t-

paF:'e 42

ao

'.'.II~I,m,

a ,Il':
page 87

a4 voei

p"ga 86

Preludio

plll("t' 32

Fuga' "

i'! r 1J~.W'Ja~

Preludio

28

JDI;J#

p"ge84

P'~_ 80

Preludio

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Preludio

Fuga.

13 '1\1",1i r::mJd Cfr di P

20

"

Preludio

pega 68

~r-

a S voei

Fuga",

Preludio

.1

page 8

11

5 ,

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f*t"iiW~~1.~Imn~ P mJil =fdco


Preludio

p"Ke .

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Preludio

a 3 voei

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Preludio

Fuga

21

3 \"oci

PtofCl' ,.;.:

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p"'y,e

108

Fuga.

Fuga

a"

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e. 4 voei

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PaRe-

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P"K" 47

112

voei

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..

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Ir

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p!

a? 1"= ICer,

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Preludio
;tI Il

pa,ll:'e54

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23

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p'Ke 122

'J1! fil J!

Preludi

a Efi I
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paga 125

r
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!

pal('t! 128

Fug~,to :t voei

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Ptob"t' 130

x@CWI'ECrF,w

Part

Secando

Preludio

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(~= UO.)

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Fuga 11.
a 4 Voei.

Moderato quasi Andante (J = 690)


o

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P sempre ben legato

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Preludio
Moderato.

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(J=80.)

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m.

Fuga

a 3 Voei.

Moito moderato e maestoso.


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(J = 76.)
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Preludio
Allegretto moderato.
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IV.

(J.=68.)

=
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17

Fuga IV.
a 3 Voei.

Allegro vivace .(i= 72.)

545

2 1

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Preludio V.
Alleg-retto vivace.(J.= 96.)
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Fuga V.
a 4 Voei.

Andante con moto (J = 80 )

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Preludio VI.
Alleg-ro vivace.(J =

126.)

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Fuga VI.
a 3 Voei.

Vivace.(J = 80.)

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Preludio Vil.
Allegretto moderato. J.= 8~J

r.
3

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Fuga VII.
a 4 Voei.
AlI egro rnaest oso. (J = lU. )

IJ

legato.

.1;,

/'

-,

,;-- ;.,-.--

I.

""'/

"'"

";.

1~ 8

.,--

'fi 'fi:;J. 'fi \

.
1

li

?-',

li

\
4 3

1 ~ 1
8

~I

J.

11

"

5
1

li

li

li

dim.

-"

2
5

4
1

.~

J J
s

J
5

'
"

--

dim.

41-

I.

:::>

"#

-------

..

.-

dim .

1~
11

8
li

8 4

3a
5
2

5
2

4
2

J:4

5 4

5
8

23

2
5

5
t

528

----J
I~'

I~

.-!!

2'

-p/I'-1

; ~~i J
t

I
4

dim.

2 8 2

Cr~8C
.. >-

6
2

2 I

6
2,

8
2

'1

vr Cf r

rl
'I

t,

vr
~
5.81

8
I

5
2
t

28

4 6

4
2

tJ~r!8C.

34

45
2

~ pp

rallent.
5

. ...11-

2 I
I

5
8
2

.rf

,',

, oi'

-I

2'

61 8,

I .8 5

I....

41

"'..
8

4'

<

' ! '
P

,
1'1

5
2,

,5l

4 8

2
4

2
I

34

Preludio VIII.

Allegro moderato.
2---41

(J=92.)

8 2 <I 2 <I

42424281

IJ

JJ

11

t
"

I>

------

I>

4'

:r-

8~

2 I

~~
4

4 1

--.~

:;

I>

..

8 2

184

I 2

I>

I>

4 2 I <I A2 I

~"

8 2 <I 2 <I I

..--:::::::::;;.

<I

-i- .

1 <I~

I~

.rf

"

sf
""'-

"

"'!

<I 2

8 I 4 2

I>

<I

I>

35

:l
:l 6

1 8

8 :l

4,

6 8 t

:l

I
t

4,:l

.1'

86

6 8

4,

p
t :l

8 :l

-------~

8 t 8

I
1

:l4,:l

814

~4,

4,

31

:l

1 6

:l

84,

t 8

:l

'-----868

4,

M'

cresc.

4,6

4,

tfi

:l

36

dim.

crcsc.

f
t

------------

.!.--

p
'-'4

5 3

3 t
5

3 5

43

3 4 1

~
2

5
1

--------------

li

crcsc.

8 1 2

24~18t324

5
3~

3432

ff
5 32

1 5

212

423

4:

.c

1-

18 5

2:1512845321

:l
5

32132134321

84

37

vrn.

Fuga

4 Voei.

8.

Andante serioso ed espressivo.

(J =fi6.)

--=
p leeato sempre.

1 23

48

2 fi

4512

28

458

11

dim.

5 4

!L54

-"

2
4

2
fi

2
4 fi

54

5 4

4 fi 2

2 1 2
6 4 8

fi

4.
818

46
2 12 48

284

fi

4
2 fi

8'---

4~
286

-"-__

84

--

f---~--I

1 fi

~;
~

:;

:;

,.

1
8

,.~

1 li
8

,.~

,. li 8

1
8

,.:;
1

:;

:;
.~

,.

crcsc.

:;
1

,.

,.

:;

39
1\
B

_____
8 "
1\

't-n
1

1 1B

B 41

cresc.

dim.

84

~B

1 ~

1\

1 B

1~

1\

11
~I\

p
,.-..

cresc.

li 3 ~

"~

1\

1\

::>

"

~ 1\

B 1

1~

8 li 4

4
1 B

~
t

84

...

11
1
1\

11

"

4
1

~ t 4

~Jm:j

dim.

..

"---""

11

1\

1\

B
1

B 11

1
1\

,.~

1
B

11

1\

11

li ~

11

11

4
2

t
1\

t
4

11

1/

11

40

Preludio
Lento moderato.
4
1

IX.

(.I: 80.)
4

8 5

leto.

---------------

,...--.....
8
4 54
1

.~---

~.

'15

:l :I :l

1 4 2

~F

dim.

('pesc.

"I

184
5

45

!l:

5
4

('resc.

Z 1 4

8
5

dim.

41

3
2

I'"

5'

~--

f
5

.5

3
5
2

2 I

l
15"';j.~

43~

.-----t--

:I 1

!E

rL-...
..,
=='....
--~-J--\~__ ~__
.
.2'~----=--=-~=1,
..
.'If

di JII

r"l'nd.

.,.i

'-

_:=.~~--

l'

4.2

Fuga IX.
a 4 Voei.

(J -

Adagio aBa Breve

l!

lO

- 60 )

:E
~

p letrafissimo
"
"

e pesanfe.

,...

-"

,.
I

-(}-

-9

1."

Il

cresc.
~

8 4

Il

5
I

Il

4 85

Il

!l I

!l

45

Il

:>

~----

!l

48

dim.t

Il

:>
!l

5
5 8

41184

Il

Il

!lI

:>

f"
:>

:>
5

#r
5

Il

Il

~;
5

Il

45

#r

4 3

1\

1 :l
8 1\

,
r
1\

:l

11

1\

:l

:l 3 1
8 1\ 4

::>

:l
1\

t
1\

4 3

31
~

r:

:l

:l

1\

:l

1\

1\

:l 4

45

1\

4
:l 844

li

ri ardo

4
:l
t

811
4
2
:l
t

r'

~t

1':'\

8
2

::>
:l
11016

1\

:I
li

2
8

\.;.I

"""'

44

Preludio X.
Allegretto vivace.
Il

4 .2

lO

cJ.~66.)

31.2

---

3
~

25

fi.

r1

.~

'"

1 o

y---:

4 .2 1 3 .2 5

4 1

3 ~
.

li

-"-

.2

11'

~.

-------

':'3

--. ----: ..

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1o.I

1 .2

'--"

lO'

c1'e:;;~t.#

.2

--

--

1.2

,.----

li
5

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li

cresc .

---

------

.2

. :.---

-"Z

--

Ii~

i!

:.---f .--

::>

1
4

-.

fI.-.L

::>

l!iii[::

::>

"'--

".

li 1

"

;.~Ii

"4

"-

.2 t 3

~iI

I~

':'

.-

t 4

..

11.

cresc.

~.#

.---

.2 li

l..---

P""""

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8 .2 t

..

1 8

8t~

.2 1
1.2

--:>

45
4

--

. '"'

li 4

li" <Ir

li

li

2 I

'-...

'l

' 4

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f'

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,;;;;

21"~

" 3.

b~

li 2

li I

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h.

I 4

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!to

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3

11 .

.....--....
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:...
o

1'.

'-

....--....
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{I

li I

4 I

;;;

dim.

--

.../

-82

<Ir

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:>

f.
4 I

I'-..

h.

- ....--....

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r~

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..

cresc.

w .~.

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:'iJ

li

T"<;

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4~2

4!-

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- li

IL

fp

<

1-

I'

12

li

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II~

li

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..

4 I

4 I

____

4-3 I

46

C1'080.

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dim.

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u.

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fi

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li " /'

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5
1

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2 8

1 4

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O1'e80.

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8 1

47

Fuga X.
a 3 Voei.

Allegro vivace.
8

(J: 80.)

4. S
1\
1

4. I>

3 )

I>4.Z1

I>

.tl The 16th-note and the 1a.t of the three 8th-notes are to be I'layed exactly together.
11016 .,) The 88me here, and everywhere throughout the Fugue, wlaere this division of the beat appears.

1\

48

::> 3

-=5

-=

2!l

-,
<,

~,

-----

dim.

l~

-...

3
5
:I

21

,
5 2

p
I

321

4 2

I
3 4

,.

2 1

.,-.-:::'It
ift.

r.

"

--=-r-

:.

_,o

,. 3

,.
2

:.
2

32

,
49

li

Z8

li

I Z 8

1
li

l\ 8

li 3 1

3
l\

r.

li

,.

a
Z I

-----1ZI

IZI

4 G
I

4081ZIZ

l'

a tempo

crcsc.

50
1
1

4
1

li
4

2 1 2

------~------~
piuf
1 2

2 1

2
li

ft

dz'mz'n.mllent.

2 1 3

Adag-io.

Allegro.

r:-.. _

,,~

-........

1j

I+-'"

M'

--.1

.,

2
1

li

11

~~

/ii'

JI
1 2

li

do/ce
ti

1 ____

2
3

ppLento

.I
1

----

51

Preludio XI.
Andante espressivo.

cJ = 10".)

1~

--

dim.

-------------5

dim.

45

Cl'esc

Cl'esc. I.

f ~

f
I

,~

14
5 -

52
84

-=

5 1

1845

-==-'-IZ

341

1Z 1

81

f
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--

,~

1 5'" 8
5

5
5
3
Zl~

45

za
1

Z 3

5
5
3
Z

--a4i

f,

--~--------

53

;1 ;

dz.m.

--

do/cc

:I

--

~'1

9.

..
I
:I

r.~ .LI rr
-.

":I

:I

6
3

"='

:I8 4

6
8

,.a ttcn.t

4
:I

-.

L-trU-1\
t-mff~au ~-C~frp~

'0"_

",1-

I~II

:I

8.
t

-e--

J
~

fl

rrr r

~ r

I.:.J

S'

54

Fuga XI.
a 3 Voei.

Allegretto. (J! = 112.)

,.

1
3

"

1 2

5
2

3
2

5
3

"2

1 2

5
2
~.

"

"

3
1

"

"

"
3
1

dim.

"

~
3

1 2

"

"
~
Cre8C.

"

1 2

li
t

li
t

r.

85
~

.b.

J.

crcsc.

S
li

,.

8 t

S
5 S

~
t

4 8
1 1 li

~ t

3
4

5/\

"

3
~ "

li

li

"

li
1

li

li

Cl'CSC.

li

1
.'

li

"

1 3 "

li

li

li

li

"

dim.
1

f
1

~
3

li

"

"~

.--.-..

"

li

3 3
1

li

3
1

"

3
1

d~'m.

fi

--- ---

li

li
t

--- '3

li

--

--"

--3

t
li

sf

Cl'C.YC.

3 "li

li
t

"

t
3

li

~ 1

.-

l~

ff
t

2
5

"

"
2

3
t

====--

cresc.

cresc.

58

Preludio XII.
Andante espressivo.
S
1

,w ~

se--;

S,w~
1

d = 80.)
f...

4J

mf

dim.
1

~ 1

1\9

-------,----------...

21 21

5 1

121

5 S2 1

5 1

crcsc.

2 1

-----

515

dim.

,,~

------

15

15"

15"

11

crc8c.

=:==-

53

"

"

60

Fuga XII.
a 8 Voei.

Allegietto

11
<

moderato.(J = 88.)

'

I:

...

dolcc

=-a

I:

,.

I I:

I:

crcsc.

dim.

4 I

I:
1

4
3

---------

3 4 3

p
~

8'

5 I:

1 I:

'--1:
1

I:

1:341:1

61
i 3

dolce

" 3 1

i 3

&

~~

p
&

~ "i

:l
&

&

&

,I'

:l 3 1

"

:l

r,

&"

'.

cresc.

-.

-----

-_ .. _-

i :l

"

t~It

&

"

:l

1 3

i "

&

r,
i

"

.....-

8.

---

f
:l 3

&"

Z i
3

3 " & "

1 3

&

3 i

"

1Z

i Z 1

&t3:l

3
&

"&

3
5

&

&

3
&

62
5

Ij,

:I

214

8 :I

5
I

8 :I 8

7
dim.

" t

~:I
:I
I

8
I

" f

"

5
:I

I 8 I :I 8 I

:I

"

4
5

cresc.

""

I> ~_t

:I

f~

".:fi
:I

:I 8

63

Preludio
Allegretto con moto.
~

XIII.

(J = 92)

-------.
1

imo

1 2

3 12

2143

24124234
1

162361

66

21

64

1 2
31

ri

4.
1

1 432

1253
1231"54,,

1HllR

35

"2

w.

65
1

1 321
1 31 2

"lip do/cc
i

l/o

l/o

1 11

3<tr

5 3

234

::>

sf

ff

a .z fi

25

1821

2 3

24

..

ff

12

12

<tr

2
4

66

Fuga

XIII.

a 3 Voei.

Allcgro moderato. (d =

1i8)

11 4

r.

.t

dlm.

8
2

li
3

i
li

8 4

li

li 4

li

li
i 84

crcsc.
::>

"
8428
i

li 3 2

li

li

8 " 8

4
i~
.

2 i

:I

r ri

li

r.:

dm.

dolcc.

i~
4

2
3

2
'\

li

84821

67
S
t
,>

"

i
t 2 4

li 24. li 4

41\

4
t

S
t

1\
t

~.

, Jl
.t

1\
2

JI S t

dim.

68
4
1

1543

34

532

4 3

!:f

t4321..1

dim.

4,13

-------3 4
1 21 2

:l:

. I'

rf
'1

1
li

li
2

-fJ1lf

3
1

1 li 3
4

')1
~~

I":'.
~

rallent.

I":'.
~
5

2 1

14 13

23212512

4542141

2.-"f- 3

69

Preludio

XIV.

Andante con moto. (Ji = 116)


53

>-

2-'

" 8

li

dim.

li

1\

cresc.

"

1\

"

dim.

,-. .
li

li

.~

70

Zi

il

3
5

il

1
5

cresc.

13
~

J
3

a tempo.
dim. ,.itard.

71

"

8 2 t

dm.

2 t 2

cresc.

1 4

"

"

1\

1\

2
8

t
lil

1\

"

1\

8 2

1\

lil

"

1\

fi

1\

dim.

1
1\

t
2
1\

1
1\

"

cresc.

1\

'2

1\
t

,.

ralle1/t.

f~im.

,.
I

t
1\

1\

t.J

,.

1\

"
t

72

Fuga

XIV.

a 3 Voei.

(J = 108)

Allegro moderato e spiritoso.

~,

~.

I, 5

3 2 8

>-

"

5 4 5

~4

2 8 5

28'tr~.
~

121

2
4

24
~

5
2

"

;; 4
3

,.

'1

4
2
4

a~4
2"3'~

,.

"

~-73

'"

fi
1

~,

"

.-------------------1

li

dim.

~:I

1~

:I

li

li
Z

li
Z

fi

24

'"

.. '"
Z
4

li

:I 4
4 3

li
1

. ,H

3
2

al~

:I

'.

fi

,u.

r.

3
1

a~.

:I

li

Z
li

r.

r-

"

"
a

-------

"

z a
1

"

M~

'"

'"

r.

2 fi

5.

-T'o

>-

"--.--/~
4

>-

5,

a r.

f,

:::=:=---,
1

.. r.

..
3

74

11

/creic.

a~14

11

!la

"-..!
11
11

11

11

4118

8 I

I
I

P'

"~la~
,...-, .
a
11

Jl

Jl

Jl

11

11

11

11

"'-.1

11

11

4~

a
~

li

1\

8
li

8
I

<&
I

1\

11

li

11

75
8
8 2

G
t

dim.

"5 "

"

"325

76

Preludio XV:
Allegro vivace.

(J = 13d

8
5
I;
3

crc8c.

:la

485

:l

dl'm.

.
4

----P

:l
5

1'-

3.----

crcsc.

35

5 I ~ I

77

1 .\l 3.\l

8645

.\l
8

8 1

---

31 4

31421

8
8
#'

.\l

.\l 5

8.\l

>-

.\l 84

.\la

4 8

.\l

.\l 84

.\l

.\l

.\l
8 5

.\l 5 1

1 .\l 1

.\l

.~

8J

#'

.\l 1

1 .\l 1

f
8

78

Fuga XV.
a 3 Voei.

AlIegretto vivace.(J.:

1 "

81 21 1.1 I

li

76.)

--

"

5 "

1.___.....

p leggzermell_,e .

3 " 2

creu:.

2 8

1/

1 5

3 5 "

4 2

1 2

2 5 4
32.
t4~

3
1

cre

1 2

3 1

24 t
5
2

~
251525

231"JN

:>

dim.

"

1\

11

I
eJ

- j----s-:J
f

cre8C.

Jl#.J

.-

1 2 "

" 2

1~

l"--"-'l"
I

f:

iiEiiiit

l Y.

r-

5
1 2

3 4

n-, .

'.1 Tl I~

to'

--......

711
8-

li

I 4 li

8 I

I 4

I 8 5 4

5 4

5 4 ~
3
I

4111~<Y

4 I

8 I

,.

:;

______
li

~ I 3

li

.--..

45

411

8 1I~

11 48

di

I ,2 t

80

Preludio
Largo.()Jo

80.)

li ~

:J."

XVI.

11 I

~--I;

"

:l

I;
I

:I

I;

"-

-+.,---

.---

_':."_--~::=i'
,

~==fi:
5
I

5
4 3
2

---,-.11..._

2"

"

zr

-Z--.

"-

--- ------:;.m.
--~==--:-2

4 2

".2

I;

2 li

~.
5

15

oi

I 2

=
3 4

CI'CS{'.

I;
I

- -

-~

35
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5
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82

Fuga XVI.
a 4 Voei.

Andante cor: moto.(J = 8'1.)

pesante.

1\

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2
1

li 8 "

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dim.

li

8
I

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li

86

Preludio XVII.
Andante con moto.

(J = 72.)
41141

8~14

------

~4

11

logato.

C1'08C.

1
" 1 8
I"

-==fp

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87

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5 1

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14 ~1

88
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fi 8

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p
t

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I

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90

Fuga

XVII.

a 4 Vo~i.

,.

...
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3 "3

P dolce legafo.

~--------"
1

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93

Preludio
Allegro moderato.
814

&

1 8 ~

XVIII.

cJ = 100.)
1

8 4 1 ~

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4
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96

Fuga

XVIII.

a 3 Voei.

Moderato

e quieto.

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(J. =

56.)

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se1lljJ1'clegato

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8
8

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45

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100

Preludio

XIX.

5
1

.-

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crcsc.

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35

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101

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1

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f
B

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5

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creu.

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102

Fuga

XIX.

a 3 Voei.

Allegro modera to. (J =

96.)

legato.

f.__-----.-

t 4

--

p
3

:t

"

:t

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11

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11

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3

11

11

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3
3

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46

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11

8 11

103

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dim .

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104

Preludio
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molto espressivo.

2 ____

fi

-\

XX.

(.IJ, 92.)

--

...

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l~

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pp lt>gatissimo sempre
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cresc.
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pp

3 1 3

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2
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pp

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105

..
erese.

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crese.

dim.

dim.

dim.

pp

106

Fuga

XX.

a 3 Voei.

Andante

maestosso ed energico.

<J:

66.)
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pesante

4
I

5 ~

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I 4

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r-

107
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111

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2
4

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rifnr>{.

li

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108

Preludio

XXI.

li
t

p dolce legato

2 1
t

li

li

3 2 1 3

21

t 2 li

.
1

cresc.

li

109

6 1\

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3 "

a
"/

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1\
4

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3
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21

16

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5
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1

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112

Fuga

3 Voei.

fi

Alleg-retto

vivace. (J,

XXI.

lOS.)

rr

1\ ,

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2.-{'J

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114

Preludio
Andante con moto.

XXII.

ed = 60.)

legafo

1
5

3
1

:;\

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10
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li

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4
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115

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341

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pp
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117

Fug a XXII.
a 4 Voei.

Andante maestoso.

fs

(J = 1011.)

ft 8

2 11 t 8

p leg-ato

erese.

('rese.

I;

ar
12 1

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ere.fe.

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t

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III

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122

Preludio
Allegro.

(J

XXIII.

116.)

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1/

etr

1 4 5

.'f

.rf

<ti'

,.--

t 2 ti 4

P dolcc.

crcsc.

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4 13

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rattent.
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125

Fuga XXIII.
a 4 Voei.

Andante maestoso

. (d ~60)

51

lIu ~

lo
l.
I
pega
,lsszmo sempre.

.-:.=

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127
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128

Preludio XXIV.
Allegro.

(d = RO.)

42582142

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.ff

SCHIRMER
S LIBRARY
of Musical Classics
PIANO SOLO COllECTlONS
SERIES

ALBUM OF 25 PROGRESSIVE
L.1314

Seleetions

PIANO

by Bach,

CLASSICS

Beethoven,

Ch0J'in,

Dussek, Handel, Haydn, Hummel, Kuh~


lau,

Mendelssohn,

Schumann,

ALBUM

OF 25 PIANO

L. 1315

L.126.&

1..1263

and Schu-

CLASSICS

Selections by Brahms, Dvofk, Grieg.


Henselt, Jensen, Liszt, :\loszkowski,
Paderewski, Rath, Hubinstein, Saiot.
Schtte,
SchyttE',
anu Tschaikowsky.

OF 28 PIANO
Seleetions
Field,

Mozart,
Weber.

BACII,

Schubert.

OF 32 MODERN

Sgambati,

CLASSICS

by Rach, Beethoven,
Hantlel,

Jlaydn,

Schubert,

Chopin,

Mendel~sohn,

Schumann,

and

J. S.

l..12
L. 1579

L.22
L.1527
l.. 17

l..149J
l.. H36

l.. 13

The

Album. 21 Fa\"orite
Pieces (Hein7.e).
Chaconne.
Um (trs. by Busoni).
Chromatic
fantas}'
and FU,I{ue; Concerto
in lhe Italian
St)'le;
Fantas}'.
em;
Prelude
and FU,l{ue. Am.
Concerlo,
Om. ;!.['iaJIU Scol'e (Hughes).
,
EnR'lish
Suites
(Czt'I'IlY),
Bk. I; L.18,
Bk. 11.
Fantasie
and FUJ{ut', Gm (LisztIlughes).
First
Lessons
in Bach (Carroll),
Bk. I i

l.. 1498
L.15H

L. j2J

L. 1087
l.. 20

L. U75
L.15
l.. 1628
L. 1629
L.1787
L. 1528
L.1759

French
Suites.
Two.Part
Inventions
(Busoni).
The Same (Czerny),
I.. 850.
The Same (;\'la50n),
L. 379.
Three.Part
Im'entions
(Busoni).
The Same (Czerny),
L. S:i I.
The SamL' (l\Ia~on),
L. :HW.
Two- and Thri.'e.l'art
In\"(,lItions
(Bu:wni).
The Same
(Ma~on).
L.16.
The Same (ezern)!).
I.. 81;t
The Same (Biseholf>.
L. 17i!.
18 LiUle Preludt.s
and Fug:u('s
(Buonamici).
8 OrR'an Chorale
Prt'ludt's
(trs. by
lIendel.son)
.
Partiras
(Czerny),
Bk. I; L. 21, Dk. 11.
Preludt'
and Fu/.:ue, Am (Liszt-Ilughes).
Short I'reludes
and Fttgues
(Mason).
Toccata.
C (lrs. b:-. Busoni).
Toccata
and Fu~ue, Um (trs. by Busoni).
Toccata
and Fugue,
Um (Dorian)
(trs.
by Proslakoff).
Toccatas
(lIuKhes).
The Well-Temper~d'
Clavier
(Bischotf),

Bk. I.
The Same.

L. 1760, Bk.

1117

n.

HL50252040

Clavier

(Czerny),

Bk.lI.
<', sp. L. U8:J.

Seleded
Works for lhe Piano.
For Childrt'n,
Vol. I; L. li81, \'01.

BEETHOVE:-;,
I. 970
Op.33.
L.17090p.119,
126.
I.. 621
Op.I5.
L.622

Op. tD.

I.. 623

Op.37.

L.621

Op.58.
Op . 3.

L. Li28
1.. :i
I.. 1.~.1I9
L. 1ti,.:J
l.. I

11.

L. VAN
7 Bagatell4"s.
Dagatt'l1t's,
Concerlo
lak).
Concerto
lak).
Concerto
(Kullak).
(onc('rto

Bk. 11.
No. I, C. f.Piano

SCOl't

(Kul-

No. 2, Bh. 2.PiQJIO Scol'e (Kul.


No.

3,

Cm.

f-Piano

No. 4, G. 2.Piallo

lak).
1.. 62.i

Bk.

R.

l.. IHI
l.. 1780

Score

Score
(Kul.

Conct'rto
No. 5, Eb. 2-Piollo SCOl't (Kl.l.
lak).
Contra. Dances
(Seiss).
Easr
Compositions
(Blow-Leberl).
Ecossaisses
(arr. by Busani).
Gt'rman
Danct's
(Seiss).
Sonatas
(Blow.Lebert),
Bk.
I; L,2,
Bk. 11.
The Same. Urlext
Edilion. L. 1769, Bk. I;

l.. 1770. Bk. 11.


The Same. L.301. Bk. I; L.302. Bk. li;
l.. 303. Bk. 111.
J..

],')62

Symphonit'9

(arr.

by

Singer),

Bk.

I;

l.. 1563. Bk. 11.


1..6

Variations
(B!ow.Leberl),
Bk. I; L.7,
Bk. 11.
32 Varialionl>
Oh an Original
Thernt" in
C :'ttinor (Blow),

L. 1;'11

BERTINI,

H.

I.. 13;)
L. 758

Op. 101.

DlZET,

12 LiUle Pieces and


24 ~lelodiou8
Pieces.

Preludes

(Vogrich).

G.

L. :1:i7

L'.\rlt~si('nne,

2 Concert

Suites.

BIL\IDIS. J.
L. t:JiiU
1.. I;J61
l.. 1:',1;1
L. 1368
L. l:i99
L. 1429
L. 1598

Op. 1.
0I). 2.
Op.5.
Op. I, 2,
5.
Op.10.
Op.15.
Op.24.

L. ].i,jO

Op.35.

L. 1260 Op. 39.

L.1261

Op.76.

1.. 1080 Op:

G. SCHIRMER, Inc.
OUIGH COf'YIIGHT 19J9. tfNfWfD

l..ll.

The Same (Hughes).


I; l.. 1J81, Bk. 11.

L. 113i. Uk. 11.


L. 19
L.1512

Well-Tempered

Bk.l;

BARTOK,

CLASSICS

Selections by Rach, Beethoven, Chopin,


Field, Handel, lIaydn, Mendelssohn,

Saens,
Sinding,

ANTIIOLOGY

Schubert,

and Weber.

Scar1atti.Tausig,
mann.

ANTHOLOGY

~Iozart.

ONE

'j~

Sonata,
Sonala,
Sonata,

C (Whiting).
F:m (Whiling).
Fm (B8ue1').

3 Sonatas
(Whiting).
4 Ballads.
Concerto,
Orn. 2.PiaJl0 S("ore (Hughl"s).
Varialions
and Fugue
Gn a Tht'mt> hy
Handt'1.
Variations
on a Theme
br Pa/.:anini
(Hughes),
Bk. I; L. 1451, Bk. 11.
Wallzes
(arr. by the Composer)
(\\'hit.
ing).
Capri<'Cios and InlermeuOl>
(WhitinK).
2 Hhapsodit's
(Cebhal'd,.

IIHHalllanartl;:;~ingcorparalian

1967. n G. SCHttMU. INC.

US 57.95